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Joseph Wilson of Stamford. An early 19thC flame mahogany longcase clock, the enamel break arch dial with moon phase, painted spandrels of cornucopia, the dial bearing Roman numerals, subsidiary seconds dial, eight day two train movement with bell strike, the hood with swan neck pediment and central urn surmount, foliate blind fret work, above a glazed door flanked by triple columns, brass capped, the trunk door with Gothic arch tracery flanked by triple columns, raised on a panelled base and ogee bracket feet, with pendulum and key, 255cm high. Joseph Wilson, circa 1820, is listed in Lincolnshire Clock, Watch & Barometer Makers (Wilbourn & Ellis) p.114.
Collection of Masons pottery, including an oversized urn with fish-form handles measuring 31.5cm high and marked Fenton Stone China, a washbowl, two relief moulded jugs, four serving dishes, and a further serving dish with cover and standCondition report: Large urn shaped vase has an area broken and partially missing to the body. Overall crazing to the glaze, chips to handles and a couple of cracks. One of the jugs is cracked. Large bowl in good order. Tureen is cracked and has chips to finial on cover. Other pieces have overall age related wear.
Late Victorian silver plated table lighter of classical pedestal form, another classical pedestal urn ,Arts and Crafts plated soup tureen and cover and Edwardian tray (4)Condition report: Raised gallery on the tray has various losses to veneer all around piece and requires restoration, please see additional photographs
A ROYAL CROWN DERBY PORCELAIN MODEL OF A PEACOCK, painted and gilt, modelled perched upon a floral encrusted urn, to a domed circular base, printed 1960 mark, signed J. Gould. 25cm high. The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition, with very minor losses to some tips of leaves and petals, light wear to gilding. First quality.
19th century mahogany longcase clock with painted decoration, the hood with scroll and fret work pediment over dentil cornice, the spandrels decorated with scroll foliage and harebell painted detail, brass and silvered dial with strike silent lever and plate inscribed 'Jno (John) Walker, Newcastle', Roman and Arabic chapter ring, the dial engraved with scrolls and owl and cock figures, subsidiary seconds and calendar aperture, eight day movement striking on bell, the canted case with fluted corners flanking trunk door painted with central urn surrounded by trailing foliage Dimensions: Height: 226cm Click here to view further images, condition reports, sale times & delivery costs for this lot.
Late 18th century and later inlaid mahogany longcase clock, the stepped arched dentil cornice over a blind fret work frieze, enclosed by glazed door with trailing boxwood band flanked by two fluted pilaster columns with Corinthian capitals, brass and silvered dial with painted tide and moon phase, the arched register inscribed 'Hight water at Bristol Key', silvered Roman chapter ring inscribed 'Thos. (Thomas) Williams, Axbridge', triple train driven movement, chiming the quarters on eight bells and striking the hours on coil, silent chime lever and eight four bell lever, the dial decorated with engraved scrolled foliage and ornate urn cast spandrels, canted trunk with fluted corners flanking shaped stepped arched door with large shell motif inlay, the matching base on bracket feetDimensions: Height: 234cm Click here to view further images, condition reports, sale times & delivery costs for this lot.
An American Federal style sideboard, modern, the raised swan neck back embellished with fruits and foliage enclosing a flaming urn finial, the inverted breakfront top above four frieze drawers and central cutlery drawer, flanked by a pair of cupboards, enclosed by Ionic columns, raised on a moulded base and carved paw feet, with countersunk castors (136cm x 198cm x 65cm)
A set of eight stone composition planters in Neoclassical style, 20th century, of square form, each cast with an urn in relief, 28cm high, 30ccm square, each with circular drainage aperture to interior Condition Report: Weathering and lichen/algae covering commensurate with age and outdoor exposure, as well as some slight pouring bubbles resulting from casting. Minor losses to feet. Please refer to photos for visual reference to condition. Each with drainage hole to interior. Condition Report Disclaimer
A blue and white Willow pattern childs miniature dinner service, the majority early 20th century, some pieces later and marked foreign, comprising of three teapots of varying sizes and forms (one marked foreign); three milk jugs of varying sizes and forms (one marked foreign); two twin handled sugar basins with covers (one marked foreign); ten cups and saucers (three sets marked foreign) one spare cup; ten side plates 4in. diameter (three marked foreign); four smaller side plates; two urn style vases one marked Wedgwood (restored).
A French oak and painted two-part cabinet, late 19th / early 20th century, the flared, stepped cornice with egg and dart frieze, raised on turned and fluted columns flanking a pair of carved panelled doors with crossed quiver & torch and urn decoration, the base with a pair of convex frieze drawers over a pair of roundel decorated doors flanked by turned and fluted columns, on a stepped outset base, on bun feet, 45 x 20¼in. (114.25 x 51.5cm.), 70½in. (179.5cm.) high.
Channel Islands shooting interest - five silver shooting spoons, R. H. Halford & Sons Ltd., London 1910 & 1912, the terminals with crossed rifles and N L R C (Northern Light Rifle Club) Guernsey, 5 5/8in. (14.2cm.) long; together with a fiddle pattern teaspoon inscribed with urn and letters beneath 'N.B.C.C', weight 5.6 tr.oz. (6)
A ceramic and brass Islamic Moorish style inkwell, the elegant lift out ceramic urn form bottle decorated with floral design on blue ground, brass mounts, the hinged cover with acorn finial, the bottle fits into raised central well on twin handled circular brass tray, raised on four feet, 7 1/8in. (18.2cm.) handle to handle, the bottle measuring 5in. (12.7cm.) high; together with two further inkwells of similar style. (3)
Tray of assorted china to include Aynsley cottage garden, strawberry dish with carrying handle and cream jug and sugar bowl, Doulton Lambeth two-handled urn-shaped glazed vase, 19th century Gaudi Welsh jug, Royal Doulton The Winnie the Pooh Collection 'The Brain of Pooh' figurine on stand, etc.(B.P. 21% + VAT)
Two boxes of assorted china to include; Wedgwood Jasperware pin or trinket trays, Mason's Chartreuse ironstone trinket bowl, art pottery small urn, various floral plates including Alfred Meakin 'Royal Marigold' and Grafton china, various jugs, blue and white basket, angel figurine etc.(B.P. 21% + VAT)
A French patinated bronze ewer, to the model by Sigisbert-Francois Michel (1728-1811), 19th century, the ovoid and scroll handled body surmounted by a bearded triton holding the horns of a dolphin or other sea creature, above a swag of rushes, descending to a waisted circular socle and square plinth, 46cm high, 22cm wideThe present aquatic-themed urn is derived from a plaster model by the sculptor Sigisbert-Francois Michel, exhibited at the Academy of St Luke in Paris in 1774.The model proved to be so successful, that it was soon reinterpreted by various sculptors in different media, such as John Flaxman, who created a version of the ewer called 'Sacred to Neptune' for Josiah Wedgwood in circa 1775 (see Victoria & Albert Museum, London 2397-1901).An early cast of this model, accompanied by its Bacchic-themed counterpart and heightened with gilt, is in the collection of the Getty Museum, Los Angeles, 2015.61.Another 19th century pair, similar in casting to the present lot, was sold at Christie's London, 22 May 2003, lot 39 (£14,340).Condition Report: The ewer bears the usual minor marks, scratches and scuffs overall consistent with age and use.The patina is dark overall and fairly even, with some slightly warmer tones where it's worn to the handle and edges of the socle.There are a handful of small circa 2-4cm patches particularly to the reverse and the edges of the ovoid body, where the surface seems slightly raised or inconsistent, which may indicate a lacquer or refreshed patination of the surface. There is also some slight flaking to the surface colour to the inside of the lip, and one or two tiny dents/knocks to the body.Structurally no damages have been detected at the time of writing this report.Condition Report Disclaimer
A George III mahogany and satinwood inlaid urn stand, circa 1790, 65cm high, the top 34 x 26cm Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Various old repairs to gallery - see images. Later pins/dowels to back of frieze to help secure legs in position. These have been disguised with dark filler. Old glued repairs where two legs meet the frieze - see images. Slender blocks to underside that 'guide' the slide appear to be later. Some old veneer repairs to frieze. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A George III mahogany urn stand, circa 1790, 71cm high, the top 30 x 30cm Condition Report: Marks, scratches and abrasions comensurate with age and useSome minor old repairs. One old repair into one corner of the top approximately 2cm diameter and disguised with filler. Each rear corner of the frieze with two small veneer covered pin or dowel repairs. No old breaks to legs, the casters are original. Condition Report Disclaimer
A pine, green painted and inlaid marble topped side table, in George III style, 19th century, 82cm high, 111cm wide, 53cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Chips and 'nibbles' to the edges of the marble top. Various losses to the inlay of the top. Green painted elements to the frieze and legs appear to have been re-freshed at some point. Later nails securing strips of moulding to the underside of the edges of the top. Old repaired crack through urn decorated tablet to frieze.Evidence of old worm, with some worm holes visible to legs. Some joins opening slightly. Three supporting blocks lacking to the stretcher at centre of the underside. Later supporting corner blocks to the underside. Two small veneer repairs to frieze at one side. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A George II mahogany urn stand, circa 1750, with slide to one edge of octagonal top, 65cm high, the top 29 x 29cm Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. The block to the underside of the top/top of stem is later. the screws to this block appear to have been applied through previously plugged holes. Four plugged holes are visible to the underside of the top from where the previous block sat. Four smaller plugged holes are visible to the top. Old shellac finish to stem and legs. Two small old pin holes to one side of the top. These have been filled with dark wax to help disguise. Some old glued repairs to moulding at the edge of the top. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Louis XVI giltwood and marble topped demi lune console table, circa 1785, in the manner of George Jacob or Johann Friedrich Funk II, 87cm high, 141cm wide, 55.5cm deep For a closely related example of table see, Christie's, New York, 9th October 2013, The Art of Collecting: Three Private Collections, Lot 725 ($9,375). Condition Report: Marks, scratches and abrasions comensurate with age and use. Some old chips and splits and some old repairs. some small losses. Various wear and old loss to gilding. Evidence of later re-gilding / refreshing of gilding in areas throughout. Very little sign of old worm damage. A very small number of holes are visible. Other areas of old worm holes may possibly have been covered by filler, painting or gilding. In the photograph of the table, the top appears to rise slightly away from the top of the table. This is due to the fact that there is an old repaired clean break to the marble on that side of the table and the way it has been repaired has caused it to rise slightly. Under the base framework (i.e. the element supporting the urn) there are two applied strips of timber to secure joints. These appear to be original or atleast of significant age. There are no signs of any additional floral swags being in position to the rear stretchers of the base. The table stands level on the floor but as the table is of significant age and the marble has been repaired it may not sit truly perfectly due to minor movement in the timber or joints over time. The legs are solid/ secure in their joints. There is some slight movement/ slightly mishapen element to each leg due to age and weight on them and being hand turned/ carved. There are no makers marks visible.Please refer to the additional images if required for visual reference to condition. Condition Report Disclaimer
A George III Bleu Turquin, white and Siena marble chimneypiece, early 19th century, the frieze centred by a Neoclassical urn, and flanked by protruding Siena scrolls, approximately 152cm high, 174cm wideCondition Report: Please note, the chimneypiece is currently disassembled and in parts. Marks, knocks, scratches and abrasions commensurate with age and use. Various old chips and losses. Some cracks. Remnants of adhesive (cement/plaster) to backs of pieces. Dreweatts cannot guarantee the overall stability once re-assembled. Please refer to additional images for visual reference to condition. Internal measurements, 116 high, 110 wide. Condition Report Disclaimer
A turned yew and ebonised urn and cover, English or Dutch, 19th century, the elaborately rib moulded cover mounted with a spherical knop, and above a band of beading, on a waisted socle and spreading circular base, 35cm high, approximately 16cm diameterCondition Report: A number of short and stable old cracks/splits overall, including to base and basin. Old repair to the cover.Two or three of the beads have been reattached with adhesive, and while they are not all spread out evenly they do all appear to be present. The ebonised finish may have possibly been refreshed to the knop.Please see additional lot images for visual reference to condition.Condition Report Disclaimer
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68875 item(s)/page