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Click here to subscribePeter & Ann Bateman - an Adam-style urn-shaped coffee pot with carved pineapple finial, reeded rims and foliate handle-brackets, on oval foot, London 1797, 16 cm high overall, 21.5 oz (671g) gross - multiple minor bruises/dents to body, one large, one side engraved with a capital scrolling 'A', finial mount slightly bent
The polychrome enamel dial with Roman numeral hour markers above a painted panel depicting a boy strumming a guitar, flanked by two children holding a harp and a wreath respectively, each figure in front of a basket of flowers, the arched case surmounted by an urn and flanked by flame finials, on a plinth base, centred by a shell and scroll crest, on moulded flat bun feet, distress45cm high
The silvered dial with Roman numeral hour markers and Arabic minute numerals, subsidiary seconds dial, date aperture at six o'clock, striking on a bell, the dial inscribed Tempus Fugit and engraved with figures at various pursuits, the arched hood with broken swan neck pediment centred by an urn above a glazed door flanked by columns, the case with hinged door flanked by quarter columns, on a plinth base209cm high
A Sheraton Revival satinwood crossbanded mahogany and marquetry pier table, of small and neat proportions, shaped serpentine cresting inlaid with a Classical urn, oversailing top above an arched frieze, tapered square legs, outlined throughout with boxwood stringing, spade feet, 92cm high, 61cm wide, 29cm deep, c.1905
A collection of Royal Worcester blush ivory porcelain, to include a circa 1897 urn, decorated with flowers, shape 1654, h.23cm, an 1898 cleft jug, shape 1094, h.14cm, a pair of 1903 Royal Worcester cleft jugs, shape 1094, h.10.5cm each, and a 1903 vase, shape 958, h.7cmVase – OK.Two smaller cleft jugs – OK.Larger cleft jug – chip to spout.Urn – lid smashed and repaired, otherwise appears OK.
A pair of George III silver loaded candlesticks in the neo-classical taste, having chased reeded and fluted decoration, removable drip trays and turned wooden base, marks worn but possibly John Parsons & Co, Sheffield 1793, h.28.5cm One with numerous dents to both urn and lower section of column.The other generally good.No breaks or repairs to either.Some wear to marks.
Derby oriental pheasant plate, another painted with an urn in lot 184A COLLECTION OF 18TH CENTURY CERAMICSincluding two Liverpool jugs, a Meissen two Quail pattern cup, another two Quail cup, Chelsea octagonal dish, and assorted other ceramicsCondition Report:"two Liverpool jugs - sparrow beak example cracked and restored, other broken to handle and restoredMeissen two Quail pattern cup - broken and re stuckanother two Quail cup - crackedChelsea octagonal dish - chipped to rimflower painted dish - okteapot - crazed, cracked and spout damagedblue and white cup okteabowl broken pieces missing other teabowl ok Derby oriental pheasant plate another painted with an urn, both in lot 184"
A ROYAL DUX ART NOUVEAU CENTREPIECE depicting maidens seated upon a conch shell, stamped 1066, 37cms tall, another of a single maiden, No. 43, an Austrian maiden candlestick, and a further Dux figure of a man carrying an urn (4) Condition Report:"Candlestick has been restored to one leaf of lily pad, wear to the gilt on robes. Black marks to baseMaiden on conch shell - crazed, red mark to shoulderMaidens on wave and conch shell - a few small nicks to the plant structure supporting the shell, some wear to gilt, some marks in placesman carrying urns - chip to back base"
A 19TH CENTURY SEVRES POT POURRI URN AND COVER the turquoise ground with black, pink and gilt pattern with gilt metal mounts, with Napoleon mark and No. 66, 28cm high Condition Report:The pink and gilt enamel decoration is pitted but all intact on body. Some minor disruption to gilt on the lid. No cracks or scratches
Late Victorian octagonal silver open salt cellar raised on four bun feet, pierced body, gadrooning to the top and base, blue glass liners, makers Mappin & Webb, Sheffield 1896; a white metal salt spoon, together with a silver pounce pot, urn form raised on circular foot, pierced reeded body, twist cap cover, blue glass liner, makers mark partially rubbed, London 1902, height approx 9.5cm (3)
Gilbert Clock Co., United States. "Trinity" mantel clock. The white porcelain dial with Gilbert's patented exposed pin-pallet escapement with beat adjustment lever at the bottom. The clock with brass spring driven 8 day movement with half hour bell strike and a faux mercury jar pendulum. With an elaborate gilt metal case with scroll feet, four columns, and flame and urn finials.Height: 16 in x width: 10 1/2 in x depth: 7 1/4 in.
Axe. Atlantic Bronze Age, 2nd millennium BC.Bronze.Provenance: private collection Q.M. Barcelona, acquired in the 1970s. Acquired from heirs.Conservation: intact.Measurements: 20 cm. long.Bronze axe belonging to the Atlantic Final Bronze Age culture. This is a time phase or group of chronocultures characterised by metal deposits. In the Iberian Peninsula it dates from 1250 BC to 850 BC and extends from the Algarve and Huelva to the Bay of Biscay and links up with the continental Atlantic Late Bronze Age. It is divided into three stages: Atlantic Final Bronze Age I (1250-1100 BC), II (1100-940) and III (940-850). This historical process is parallel to the cultures of the first urn fields, Cogotas I, the southwestern stelae and the Phoenician colonisation. Its end coincides with the beginnings of Tartessos.
Applique; Celtiberian culture, 3rd century.Bronze.Provenance: Private collection of the Berenguer family.Measurements: 11.8 x 4 cm.The term Celtiberian groups together a series of pre-Roman Celtic or Celticized peoples who inhabited the area of the Iberian Peninsula known as Celtiberia in classical sources from the end of the Bronze Age (around the 13th century BC) until the Romanisation of Hispania (2nd-1st century BC). One of the main sources of information on the material culture of the Celtiberian peoples are the funerary trousseaus, with metal objects (generally bronze and iron, but also silver), including weapons, ornaments and tools, and also ceramic pieces, ranging from the cinerary urn itself to beads and fusayoles. These grave goods were made up of functional objects from everyday life as well as others of purely symbolic and social value, indicating the status of the deceased. The important role of weaponry and, in particular, swords is particularly noteworthy, as they speak of the privileged place occupied by warriors in Celtiberian society.
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