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A SATINWOOD AND PARCEL-GILT BREAKFRONT DISPLAY CABINET IN ORIENTAL STYLE, EARLY 20TH CENTURY decorated with black and gilt lacquer chinoiserie panels, the pagoda cornice with fret-galleries and urn finials above three astragal glazed doors enclosing glass shelves, above a pair of cupboard doors on bracketed supports 208.5cm high, 156cm wide, 45cm deep
A pair of George VI silver twin branch candelabra, each scroll branch with urn shaped sconce, detachable nozzle and drip tray, on a baluster column and cut cornered square base, Birmingham 1938 by Hawksworth, Eyre & Co Ltd, height 29.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two trays of mostly china to include: Court ware lustre centre bowl, Maling 'Peony Rose' trinket bowls, Crown Devon lustre pedestal two handled urn, carnival glass bowl, copper lustre dresser jug, glass etched centre bowl, Alfred Meakin coffee pot, two willow design small platters. (2)(B.P. 21% + VAT)
A FRENCH GILT-METAL MOUNTED PARIS PORCELAIN MANTEL CLOCK WITH JAPY FRERES MOVEMENT19th CenturyWith white enamel dial and blue Roman numerals, gilt metal case with scrolling serpent-capped front feet brackets either side of a female mask cartouche, inset with Sèvres style plaques to the front and sides, surmounted with an enamelled urn finial, with twin-train movement, 38cm highCondition Report:We have not had this working in the saleroom. One side panel with crack. Gilt case and mounts generally in good order; one leaf on the finial is bent inwards and urn handles loose. Slight evidence of rust on the dial. Would benefit from a clean and professional service.
A LOUIS XVI STYLE GILT-BRONZE THREE LIGHT WALL APPLIQUEEarly 20th Century The tapering backplate mounted with an urn finial, the arms swagged with drapery43cm wide 59cm high**This lot is subject to 20% VAT on the Hammer** Provenance: o Spencer House, St. James’s, London. Please refer to the Bellmans website article for further details
A LARGE TOLE-WARE CHINOISERIE DECORATED TEA CANISTER AND A LOUIS XVI STYLE GILT-METAL LAMP (2)19th CenturyThe canister decorated in gilt with a costumed woman dancing, surrounded by plants and Greek key border, 36cm high, together with an urn-shaped lamp on a circular pedestal base, 35cm high including fitment
A GEORGE III ORMOLU CARRIAGE CLOCKColeridge CollectionThe case decorated with a swag between dolphin feet, an arched sunburst cover to the top surmounted by a winged figure, with white enamel dial, with ‘Anthony & Marietta Coleridge Collection’ label, 21.5cm highProvenanceThe Anthony & Marietta Coleridge Collection.Condition Report:Cover detatched from the main case, figure and scythe loose. Glass lacking at the front of the case. Back nael slightly loose. One set of feet loose. Wear and marks throughout consistent with age. See images for further details. Main case measures 10.5 cm wide across feet, 5.5cm deep, 12.5 cm high to the top of urn finials on each corner and excluding domed cover and figure, 21.5cm high including the figure and dome.
A pair of Ormolu & Sevres porcelain 2 handled classical urn shaped table lamps with polychrome on reserve panels of young lovers against a "bleu celest" ground, height 41cm (electrical fitting require replacing)Metalwork appears OK and complete.Porcelain has loss to gilt borders and other decoration but appears in good condition with no obvious damage, repair or restoration.
A PAIR OF CONTINENTAL URN SHAPED BEDSIDE CABINETS IN NEOCLASSICAL TASTEEach with a simulated marble top above a drawer and cupboard door82cm highCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The surface condition is dirty and with surface marks and stains, these appear to have been 'barn stored' or similar peviouslyThere are chips, losses, scratches, marks to the surfaces, some missing paint and some chips and losses to the underlying timber in placesThere are splits and cracks, the stems especially, the cupboard doors have their locks engaged, there are no keys, one cabinet door will open. the drawers do not have locks, the handles and escutcheons are assumed to be originalPlease refer to additional images for visual reference to conditionThe diameters of the tops are 40.5cm Condition Report Disclaimer
A PAIR OF REGENCY EBONISED, GILT AND POLYCHROME PAINTED ARMCHAIRSCIRCA 1815Each 87cm high Together with a similar, later, urn stand, the underside with old label for 'The House of Philip Oriel', 71cm high(3)Condition Report: All elements in this lot with marks, knocks, scratches, abrasions consistent with age and use, old splits and cracks, some chips and losses,The chairs:One with damage to the rattan seat, the other appears to have been replaced and is in better condition, both with flaking and losses to the painted surface and the frames appear to be solid and stableThe table:Also with wear and losses, the undertier with wear and severe scratching, old breaks visible to the rails supporting. Please refer to additional images for visual reference to condition Condition Report Disclaimer
A PAIR OF FRENCH PAINTED WOOD AND UPHOLSTERED ARMCHAIRS IN LOUIS XVI STYLEMID 20TH CENTURY AND RECENTLY UPHOLSTEREDThe silk upholstery in 18th century taste with urn of flowers amongst scrolls102cm highCondition Report: Overall the condition of the seat and back fabric is reflective of the lack of significant age or use in a domestic setting, this appears to be a recent addition and professionally applied. The side fabric with some sagging, marks, and old holes, this would appear to be older than the seat and back fabric. It gives nice contrast but does not match the pattern or freshness.The frames with rubbing and wear to the white painted surfaces, this would appear to be largely simulation to give the antique appearance and impression of age that these chairs certainly lack. The frames are entirely solid and stable, Dreweatts cannot guarantee the originality or condition of the frame beneath the later upholsteryPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A gilt pine and composition and marble mounted console table in Louis XVI style, 20th century,: the 'D' section striated rouge and white marble top above a frieze of recessed formalised laurel, with central pendant scallopshell swagged with husks, on twin fluted and foliate moulded legs with a swagged urn mounted hooped stretcher, 91cm high, 128cm wide, 37cm deep
A pair of carved and giltwood framed wall mirrors in Swedish early 18th century style, early 20th century; each with each with a fruit and foliage filled urn finial in relief above an arched top, supported on scrolled sides descending to further foliate urn finials at each side; above rectangular plates with marginal mouldings; 141cm high, 79cm wide
A Victorian mahogany and metal mounted hall stand of club size, in Aesthetic Movement taste, late 19th century; with an urn finial above six double hooks, each mounted on a semi-circular backplate on the circular platform top; on three straight reeded shafts with further hooks, to a circular base, on three splayed legs; 210cm high, 67cm wide at the feet
A mixed lot of ceramics including a Spode porcelain teapot stand decorated in Imari pattern 2214, circa 1820, 18cm; a pair of early 20th century Copeland Spode pottery square-section dishes with printed and enamelled chinoiserie decoration, printed marks, retailed by Waring & Gillow Ltd., 22cm; a small Derby two-handled urn, iron-red factory mark, circa 1810, 7cm; and a 19th century blue and white transfer printed pottery cup [5].
S. Marti, Paris, a decorative brass mantel clock, the eight-day duration movement striking the hours and half-hours on a bell, with an outside countwheel, the backplate stamped with the trademark of the blanc roulant maker S. Marti et Cie, the round white enamel dial having black Arabic numerals and decorative floral swags, with blued steel moon hands, the decorative cast-brass case with applied mouldings, lions-head handles to the sides and surmounted by a cast-brass urn, height 44cm.Biography Samuel Marti is recorded at Le Pays de Montbéliard, Paris in circa 1860 making blanc-roulants, with workshops in the south of France in Montbéliard, having set-up in 1839 with Georges Moser at 13 Orleans-Marais. Marti joined Japy Freres and Roux in 1863 to market their movements to such firms as L'Epee from their address at Rue Vieille-du-Temple.
A French ormolu mantel clock, the eight-day duration movement striking the hours on a bell with the backplate stamped with the trademark of the maker of the blanc-roulant Japy Freres and numbered 387, the white enamel dial with blue Roman numerals and decorative gilt-brass hands, the ormolu case having a breakfront moulding to the base, applied ormolu mounts and surmounted by an urn, height 37.5cm.Biography For details of Japy Freres see lot number 653
A George II walnut dressing table mirror, circa 1740,: the angle adjustable bevelled rectangular plate with gilt composition sight edge and re-entrant upper corners; the twin uprights with urn finials; the rectangular base with three scotia moulded drawers; on ogee bracket feet; 68cm high, 45cm wide
A George III mahogany dressing table mirror, circa 1770,: the adjustable rectangular plate held in twin uprights with metal urn finials; the rectangular base with three frieze drawers, on ogee bracket feet; 69cm high, 49cm wide, 23cm deep; and a smaller mahogany dressing table mirror in George III style, 19th century
A George III gilt bronze and brass timepiece, with enamel dial and verge movement signed P Rimbault, London, No 1084, supported by a bull on rocky open base, 27cm h Paul Rimbault (working c.1770-1785), brother of Stephen Rimbault (working c.1744-1785), English clockmaker's of Huguenot descent The collection of C. W. Briggs (1906-1971) (lots 1-429) Urn finial lacking one handle, movement untried and possibly incomplete, lacking one of the four struts that support the movement on the bull's back, originally with a lower element of marble or other as indicated by the four holes on the underside of each corner of the base. Lacks hand, much encrusted with old dirt and grime but unrestored
with a vase-shaped body, the high-domed and pierced cover with a urn finial, by Lambert & Co, London 1912; 6" (15.2cm) high; 7.5oz. ** General wear, rocks slightly on its foot, finial a bit wonky but very heavy gauge and nice quality Please contact Connor for further information connor.swanwick@lawrences.co.uk.
one with an urn finial and a bead border, by A.E. Jones, Birmingham 1912, another plain example with a reeded border and an urn finial, by Goldsmiths & Silversmiths Co Ltd, London 1914, together with another late Victorian caddy of navette form, with embossed decoration, by James Dixon & Sons Ltd, Sheffield 1900; the former 4.6" (11.8cm) high; 13.8oz (3). ** All with general wear - conditions vary Please contact Connor for further information connor.swanwick@lawrences.co.uk.
of cylindrical tapering form, with a tucked-in base and a spreading circular foot, domed cover and urn finial, decorated with repoussé--work flowers and scrolls and engraved with a coat of arms on one side and initialled on the other, by Elizabeth Goodwin, London c.1755 (date letter worn); 10.25" (26cm) high; 33oz. ** General wear, rocks very slightly in place (foot a bit pushed in and mis-shapen), 3 or 4 small dents to the body - very nice quality Please contact Connor for further information connor.swanwick@lawrences.co.uk.
A GROUP OF EIGHT LARGE CERAMIC POTS AND VASES, comprising a tall West German cream and brown vase impressed 235-47 on the base, height 47cm, a yellow, cream and brown West German vase stamped 284-47 to base, height 47cm, a blue and white vase decorated with an Italian scene, height 26cm, two Brighton Ironstone floral chamber pots, a floral vase decorated in an Asian style in blue, white and red on a dark green ground, height 25cm, a large stoneware flagon, height 40cm, a floral pink and white Victorian wash jug, a Satsuma style urn, height 48cm (9) (Condition report: the chamber pots, jug and urn all have varying degrees of crazing)
ELEVEN ASSORTED FIGURINES, comprising a Capo-di-Monte 'Cobbler' signed and marked on base, a 'Game Keeper and His Dog' figure, marked Capo-Di-Monte on the base, a 'Mandolin Player' and 'Man Smoking a Pipe' both signed and marked Capo-di -Monte, ' Drunk on a Bench' signed Elena and stamped on base, 'Drunk on a Tree Stump' signed Elena and stamped on base, a Capo-di- Monte lidded urn with applied floral decoration impressed 1322 on base (some small firing cracks), a Capo-Di-Monte 'Boy With a pipe' painted mark D/49 on the base, together with three Capo-di-Monte 'Style' figures (the 'Organ Grinder' figure has a glued repair to his neck) (11) (Condition report: obvious damage mentioned in description , most are dusty)
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68875 item(s)/page