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Lot 1495
AN INFANTRY SWORD, similar to 1796 pattern, plain blade with single fuller, brass hilt with double shell guard, urn shaped pommel, 36.5-inches, early 19th century blade with some rust, top rounded off, hilt of grip covering lacking; and a similar small sword, triangular section blade, hilt with pierced guard and pommel, 38.75-inches, mid-18th century, rusted overall, blade with some nicks, rear shell guard lacking (2).
Lot 622
Collection Of Masons Ironstone Ceramics Seven items in total to include 'Regency' pattern octagonal form jug and two handled ovoid dish decorated in blue, green and yellow oriental floral design on cream ground. Also, a large twin handled pedestal bowl in 'Nabob' design featuring highly decorative floral accents and oriental style borders, urn, foliage and chrysanthemum design on cream ground. Also small lidded urn and vessel commemorating the jubilee of Queen Elizabeth II 1977. Also a floral shaped bowl and small dressing table tray in 'Mandalay' design comprising pink, orange and yellow florals with Prussian blue accents on white ground with gilt trim
Lot 501
A PAIR OF GEORGE III ENAMEL CASSOLETTES, SOUTH STAFFORDSHIRE, CIRCA 1780 turquoise ground, gilt-metal mounted, the tops to the urns reversing to form candlesticks, each urn painted with two landscape ovals with gilt-metal foliate swags between, on circular plinths, square bases and bun feet 28cm high For similarly-decorated examples of this very rare form, formerly in the collection of the Hon. Mrs Nellie Ionides, see Therle & Bernard Hughes, English Painted Enamels, London, 1951, fig. 76, p. 140 and for further related examples from The Mort & Moira Lesser Collection of English Enamels, see Bonham's, London, 19 October 2011, lots 50, 53 and 61.
Lot 683
A GEORGE II SILVER PEPPER POT, SAMUEL WOOD, LONDON, 1738 bun top, urn form with reeded girdle, 9cm high; together with another George II silver pepper pot, Thomas Rush, London, 1739, girdled baluster, with ball finial, 11cm high 133gr (4oz 3dwt) (2) Provenance: The Collection of Myrtle Ellis (1937-2016)
Lot 500
A PAIR OF GEORGE III ENAMEL CASSOLETTES, SOUTH STAFFORDSHIRE, CIRCA 1780 turquoise ground, gilt-metal mounted, the tops to the urns reversing to form candlesticks, each urn painted with two landscape ovals with gilt-metal husk swags between, the square plinths with further landscape ovals, bun feet 28cm high For similarly-decorated examples of this rare form, formerly in the collection of the Hon. Mrs Nellie Ionides, see Therle & Bernard Hughes, English Painted Enamels, London, 1951, fig. 76, p. 140 and for further related examples from The Mort & Moira Lesser Collection of English Enamels, see Bonham's, London, 19 October 2011, lots 50, 53 and 61.
Lot 734
A GERMAN THREE-COLOUR GOLD SNUFF BOX, MAKER'S MARK FF, PROBABLY HANAU, CIRCA 1790 oval, the lid with an applied canted rectangular plaque of an urn, fountain and dog kennel, raised leaf and pellet borders, the reserves with foliate bright-cutting 7cm long Provenance: The Hoffenreich Collection of Snuff Boxes, Vienna
Lot 657
A PAIR OF GEORGE IV SILVER LARGE CANDLESTICKS, MATTHEW BOULTON & PLATE CO., BIRMINGHAM, 1822 with gadroon, shell and leaf borders, the circular bases engraved with a coat of arms, with tapering cluster column stems, urn shaped sconces and detachable nozzles, loaded bases, engraved with scratch weights 22:14 and 22:12 33cm high
Lot 257
An early 19th century French forty-three stick fan, printed and then overpainted in colourful tones of gouache with a musical soirée in a pastoral setting, the aristocrats and musicians in typical dress, the flanking black sticks ornately gilded with lyres within scrolling cartouches, foliage and trellis, mother-of-pearl guards boldly carved and centred by a flowering urn with female supporters, the sides with cornucopia and foliage, 55cm wide, framed
Lot 406
A 19th century satinwood and marquetry inlaid side cabinet, the top with marquetry inlaid central urn surrounded by acanthus leaves, flower heads and birds with concave frieze drawer above two marquetry inlaid cupboard doors flanked by floral inlaid columns, on square legs and block feet. 35½ins wide. Est £200-400
Lot 320
An 18th century style mahogany cased stick barometer, the scrolled pediment with central brass finial, silvered back plate to the barometer/thermometer. Makers name J Dancer Liverpool above a bow front lower section with ebonised urn form base. Retailers plate to the back for Garner & Marney. 39½ins. Est £70-100
Lot 1327
Good mahogany double fusee verge bracket clock, the 5" brass arched dial signed Stephen Rimbault, London to an arched plate to the matted centre with false bob pendulum and calendar apertures, also with strike/silent subsidiary dial to the arch, with highly engraved foliate back plate, within a stepped case with high caddy top, four brass urn finials and a carrying handle, 16" high (pendulum and keys)
Lot 1505
Austrian ebonised and gilt painted three train portico type mantel clock, the movement striking on three separate bells, the 6" enamel dial with central brass alarm dial, within a drumhead casing supported upon four tapering columns to the rectangular base, surmounted by an urn finial with trailing foliage, 25.25" high (key)
Lot 1523
French ormolu two train pillar mantel clock, the Vincenti movement striking on a bell (missing), the 4.25" white chapter ring enclosing a recessed centre with visible escapement, within a fluted pillared case flanked by standing semi-robed female supports and surmounted by a flat urn finial with floral swags, 21.5" high
Lot 1537
Small French ormolu and porcelain mounted two train mantel clock garniture, the Japy Freres movement striking on a bell, the 3.25" painted dial within a stepped case with further marine, rural and floral painted panels, surmounted by a Classical urn and foliate finial, 12.75" high; also with a pair of matching candlesticks, 8.5" high
Lot 1550
French Classical bronzed and gilt metal figural two train mantel clock garniture, the movement with outside countwheel striking on a bell, the 3.5" white painted dial inset into a Classical pillar attended by Cupid, upon a white and dark veined rectangular marble base, 19" high; also a pair of matching urn side pieces, 14" high (pendulum)
Lot 2305
French black slate and red marble two train mantel clock garniture striking on a bell, the 3.75" slate dial signed Imbert Perigueux..., within an ornate case applied with gilt metal mounts and surmounted by a flat urn finial, 15" high (pendulum and key); also with a pair of matching four light candelabra, 15.5" high
Lot 2310
French brass four glass two train mantel clock, the Vincenti movement stamped S.F. Paris and striking on a gong, the 3" silvered concave dial with gilded centre, over a twin barrel mercury pendulum, within a bevelled glazed pillared stepped case surmounted by a Classical flat urn, 12.25" high (key)
Lot 2313
French onyx and gilt metal mounted two train mantel clock, the S. Marti movement striking on a bell, the 3.25" dial with Roman cartouche enamel numerals signed J.W. Benson, Ludgate Hill, London, within an architectural scrolling stepped wavy case surmounted by a flat urn, 14" high (pendulum and key)
Lot 486
Silver fusee verge pocket watch, London 1863, the movement signed Jon Grant, London, no. 1789, pierced foliate engraved balance cock with urn, silver regulating disc, flat steel balance and cylindrical pillars, the dial with Roman numerals and minute markers, within an engine turned case with engraved cartouche and engine turned band, case maker 'RD', 47mm Condition Report: Movement - appears working. Dial - marks, faint hairlines, chip to the outer edge at the seven position. Glass - light surface marks. Hands - marks and some tarnishing, not matching. Case - surface marks, some mild rubbing to the engine turning, some tarnishing to the case back. Bow - light surface marks. Condition reports are provided for guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots.
Lot 1012
Giovanni Battista Piranesi (Italian, 1720-1778)REMAINS OF ANCIENT BUILDINGS AMONG WHICH STANDS THE SEPULCHRAL URN OF MARCUS AGRIPPA;IMAGINARY SEPULCHRAL CHAMBER DESIGNED ACCORDING TO THE FASHION AN ANCIENT MAGNIFICENCE OF THE ROMAN EMPERORSTwo etchings, 1835-36, from the series 'Prima Parte di Architetture e Prospettive', printed by Firmin Didot, Paris, each on wove paper, both with full marginsplate 38.5 x 24cm and 40 x 28cm, framed (2)
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68904 item(s)/page