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A Pair of George V "Sheraton Revival" Candlesticks, each with detachable and beaded nozzles over urn shaped sconces and tapering square section columns to spreading square bases with canted corners, and all over embossed neo-classical design (wear to high points), (loaded), height 6 3/8", London 1910, Makers Mark RP
A Pair of Edward VII "Sheraton Revival" Candlesticks, each with detachable and beaded nozzles over urn shaped sconces and tapering square section columns to spreading square bases with canted corners, and all over embossed neo-classical design (loaded), height 6 3/8", London 1902, Makers Mark CR
A Victorian silver mustard of classical urn shape, by Edgar Finley & Hugh Taylor, London, c.1888. fitted with red glass liner; another Victorian silver mustard of oval shaped with pierced sides, London, c.1904, fitted with red glass liner. A cased Victorian silver three piece christening set, by William Hutton & Sons Ltd, London, c. 1901; a Victorian cut glass silver top oval shape dressing table box and cover also a matched three piece silver plated tea set.(7)
A George II silver coffee pot, London, c.1774. Possibly by Charles Woodward, makers mark rubbed. Of classical urn shape, with beaded edge decoration to the cover, body and foot. On raised circular foot. The body engraved with armorial crest one side & italic monogram the other. Fitted with wooden handle. 31cm high, 32ozs gross weight.
AN EDWARD VII INLAID MAHOGANY STANDING CORNER CUPBOARD the broken architectural pediment inlaid with a central urn, flanked by scrolling leaves with applied dentil moulding above a frieze inlaid with flower filled cornucopia and ribbon tied swags, the astragal glazed doors enclosing shelves over a lower section comprising of two crossbanded and profusely inlaid cupboard doors in stained and coloured woods on bracket feet, 221cms high x 76cms wide. See illustration
A GEORGE III EBONISED AND ORMOLU MOUNTED BRACKET CLOCK, with a white enamelled dial with Roman numerals above a similar strike/silent dial, mounted within a gilt metal surround, with a two-train fusee movement, striking on a bell, with repeating mechanism, and a foliate engraved backplate, the case with raised top with urn shaped finial, the sides with twin carrying handles and silk backed fretwork panels, the case resting on scrolling cast feet, 27" high.
Maroon marble and spelter mounted two train mantel clock garniture, the F. Marti movement with outside countwheel and striking on a bell (missing), the 3.5" cream dial signed Letorey, Lisieux, within a stepped case surmounted by an urn, 17" high, flanked by a pair of five light candelabra, 18.25" high
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68875 item(s)/page