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Click here to subscribeA CONTEMPORARY TABLE LAMP in the style of a Oriental blue and white ginger jar, on a turned wooden base, 22cm diameter x 50cm high to the fitting together with a continental pottery table lamp in the form of a lidded urn decorated with a coat of arms, 22cm diameter x 49cm high Condition: the first lamp in good overall condition but in need of rewiring, the second lamp with some wear to the gilding and some minor marks and also in need of rewiring
A PAIR OF RECONSTITUTED STONE GARDEN URNS with acanthus leaf moulded bodies and square bases, 51cm diameter x 54cm high Condition: the urns with hairline crack to the top of one urn, the urns have been outside and used, with minor associated losses, marks and scratches, generally good condition overall
A PAIR OF SMALL CAST IRON URNS of campana form, each 22cm diameter x 31cm high together with a further slightly larger cast iron urn (3) At present, there is no condition report prepared for this lot This in no way indicates a good condition Please contact the saleroom for a full condition report
A REGENCY COPPER AND BRASS TEA URN OR SAMOVAR of classical form with looping handles, 58cm high together with a further smaller samovar, 37cm high and another part samovar converted for use as a jardiniere, 36cm high (3) Condition: all with some dents, minor marks and scratches overall due to age and use, all lacking taps; the finial to the smaller samovar loose, moderate overall condition
AN EARLY 19TH CENTURY TORTOISE SHELL TEA CADDY with canted corners, steel urn finial, steel ball feet and inner lid to the single internal compartment, 10.5cm wide x 7.5cm deep x 13cm high Condition: The tea caddy with steel wire stringing to the lid which is lifting, lifting and movement to the tortoise shell veneer to the back and also some loss and repair towards the back, some bubbling of the tortoiseshell veneer overall, some loss to the steel stringing to the left and right hand sides, usual marks, dents and scratches due to age and use, some rusting and oxidation of the ball feet, some discolouration to the velvet lining of the lid, losses as one might expect to the zinc lining of the compartment, loss to part of the tortoiseshell veneer of the lid, overall moderate condition
A PAIR OF CAST RECONSTITUTED STONE GARDEN URNS of campana form with fluted bodies and square bases, each approximately 45cm diameter x 59cm high Condition: the first urn with thin walled casting and some holes associated to the body, otherwise usual marks due to age and use; the second urn broken and glued together; both usable but in poor condition
A PAIR OF CAST RECONSTITUTED STONE SQUARE TAPERING PLANTERS decorated with lion masks to the panelled sides and on integral feet, each 35cm square at the top and 35cm high Condition: small chip to the top corner of one urn, further minor losses and marks due to age and use, generally moderate condition overall
A SET OF FOUR RECONSTITUTED STONE GARDEN URNSon plinths, each 68cm diameter, plinths and urns standing 81cm high overallCondition: one urn with significant damages and in need of restoration; the other urns with minor damages, cracks, chips and marks, the plinths with minor marks, generally in reasonable condition
A CHINESE CARVED EBONISED WOOD URN STAND of square section, standing on shaped legs and terminating in scroll feet, 40cm wide x 40cm deep x 47cm high At present, there is no condition report prepared for this lot This in no way indicates a good condition Please contact the saleroom for a full condition report
A MODERN BRONZE INCENSE BURNER in the classical style, decorated with lion masks, 14cm diameter x 25.5cm high together with a 19th century ornament with bronze classical urn on a boule type plinth, 30cm high and a black slate ornament in the form of a small domed folly with fluted columns, 28cm high Condition: the incense burner with minor marks overall and some marking within, generally good condition; the classical urn on a plinth with oxidisation to the urn and mounts, losses to the tortoise shell style decoration; the black slate ornament with slight discolouration, two or three small chips to the edges
A ROYAL WORCESTER HERTIAGE COLLECTION POT POURRI VASE AND COVER, of urn form with blue and gilt decoration, gilt backstamp and 2010 to base, height approximately 19cm, together with a Spode 'Regency White' twin handled vase and cover, floral decoration, central medallions surrounded by gilt detailing, height approximately 27.5cm (2)Condition Report No obvious damage. Spode item has minor rubbing to gilding
A GROUP OF 19TH AND 20TH CENTURY BRITISH AND CONTINENTAL POTTERY AND PORCELAIN, including Mintons urn and cover and matching twin handled bowl, with rose bud decoration, a pair of Limoges urns and a KPM Berlin twin handled bowl, pierced and florally encrusted decoration (17)Condition Report hairline crack and rim, damage to lid, crazing to image
A pair of scrimshaw whale teeth. 19th century. ++ Incised decoration of couple holding hands. Marked above couple "Forget me not the young lovers' interview." Wear to patina and chips along bottom. Residue on arm of woman. 5" x 3 1/2". ++ Incised portrait of a woman. On verso incised decoration of urn with flowers. 1" crack on portrait of female. 5 1/2" along right side. Wear to patina. Residue on urn. 5 1/4" x 2 1/4".Condition: THIS LOT CONTAINS ANIMAL OR PLANT MATERIAL THAT MAY BE RESTRICTED UNDER FEDERAL, STATE, AND/ OR LOCAL LAW. BIDDERS SHOULD CHECK ALL APPLICABLE GOVERNMENT WILDLIFE RESTRICTIONS PRIOR TO PLACING A BID. THE BUYER WILL BE SOLELY RESPONSIBLE FOR OBTAINING ANY NECESSARY LICENSE OR PERMITS APPLICABLE TO THE SALE OR TRANSPORT OF THE OBJECT.
A pair of Louis XVI style gilt chairs. Circa 19th century. French. Ornately pierced carved splat with architectural decorations, sheaf of wheat, urn, putti, and acanthus. Rounded seat upholstered in silk on turned tapered spiral legs. 34" x 15 1/2" x 15 1/4". Shipping: This lot does not qualify for in house shipping. We will provide a list of our preferred shippers.Condition: Wear to gilt and wood throughout consistent with age and use. Wear to upholstery. Some silk shattered.
An Edwardian Scottish silver four section toast rack, by Mackay & Chisholm, assayed Edinburgh 1906, length 9.1cm, together with a small silver four section toast rack, by Adie Brothers Ltd, assayed Birmingham 1925, length 7.2cm, a George III silver cream jug, by Thomas Wallis I, assayed London 1767, and an Edwardian silver urn form cream jug, by Fordham & Faulkner, assayed Sheffield 1904. (total weight 462.8g). (4)Condition: The Scottish toast rack with slide distortion to one end wire, otherwise in good order, the smaller toast rack and edwardian cream jug both in good condition, the George III cream jug also in good condition but with worn crest to one side and engraved initials to the other.
SELECTION OF ITALIAN AND OTHER EUROPEAN CERAMICSincluding a large Italian orange decorated basket, an Italian fruit decorated segmented circular platter, an Amalfi ceramic tile signed Luciano, an Italian floral decorated plant trough, a small Capodimonte gilt decorated urn, two Portuguese graduated cabbage shaped dishes, a Set of six Greek wine goblets decorated with Greek gods on a black ground in 24 carat gold highlights, and a Quimper ware wall mounted posy holder
A GEORGE III SILVER TEA URN, by Daniel Smith & Robert Sharp, London 1765, the bulbous two-handled bowl with trumpet-shaped cover and flaming knop, engraved with initials, the tap with ivory handle, the stand with gadrooned square base with pierced borders, raised on paw feet. 65 troy ounces, 46cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The cover, body and base are all marked. Couple of dents to the body and some bruises and wear commensurate with age.
A GEORGE III SILVER CLARET JUG, by Hester Bateman, London 1779, urn-shaped, the plain body with beaded borders and engraved with a crest, the hinged cover with closed flower bud finial, ebonised C-scroll handle with acanthus leaf terminals. 31.5cm high overall, 24.9 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Generally good condition.
A HELLENISTIC CORE-FORMED GLASS AMPHORISKOSCIRCA 1ST-4TH CENTURY BCWith button base and twin handles, the urn-shaped body with white trail spiral and yellow/white zigzags. 10cmProvenance: The Chris Crabtree Collection, North Yorkshire. Acquired on the UK art market 1970's-80's.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Length 10cm
A LARGE BRASS-MOUNTED OAK BRACKET CLOCK, LAST QUARTER OF 19TH CENTURY, the case surmounted by a flaming urn surrounded by four small counterparts, the caddy top with applied ribbon-tied floral swags, above an arch-glazed door flanked by canted corners applied with satyr-mask and foliate-cast mounts, the plinth with applied claw feet and centred by a pierced mask and foliate mount, the face with silvered dial and switches for slow/fast and chime/silent, W&H two-train quarter-striking movement on coil gongs. 72cm
GROUP OF SIX INTAGLIO ENGRAVED GLASS TASSIE 'GEMS', late 18th or early 19th century, including an amber coloured oval example with an armorial, 2cm high; a citrine coloured rectangular example, 'ILL WEEDS GROW APACE', 1.75cm high; a clear oval example depicting a Campana urn, 1.5cm high; a clear rectangular example 'WITH ALL THY FAULTS I LOVE THEE STILL', (no.153), 1.5cm wide; a dark amethyst coloured rectangular example, A MOUSE GNAWING AWAY THE NET IN WHICH THE LION IS CAUGHT, "Not unmindful of benefits", (no.782), 1.8cm wide; and one other Provenance: The Miller-Williams Collection of Tassie Intaglios The avid and erudite Dorset collector Mrs Margaret Miller-Williams, forms her fascinating collection of Tassie glass intaglios, related seals and imprints. The group, assembled over many years of sharp eyed hunting in shops and markets in the UK and abroad, is a small but strongly representative part of William Tassie's (1777 - 1860) huge output. Miller-Williams' original interest in the Tassie Neoclassical phenomenom was originally fired by a close friend who as a great great great great niece of Tassie's had inherited a large collection of the engraver's own intaglios, and who gave Miller-Williams her duplicates, to get the collection started William Tassie himself, nephew of James Tassie (1735 - 1799) who was also a gem engraver, had a famed collection of over 20,000 intaglios. It is thought that between them, the Tassies could reasonably be credited with the reintroduction of the ancient skill of Intaglio gem engraving, and their work meshed perfectly with the newly fashionable Grand Tour and the general and ubiquitous vogue for all things Neoclassical. The sheer quality of their work brought great acclaim, and their intaglios found their way into many great collections, including that of Catherine the Great of Russia -that cumulation now held at the State Hermitage Museums The bracketed numbers in the following lots relate to the full listing 'A CATALOGUE OF THAT PART OF MR WILLIAM TASSIE'S EXTENSIVE COLLECTION OF IMPRESSIONS FROM ENGRAVED GEMS, CONSISTING OF DEVICES AND EMBLEMS...', printed by W.Nicol, London 1830
FRENCH SILVER GILT AND GLASS MOUNTED TWIN HANDLED URN, circa 1820, the domed cover with foliate wreath finial, the scrolled handles rising from avine terminals at the beaded rim and descending past the hobnail cut glass body to further beaded borders, enclosing repousse swans and foliage, the waisted stem on a square base with repousee foliate and stylised paw feet, 28cm high, 22cm wide
GEORGE III BLUEJOHN AND LATER GILT METAL MOUNTED URN, circa 1800 and later mounted, the ogee moulded shallow domed cover with everted rim, above a double reeded shoulder to the ovoid body; on a brass shaft above a domed base; the bluejohn 15cm high, 10.5cm diameter, the overall dimensions, 20cm high, 12cm diameter at the base; an ivory and olivewood mounted urn finial, 19th century, 15cm high; and a small quantity of further turned wood and metal urn finials
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