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W H Goss, a model of Pompeian Ewer 3 1/2", a model of Ancient Pipkin dug up at N.P. Bank Southampton 2 1/4", a model of Ancient Urn found by Penmaenmawr 2", a model of Look out House, Newquay Cornwall 3", The bear and ragged staff pub by H.H. Bray Warwick, a selsey 3 1/2 beaker, a Goss Shakespeare's house, a Ann Hathaway's cottage and a Willow Shakespeare house.
A Late Victorian Brass Inkstand, the arched central mount cast in relief with a veiled head portrait medallion of Queen Victoria amongst flowers of the union and with lion supporter below, flanked by two S scroll inkwells with hinged covers, foliate pierced pen rests flanked by vase finials, upon bell feet, stamped "Winn & Co, Birm", {30cm wide}; and A Pair of 19th Century Brass Table Candlesticks, of neo-classical style with urn shaped nozzles applied with classical medallions, on a reeded and ivy entwined stem, upon muscular lion paw feet divided by anthemion motifs, {28cm high} (2).
A Gilt Brass Champleve Enamel and Onyx Four-Glass Striking Mantel Clock, circa 1890, the case pediment with gilt brass columns to each corner, centred by onyx below a central urn, champleve enamel pillars above an onyx plinth, 4 inch dial with Arabic numerals, twin barrel movement striking on a gong, {40cm high}.
A Mahogany Longcase Clock, signed Jonathn Meadows, Yarmouth, late 18th century, the break-arch pediment with reeded pillars, break-arch trunk door with later marquetry inlaid panel of an urn, moulded plinth with later marquetry panel, 12 inch brass arched dial with silvered chapter ring and centre field with subsidiary seconds, date aperture, the arch with a circular plaque signed "Jonathn Meadows, Yarmouth", four pillar movement with rack striking on later bell, anchor escapement, {214cm high} (central finial lacking).
A Mahogany and Inlaid Display Cabinet, of bowed breakfront form, the raised pediment with an urn over an inlaid frieze, the door with shaped glazing bars enclosing velvet-lined shelves, between glazed quadrant sides, the panelled base raised on turned and fluted feet, {214cm by 145cm by 38cm}.
Two Similar Pearlware Pottery and Silver Lustre Decorated Bough Pots, circa 1810, each with urn finials to the pierced covers with vermicular and star patterns, the lower sections with repeat circular boss rims over triple arched reserves enclosing bowls of fruits, floral sprays, upon triple bun feet, {19.5cm}.
A Rare Chelsea-Derby Porcelain Plate and A Worcester Polychrome Plate, circa 1770/80, the first painted with an urn festooned with flowers under a lapis blue border filled with a gilt anthemion meander, the second decorated with puce camaieu flower sprays under a blue-edged scalloped rim with gilt feathered and dentil borders, gilt anchor and "D", hollow crescent, {22.8cm and 21.8cm} (scratched/rubbed gilding) (2).
A Meissen Porcelain Figural Inkstand, 19th century, as a young woman in 18th century costume placing flowers and leaves on top of an urn shape rococo scroll pedestal, inset with an ink receptacle with foliate engraved hinged lid, crossed swords mark in blue, impressed and incised numbers, {13.5cm high}, upon a gilt brass circular standish, engraved with bands of scrolling acanthus, the tab handles mounted with pairs of serpents, upon four scroll feet, {25.5cm wide} (gilding rubbed on both metalwork and porcelain, small chips).
*A stoneware vase by Agnete Hoy for Bullers Ltd, Staffordshire, of baluster form with milky jade glaze, artists initial and factory marks, 13.5cms high, together with a stoneware vase of urn shape, in mottled brown glaze, 21cms high, and a pair of childs studio pottery pieces and a single pottery bookend. (5).
An Italian faience jar, decorated huntsman, hound and wild boar, a lizard handle supporting a two handled urn lip, the foot chipped. 10in. (25.5cm.); an Italian double spouted wine jar, decorated putti, foot restored. 11in. (28cm.); together with a French faience religious figure. 9in. (23cm.) 19th century and later. (3)
A 19th century mahogany veneered bow fronted chest of two short and four long graduated drawers, inlaid floral marquetry to the corners, with chevron fine banding and stringing to the borders, later brass swag handles with goats head capped urn shape plates, on bracket feet. 3ft. 6.5in. (108cm.)
A late 19th century French gilt brass and porcelain mounted mantel clock, the 8 day movement striking on a bell, stamped AB within a star, to a circular painted and jewelled dial, the pierced scroll and fruit decorated case with a lion mask below an urn surmount, the sides with globe finials on turned feet, 13.75in (35cm) high on a giltwood stand.
A BRISTOL 8-DAY LONGCASE CLOCK WITH 'HIGH WATER AT BRISTOL KEY', the 4-pillar rack-striking movement now with passing half hour strike on a bell and gong for the hour, with 12 brass break-arch dial applied with silvered Roman numeral chapter ring with fleur de lys half hour markers and signed 'Jn. Williams, Bristol', with two birds and urn pattern spandrels, subsidiary seconds dial and calendar aperture to the matted centre and silvered moonphase to arch, in later carved oak caddy-top case with grotesque relief decoration to trunk door and plinth, movement c.1750, case c.1900, 230cm.
A FRENCH LOUIS XV VERNIS MARTIN AND GILT METAL MOUNTED SMALL 8-DAY BRACKET CLOCK, c.1770, the two-train shaped circular movement with outside countwheel, bell strike and signed 'Boucheret a Paris', with 6.25 white Roman numeral dial signed 'Le Nepveu a Paris', in waisted case with festoon swag mounted cast urn surmount, acorn finials and scroll mounts applied to sides with festoon fronted glazed aperture to base, on scroll feet, the whole polychrome painted with floral decoration on an olive green ground, the case stamped twice with indistinct eboniste's signature, 50cm.
A George III oak 8-day longcase clock, c.1790, the 4-pillar rack and bell striking movement with 'phase 1' type 12 white Roman numeral painted break-arch dial with subsidiary seconds dial, arch calendar aperture and delicate gilt foliate scroll decoration to centre, plain gilt edged spandrels and urn amongst foliage to arch, in well proportioned pagoda pedimented case with integral reeded hood pilasters, break-arch trunk door and on plinth base with two-tier apron, 216cm.
A French Sevres style porcelain mounted gilt metal mantel clock, c.1880, the 8-day bell-striking movement with blue ground Roman numeral cartouche dial with rose painted centre, the plinth shaped case with urn surmount and porcelain medallions mounted within side scrolls, on panel fronted base with toupe feet, 35.5cm; on giltwood stand.
A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK, c.1760, the 4-pillar rack and bell striking movement with 12 brass break-arch dial applied with Roman numeral chapter ring, subsidiary seconds dial, two bird and urn pattern spandrels and plaque signed 'James Jones, London' to the matted centre, the arch with rocking figure of Chronos within bezel engraved 'Tempus Fugit' flanked by dolphin spandrels, in break-arch pedimented case with cavetto cornice and fluted pilasters to hood, break-arch long door to trunk and on plain plinth base, 210cm, (AF).
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68904 item(s)/page