We found 68904 price guide item(s) matching your search

A Wedgwood Jasperware urn and cover, 30.5cm, and a pair of matching candlesticks

Early 20th century brass-framed oval wall mirror, surmounted by an urn, 80cm across

A secessionist deskstand, 23cm wide, a model of a font, and a candlestick, and a Jasperware urn and coverCondition report: minor chips to the basket

A pair of French white glazed vases and covers, of urn form, with ram's head handles, on square plinth bases, 34cm high, together with a similar blue glazed vase (3)Condition report: Pair of vases - one cover repaired

A pair of French bronzed spelter urn table lamps, on marble bases, 42.5cm to top of vaseCondition report: Some repairs to both bases.Surface scratches and knocks to the bodies.Minor nibbles to the marble bases.

A 19th century white painted oval centre table, of shaped oval outline and carved frieze decoration, on swept legs with a central urn to the cross stretcher and casters, 130cm wide x 82cm deep x 74cm highCondition report: The painted surface has a Gustavian distressed finish

A painted terracotta neo-classical urn and cover, 31cm widex 81cm highCondition report: Some paint flake, but considered to be part of the distressed finish

Geslepen spiegel in Louis XVI-stijl goudlak lijst bekroond met urn en guirlandes, 117 x 62 cm.

Set of six mahogany Sheraton revival shield-back chairs by Frank Hall, cabinet maker, Farnworth, Bolton, each with floral top rail, urn interlaced splats over drop-in pad seat, raised on square tapering legs united by stretchers, including a pair of carvers, 51cm wide and 99cm high.  (6)

A 19th century mahogany hat and coat stand.With ormolu mounts having urn finial, mask pegs and raised on paw feet, 175cm.

A pair of Neo-Classical style mahogany fitted knife boxes of urn form. With carved ram masks and husk swags. Raised on spreading circular acanthus bases over square plinths, 65cm. Action working on both but stay function not quite latching. Very minor wear and superficial knocks. One with notable loss to acanthus on base and to one rams ears.

An early 20th century Chinese spinach jade coloured baluster urn and cover on hardwood plinth. With flat scrolling handles formed as a pair of phoenix with further bird carving to the cover and body, 37cm. No chips or cracks. Free from any breaks and pieces re-glued.

ADAM'S STYLE CAST IRON FIRE BASKET with fan detail and urn front finials along with another cast iron electric fire basket (display purpose only), additional fire front brassware and a set of brass fire irons and a vintage mahogany fire surround, 147.5cms H, 107cms W

A fine Royal Crown Derby twin handled pedestal urn and cover by Desire Leroy. With raised gilding on gros bleu and green grounds, with a turquoise and gilt cartouche painted with a bouquet of flowers and with a gilt spray to the reverse. Signed, printed red mark, date code for 1898-99, 18.75cm. Finial re glued only. No other damage and free from repair.

A Victorian copper tea urn

A 19th Century mahogany dressing table mirror with urn finials

A George III silver toasted cheese dishJohn Wakelin & Robert Garrard, London 1799 Rectangular form with hinged cover, domed centre with urn finial, base with gadroon rim and removable liner/inner tray, with turned wood handle, cover with later engraved armorial, length 23.5cm, weight 36oz.For further information on this lot please visit Bonhams.com

A group of Worcester porcelain, circa 1768-80Comprising a teapot, cover and stand, circa 1775-80, painted with classical urn roundels reserved within floral swags and gros blue and gilt borders, another teapot and cover painted with flowers below a blue and gilt border, a fluted canister and a teapot stand with associated decoration, and a yellow-ground moulded oval dish, circa 1768, after a Chelsea original, with vine-leaf and stalk handles, the centre painted with flowers (6)For further information on this lot please visit Bonhams.com

Two similar pairs of George III mahogany candlesticksEach with a brass urn shaped sconce on fluted and twisted stems and turned weighted circular bases, 15cm wide, 15cm deep, 40cm high (5 1/2in wide, 5 1/2in deep, 15 1/2in high) and 37cm high (4)For further information on this lot please visit Bonhams.com

An elm and wrought iron roasting spit together with an 18th century oak candle or urn stand and a walnut candle standOf typical turned design with a fork mounted to one end, the oak urn stand with an octagonal top and turned slightly flared column and the walnut candle stand with a barley twist support, 90cm wide x 41cm deep x 52cm high, (35in wide x 16in deep x 20in high) The oak urn stand: 72cm high (3)This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A rare 17th century weight driven wall clock now contained in an ebonised floorstanding caseUnsignedThe 10 inch square brass dial with large winged cherubs head spandrels framing the wide Roman chapter ring with inner quarter hour track and meeting-arrowhead half-hour marks, the centre engraved with three tulips, with large original steel hand, the movement with four turned columns and urn finials in the style of contemporary lantern clocks, (two finials altered to fit the bell and spider), now with verge escapement to a short pendulum (with evidence of previous balance wheel control), now contained in a 17th century case, 2.18m (7ft 2ins) high.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A 19th century turned walnut urn and coverThe turned cover and finial enclosing a lead liner within a globular body, on a turned circular base, together with ten other caddies and boxes, including an oval toleware caddy and an oval marquetry inlaid satinwood caddy, The walnut urn and cover 20cm high, (11)For further information on this lot please visit Bonhams.com

A late 18th century gilt-metal mounted mahogany table clockWilliam Nicolason, LondonThe bell top case with four urn finials and an applied mount over mounted front angles and cast sound frets to the side centred with a sunburst mask, on a moulded base and ogee feet, the 6.75 inch arched brass dial with Strike/Silent subsidiary over the Roman and Arabic chapter ring with plain signed centre and date aperture, matching hands and foliate scroll spandrels, the twin wire fusee movement with knife-edge verge escapement and rack strike on a bell, the backplate decorated with a plate of fruit within swags of harebells and running border 52cms (20.5ins) high.For further information on this lot please visit Bonhams.com

A late 19th century gilt and patinated bronze and metal urnDecorated with a band of putti and twin Pan handles, on a tapered base and plinth foot, 50cm wide, 33cm deep, 37cm high (19.5in wide, 12.5in deep, 14.5in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Two Victorian silver sugar castersGeorge Maudsley Jackson, London 1894, and Samuel Walton Smith, London 1887 One urn shape and decorated with scrolling flowers; the other with spirally fluted body and C scroll cartouche, height 25cm, weight 20oz. (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A pair of 19th century gilt bronze chenetsEach with urn finials united by a band of flowers, together with a set of three fireside tools, Chenets 30cm x 10cm x 30cm (5)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A set of four modern gilt metal wall lightsEach with two scroll arms and surmounted by a flaming urn, 28cm wide, 15cm deep, 43cm high (11in wide, 5.5in deep, 16.5in high) (4)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Antique pierced hinged steel and engraved fender. With dragon and urn motifs and two tapering finials. Length 146.5cm.

A mixed lot of ceramics including Duchess bowls, Royal Doulton Carmel plates, and a Tapodel urn and vase, eighteen items approx.

A lidded Porzellanfabrik Martinroda Dresden china lidded urn with floral pattern with hand tinted and gilded details on a ground of white and duck egg blue, repair to lid.

ROCHAMP LTD TABLE LAMPS, a pair, with shades, urn form, 73cm H. (2)

BALUSTRADE LAMPS, a pair, reconstituted stone of classical inverted urn form with shades, 64cm H. (2)

TOLEWARE LAMPS, a pair, black toleware of urn form with shades, 40cm H. (2)

George V Urn shaped Sugar caster on square base, 18.5cm in Height, Birmingham 1924, 112g total weight

Pair of 20th Century Aubusson Entre-Fenetres, with a central design of a pedestal urn filled with flowers, within a red/pink mount, 120cm by 250cm

Assorted 19th Century and Later Lace Trims and Edgings, comprising applique lace decorated with cornucopia; needle lace lappet; short flounce of Milanese bobbin lace etc; in an early 20th century Harvey Nichols & Co Ltd floral mounted card box and coverLace with pedestal urn – 3 light rust mark and slight wearFlounce remnant – some staining, couple of holes and wearCollar – each end has been cut, some staining to inner edge and some small damages/holesCut piece with textured flowerheads – couple of small holes and slight wearMilanese Flounce – couple of large holes, several smaller holes, rust marks, and stainingLace trim with small cornucopias – numerous small holes and some stainingThree similar trims – have pale pink marks on themLarger Cornucopia Flounce remnant – numerous small holes and wearOther items, see images and some wear

Antique coal bin together with copper urn on stand with tap.

1974 Winston Churchill Centenary: an urn shaped vase and cover by Coalport, numbered 80 of 200, 310mm (2)(Social, Political, Naval, Military, War Commemoratives)

A modern gilt framed French style wall mirror with urn and swag to top. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or authorised couriers ONLY. Restrictions apply to ensure social distancing.

A George IV mahogany framed sofa with leaf carved back and urn arm supports on tapering reeded supports, 212cm wide x 96cm high. Condition Report The upholstary is tatty, the frame is solid. Will need a polish.

An early 20th century white painted reconstituted stone urn with egg and dart rim decoration on a plinth base, 56cm wide x 80cm high. Condition Report Multiple chips on the urn with some paint coming off of the base with a substantial chip.

A Regency alabaster mantel timepieceSurmounted by an urn, with 2 3/4in white enamel dial, later French drum-shaped movement with platform lever escapement, above a rectangular base inset with a miniature of a building beside water under a convex glass, reverse painted with a tree and boat32 cm high

A collection of silver items, including a pepper pot with pricked decoration and spiral worked body, Horace Woodward & Co, London 1890, 10cm, a pedestal urn form pepper, engraved 'G', Thomas & George Hayter, London 1819, 7cm, a pair of large napkin rings, John Round & Son Ltd (Joseph Ridge), each 3 by 5cm, in fitted box, two small toddy ladles with baleen twist handles, a George III silver Peter and Ann Bateman cream ladle, London 1792, 12.5cm, set of four Georgian teaspoons, a toasting fork, 22cm, a large butter knife, 19cm, and six commemorative teaspoons, five with enamel terminals, each 9cm, 14.98toz total weighable silver. (23)

A collection of George III and later silver cruets, comprising a pair of late Victorian cauldron salts with three shell mounted feet and blue glass liners, William Hutton & Sons Ltd. Sheffield, rubbed date mark, 6.3 by 3cm, an Edward VII mustard pot of octagonal form with shell mount to single handle and pierced decoration to main body, Hilliard & Thomason, Birmingham 1902, 8 by 3.8 by 4.7cm high overall, a pair of salt and pepper cellars of urn form, Henry Williamson Ltd. Birmingham 1902, 8.4cm high, a George V salt cellar of urn form, William Neale & Son, Birmingham 1928, 7.3cm high, a George VI egg cup, rubbed maker's marks, possibly W I Broadway & Co. Birmingham 1947, 5.5cm high, a George III condiment spoon, Peter & Ann Bateman, London 1802, 9.5cm long, a pair of salt spoons, J B Chatterley & Sons Ltd. Birmingham 1941, each 6.4cm long and a salt spoon with beaded decoration, William Hutton & Sons Ltd, Sheffield 1915, 7cm long, 7toz overall in weighable silver. (1 bag)

REPRODUCTION ITALIAN GILTMETAL AND WHITE MARBLE CLOCK GARNITURE, two train eight day movement, the white enamel dial with Roman numerals, contained in a lyre shaped case, 63cm high, with two matched eight branch candelabrum garnitures of slender urn form

19TH CENTURY FRENCH ORMOLU CLOCK GARNITURE, comprising clock and a pair of urn form side ornaments, the clock with two train movement, the blue enamel dial with white Roman numeral chapter markers, inset Sevres style panels, 35cm high, raised on a plinth

LATE 19TH CENTURY FRENCH BRASS AND CHAMPLEVE ENAMEL CLOCK, the two train movement by A.D. Mougin, the dial with Arabic numerals, the pillared case surmounted by an urn finial, on four bun feet, 38cm high

19TH CENTURY FRENCH ORMOLU MANTEL CLOCK, with two train movement, the white enamel dial inscribed 'Hry MARC, Paris', the case with urn finial and inset Sevres style ceramic panel painted with two putti, 36cm high, with plinth

EARLY 20TH CENTURY GILT METAL MANTEL CLOCK, with two train movement, white enamel Arabic numeral chapter ring, the architectural brass case with twin handles and urn finial, on bracket feet, 40cm high

EARLY 20TH CENTURY FRENCH GILT METAL MANTEL CLOCK, with one train movement, the white enamel Arabic numeral dial painted with birds, cast brass case with urn finial, on bracket feet, 49cm high

Mason's Ironstone Part Dinner Set, Patent Ironstone China in a' Rose and Urn' Imari style pattern, comprises 10 dinner plates, 8 inches (20cms) in diameter, 1 large bread dish, 9 inches (22.5cms) in diameter plus 4 cups and saucers (19)

An Attractive Mid-18th Century Ivory Fan, the upper guards carved and pierced quite elaborately in a vertical panel, silvered and gilded. The fine gorge sticks are designed with two side oval features, bordered in gold, filled with classical objects, the central sticks featuring a large lidded urn. Gilded and silvered throughout. The vellum leaf, mounted à l'Anglaise, is painted centrally with a cottage by the river, from which can be viewed the nearby church and a sailing boat on the water. A lady looks out from the half open door, another lady in pink stands on the path, and two gentlemen in hats and one with a walking cane, approach. The scene is bordered in brown with gold painted detail. The reserves have a light and airy feel with delicate flowers and tendrils, some in bunches, others merely a single bloom, and intermittent tiny gold stars. The verso is painted with a single flower. Guard length approx. 10.75 inches or 27.5cm. Together with A Fan in Similar Vein, the central cartouche of the vellum leaf mounted à l'Anglaise, painted with two young couples taking their leisure by the riverside, one gentleman fishing, the other playing the pipe, a goat and dog at his feet. Two side vignettes are painted with tokens of love, and a beehive. The monture is silvered. The upper guards are incised to give an unusual basket weave effect, over which are carved two paisley boteh, and flowers. The gorge sticks have the same ground, and rather unusual design, complementing the boteh on the upper guards. Probably Dutch. The verso is painted in pastels with a simple spray of flowers. Guard length approx. 10.5 inches or 27cm. (2). The first fan is surprisingly sound and clean for the period. The upper guard lacks one small detail, a twisted white metal bar which is present in the lower guard. The monture on the second fan is unusual, and the silvering retains shine.

An 18th Century Ivory Fan, the monture Chinese Export, with some quite unusual features to the carving. From the shoulder, the carving is designed in bands, quite geometrical, other than the horizontal band at the shoulder, and the curve and quasi heart shape lower down the gorge. The double leaf, in pale yellow, has a central cartouche, engraved and lightly coloured en grisaille, with a detailed image of an 18th century lady tenderly gazing at her young child. The scene is bordered with small sequins, which are also a feature of painted swags to the top of the leaf, alternating with small colourful painted flowers. Together with An 18th Century Ivory Fan, French, the cream silk leaf painted with figures in fine and extravagant 18th century costume, the central cartouche a colourful depiction of a lady and her suitor at the altar of love, with two white doves, a lady's companion observing. The suitor appears to be leaning on a sheep, to his right. To the left, an oval vignette featuring a musician wearing a powdered wig, breeches and a long coat. To the right, a lady in virginal white open robe, large plumed hat, wistfully gazing into nowhere. Decorative urns full of flowers, and tasteful side borders with scrolling and classical objects fill the reserves. Gold sequins border all three painted scenes. The verso, a fine gauze, is plain. Guard length 11 inches or 28cm; and A Third Fan, 18th Century French, the cream silk leaf mounted on bone and painted very classically with an urn, flowers spilling from the top, other flowers including bright parrot tulips to the reserves, and further decorated with swags of small gold sequins. Simple monture lightly gilded. The verso is plain, note initials in ink to the left, possibly CJE/MD. Guard length approx. 11 inches or 28cm (3). The first fan has replaced upper guards, being more European figurative than Chinese Export. Some general soiling, seen from the verso. Well executed facial features. The second fan has been framed, probably due to the delicate state of the silk, the gauze backing seen to have losses, and lots of repair has been undertaken. The third fan has damage and repair to the leaf, the clear tape now yellowed. The gilding is dull.

A Good Mid-18th Century Ivory Fan, the monture of white mother-of-pearl, silvered and gilded. The upper guard features a large classical urn. The gorge sticks, shaped with narrow ovals on four sticks, the ovals contained within straight sticks on others, are also decorated in classical fashion. The theme of ovals continues to the leaf, the recto having four ovals, equally spread, the reserves featuring chickens to the left and a dog chasing a hare to the right. The outer painted ovals depict harbour scenes, with stone towers, sailing boats and workers about their business, related seemingly to fishing. The central ovals feature gentle pastoral scenes, with a suitor offering a flower to a maiden, and a lady seated, having gathered flowers. The verso is plain. Guard length approx. 10 and 5/8 inches or 27cm. Together with A Second Ivory Fan, the colourful double leaf depicting a maiden and her suitor, the latter in uniform with breastplate and plumed helmet, paying homage before an altar of the Goddess of hunting, Diana, her hunting dog to her side, Cupid in flight, his quiver and arrows on the ground beneath him. The monture is carved and pierced, with a central cartouche. The verso features simple floral sprays painted in gold. Guard length approx. 10 inches or 25.5cm (2) . The first fan has been framed. probably due to repair seen on the lower guard, and glue noted on the other side. The leaf is actually very clean and sound. Some rubbing to the folds. Slight crumpling to the top edge of the leaf. Very slightly splayed when re-folded. The frame is available within the hammer price, should the purchaser wish to take it. The second fan is quite badly damaged, with full splits to some folds, a broken guards and repairs to a broken gorge.

A Mid-19th Century Mother-of-Pearl Fan with deep and heavy gorge, the double paper leaf a hand coloured lithograph showing an outdoor social gathering with couples in their finery, some ladies with folding fans. The gorge, in white mother-of-pearl, is extensively carved and pierced, the central focus, in gold, offset by a lattice carving, showing ladies in extravagant gowns and a suitor on bended knee. The sticks shoulders are cut away before meeting the narrow leaf. The verso with cream background features a medieval castle with two couples, the men in tunics, listening to music. Some floral gilding to the gorge. Fitted with an elaborately shaped gold metal loop inset with green stones. Guard length approx. 10.5 inches or 26.5cm. Together with A 19th Century Painted Brisé Fan with tortoiseshell thumb guards, the recto painted in Vernis Martin fashion, with young people gathering to play music in the outdoors. Two couples in 18th century costume, and two further maidens gather flowers for garlands and generally pass the leisure hours in company of their friends. The gorge is painted in delicate fashion with flowers in a central cartouche, and dragonflies and wild flowers to two side vignettes. The verso is painted with a riverside scene with habitation on the opposite bank and a grand garden urn on pedestal to the right. Guard length approx. 7.75 inches or 20cm (2). The first fan has complete splits to the leaf in two places, repairs to the leaf as seen from the verso, and some light staining or glue residue. Gorge sticks show signs of old repairs. This fan has been framed and will not re-fold. Frame available within the hammer price should it be required. The brisé's ribbon is defective.

Two 19th Century Ivory Fans with unusual montures, the first with a narrow leaf thus a smaller upper guard, this being carved with a classical urn, and silvered. The lower guards and gorge widening at the shoulder and descending with roundels at each side of a central V, some gilded, some silvered, tapering into a single row of slightly larger roundels until meeting the head. Shaped white metal loop. The narrow black gauze leaf, embroidered with sequins, is edged with black ''blonde'' handmade bobbin lace. Guard length approx. 10.75 inches or 27cm. Together with Another Ivory Fan with interesting monture, skeleton to the gorge, guards wedge-shaped with wide tips, the upper section carved with flowers and a cherub within a sloping frame. The lower guard sections are carved with more such frames, these enclosing different features such as a bird or a ladybird. The gorge sticks, of differing widths, either continue the ''frame'' design or alternate with flowers, with traces of gilding. The double paper leaf is divided into sections, three of which are painted. The central cartouche depicts a lady and her suitor who appears to be carrying a set of bagpipes. To each side, smaller vignettes feature a lady in a rural setting, or a man in similar surroundings. In between, panels painted with pale blue backgrounds feature delicate flowers or appliqués of coloured foil. All sections are bordered in gold, with an exterior background in dull turquoise finished with gold. The verso is painted more crudely with a landscape, and a larger version of the lady in the vignette to the right of the recto. Contained in a card fan box with glazed green paper to the exterior, the inside lid with paper label for Duvelleroy, the name printed on a folding fan, and the addresses for London at 167 Regent Street and Paris, at 17 Passage des Panoramas. Guard length approx. 10.25 inches or 26cm (2). For the first fan, note wear to the black gauze. One gorge stick has been repaired from the mid-point to the tip. Another three are in need of similar restoration. The silvering is now dull, whereas a lot of the gilded roundels are still bright. Fan 2 has a grey look to the monture but this might simply be that it needs extensive cleaning. One gorge stick is broken with a section missing. Some of the foil appliqués are missing from the leaf. The box lacks one end. The label is clean.

A Panel of 18th Century Coloured Embroidery on very fine lawn, a part-flounce, the silk embroidery worked in large and repeated motifs. Acid green leaves meander up from the scalloped hem, enclosing royal blue panels with light and dark pink and soft gold detail. Approx. 35.5 cm or 90cm by 7.5 inches or 19cm; seven further 18th century or earlier embroidered fragments, the first the end of a larger article, most likely ecclesiastical as the focal point is a gold embroidered lamb with a cross above. To the reserves, fine and colourful silk embroidery of flowers and leaves, supplemented by some gold metal thread work. Bottom and sides are edged with gold bobbin lace. The top edge is turned under, and a pale turquoise fine silk panel has been added as backing approx. 18 inches or 46cm by 6 inches or 15cm; two cream silk panels, probably part sleeve ruffles, embroidered in tambour stitch in strong colours of red, various greens and mustard, both gathered near the top, backed in part with acid green silk, one fragment edged with bright green and yellow bobbin lace, the lace for the other panel detached but present. Approx. 5 inches or 12.75cm by 10.5 inches or 27cm, the panels not quite equal in length; a dark cream silk square embroidered panel, probably the front of a reticule. Embroidered with small flowers in pastel silk threads, a border meandering around all sides with the addition of a with a metal flower-shaped spangle to the top and bottom edge. Centrally, a slender tree or bush with drooping flowers, atop which are perched a pair of creatures or love birds; a small shaped panel embroidered to the edges in light green and featuring a urn of flowers. Approx. 5.75 inches or 14.5cm square; finally, a lilac silk panel delicately embroidered with pale green leaves and tiny pale pink fruits. A cream gauze ribbon applied in sections, alternatively showing the simply embroidered front and the cream net back. The bottom and sides are hand hemmed and the far right is the selvedge. The very last 2 inches have a cream silk backing suggesting the panel was part of the robe's hem. Approx. 21.5 inches or 54.5 cm by 4.5 inches or 11.5cm (7). The ecclesiastical panel has a large hole to the left side and around/under the lamb the cream silk is splitting. The smallest panel has almost entirely distressed silk ground. The tiny panel is distressed.

Continental School (19th/20th century), Still Life study of flowers in an urn, oil on panel, 28 x 21cm

A Victorian cast iron Punch door stop and a small cast iron campana shaped garden urn

A classical style cast iron campana urn, with inverted rim, and raised on a square stand with rose cast panels. Diameter 58cm, overall height 94cm.