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Lot 181
Mixed Lot: George VI silver mustard, the hinged lid with urn finial, the body a panelled design with blue glass liner, Birmingham 1947, a baluster silver mustard with a hinged lid applied with cast thumb piece, marks rubbed (a/f), a pedestal silver salt, Birmingham 1925, a twin handled salt of oval pierced form with blue glass liner, Birmingham 1918, together with a silver mustard (lid missing) and a pair of silver Victorian mustard spoons, London 1889 (qty)
Lot 234
Mixed Lot: Pair of Edward VII silver mustards of squat circular form, urn finials to hinged lids (no liners), London 1908, pair of lidded pedestal mustards with blue glass liners, Birmingham 1913, three silver open salts with blue glass liners, various dates and makers, together with a small glass jar with silver rim, weighable silver 206gms
Lot 265
A late 19th century French marble portico clock and garniture, the painted enamel dial signed Dela, Grenoble, to an 8-day drum head movement, adorned with an urn finial and cast brass mounts, ribbon cresting and fruit finials together with a pair of two branch garniture candelabra, 42cm wide, 19cm wide (3)Condition report: No apparent losses, some minor chips to the marble bases at the corners
Lot 394
An early 20th century mahogany glazed serpentine fronted display cabinet, the moulded cornice over a frieze, decorated to the centre with an urn, flanked on each side with floral swags and carved rosettes to the edges, over two bowed leaded doors, revealing a velvet lined interior, flanked to each side with applied harebell drops, all on square tapering legs, 100.5cm wide, 42cm deep, 183cm highCondition report: Surface scratches, knocks, some nibbles to high spots of carvings. Overall good condition and perfectly useable.
Lot 163
A collection of Continental ceramics, to include a large comport depicting a child holding aloft an urn, an Italian pottery birdcage with hinged door opening to reveal a bird on a branch, a French twin mask handled blue and white planter, and a Portuguese large pottery basket (4)Condition report: Restoration to the comport – the neck looks as if it has been entirely broken off and then reattached – the pottery is matte and different in colour, chips to the arms and baseThe birdcage door is loose, and has been smashed and re-glued, craquelure all over, chips and cracksThe handle of the basked has broken and been re-attached, chip to rim
Lot 164
A Bristol figure emblematic of Water, circa 1775From a set of the Elements, the female figure wearing classical drapery painted with floral sprigs, with a wreath in her hair, holding a net filled with fish in her right hand, her left resting on an urn gushing water, three further fish at her feet, raised on a shell-moulded mound base, 25.4cm high, impressed mark 'To'Footnotes:A similar figure is illustrated by F Severne Mackenna, Champion's Bristol Porcelain (1947), fig.103. The impressed mark 'To' is the personal mark of John Toulouse and suggests a link with Bow, Worcester, Caughley and Chamberlain figures. A figure emblematic of Air from this series from the Liane Richards Collection was sold by Bonhams on 13 April 2016, lot 195.For further information on this lot please visit Bonhams.com
Lot 162
A Plymouth white figure emblematic of Asia, circa 1768-70From a set of the Four Continents, modelled as a classical lady standing beside a tree trunk, holding a covered urn in her hands, a Sultan's turban at her feet and a camel seated behind her, on a scroll base, 32cm highFootnotes:Three varying examples of this model from the Stephen Simpson Collection are illustrated together by F Severne Mackenna, Cookworthy's Plymouth and Bristol Porcelain (1946), pl.52, fig.92. A coloured version was sold by Bonhams on 1 May 2013, lot 105, alongside a Bristol version of the same figure at lot 104. See the footnote to lot 160 in this sale.For further information on this lot please visit Bonhams.com
Lot 152
Two Bow figures, circa 1770-75One modelled as Minerva wearing a plumed helmet, cuirass and patterned skirts, a puce ground drape painted with floral panels with a striped lining around her waist and shoulders, her left hand resting on a shield mounted with a mask, an owl at her feet, on a high scroll base applied with flowers, 33cm high, anchor and dagger mark in red, the other modelled as a lady wearing a blue hat, green bodice and floral skirt, holding a sheaf of wheat and flowers in her apron, a large urn beside her, the high scroll base applied with flowers and picked out in turquoise and gold, 28.8cm high, A mark in underglaze blue, anchor and dagger mark in red (2)For further information on this lot please visit Bonhams.com
Lot 144
A Chelsea figure of Flora, circa 1765Modelled standing wearing a yellow headdress, purple and yellow cloak, and floral robes, her right hand raised to her nose, her left hand resting on covered urn on a plinth beside her, the plinth and angular base painted to simulate marble and applied with flowering vine, 24.5cm high, gold anchor markFootnotes:This is after the original Meissen figure of Smell from the Five Senses modelled by J F Eberlein in 1748. A similar figure was exhibited by Albert Amor in 2018 and is illustrated in the catalogue, Chelsea Porcelain, no.5. A Bow version is illustrated by Peter Bradshaw, Bow Porcelain Figures (1992), p.119, pl.81 and discussed at p.103.For further information on this lot please visit Bonhams.com
Lot 211
A Chamberlain vase and cover, circa 1810Of classical urn form with two gilt dolphin handles, lion mask medallions in brown at the terminals, finely painted with a titled view of the 'Grotto of the Cumaen Sibyll', two distant figures walking towards the cave, reserved on a gilded vermiculé ground, the solid gilt domed cover with an acorn finial, 35cm high, script mark and title in red (2)Footnotes:ProvenanceChristie's sale, 7 June 2017, lot 375 (part)For further information on this lot please visit Bonhams.com
Lot 77
A fine Dutch stipple-engraved wine glass by 'Alius', circa 1780The generous round funnel bowl delicately engraved with a gentleman and a lady, he seated with his head tilted back, his arms around her waist, she standing beside him holding a wreath in her left hand, pointing at a small dog jumping up at his lap with her right, an urn on a tall plinth behind them, flanked by gnarled trees, the stem cut with hexagonal facets extending into the base of the bowl, over a conical foot, 19.3cm highFootnotes:Although he never signed any of his engravings, 'Alius' is one of the most important Dutch master engravers of the 18th century specialising in the stipple technique. His work is rated equal to that of his contemporary, David Wolff, and there are close similarities between the designs they chose. The present lot appears to be unrecorded by Frans Smit in his 1993 catalogue of Dutch Stipple-Engraved Glass. However, designs alluding to friendship or love were a favourite subject of 'Alius'. The markedly jagged branches and the way in which stippled hatching has been employed in the background are characteristic of this engraver, as is the use of a glass of this precise size and form - those with four tiers of hexagonal facets to the stem, between 19cm and 20cm in height and with a bowl diameter of almost exactly 8cm such as this, were all engraved by 'Alius' rather than Wolff, see Smit, p.20. Smit records a glass engraved with a comparable scene by 'Alius' at p.152, Eb.49, and another without a dog at Eb.53.For further information on this lot please visit Bonhams.com
Lot 198
A Collection of Various Royal Worcester Reproduction Miniature Jugs (Some with Certificates), together with a Portmeirion Botanic Cake Slice, Lidded Coalport Floral Pattern Two Handled Urn (Lid AF), Two Handled Floral Pattern Loving Mug, Wedgwood Clio Pattern Coffee Can and Saucer, Aynsley Orchard Gold Oval Dish Etc
Lot 282
A miniature ivory ink well, bulbous urn shaped, twist finial, with red and black staining to neck on circular pedestal base, an ivory miniature apple shaped lidded box, a bone umbrella Stanhope needle case, a 'Hursley Church' needle case, an 'interior of Hursley church, Winchester' pin cushion and a quantity of red wax sealsCondition ReportAll items appear to be in good order commensurate with age, as per additional images
Lot 1166
A large Irish 19th Century late Victorian carved oak Library Armchair, covered in red leather, the shaped deep buttoned back with two arms supported by turned urn shaped supports and deep buttoned, over a deep buttoned seat with bowed front on front turned and reeded legs, probably by Strahan, Dublin. (1)
Lot 1247
A very good heavy Victorian brass and metal Dog Grate, in the Adams stye, with raised decorated arched back, over a large basket grate with pierced apron, on brass fluted and tapered legs with large classical urn finials, Registration stamp on reverse, 85cms high x 86cms wide (33 1/2" x 34"). (1)
Lot 1287
An attractive early 19th Century white and speckled green marble Fireplace, of small proportions, the central frieze panel carved with urn, and with oval rosettes either side, with white reeded panels in pillars, 109cms (43") high, 129cms (4'3") wide, together with bowed half brass and iron grill and matching marble platform. (1)
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68624 item(s)/page