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Click here to subscribeA George III pine and gesso decorated chimneypiece, circa 1790, the cornice section with repeated acanthus detail, above the main frieze centred by a dancing putti, flanked by ribbon tied bellflower swags and baskets of fruit, each anthemion and bellflower decorated pilaster section surmounted by a twin handled urn with dolphin supports, 149cm high, 138cm wide, 10cm deep
A pair of Empire gilt bronze four light figural candelabra, early 19th century, each with a Campana urn socket raised above three further sockets on outscrolled arms, held aloft by standing amorini, each on an engine milled baluster pedestal, on square bases with later stained wood socles, 50cm high excluding later electrical fitments
A Charles II carved giltwood and gesso console table, circa 1660, the inset marble top above the foliate carved and moulded frieze and central pierced terminal centred by a shell motif, the shaped and foliate carved legs surmounted by festoon terminal, centred beneath by a shaped stretcher with central flaming urn finial, on scroll carved feet, 84cm high, 88cm wide, 55cm deep
A French Sevres style porcelain and gilt metal tripartite table, late 19th century, the circular top set with a Sevres-style plaque with Watteauesque scene, with lambrequin edge suspending for four oval plaques to the frieze, the tripartite base set with a porcelain pot-purrie urn and cover, 76cm high, 51cm diameter
A pair of French patinated and gilt bronze five light candelabra in Neoclassical style, circa 1870, each with avine finial above squat and waisted urn sockets on arms around a central boss, the tapered and reeded shafts descending through fircone and foliate cast circlets to triform bases, each with three panther headed monopodia interspersed with stylised acanthus, 93cm high
A Continental porcelain Sevres-style gilt-metal-mounted pot-pouri urn and gilt-metal pierced cover, possibly Buen Retiro, late 18th century, painted in the Sevres manner with a central band with a pair of medallions and scrolling foliage within pink and gilt borders, the neck with an acanthus band above a pink and gilt oeil de perdrix ground, 29.5cm high overall
A pair of giltwood and composition wall mirrors, in George III style, late 19th century, after a design by Robert Adam, the oval plate within a ribbon twist decorated and beaded frame, the trophy motif and ribbon bow beneath, issuing laurel branches, surmounted by a flowering urn flanked by swags and bellflowers, each 107cm high, 58cm wide For closely related designs of mirror by Matthias Lock, see Elizabeth White, Pictorial Dictionary of British 18th Century Furniture Design, Antique Collectors Club, 1990, page 344, plates 5 to 7, 'A New Book of Pier-Frames', dated 1769
A pair of George III Sheraton style mahogany moulded frame dining chairs, the arched backs with leaf and urn carved pierced splats, serpentine fronted drop in seats, on moulded square tapered legs with spade feet and a similar style elbow chair, the pierced splat carved with Prince of Wales feathers and rosettes (3).
Bennett, 65 & 64 Cheapside London: A Louis XVI style gilt metal mantel clock, circa 1880, with circular porcelain dial painted with birds and flowers, porcelain panels below painted with figures in a landscape and flowers, surmounted by a porcelain mounted urn, the case cast with acanthus, 'c' scrolls and beading, on toupie and lion paw feet headed by masks, the twin train movement striking on a bell, 38cm high, giltwood plinth and key (3).Illustated
A collection of Royal Worcester 'Kate Greenaway' style figures of children by James Hadley, including a sugar sifter modelled as a young boy, a figure of a girl holding a fan and standing by an urn and a pair of posy holders modelled as a girl and boy standing by 'tree trunk' bowls (4) H 18cm (sifter)
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