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Lot 75
Victorian carved oak hall chair, the carved back with flower head and lion mask head decoration above a blind fielded panel with tapering carved back decoration of an urn with flowers and foliage, circular moulded seat on curved front paw feet. Provenance - believed to have come from Taymouth Castle in Scotland. 98cm approx high. (B.P. 21% + VAT) A chip to the nose of the lion, some fading in places especially to the seat, structurally sound, some shrinkage splits to the base/feet area.
Lot 89
Late 19th early 20th century French grey veined marble clock garniture, the architectural clock with urn shaped finial and gilt metal mounts, Roman face and French brass two train movement striking on one bell. 45cm high, together with two matching four branch gilt metal and veined marble candelabrum supporters. 45.5cm high approx. (3) (B.P. 21% + VAT)
Lot 92A
19th century French gilt metal porcelain mounted balloon shaped mantle clock, having urn shaped foliate finial above porcelain face with Roman numerals, inset scenic panel below on bracket feet. Standing on a gilded stand and further upon an ebonised base under a glass dome. The clock overall 33cm approx. high. With key and pendulum. Please note: Charity sale, proceeds to go to the Welsh Guards Charity.(B.P. 21% + VAT)
Lot 202
British School, early 19th century- Portrait of Emilie de Gomez-Barrozo (1813-1903), aged seven, standing full-length, next to an urn of flowers; oil on canvas, inscribed on the reverse and bears old label with written inscription from the sitter's granddaughter 'ma grand-mère maternelle' attached to the central horizontal stretcher bar, 135.5 x 91 cm. Provenance: Private Collection. Note: The present work was painted in London in 1820 when the sitter was aged seven years old. The written details on the reverse tell us the following information about the sitter: Emilie Gomez Barrozo. Born in 1813 in Lisbon, Portugal. Died in Lusignan [France] in 1903, aged 90. Painted in London in 1820 at the age of 7. Married Léonard de Banes Gardonne in 1829. Mother of Láonie de Mèstral Combremont.Please refer to department for condition report
Lot 309
A Glazed Florentine Carved, Pierced and Gilded Frame, late 17th / early 18th century, with beaded sight, plain hollow and top taenia, the top with scrolling and crested leaf and flower head flanking a centred urn, lower side foliate scrollwork and twinned swags to the bottom edge, 27 x 20 cm (sight). Please refer to department for condition report
Lot 66
George III period sweetmeat basket, the pierced body with urn and garland detail below a beaded rim and pierced swing handle, standing on a shaped baluster column to a square foot with four ball feet, London assay mark only visible (to the foot), 12cm tall complete with a (probably replacement) blue glass liner, 156gms
Lot 121
A GEORGE III SCOTTISH SILVER SUGAR CASTER OF BALUSTER FORM, unmarked pull off cover with urn shaped finial and foliate engraved decoration, the plain body engraved with a crest and motto 'Forward Ours', stepped circular foot, no maker's mark, Edinburgh 1766, 5.01ozt, 155.9 grams, height 17cm (Condition report: crest worn, a few minor dints, generally in good useable condition)
Lot 238
A LATE 19TH CENTURY GILT METAL AND ALABASTER FIGURAL MANTEL CLOCK, the drum shaped clock surmounted by urn of fruit and flowers, scrolls and tools, the enamel dial with Roman numerals, eight day movement with bell strike, indistinctly stamped, on a shaped rectangular alabaster base with gilt mounts, with pendulum and key, together with a giltwood plinth and a 19th century glass dome with an ebonised base, clock height 31.5cm, overall height 44cm x width 43cm (Condition report: the movement is overwound but has been heard ticking and striking one hour fast, the figure wobbles on the base, there is a glued repair to the repainted gilt urn and a number of cracks in the metalwork, the glass dome has little chips all the way around the base edges)
Lot 282
A LATE 19TH CENTURY FRENCH WHITE MARBLE AND ORMOLU MANTEL CLOCK BY PLANCHON OF PARIS, the urn shaped marble surmount with swags and beading above an architectural style case with pierced foliate mounts to the lower case and vases of flowers to the sides, the enamel dial with Arabic numerals and painted swags, eight day movement, bell strike half hourly, named to dial and movement 'Planchon A Paris', numbered 7034, the case supported on four knopped feet, height 33.5cm, with key, pendulum and photocopy of receipt (Clock, key, pendulum and copy of receipt) (Condition report: all the gilt mounts appear complete and intact, there is chipping to the enamel around the winding holes, the clock winds and runs but isn't chiming on the correct hour or half hour, the marble case has a number of small chips along the edges as well as discolouration on the high points, there are three streaks of a dried glue? on the left hand side facing the clock)
Lot 284
A LATE 19TH CENTURY WHITE MARBLE, BRONZED AND GILT METAL FIGURAL CLOCK GARNITURE, the clock with surmount of bow, arrows in quiver in a foliate surround, the drum shaped clock case mounted as being carried by two bronzed putti, the enamel dial with Arabic numerals and floral swags, indistinct lettering 'REGARD-BE?CO', the eight day movement with bell strike by A D Mougin, the sunburst pendulum centred by a female mask, rectangular white marble plinth base with gilt metal beading, on four knopped feet, height 35cm x width 25cm, the garnitures of urn form with bronzed cherub handles, height 31cm, with key, pendulum and photocopy of a valuation dated March 2005 (3 + key, pendulum and copy of valuation) (Condition report: the clock, winds, runs and chimes half hourly, chip to the enamel above 12, some small chips to edges of the marble, otherwise in generally good condition)
Lot 55
A BOX OF ASSORTED SILVER AND SILVER PLATED ITEMS, the silver comprising a set of three George V Asprey nut dishes of circular form, Birmingham 1928, an Edwardian silver urn shaped vase, London 1905, a pair of conical posy vases on loaded bases, height 11cm, a dwarf candlestick with loaded base, a cased set of six cocktail sticks with cockerel finials, maker Adolph Scott, Birmingham 1927, a pair of George III bead pattern sugar tongs, maker George Wintle, London 1813 and a set of four Old English pattern coffee spoons, makers Arthur Price & Co, Birmingham 1928, three silver handled dressing table requisites and a badly worn silver backed hand mirror, the silver plate to include an entree dish and cover, knife rests, sugar tongs, cake knife, etc, gross weight of weighable silver 7.25ozt, 225.5 grams (Qty) (Condition report: the silver is in mixed condition, most pieces are useable, the posy vases have creases to the rims, the urn shaped vase is very thin, the hand mirror is polished through in a large number of places and missing in others, overall marks are generally slightly rubbed)
Lot 156
A French gilt metal and porcelain mounted mantel clock on stand,c.1870s, the eight-day movement striking on a bell and chiming on the hour and half-hour, the case stamped 'PHMOUREY' for Philippe Mourey (1840-1920),21cm wide28cm wide stand36cm high including stand (2)Condition ReportThe urn finial has come detached. Evidence of crude repair to urn. Other porcelain plaques have slipped in their mounts but in good condition. Imperfections to gilding, particularly to front right corner of the stand. Key is present. Ticks when wound at the point of cataloguing but this is no guarantee of working order and we would recommend inspection by a professional clockmaker. Pendulum present but not associated.
Lot 1164
18th / 19th Century rouge marble and ormolu mounted pedestal urn, the gilt finial above a pair of maskheads, bead mouldings and patera, on a square plinth base, 19.5ins high (restorations)I believe to be more like 19th Century and has had some extensive repair work to pedestal and base of urn with heavy filling, there are also areas of filling nearer the tope of the urn (see images)
Lot 342
A pair of Royal Copenhagen obelisks, each of tapering form with urn finials, square plinths and figures of cherubs holding floral swags, numbered beneath 12389, 40.5cm high CONDITION REPORT: One obelisk has a re-attached (glued) finial, a repair to the arm of one cherub and missing an end of garland, small chip to side of upper plinth. The other obelisk also has repairs to one cherub arm and end of garland, missing garland ends and a crack to the plinth base at one side
Lot 602
LARGE PAIR MID-19TH CENTURY CORNISH SERPENTINE MARBLE CANDLESTICKS, attributed to John Murphy, large urn sconces on octagonal section columns, domed circular feet (2)Dimensions: 38.5cms highProvenance:private collection Vale of Glamorgan, consigned via our Cardiff officeCondition Report:tiny nicks only
Lot 158
A George III period painted mahogany eight-day longcase clock: the 12 inch painted broken-arch dial with Roman numerals, subsidiary seconds-hand, date aperture and signed 'Jn Bailey, Horncastle' and with spandrels painted with shells, the hood with three brass finials above glazed door and fluted columns, the trunk door hand-painted in neoclassical style with an urn above a vase of flowers supported by two cherubs, the base also decorated with a cornucopia-style display of various flowers held aloft by a further cherub seated upon a swan, two weights, pendulum and key (232cm (to tip of finial))
Lot 227
A late 18th / early 19th century memento mori; the obverse painted with a grieving female figure above a tomb on which a two-handled urn is positioned with the initials W.L.P.. The inscription to the stone base reads SACRED WILL I KEEP THY DEAR REMAINS. The reverse with plaited light-brown hair, both oval glasses with hand-bevelled edges, rose-gold coloured oval frame. (6cm including suspension loop)
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68904 item(s)/page