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Click here to subscribeLate 19th / early 20th century Portico mantel clock garniture - comprising clock with French eight day movement and outside countwheel striking on a bell, white enamel dial with Arabic numerals, floral swag decoration and pierced gilt metal hands, in a variegated white marble case with six columns and gilt metal appliqué surmounted by a gilt metal mounted marble urn, matching gilt metal mounted urns, 49cm overall height (key and pendulum present)
A George III silver two handled tea urn and cover by Andrew Fogelberg & Stephen Gilbert, engraved with the Heneage family crest, of demi-fluted squat vase form, ivory mounted spigot, engraved foliate band and two ram's head and ropetwist handles, on pedestal stem and square base with scroll feet, the domed cover with removeable finial, London, 1792, height 46cm, gross 106.5 oz.
A George III silver tea urn on stand with burner, by John Wakelin & Robert Garrard, engraved with the Heneage family crest, of squat vase form, with ring handles and spigot with ivory button, on quadruped sabre supports with paw feet, on inverted shaped square base, the cover with cone finial, London, 1798, height 42.5cm, gross 123.5 oz.
Three circular silver and tortoiseshell trinket boxes, two with pique decoration, one with wreath and flower basket decoration on three scrolled feet with fleur-de-lys terminals, Birmingham 1899, another smaller box with lift-off cover with scroll, swag and urn decoration and one with plain top and engraved rim on scrolled feet, Dia 5.5 to 8.5cm
A Late 18th Century Blond Tortoiseshell Fan, the monture carved, pierced and gilded, the gorge in particular with figures the double paper leaf seemingly glazed on the verso. The recto, in chinoiserie style, is painted with several figures wearing simple robes, some appearing to bring refreshments. A lively dog accompanies the figure to the right, approaching a table which is decorated with blue and white panels and is placed next to an enormous lidded urn, with gold detail and a pink painted pagoda and foliage painted on otherwise blue and white porcelain. The verso is decorated with simple flowers. Guard length 10.5 inches or 26.5cm Purchased at Christie's on May 17th 1979 for £150.00Some restoration to the leaf seen from the verso and more folds require attention. Some foxing and soiling mainly on the verso.
A large pair of terracotta garden urns, 82cm H, with a smaller urn, 56cm H (at fault) CONDITION REPORT: The large urns with general discolouration from being in the garden. One with a chip to the rim, another with an oval chip to the body and an old and large section of ships to the base. Other little nibbles here and there.
A pair of large 19th Century Sheffield plate wine coolers of urn form with twin handles, part reeded bodies, raised on stepped circular foot, each bearing engraved armorial, approx 25 cm high CONDITION REPORTS Both wine coolers have numerous areas of tarnishing and wear to the silver plate. Both have light surface scratches, some areas of pitting to both, some small dents and knocks to both pieces. Some staining and accretions to both. Also polish residue left on the handles and on the inside of the removable collars on both. General wear and tear commensurate with age and use. See photos for details.
A walnut four section candle holder in the 17th Century Spanish manner, the plain holders on Gothic style urn capped fretworked end supports, united by fretwork roundel panels, over a lidded candle box, raised on splayed feet, 83 cm x 100 cm CONDITION REPORTS Numerous surface scratches, knocks, dents to the wood, some small chips in areas. A section of the carved finial design on either side has been replaced on both sides. There are numerous burns and char marks, a heavy build up of wax in the middle tier and wax on the top tier. There are some splits to the wood. There are gouges to the wood on one side just below the urn decoration. There is also a gouge to the wood on the lid of the candle holder. There is no key present for the lock on the candle box on the base. Some staining, discoloration, evidence of old worm to the bottom of one of the side structures. General wear and tear commensurate with age and use. See photos for more details.
An 18th Century walnut framed armchair in the Flemish taste, the upholstered back with serpentine top rail over moulded open scroll arms on turned urn shaped supports to the upholstered seat, raised on turned cup and cover supports united by a moulded shaped X stretcher, all on squat bun feet, 115 cm high CONDITION REPORTS Surface scratches, scuffs and knocks and dents to the wood. Fading and discolouration to the frame, mainly to the arms and to the stretcher. Some gouges to the wood on the arms and legs. Areas of loss to the frame mainly to the feet. Splits to the wood in areas. Evidence of old worm, mainly to the columns supporting the arms and to the legs. The stretcher has an old repair. Some areas of loss to the base of the columns supporting the arms. The upholstery has some small stains. General wear and tear commensurate with age and use. See photos for more details.
A late 19c French ormolu and porcelain two handled decorative urn on onyx stand, the urn with hinged dome cover with female bust finial, having two handles and supported on a short column with circular stepped base, the porcelain body painted with cherubs and bouquet of flowers with gilt highlights, 6in h.
Early 20th Century green onyx four-glass mantel clock, the cream Arabic dial with floral swags framing inscription '…Horloger de la Ville, Lyon', the two-train movement striking on a blued steel coiled gong, stamped Samuel Marti 6703, the case with stepped arched pediment and martial trophies over bevelled glazed panels on spreading base, 32.5cm high, together with a pair of urn-shaped side vases with goat mask handles on scroll feet, 25cm high (3) Condition: Disclaimer - Please see item 20 of our Conditions of Sale relating to clocks, watches and mechanical items - dial and movement in VGC, case appears sound, side ornaments also in VGC but appear to be associated, sold with mercury 2-jar pendulum and winder
George III silver pedestal coffee pot of oval urn shaped form, the domed cover with acorn finial, the body with a reeded band, a vacant cartouche to either side and standing on an oval foot, sponsors mark of Robert Hennell I & David Hennell II, London 1796, 29.75cm high, 20.7oz approx gross Condition: Cover is very slightly buckled to front edge - **General condition consistent with age
Late Victorian/Edwardian mahogany-cased twin fusee bracket or table clock, Brockbank & Atkins, London, No. 12322, the 15.5cm arched brass dial having a silvered chapter ring with Roman hours and Arabic minutes framing a matted centre with signature cartouche, beneath silvered subsidiary Strike/Silent ring within foliate scroll engraving, the chain-driven movement, signed and numbered to the back plate, striking on a coiled gong, in a George III-style bell-top case with leaf-capped carry handle, urn finials, stop-fluted canted corners, arch-glazed door with brass spandrels, and conforming arched sound frets to the sides on brass ogee bracket feet, 47cm high inclusive of handle Condition: Disclaimer - Please see item 20 of our Conditions of Sale relating to clocks, watches and mechanical items
Charles II brass lantern clock, John Ebsworth at ye Cross Keys in Lothbury, Londini (London), circa 1670, the 15.5cm diameter Roman dial with half hour divisions and inner quarter hour track framing engraved tulip decoration and Arabic alarm dial with iron single hand, the posted countwheel bell-striking movement with verge and crownwheel escapement, internal pendulum and standard London third period frame with column turned corner posts beneath dolphin-pierced frets, urn finials and strap work mounted bell, the sides with hinged brass doors, 38cm high, together with a later oak bracket Literature - Loomes, Brian, Lantern Clocks & Their Makers records John Ebsworth as apprenticed in 1657 to Richard Ames and free in 1665. his progression through the court of the Clockmakers Company saw him become Assistant in 1682, Warden in 1694 and Master 1697. he died in 1699. Condition: Disclaimer - Please see item 20 of our Conditions of Sale relating to clocks, watches and mechanical items - minor rubbing to wax numerals plus some spotting and a small hole to chapter ring, hand maybe a replacement, movement would benefit from a clean, has probably been converted from verge and crownwheel to anchor and back to verge - cut-away to rear edge of roof, sold with later bracket, and 'longcase clock' weight, side doors possibly later, rear door lacking or never had one, private provenance
Pair of 19th Century porcelain urn shaped pot pourri and covers, each decorated in polychrome enamels with butterflies amongst foliage on a cobalt blue ground, gilt and yellow glazed triple scroll supports on a triform base, each marked to the underside with pattern No.1/776, 20cm high Condition: One cover knop has been broken off and restuck, one vase has one hairline crack extending from top rim through one of the pierced holes, some minimal rubbing to the gilding - **General condition consistent with age
19th Century Sheraton Revival inlaid mahogany demi-lune console table, the rosewood-crossbanded top with ebony and boxwood stringing framing a finely figured inlaid top with urn and foliate scroll decoration in the manner of Edwards and Roberts, over conforming swag-inlaid frieze with central drawer and urn-centred under shelf between tapering square section supports, 76cm wide x 36cm deep x 74cm high Condition: Top has been repolished, two small areas of infill to crossbanding, otherwise sound - Please see extra images and TELEPHONE department if you require further information
Early 19th Century satinwood-crossbanded mahogany sideboard having a tubular brass back rail with urn finials over bow-breakfront top with crossbanding, the front with two boxwood-strung drawers between curved deep drawer and cupboard, all with ring handles, raised on tapering square section supports, 137cm x 59.5cm x 133.5cm high Provenance - By repute from the estate of Mr E.S. Clarke, proprietor of the Island Spinning Company, Lisburn, Northern Ireland, Ballyaughlis Lodge, near Hillsborough and thence by descent Condition: Old crack to right side of top, tighter splits to left side and light scratch to front edge, loss to front left side beneath hinged door, and tight cracking to side panels - Please see extra images and TELEPHONE department if you require further information
A 19th century gilt metal and porcelain clock garniture, the striking movement with stamp for Japy Freres, numbered 666, the porcelain dial decorated with a bird and flowers to a blue and gilt border with Roman numerals, the case inset with seven further porcelain panels decorated with cherubs, birds and flowers, the gilt metal decorated with an urn to the top, leaves, scrolls and a mask and raised on paw feet,height 17.75ins, the pair of candelabra having a central light and three scroll branches, the column with porcelain knop decorated with a portrait, the gilt metal base decorated with scrolls and flowers and inset with an oval porcelain plaque decorated with flowers, af, height 19.5ins
A 19th century gilt metal and porcelain mantel clock, the striking movement stamped Japy Freres, the dial decorated with a bird and foliage, having Roman numerals, the case surmounted with a porcelain and gilt metal urn, with a porcelain plaque below the dial decorated with a couple, flanked by porcelain columns, with gilt flowers and scrolls, height 15.5ins
A Grainger’s Worcester blush ivory vase, of urn form, decorated with a cock and hen pheasant in landscape to the front and a view with flowers to the reverse, having a pair of leaf scroll handles and raised on a pedestal with shaped square base, shape number G648, dated 1901, height 13.75ins Condition Report: Junction at top of pedestal restored
*Spitalfields. A cloth of silk brocade, early-mid 18th century, woven with vertical sinuous floral branches in shades of orange, green, brown, blue, and grey, on a grey-green ground, composed of a number of pieces machine-stitched together, fabric perished and splitting in places, backed with mainly olive green silk, but one portion yellow (perished and stained in places), edged with wide metallic braid (machine-stitched to cloth), overall size 146 x 209.5cm (57.5 x 82.5ins), together with two partial runners of Spitalfields fabric, one early 18th century, silk brocade with metallic thread, one short edge with metallised braid and scalloped lace, 49 x 131cm (19.25 x 51.5ins), the other mid 18th century, 47 x 156cm (18.5 x 61.5ins), both composed of a number of pieces and worn, plus two other fragments of Spitalfields brocade, early 18th century, depicting flowers in an urn, yellow, red, and green, incorporating silvered thread, approximately 42 x 46cm (16.5 x 18ins) and slightly larger, plus a piece of gold and brilliant blue damask, with old paper label to verso, 99 x 160cm (39 x 63ins), and a piece of turquoise taffeta with design of raised woven acorns and leaves in gold thread (design offset where fabric folded), 56 x 250cm (22 x 98.5ins) (8)
A Louis XVI Bouillotte three light candelabra coaching lamp on a round base with a terracotta coloured shade, raised on a central adjustable column having a ring carrying handle to the top, raised on a camagna urn case in the same colourway, twin handled lionheads masks with gilt detailing. 62cm high 40cm diameter.
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