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A George III Giltwood Two-Branch Wall Applique, late 18th century, in Adam style, in the form of a tripod censor with rams' head masks and anthemion supporting two candle arms flanked by husks, the supports as hoof feet, the platform top surmounted by a flambeau finial, the verso labelled York Georgian Society, no.265, Fairfax House76cm by 32cmVarious losses throughoutlarge split through urn and handles including cross stretcher suggesting that has been broken and reglued see further detailed images
A Brass Four-Light Electrolier, in the manner of WA Benson, early 20th century, with leaf-scroll branches and column over urn pendant knop68cm highA Pair of Brass and Copper Hinged Wall Gas Lamps37cm highA Similar Wall Light, converted to electricityA Fire MarkA Black Forest Wall Applique, the form of an owlA Magic Lantern (qty)
A 19th Century Italian Carved and Grey Veined Alabaster Vase, upon a columnar stand, the vase with an inverted bowl of swept leaves, the main bowl carved to the front with rose blossoms, the pedestal of fluted form with fruiting grapes and octagonal plinth (now adapted as a lamp)178cm highA White Painted Cast Iron Campana Urn33cm high (2)Pillar height - 107cm, 111cm to the circular step fixed to the topUrn with some losses to the scrollwork around the mouth, acanthus shoulders with chipping, one leaf with heavy loss, handles lacking at this point, chipping and losses to the acanthus around the socle.Main column with chipping to the central band, crack with a staple repair to the lower fluted section stepped badser cracked through/.Some scratches and wear throughout.Iron campana in good order.
Edwardian silver pepper, of urn shaped part fluted form, the body repousse decorated with bows and swags, upon a circular stepped foot, hallmarked Birmingham 1902, maker's mark H.C.B, H10.4cm, together with two 1920's silver cigarette cases, both with engine turned decoration and gilt interiors, the first example hallmarked Turner & Simpson, Birmingham 1925, the second example with monogram to top left corner, hallmarked Birmingham 1926, no maker's mark, approximate total weight 5.79 ozt (180.3 grams)Condition Report:General wear commensurate with age and use, including surface scratches and nicks. Pepper stands uneven and very slightly to one side, split to circular foot, small indentations, small solder repair to rim and rubbing to relief detail. Larger cigarette case closes flush, gilt interior with some discolouration and wear, interior springs partially broken. Smaller cigarette case closes securely but not flush, several indentations, knocks and rubs throughout, gilt interior with some discolouration and wear and signs of compression. Hallmarks slightly worn, but generally legible.
A collection of Wedgwood jasperware plaques; together with a two handled urn 33cm, and jug and various boxesHairline fractures and chipping commensurate with age and display. Surface dirt across several of the plaques. Hairline fractures around the handle of the jug and damage to the lid. Hairline fractures to the handles of the urn and damage to the seal on the tap.See images for the marks on the base of the Wedgwood urn
A collection of Royal Worcester figures, including figures with classical urns pouring water, a maiden playing the tambourine, tallest 46cm (9)Fading to the gilt and paint throughout and small markings and scratches to the exterior commensurate with age and use. Some figures have roughness to the bases. The lady with the woodwind instrument has loss to the instrument which has been repaired with discolouration to the glue and gapping where loss can be seen. The lady kneeling with an urn has a repair to the back foot with some glue marks visible with slight yellow discolouration
A pair of 19th century Derby blanc de chine vases, 16cm high; together with a two-handled vase and saucer; a Masonic jug; a moulded blue and white jug; an Art Nouveau milk jug, 20cm high, two Wedgwood Fallow dear pattern plates and other ceramic waresDerby blanc de chine vases - One has loss and visible repair to the rim with discoloured glue marks. Chipping to the rim. Loss, cracking and fractures to some of the relief flowers, with some areas of staining. The blanc de chine saucer - has some faults to the glaze which have been discoloured and some loss to the relief flowers. The two-handled urn - a fracture line running from the rim with chipping to the base and rim with discoloured markings throughout and loss to the relief flowers. The Royal Doulton jug - has chipping to the rim with markings and scratches throughout. The blue and white jug - has loss and repair to the spout with discolouration. Scratches to the surface and chipping to the rim and base. The plates, candle holder and cups - have crazing to the glaze with some minor chipping, fracture marks and fading to paint. See images.
A LARGE STORAGE JAR, THANH-HOA PROVINCE, VIETNAM, 12TH / 13TH CENTURY, glazed stoneware, decorated with incised brown glazed tendrils on celadon ground, the collar with raised lotus border and four small suspension loops below (one now missing), 32cm high Provenance: Collection of a deceased diplomat, thence by descent For a discussion of this type of incised ware produced under the Ly dynasty and an illustration of a near identical jar or urn in the British Museum, see Guy 1989, pp.44-46.
A George III mahogany and checquer strung stick barometer, the broken triangular pediment with an urn finial above a 3.75" brass dial signed 'P.Garof & Co, No 8 Hanover Street, Edinburgh', with a thermometer, some damage and restoration, 98cm highSome damage, including chips, including bottom right of door - lacking section on the face and an old patinated chip on the side.Some restoration, including reservoir cover, as hairline crack visible along the top.
A French gilt-metal mantel clock, of architectural form with urn finial, inset with Sevres style porcelain panels, the 3in (75mm) white enamel dial with black Roman numerals, the eight-day movement signed A.Simpson, 154 Regent Street, and striking on a bell, 28.5cm high (no pendulum or key).Casse fair with some genneral rubbing to the gilt throughout. Top porcelain panel has slipped down and needs re-seating. Dial good. Movement lacking pendulum and so not tested or seen running.
A continental pier table and wall mirror, the French style marble top hall table, with rounded corners on walnut base, with Limoges type plaques and urn finial base, 76cm high, 95cm wide, 31cm deep, (AF), the rectangular mirror plate on a mahogany surround, with brass surmount, and brass framed Limoges roundels, 92cm x 63cm. (2)
A carved whalebone box,early 19th century, Russian, Archangel, decorated with pierced floral and acanthus leaf panels, the lid with seated figures by an urn overflowing with flowers, paper lining, with key,29cm wide24cm deep8.5cm highCondition ReportSome panels with cracks and to acanthus foliage, discoloured bone and one rear corner to the lid with small losses to the point.
French style giltwood console table, the demi-lune marble top over floral garland and ribbon tied frieze on fluted tapering legs joined concave vase mounted stretcher, H83 W73 D32 cmCondition Report: minor scratching to the top and some losses to the undertier edge of the marble.There is general discolouration to the gilding. Wood worm to the back top rail.The urn in the base stretcher is missing the flame. Cracking to the tassel.
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68624 item(s)/page