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Click here to subscribeA pair of George III mahogany and marquetry demi-lune tea tables, inlaid with chequer stringing and kingwood banding, the fold-over top with segmented fan panels, above a frieze inlaid with ribbon tied swags of husks and centred with an urn, on fan inlaid square tapering legs and spade feet, 72.3cm high, 107cm wide, 46.8cm deep. (2) Provenance: Warrens House, Bramshaw, New Forest.Click here to view the online page turning catalogue.
A pair of French gilt metal and glass candelabra attributed to Maison Baguès, in the form of an urn issuing leaves and a flower, hung with cut glass drops and with three scroll branches, with faceted sconces and drip-pans, early 20th century, 67cm high, 38cm wide. (2) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
An early 19th century Portuguese painted chestnut longcase clock, the eight day birdcage movement striking on a bell, with an arched enamelled and brass dial, with Roman numerals and inscribed 'Jeremie Girod Porto e Coruna', the arch repoussé decorated with exotic birds, the case carved with an urn of flowers and leaves above a mask, 233.2cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A George III mahogany bracket clock by John Davidge London, the twin fusée movement with an anchor escapement, striking on a bell, with an engraved backplate, the arched brass dial with foliate spandrels, with silvered dials with Roman and Arabic numerals, with Strike/Silent and date aperture, inscribed 'John Davidge London', the bell top case with a brass carrying handle and urn finials, 50.2cm high, 28.2cm wide.Click here to view the online page turning catalogue.
A George III mahogany longcase clock by John Ross London, the eight day movement with an anchor escapement and five turned pillars striking on a bell, the 12in brass arched dial with a silvered chapter ring with Roman and Arabic numerals with subsidiary seconds dial and date aperture, inscribed John Ross London', with Rococo spandrels, the arch with a Strike/Silent dial, the brass mounted case with an arched hood with urn finials and Corinthian stop fluted columns, the case with outline mouldings and split quarter pilasters, 227cm high. Provenance: Kincraig House, Invergordon, formerly the home of the Mackenzies.Click here to view the online page turning catalogue.
A George III ebonised bracket clock by John Ward London, the twin fusée movement with a verge escapement and striking on a bell, the backplate engraved with Rococo scrolls and leaves, the arched dial with three silvered dials with Roman and Arabic numerals, with subsidiary Strike/Silent and seconds dial, with date aperture and gilt foliate spandrels, inscribed 'John Ward Cripplegate Buildings LONDON', the ebonised case with a bell top and brass handle and flaming urn finials, the front door with herm and floral mounts, on brass feet, 49.5cm high.Click here to view the online page turning catalogue.
A 19th Century French rosewood, marquetry and gilt brass mounted dwarf vitrine of "Louis XV" design, the whole of bold shaped outline, the top quarter veneered and with wide borders inlaid with leaf scroll, urn and trailing floral marquetry, within brass moulded edge, fitted one shelf enclosed by a pair of doors, twin glazed panels and ornate gilt brass edge mouldings, rounded corners with gilt brass rams head swag and bellflower mounts, conforming side panels and on short square cabriole legs with gilt brass leaf sabots, 50ins wide x 23.5ins deep x 34ins high (some mounts loose and two leaf sabots to feet missing - split to top and damage to some veneers)
A mid 19th Century giltwood and gesso overmantel mirror:, surmounted by a central oval Sevres-style plaque depicting a female portrait, with husk cresting and laurel leaf spray below, flanked to either side by an urn, hung with floral foliate garlands, having an egg and dart cornice and foliate and beaded frieze, the plate flanked by turned and fluted columns, with foliate and scroll capitals, 179cm (5ft 10 1/2in) high x 158cm (5ft 2 1/4in).
A pair of Edward VII silver pillar candlesticks of "Neo Classical" design, the urn pattern sconces, square tapered stems and square stepped bases with leaf capped fluted ornament, 10.75ins high, by Elkington & Co, Birmingham 1901 (loaded), and a pair of matched late Victorian three light candelabra branches of "18th Century" design, with gadroon mounts, square drip pans, moulded sconces, the octagonal central column with twin reeded branches, 6.75ins high (with candlesticks 16.25ins high overall), no makers mark, London 1897 (weight 46ozs - repair to one sconce)
A Japanese brown patinated bronze two handled hexagonal urn and cover, the pierced cover with dragon pattern finial (piece broken off), the panelled body cast with exotic birds and flowering bunches within scroll and fan pattern borders, on shaped legs and supported by a standing figure of a Samurai, his right foot holding down an attacking figure on rectangular base, and four conforming cast feet with scroll toes, 15ins (38.2cm) x 12ins (30.5cm) x 52ins (132cm) high, (Meiji - With some damage)
A mid-19th Century French ebonised and gilt brass mounted lyre pattern mantel clock, the 3.25ins diameter silvered dial with Roman numerals, to the eight day two train movement striking on a bell, contained in ebonised lyre pattern case with gilt brass urn of fruit finial and twin cornucopia of fruit flanking dial, the rectangular base with bold gilt brass leaf mounts, 19.5ins high
A late 19th Century French gilt metal and porcelain mounted mantel clock by G.F., No. 1195, the 3.75ins diameter porcelain dial with Roman numerals within gilt cartouches, on a wine and gilt ground, to the eight day two train movement striking on a bell, contained in gilt metal drum pattern case surmounted by a two-handled urn, the flared base inset with porcelain panel enamelled in colours with two young lovers, on gilt metal paw pattern front feet, 14.25ins high, and gilt wood plinth for same
A modern Italian gilt metal and black marble cased three piece clock garniture, the clock with 3.5ins diameter white enamel dial with Roman numerals to the eight day two train movement striking on a bell, contained in ornate gilt metal case of lyre pattern, surmounted by a two handled urn and flanked by a pair of Putti, on ornate shaped base with paw feet, 24ins high, and a pair of conforming candlesticks, 22ins high
A late 19th Century German walnut cased bracket clock (rear plate marked Peerless No. 77901) the 7.25ins arched brass dial with silvered chapter ring with Roman numerals and matted dial centre, the arch with regulation dial, to the eight day three train movement striking and chiming on five gongs, contained in figured walnut and gilt brass mounted case of "18th Century English" design, with arched and moulded top, with urn and flambeau finials and caryatid mounts to front, on leaf scroll feet, 17.75ins high, and similar bracket, 15.5ins wide x 10.75ins deep x 10.25ins high
A late 18th Century plated Argyll, the slightly domed cover with urn pattern finial, moulded rim to body, wooden C-scroll handle and on circular footrim, 7.5ins high, a plated wine funnel with gadroon mounts and removable strainer, 7ins high, a plated bosun's whistle, and a small selection of other items, various
A Regency period inkstand by Thomas Weeks: the gilt bronze dog chained to a tree stump surmounted by an urn, with gilt bronze inkwell on a polished hardstone base, the tree stump inscribed 'Weeks's Museum, Tichborne St.', 14cm. wide. *Notes Thomas Weeks had a museum/shop at 3/4 Tichborne Street which opened in 1803 and closed on his death in 1833.
A French gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, with an outside countwheel, the backplate stamped with the serial number 17462, the blue porcelain dial having black Roman hour numerals and painted floral decoration to the centre and decorative gilt-brass hands, the shaped gilt-metal case having scroll mounts to the sides, an applied blue porcelain plaque to the front of the oval base painted with floral decoration and surrounded by floral mounts and having a matching decorated blue porcelain urn to the top of the case surmounted by a cast basket of flowers, standing on an oval ebonised base, height 43cms (clock) 46cms (inc. base)
John Sampson, Penzance, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the 11½ inch arched brass dial having a silvered chapter ring engraved with black Roman hour numerals and outer Arabic five-minute markings, with the maker's name John Sampson, Penzance either side of VI o'clock, the matted centre having a subsidiary seconds dial and date aperture with engraved decorative surround, with decorative blued steel hands and cast-brass 'urn' spandrels to the four corners, the arch having a silvered boss engraved with a Ho-ho bird above the latin words Tempus Fugit, with cast-brass 'dolphin' spandrels to each side, the mahogany case with inlaid stringing to the hood, trunk and base, the hood having a swan-neck pediment with brass paterae and ebonised fluted columns with cast-brass capitals, all standing on bracket feet, height 206cms.* Biography John Sampson is recorded as working in Penzance from at least April 1752 when he advertised for 'any young man bred in the clock and watchmaking way wanting employment'. He married Anne Leggo at Madron in 1763 and over the following years advertised at various times for apprentices.* Notes Reference, H. Miles Brown, Cornish Clocks and Clockmakers. Pub. David & Charles, Newton Abbot, 1979.
A set of four 17th Century carved walnut dining chairs:, the high cane panel backs with shaped foliate scroll and husk crestings, central shield with painted heraldic bearing and turned uprights with urn finials, the cane panels within husk, flowerhead and paterae blind fret surround, the cane panel seats on foliate scroll front legs, united by a high foliate scroll front stretcher with central armorial shield.
A lady's Edwardian rosewood and marquetry writing desk:, of bowed breakfront outline, bordered with boxwood lines, the superstructure with a shaped ledge back with palmette and foliate scroll ornament, having a central bevelled mirror flanked by two short drawers to either side and with a tooled leather inset writing surface, the central bow fronted frieze drawer with urn and foliate scroll ornament flanked by two short drawers to either side, on square tapered legs, terminating in castors, 91.5cm (3ft) wide.
A Chinese carved wood low circular urn stand:, the top inset with a panel of rouge variegated marble with a beaded edge, the frieze pierced and decorated with bats masks, foliage and cloud bands, on quadruple dragon supports, united by a pierced circular undertier, 30.5cm (12in) diameter, 23cm (9in) high.
A late 19th Century French kingwood, parquetry, marquetry and gilt metal mounted vitrine:, of breakfront outline with acanthus decorated cornice and cushion frieze with channel moulded banding, enclosed by a central bevelled glazed panel cartouche-shaped door with scale and foliate cresting, moulded surround with C-scroll acanthus spandrels and with a parquetry panel below with raised central urn of flowers and foliage flanked by floral marquetry garlands in diagonally banded surround, having similar glazed and parquetry panels to either side and with shaped projecting angles headed with sculptured female classical masks, C-scrolls, shells and foliage, the shaped apron base with central mask and acanthus, on splayed lions claw and acanthus sabots, 173cm (5ft 8in) wide, 180cm, (5ft 10 3/4in) high.
Good pair of George III neoclassical-style polychrome painted satinwood pier tables, each of serpentine outline, the shaped top with central painted fan patera, issuing rococo scrolls in foliate scroll borders, with cherub and urn painted tablet frieze raised on square tapered legs and spade feet, 120cm wide x 58cm deep x 89cm high
George V three piece silver tea set - comprising teapot of compressed urn form, with half-fluted decoration, reeded rim and carved fruitwood handle, hinged domed cover with turned ebony finial, on a reeded circular pedestal foot, matching sugar and cream (London 1913), Ollivant & Botsford. All at approximately 23ozs, teapot 22.5cm across
Victorian silver teapot of oval form, with half-fluted decoration, engraved presentation inscription, angular ebonised handle and hinged domed and fluted cover with urn finial, on an oval base (London 1896), Walter & John Barnard. All at approximately 11ozs, 25cm across CONDITION REPORT Good original condition. Approx 17 ozs all at
Edwardian silver tea caddy of oval half-fluted form, with twin lion mask ring handles, hinged domed and fluted cover with urn finial, on an oval base (London 1907), C. S. Harris & Sons Ltd. All at approximately 6ozs, 12cm across CONDITION REPORT General overall condition good, some surface scratching, denting and creasing, top finial bent, no other damage or repair, marks slightly rubbed
George IV silver urn of campana form, with half-fluted and engraved floral decoration with later engraved presentation inscription - 'COLESHILL WORKING MEN'S MINIATURE RIFLE CLUB CHALLENGE CUP Presented by G. D. Wilmot ESQ. 1904 WON BY J. CLARE JanY 21st 1905', on a circular fluted pedestal base (London 1822), possibly William Eaton. All at approximately 7ozs, 13.3cm overall height CONDITION REPORT Good original tarnished condition, approx 7.5 ozs
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