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A large 20th century porcelain clock, having twin handled urn over circular face, the dial surrounded by encrusted flowers, flanked by two children in 18th century dress, on a rectangular base and four cabriole supports, the whole decorated in cobalt blue with gilt finish and reserves of hand painted floral sprays (53cm tall).
A French faience urn, painted with sailing vessels and shore scene to one side and a lady by water's edge on the other, a small stoneware corbel with embossed inscription "Armitage & Son Manchester and Sheffield", a Moorcroft type green glazed tea bowl and saucer (un-marked), a collection of decorative cups and saucers, a Spode "Green Leaf" decorated plate, a poodle ornament and a small honey jar and cover modelled as a log with bee to the top
Pair of Large Dresden Campagna Shaped Pedestal Urns, in the Helena Wolfsohn style, each urn with two panels decorated with printed romantic scenes after Boucher, with two further opposing florally decorated panels on a pink ground; the square plinth reflects these panels; each panel is framed with gilt flourishes on a white ground; each 16 inches high overall; blue double cross marks to undersides (wear to most of gilt)
Early 20thC Arts And Crafts Occasional Table, The Top Inlaid To Each Corner Depicting Two Angels Between A Classical Urn Surmounted By A Leopard Mask Between Acanthus Scroll Decoration, Two Roundels To Each End, One With Roman Numerals "MCMXII" Dated For 1912 The Other With Entwined Monogram "WM" Raised On Turned Suports With Cross Stretcher And Two Inlaid Circular Shelves, Top 15¾ x 24¼, Height 25½
A 19th century French enamel champleve brass and gilded metal carriage clock. The clock case with decoration of foliate scrolls on blue ground, maiden cartouche panels to the sides being surmounted by a central urn to the top with a spire to each corner, all raised on four shaped feet. The inset French brass movement with key
Anton Oberman (Dutch, 1781-1845) Still life of an English partridge hanging from a terracotta urn, with a melon, black and white grapes, peaches, apples, a pear, a plum and a walnut signed lower right "A Oberman" oil on canvas, in a Dutch frame 64 x 54cm (25 x 21in) Provenance: From a Suffolk country house.Lined canvas. Stiff undulations to the canvas. Old repaired tear in the upper right-hand corner, approx. 5 x 5in, has been filled and retouched. Small losses to ebonised veneer on frame
A French Sienna marble and gilt metal mounted clock garniture, the10cm (4in) enamelled dial marked 'A. Baulant Epernay', swag painted, Arabic numerals, countwheel bell striking drum movement marked 'Societe Clusienne S.C.A.P.H. Cluses', the case with urn finials upon six capped columns and shaped base, 47cm (18.5in) high, together with a matching pair of two handled urns, late 19th or early 20th century (3)
A 19th century ormolu and painted porcelain mantel clock, the decorated cast shaped case with fruiting urn crest above arched panel painted en grisaille with two amorini holding an urn, the rectangular 11.5cm dial below painted in the same style having Roman numerals and moon hands, Vincenti drum bell striking movement, a further painted panel to both sides, all on an elaborate base with oval panel to the centre, with velvet lined ebonised stand, 48cm high including stand 44 x 28cm (17 x 11in)
An 18th century mahogany eight day longcase clock, the break arch case with central ball finial, 12inch brass dial with strike/silent to the arch, silvered chapter ring and seconds dial, date aperture, signed 'William Kipling London' around VI, urn spandrels and six pillar movement, (case late 18th century, dial and movement earlier) 216cm (84in)
A 19th century French marble and ormolu mounted clock garniture, the neo classical style case surmounted with a bronze female bust, probably Diana, with crescent mount to her hair, above a black dial marked 'Rollin / R de Dunkerque, Paris', with countwheel bell striking drum movement, female caryatid front corners to the case, together with an accompanying pair of urn ornaments 52cm (20in)
A 19th century three piece champleve enamel clock garniture, the bronze case surmounted by a two handled urn above 8.5cm gilt dial, bell striking drum movement, all flanked by two quivers of arrows, upon a shaped base and disk feet, with an accompanying pair of amorini stem three light candelabra (3) 41cm (16in) one candlestick repaired (see photo). Surface lacquer worn in places. Enamelling mostly in good order, though dirty in places. Movement not tested for any length of time.
Three 18th century memorial rings, the first with an oval grisaille-painted ivory plaque depicting a grieving woman by an urn under a weeping willow, to a plain white enamelled band inscribed 'Jane Dyne, Ob 13 April 1781, Ae [aetatis=aged] 14' ; the second of flattened ropetwist form with interlocking black enamel bands inscribed respectively 'Jane Wowen, Ob 10 Dec 1758, Aet 60' and 'John Wowen, Arm [armiger=has the right to bear arms], Ob 1 June 1760, Aet 74; the third with a near-circular glazed plaque depicting in gold two hearts beneath a crown, closed back set to a wavy black enamelled band (damaged) with worn inscription reading 'E.S [?], Ob 25 Oct 1767, Ae 58'; ring sizes respectively N, H½ , K-L (3)
A George III mahogany cheval mirror, height adjustable plate with tambour slide mechanism encased within the frame, urn finials and on swept legs and brass casters 158 x 69½cm (62 x 27in) The tambour mechanism needs repairing and there is evidence that there were sconces fixed to the sides.
A 19th century mahogany barometer thermometer with broken arched pediment with central brass urn form finial above a stylised floral marquetry inlaid panel. The thermometer with arched top and silvered back plate flanked by two marquetry inlaid shelves. The silvered dial with retailer’s name ‘A Pagani, Nottingham, warranted’ above a floral marquetry inlaid lower section. 10ins wide by 38½ins. Est £70-100
AN EDWARDIAN SILVER CHAMBERSTICK WITH EXTINGUISHER, makers Barnards & Dubock, London 1902, the detachable drip pan (1903), in an urn holder on a dished circular base with plain ring handle, the extinguisher now detached from chain, all with straight gadrooned rims, 3 1/2" diameter, 7ozs 8dwts total, originally part of a desk standish
A FRENCH WHITE MARBLE AND ORMOLU MOUNTED PORTICO CLOCK, 19th century, the twin barrel drum movement with outside count wheels striking on a bell, 4 1/2" white enamel dial with Arabic numerals signed Guibet Paris, the case with a laurel wreath surround and with urn surmount with floral spray, stepped demi lune support with four columns and urn finials, beaded edging and turned feet, 11" x 5 1/2" x 23" (Illustrated)
A GEORGIAN PINE AND GESSO CHIMNEY PIECE, late 18th century, the inverted breakfront shelf with lambrequin edging, fluted frieze with composition tablet depicting a classical figure scene, the jambs with urn over stiff leaf banding, lion mask below with fruiting oak pendant, on plinth, 69 1/4" x 7" x 63"
A VICTORIAN WALNUT FRAMED CLUB SETTEE upholstered in a cream weave, the padded back with panelled straight top rail applied with roundels, padded open arms with lotus carved terminals on turned urn shaped supports, bowed overstuffed seat, on turned tapering front legs and splayed back legs, 49 1/4" x 21" x 39"
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68904 item(s)/page