A good Royal Worcester porcelain two handled urn shaped vase and cover by Robert T. Rea, with squat bulbous body and moulded mask pattern handles, moulded neck and footrim, on square base with re-entrant corners, the body enamelled in colours with swans flying to the right within bulrushes, and gilt cow parsley, on matt turquoise ground, within moulded burnished gilt borders, 10.75ins high (mauve printed mark to base and shape No. 1572 - date code for 1907 - finial restored and gilding slightly rubbed) Illustrated £2000-2500 Note : Following Charley Baldwyn’s departure from Worcester in 1908 or 1909, the “Flying Swan” pattern was passed to the artist George Johnson. This example signed by Rea is therefore particularly unusual Provenance : Sold at Phillips Sale - “Good British Ceramics & Glass”, Wednesday, 15th December 1999, Lot 208
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A good Royal Worcester porcelain two handled urn shaped vase and cover by Charley Baldwyn, with squat bulbous body and moulded mask pattern handles, moulded neck and footrim, on square base with re-entrant corners, the body enamelled in colours with swans flying to the left within bulrushes, and gilt cow parsley, on matt turquoise ground, within moulded burnished gilt borders, 10.75ins high (indistinct green printed factory mark to base and shape No. 1572 - date code for either 1901 or 1903 - with replacement cover and gilt bandings rubbed) Illustrated £1800-2400 Provenance : Sold at Phillips Sale - “Good British Ceramics & Glass”, Wednesday, 15th December 1999, Lot 210
A 19th Century urn pattern porcelain pot pourri vase and cover by Grainger & Co, Worcester, the front enamelled in colours with a river landscape within jewelled beaded borders, on blue and gilt ground, on three scroll supports and swept-in triangular base, 4.75ins high (printed mark to base and pattern No. 1/778) £80-120
A good Royal Worcester “Blush Ivory” porcelain oil lamp base and reservoir of urn pattern with moulded and gilt borders, the body decorated in pastel colours with blackberries, with twin burner, by Evered & Co Ltd, complete with etched frosted glass shade, 22ins high (base with mauve printed mark, shape No. 1316 and date code for 1892) Illustrated £500-700
A pair of 19th Century Vienna porcelain two handled urn shaped vases and covers, both finely enamelled in colours with two oval vignettes of named classical scenes within tooled gilt borders, on wine and pink glazed ground boldly decorated with leaf scroll ornament, flambeau finials to lids and moulded handles, on square footrims, 10.25ins high (underglaze blue beehive pattern marks to bases, the vignettes named in red) £250-350
A Meissen blue and gilt decorated porcelain two handled urn shaped vase with twin moulded serpent pattern handles, the body with patterned bandings, on circular fluted and tongue pattern footrim, 15ins high (crossed swords mark in underglaze blue and incised E116 - lacking cover - now adapted as an electric table lamp) £150-200
A pair of Victorian goblets, the urn shaped bodies boldly embossed and chased with gun dogs and game birds within leaf scroll reserves interspersed with bold floral ornament, on reeded knopped stems and circular footrims boldly embossed and chased with leaf and C-scroll ornament, 8ins high, by Charles J. Edington, London 1860 (weight 30ozs - No. 2729 and 2730 on underside of footrim, and later inscription to footrim) Illustrated £600-800
A 19th Century French gilt three tier wall shelf of rococo form with plain mirror back, the shaped and moulded frame with bold urn cresting, with floral and leaf scroll ornament, the three shaped shelves with leaf scroll side supports and conforming C and leaf scroll apron, 45ins x 26ins overall (mirror somewhat marked and frame cracked, and some small pieces missing) Illustrated £250-350
A collection of Crown Staffordshire Wares, decorated with the ‘Hunting Scene’ design, comprising: Pair of Trumpet Vases; Two large Mugs; Salt and two Pepperettes; Sugar Bowl; Two handled urn shaped Vase; Small Ginger Jar; Pen Tray; Two Plates and Bread and Butter Plate; Two small circular Trinket Plates; Two further oval Nut Dishes; Covered rectangular Box (repaired) and a Milk Jug
A George III Drum Mustard, of circular form with hinged lid with cast and applied pierced thumb piece and scrap work handle, with engraved detail to pierced body with further engraved urn and swag decoration, fitted with a later blue glass insert, height 3", London 1784, Markers Mark William Plummer, together with an associated Old English patter Salt Spoon, London 1810 (2)
A late 19th Century gilt metal mounted black slate Mantle Clock, the architectural case surmounted by a twin handled Urn, over grotesque mask , ring side handles and raised on four scrolling feet to a cast brass bezel and enclosing a black dial with gilt Roman numerals and spade hands to a circular brass movement with anchor escapement and strike on a bell, height 20”
A Victorian silver inkstand. London 1883, makers mark LD, in the neo-classical style, the top formed with two putti with book and folder, the back with two urn shaped candle holders, the front with two lidded inkwells, set on four acanthus cast feet, with traces of original gilding throughout, approx weight 110oz 11in (28cm) wide, 10.5in (26.5cm) high.
A pair of Empire white marble and ormolu brule parfums the pierced and domed covers with acorn finials, set on a marble bowl with three cast bronze supports in the form of swans, the bases with hoof feet, enclosing a cast brass urn on tripod support, set on a circular white marble base, 11in (28cm) high (as found).
A late 19th century Sevres-style mantel clock the French cylinder movement striking on a bell by Howell James & Co the dial with Roman numerals and painted with a cherub the case of square form with arched mask and scrolling foliage pediments front and back each corner with square fluted column surmounted by a giltmetal urn a painted classical scene of figures in a landscape below the dial the sides gilt decorated with jewelling and the reverse painted with a flower spray on four foliate decorated giltmetal bun feet 27cm high
A late 18th century mahogany and marquetry-inlaid 8-day longcase clock By James Bonner Aberdeen the twin train movement with anchor escapement the arched engraved brass dial with strike/silent dial to the arch above subsidiary seconds dial and date aperture the hood with fluted columns above trunk inlaid with an urn issuing foliage on corresponding inlaid base with turned feet 227cm high
A mid 19th century Irish mahogany cheval glass circa 1840 By J. J. Byrne of Dublin. The rectangular plate with leaf scroll surmount on barley twist supports with urn finials and gilt brass candle sconces the moulded serpentine plinth base on leaf scroll feet. Makers stamp to the reverse ' J J Byrne. Dublin. Cabinet Makers & Upholsterers. G. Henry Street.' 11cm wide 158cm wide 35cm deep
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68904 item(s)/page