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A collection of 7 Victorian Mudlark mosaic items, to include an urn covered in ornate Victorian buttons, H.30cm; a gourd shaped vase with 'boiled sweet' glass mosaic pieces, H.21cm; a chunky 'boiled sweet' glass covered pot, H.12cm; a hexagonal metal backed plate with small china chips in flat gilt putty, W.20cm; a round metal backed plate with chunky china pieces in 'splodged' putty, Diameter 20cm; a large round plate with dark china chips in blackened putty around 'Edystone Lighthouse' paperweight, Diameter 27cm; and a French tea pot stand with geometric floral china chip design set in pine frame, 23 x 23cm (frame)
A 1796 pattern officer's sword of Sir Hussey Vivian, KCB, Veteran of the Napoleonic Wars including Waterloo, straight, fullered blade 32½", etched blued and gilt for half length with trophies and florets, and on one side with crowned GR cypher, and on the other with the 1816-37 Royal Arms with supporters and motto, regulation gilt hilt, double shell guard with engraved panel on the inner side, the outer shell turning up, facetted knucklebow, engraved quillon, facetted urn pommel engraved on the top, simulated wirebound grip, in its leather (restored) scabbard with gilt locket, ring and frog stud, and chape, in shaped tin case with lid and clasp, and brass nameplate engraved "Hussey Vivian Esq (7th Light Dragoons)" Sword Very Good Condition, retaining approximately 85% original gilt finish overall. Plate 19 Note: Richard Hussey Vivian, born 1775, entered the Army in 1793. In 1804 appointed Lt Colonel in the 7th Light Dragoons; served in the Retreat from Corunna; severely wounded in the advance on Toulouse. As General Vivian at Waterloo he addressed the 18th Hussars and said "18th You will follow me" and the result on the cavalry and guns was most successful.Master General of Ordnance 1835-1841. Created Baron in 1841, died 1842. See "The Waterloo Roll Call" by Dalton for further details
A Louis XVI style white marble and gilt-bronze garniture de cheminee, the portico-style clock with drum movement, painted enamel Arabic dial and urn surmount, the pair of candelabra of urn form with twin acanthus-wrapped branches on tapered pedestals and square plinth bases, H 26cm W 17.5cm (clock)
Large Edwardian Adam style mahogany chimney-piece, fire-surround with swan neck pediment and urn finial above circular bevelled mirror plate with two candle branches, enclosed by concave corner cupboards with moulded cornice, blind fret frieze and astragal glazed doors above a quarter veneered panel doors on a skirted base, H340cm, W269cm, D70cm, aperture 107cm x 102cm
A Fine Early 18th Century Ivory Fan, dated 1740's, the monture relatively plain save for gentle shaping to the edges of the gorge sticks and a rope effect to the guards with colour applied to emphasises the low relief. The double paper leaf is printed and hand coloured with great detail, some of which being highlighted with applied ground mother-of-pearl. Central to the recto, a female Chinese figure in decorated robe, holding a large fixed shaped hand screen, and accompanied by a younger female seated at a nearby table. To the left, a shaped cartouche containing two more Chinese ladies, their costume with gold highlights, the decoration around this section being that of minute patterned tiles. To the far left, a scene of ancient Europe, with stone columns and buildings behind two ladies who appear to be attending a seated gentleman, bearded, and wearing a crown of leaves, most likely a river god as he is seated by an urn spouting water, and near a river, and thus perhaps a personification of the Tiber. To the far right, a scene of local industry in the East, with chinoiserie figures wearing sunhats made from straw, gathered around a basic loom on which they appear to be weaving patterned fabric. The top border is painted to the left with tiny pink blossom and a bird in flight. More birds fly from left to right and can be noted perched amidst exotic foliage. The verso is painted with a simple scene of a rocky outcrop, again applied with crushed Mother of Pearl, a lone figure in dark robes holding a specimen plant in a pot. Marked to the bottom right ''Oct 2 Gamble according to the late Act 1740''. Guard length 10 inches or 25.5cm See a similar fan lot 7 Tennants fan sale 7/12/19, with different monture. Sold for £250 . In good order, good colour, very fine detail, an odd nick to the upper folds.
19TH CENTURY ORMOLU MANTEL CLOCK, two train eight day movement by AD Mougin, the ceramic dial with Arabic numerals, painted with a counting scene and marked W.T. Story, the pillared architectural case mounted with three urn finials, above a block base engraved with dedication, on an associated plinth, 46cm high, contained in a glass dome case
17TH CENTURY AND LATER LANTERN CLOCK BY JEFFREY BAYLEY, with 19th century double fusee, two-train eight-day movement, the chapter ring with Roman numerals, subsidiary calendar dial, the face inscribed 'Jeffrey Bayley, Neare Turne Stile in Hie Holborne Fecit', pierced double dolphin cresting, urn finial, on four bobbin feet, raised on a square-form base, 42cm high
FRENCH LOUIS XV STYLE BOULLE MANTEL CLOCK, the 5 1/2" gilt dial with blue and white enamelled Roman numerals on a brass, eight day movement striking half hourly to a bell and stamped R & C Paris & London 946, the tortoiseshell and brass rococo case with flaming urn finial, with key and pendulum, height 42cmFurther images and video (where applicable) available here
VICTORIAN EBONISED AND GILT METAL MOUNTED BRACKET CLOCK AND BRACKET, the silvered dial with 7 1/4" chapter ring and gilt spandrils, inscribed Payne & Co, 163 New Bond Street, London, 3403, beneath Slower/Faster and Chime/Silent dials, on a brass, eight day fusee movement with repeater mechanism, striking to one and chiming to four gongs, the back plate inscribed as per the dial, the case with a caddy top surmounted by an urn, gilt metal spandrils, columns and side grilles on Pan feet, height of clock 76cm, width 46cm, height of bracket 27cmFurther images available here
FRENCH LOUIS XVI STYLE 'BOULLE' MANTEL CLOCK, 19th century, the brass dial with blue enamelled numerals on a brass, eight day movement by H & F Paris, half hourly striking to a bell, the case with flaming urn finial, with pendulum, height 39cmFurther images and video (where applicable) available here
SET OF FOUR GEORGE III SILVER CANDLESTICKS, maker IC (likely John Carter), London 1816, each with a beaded, crest-engraved nozzle above an urn-form sconce, the tapering square stem interspersed with rams-head and foliate swags, above a spreading square base with urns and scrolling acanthus leaves, beaded borders, 31cm high, bases loaded
Late 19th Century French bronzed and gilt spelter, enamel and porcelain mantel clock, Vincenti & Cie, Paris, the red cellular Roman dial and two-train bell striking movement in elaborate two-handled urn or vase-shaped case with detached figural surmount over porcelain profile portrait panel, 42.5cm high including finial
Floral Marquetry Table & Mirror A floral Marquetry single drawer side table and matching strut - back mirror in late 17th C style, the rectangular table top inlaid with a floral filled urn within a scrolling frame. the lip inlaid with Ivory in an alternate pattern, spiral turned legs joined by a stretcher. The mirror similarly inlaid with bevelled plate, 86cm x 56cm, 73cm high. The mirror 91cm x 66cm (2)
A 19th Century French gilt ormolu clock garniture, of Baroque design, urn and pineapple finials, 10cm enamel dial with Arabic numerals and swags, the bell striking movement signed Ch Vcne, triple light garnitures, raised on gilt wooden plinths, height of clock 44cm (key and sun pendulum) (3)
A steel and brass mounted firegrate in George III style, 20th century, the arched backplate relief cast with winged maidens holding a scroll, above a three rail basket mounted with urn finials, descending to square section front legs with further finials and a pierced serpentine frieze, 71cm high, 69cm wide, 34cm deep
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68875 item(s)/page