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An Aesthetic Movement rosewood and marquetry Davenport desk, hinged rectangular superstructure above a slope top with inset tooled writing surface enclosing a small drawer and pigeonholes, four drawers to side, blind to verso, inlaid with an urn and ribbon-tied trailing bell husks, turned supports, casters, 89cm high, 56.5cm wide, 54cm deep, c.1900
A Sheraton Revival satinwood crossbanded mahogany and marquetry book or display cabinet, the bookcase superstructure with swan neck pediment above a pair of glazed doors enclosing two velvet-lined shelves, the projecting serpentine base with slightly oversailing top inlaid with scrolling acanthus and outlined with barber-pole stringing, above a long drawer, the front inlaid with ribbon-tied hammocks of fruit, and a pair of panel doors inlaid with an urn, swag and further foliage and enclosing a shelf, outlined throughout with boxwood and ebony stringing, 218.5cm high, 103cm wide, 52cm deep, c.1900
Mixed Lot: two silver casters with pull off pierced covers, the bodies decorated with medallions and ribbons with half fluted design to circular spreading bases, London 1901 and 1935, both 10cm tall, a William IV silver pepper of baluster form, pull off pierced lid with urn finial, the body chased and engraved with bands of flowers, London 1836, maker Joseph Angell, No 1 and John Angell No 1 (a/f), together with three silver trench salts, no liners, to include a pair hallmarked Chester 1898, the other Birmingham 1912, g/w 290gms
A Victorian courtsword, blade 27½", etched for most of its length with crown over "VR", trophies, scrolls, and maker's name (illegible); beaded gilt brass hilt with urn pommel and shell guard, and with bullion knot; in its gilt brass mounted leather scabbard. GC, the gilt very good (the blade polished, some wear to scabbard leather). £150-175
A Continental yellow crackled glazed pottery and gilt metal mounted urn and cover in the Chinese style, first quarter 20th century, with flanking mask ring handles, 30cm highCondition Report: Crazed by design, not examined out of the mounts, no serious damage or restoration detectedCondition Report Disclaimer
A French gilt metal and Sevres style porcelain inset mantel clock, Japy Freres, second half 19th century, the eight-day bell striking movement with backplate stamped with maker's roundel and Medaille D'Honneur, also serial numbered, with porcelain Roman numeral dial, the case surmounted by an urn to the square body and with swags and festoons above the plinth base and feet, set on an associated giltwood plinth, 42cm highCondition Report: Dreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. There is no winding key or pendulum present with the lot.The case with marks, knocks, scratches, abrasions, consistent with age and use, dirt and some discolouration and uneven finish to the surface overall. The urn finial is loose and there is no retaining screw to secure to the body of the caseSevres-style plaques with light wear and rubbing, there are some chips to the winding hole near the '7/8' position otherwise appear in good order The gilt plinth with marks, knocks, scratches, some old flaking, chipping, and loss to the surface. Also wear to the gilt revealing underlying bolePlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A pair of French cloisonné and ormolu table candelabra, third quarter 19th century, by F. Barbedienne, each formed as a stylised mythical beast, an urn on its back issuing a pierced upright with two geometrically scrolled arms with pierced foliate nozzles and drip-pans, on galleried rectangular stepped base, signed F. BARBEDIENNE, 51cm high, the plinths 19 x 12cm Provenance: Trove Gallery, LondonCondition Report: Marks, knocks, scratches, abrasions consistent with age and useSome discolouration to the gilt metal areas, some pitting, some wax deposits to the bodies from useOne glass drip tray with cracks and losses, one missing entirely. This can be seen in the catalogue and online imagesThe elements entirely solid and stable, the dangling 'charms' with some bending to the hanging wire, also some discolouration and colour variation to theseSome minor chips and losses to the enamel to the bodiesThere are 4 holes to the undersides and interiors of the bases, however there is no reason to suggest the beasts are not original or contemporary to the bases.The beasts sound 'hollow' and it is not known what the enamel has been laid into.Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A 19th century continental group in the Meissen manner of a pair of children harvesting grapes and accompanied by a goat, cross swords mark to base, incised numbers 93/73 16 cm tall approximately, together with an 18th century figure of a lady holding a chicken, raised on a circular base and in the Derby manner (af) 22 cm tall approximately, two further late 18th/early 19th century figures of a lady and gentlemen and a Royal Crown Derby two handled urn shaped vase with painted floral panel (5)
A George III silver coffee pot, by Daniel Smith and Robert Sharp, London 1776, baluster form, wooden scroll handle, domed hinged cover with an urn finial, beaded borders, foliate scroll and bead capped spout, on a raised circular foot, patched and engraved with a crest, height 28.8cm, approx. weight 27.2oz. Provenance: Purchased from W. F. Greenwood and Sons Ltd., Harrogate, May 21, 1977.
A pair of late Victorian silver three-light candelabra, by Walker & Hall, Sheffield,1898, in classical manner, tapering fluted column, urn shaped capitals with rams' heads, medallions and swags, our foliate scroll arms, each supporting a capital and with a central capital, on a raised tapering square base with bead borders, also with the possibility of making one five light candelabrum, height 45.5cm, approx. weight of branches 63.6oz. (2)
An Edwardian silver three-light candelabrum, by the Goldsmiths and Silversmiths Company, London 1906, tapering fluted oval form, with two scroll arms, each supporting an urn finial, and with a central urn capital with an urn finial, on a raised fluted oval base with a reeded border, height 56.5cm, approx. weight of branches 26oz.
A 19th century continental silver spice box, converted to a lamp to heat sealing wax and with a seal base, unmarked circa 1820, urn form, engine-turned decoration, the screw-off cover opens to reveal a burner wick the seal base inscribed 'Thomas's 122 Bond Street', with a ring attachment, height 3.8cm, approx. weight 1oz.
A George III silver chamber stick, by Craddock and Reid, London 1818, circular form, gadroon borders, urn shaped capital, leaf capped scroll handle, with a conical snuffer, engraved with a crest, diameter 15cm, approx. weight 9.9oz. The crest is that of Burness, Williams-Drummond, Drummond, Ellyot, Harris and others. Provenance: A Private Collection. Peter Francis Auctioneers, Carmarthen, 23 September 2014.
A George IV silver chamber stick, by John Watson, Sheffield 1824, circular form, acanthus leaf border, urn shaped capital, the scroll handle with a gadroon border, and with a conical snuffer, diameter 15cm, approx. weight 9.9oz. Provenance: A Private Collection. Warwick Auctions Ltd., Coventry, 30 July 2014, lot 419.
A pair of George III and Victorian silver three-light candelabra with associated branches, the bases by Parker and Wakelin, London 1768, the branch capitals by Wakelin and Taylor, London 1778/79, and the branches by Robert Garrard, London 1858, tapering fluted circular form, applied with rams' heads and garlands, with detachable drip pans, on raised circular bases with a stiff leaf border, engraved with a crest, the undersides inscribed 'No1 33=5' and 'No3 32=2', the branches with three scroll arms, each supporting a capital, engraved with a crest, and with a central urn with drip ring handles and a flame finial, engraved 'No.1' and 'No.2', height 38.5cm, approx. weight 134.5oz. (2) The crest is that of Frappe and Forte.
A George III set of two silver tea caddies and a sugar box, by Peter Gillois, London 1761, rectangular bombe form, with shell and scroll decoration, fluted pull-off covers with a fluted urn finial, engraved with a monogram, on four leaf capped scroll bracket feet, height of sugar box 15.5cm, height of caddies 15cm, approx. weight 28oz. (3)
A pair of old Sheffield plated two-light candelabra, unmarked circa 1800, tapering oval form, plain scroll arms, each supporting an urn capital, reeded borders, re-plated, plus a pair of modern silver candlesticks, London 1972, tapering oval columns, on raised oval bases, plus a pair of matching old Sheffield plated candlesticks, height of candelabra 39cm, height of silver candlesticks 30cm. (6)
A large pair of George III silver and old Sheffield plate three-light candelabra, the silver columns by Matthew Boulton, Birmingham 1814, the old Sheffield plated branches unmarked, tapering circular form, part-fluted decoration, with stylised scroll gadroon borders, reeded scroll branches each supporting an urn capital, and with a central capital, detachable drip pans, height 60cm. (2)
A George III silver Argyle, by Henry Chawner, London 1790, tapering octagonal form, wooden scroll handle, the pull-off cover with an urn finial, the interior with a water compartment with a hinged cover, engraved with a crest, height 19.5cm, approx. weight 13oz. The crest is that of Farquhar.
Royal Copenhagen blue and white part dressing table set, 20th century, printed green and blue marks, painted with blue flower sprays and sprigs, within basket moulded borders, comprising a pair of candlesticks, an oval tray, a canted rectangular tray, a vase and cover, a two-handled pot and over, a waisted cylindrical vase, a pin tray and two small potsCondition ReportCandlesticks - Some making/ fowling to both along with minor wear including some base wear.Lidded and handle pot - Wear to base and rim. Scratches to interior baseLidded urn - Base wear, some surface marking.Oval tray - Marking to base and side.Other tray - Base wear, some marking.Other items - Base wear and some minor marking and scratches throughout.Approx. Dimensions Candlesticks: Height 10.5cm x Width 10cmUrn with lid: H 13.5cm x W 8cmOval tray: Length 25.2cm x Width 18cmOther tray: L 23.5cm x 16.5cm
Chinese blanc de chine figure, modelled seated holding an urn beside a recumbent hound, on rockwork base, 19th century, 19cm high and other items, including assorted items of Staffordshire pottery including a Wedgwood 'Old English' pattern blue and white tile mounted as a stand, a 'Victoria' plate celebrating the Queen's Jubilee 1887 and other items
A 19th Century cranberry glass pedestal urn, with ogee rim highlighted in gilt and white enamel scrollwork, 34.5cm high CONDITION REPORT: The top has been repaired where it joins the socle, there is glue visible to interior. Significant losses to ogee rim. Some wear to gilt bands. In need of restoration. Minor losses to white enamel.
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68875 item(s)/page