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A Continental giltwood columnar standard lamp, 20th century, the fluted and baluster stem with lobed and foliate knops, above a circular base, raised on three bun feet, 167cm high including electrical fitment; and a brass table lamp modelled as an altarstick, 20th century, the elongated and moulded urn sconce above a circular drip pan leading to a multi knopped stem, on a triangular section base raised on three claw and ball feet, 83cm high including electrical fitment; and another brass table lamp, 20th century, modelled as a 17th century candlestick, with multi-knopped stem and on bracket feet Please note: The brass lamp (modelled as a 17th century candlestick and pictured on the right in the catalogue image) is not present as part of this lot.
An Edwardian mahogany and marquetry floor standing corner display cabinet, outswept moulded cornice above an astragal glazed door, the projecting base inlaid in coloured woods with an urn, leafy scrolls and bell husk swags, outlined throughout with boxwood stringing, bracket feet, 189cm high, 66.5cm wide, c.1905
A French gilt bronze mantelpiece garniture, late 18 th / early 19 th century, attributed to Pierre Philippe Thomire (1751-1843), comprising a two handled campana urn with floral cast handles and body on a stepped square plinth, cast to each side with a quiver of arrows and leaf and foliate scroll work on an anthemion cast canted square base, and two conforming ewers each cast with cherubs and swags, the urn 27cm high, 8.5cm square, the ewers 32cm high, 8.5cm square (3)
Eardley Norton: A George III mahogany and gilt brass mounted musical table clock, third quarter 18th century, the 7.75inch arched brass dial with matted centre and date aperture, silvered chapter ring with Roman numerals and outer Arabic minute ring within foliate and scroll cast openwork spandrels, the arch with Strike/Not Strike and Chime/Not Chime subsidiary dials and hand for tune selection with silvered arch marked ' MARCH, MINUET, SONG, COTILLION, MARCH, DANCE', inset silvered name plate marked in italic and Gothic script 'Eardley Norton, London' and numbered '2074', the six pillar triple fusee movement with verge escapement, hour strike on a single bell and 5.25 inch music cylinder, the backplate engraved in italic script 'Eardley Norton, London' and numbered 2074 in the top right hand corner and engraved throughout with foliate scrollwork, pierced foliate cast side grilles and upper top front corners with later green silk backing, the case with gilt brass stop-fluted canted front corners, side carrying handles, pagoda top with five cast urn finials, raised on a gilt brass plinth and ogee bracket feet, 63cm high, 30cm deep (including feet), 37cm wide (including feet ), case 33cm wide Footnote Eardley Norton, member of the Clockmakers' Company is recorded as working between 1762 and 1794 and his work is featured in the Royal Collection including an astronomical clock for George III in Buckingham Palace. Provenance: Originally purchased by W Strang, 1st Baron Strang (1893-1978) whilst c harge d'a ffaires at the British Embassy in Moscow 1930-1933.
A George III mahogany cased bracket clock, late 18 th century, the girdled bell top with gilt brass swing handle and pineapple finials above arched glazed door with foliate cast gilt metal open work spandrels, the top corners enclosing a 7 inch silvered arched dial with Roman and Arabic numerals subsidiary seconds dial, and inscribed ‘John Lingford Nottingham’, strike silent dial in the arch, 8-day double fusee movement, striking on a bell and with hour repeat mechanism and bob pendulum, the back plate engraved with an urn and foliate motifs, opaque glass side panels raised on a plinth base and four gilt metal ogee bracket feet, 47cm high, 19cm deep, 27cm wide
A George III mahogany longcase clock the broken scroll swan neck pediment centred by an eagle and urn finial above and arched glazed door flanked by fluted gilt brass Corinthian capped pilasters enclosing a 12” white painted arched dial with subsidiary seconds dial and date aperture and inscribed ‘Deacon Barton’ the chapter ring with Arabic numerals and painted with roses to the corners and the arch eight day movement striking on a bell above an ogee arched top cross banded trunk door flanked by fluted quarter pilasters over a concave moulding and plain base and on ogee bracket feet, 208cm high.
A Louis XVI gilt bronze mantel clock, the 5 inch white enamel dial inscribed 'Gille L'aine a Paris' with Roman numerals and Arabic outer minute ring, contained within a drum case, eight day movement striking on a bell, the case surmounted by a classical urn and supported by leaf and berry cast open brackets on a rounded rectangular leaf cast plinth and toupie feet and white marble and ormolu scroll and flowerhead cast base and velvet wrapped separate stand.36cm high (40cm overall), 14cm deep 28cm wide (30cm wide overall)
A late 19thC French ormolu clock garniture, with Sevres style mounts, the clock decorated with an urn above a porcelain dial, decorated with birds and with Roman numerals, the case embellished with masks, foliate scrolls etc., on tupee feet, flanked by a pair of two handled urns, each decorated with figures, 33cm H.
A fine quality Edwardian mahogany and satinwood inlaid chiming long case clock, the hood surmounted by an arched pediment and fluted orb, the brass and silvered dial decorated with foliate engraved decoration with moon phase above, subsidiary dials for chime silent, Whittington and Westminster strikes, above an arched bevelled glass door with Mercury adjustable pendulum and pierced foliate back panel, raised on a box base and bracket supports, decorated with floral garlands and urn and flanked by reeded columns with brass capitals, 250cm high
Pair Flight Barr & Barr porcelain vases, each urn-shaped and with pair scrolling dragon handles, each blue ground and painted with two circular panels of exotic birds within gilt borders, beneath white jewelled shoulder, all on circular foot and square gilt plinth base, 11cm high, circa 1830/40
Early 18th century school Oil on canvas Three-quarter length portrait of a lady and child, Anna Sophia Courtenay (1710-1745) and Anne Bertie (1681- 1718,) one holding a pearl necklace and the other holding a basket of flowers, embroidered banner to lower left corner, inscribed “Anna Sophia Courtenay 1727” and the two-handled urn inscribed “Ann Bertie Second daughter to the ... Rev ... Bertie”, lower right corner, all in carved and openwork rococo giltwood frame, 141cm x 231cm (some damage to canvas) (Provenance – believed by the present owner to be from Powderham Castle, home of the Courtenay family)
EDWARDIAN MAHOGANY, SATINWOOD AND MARQUETRY CHIMING LONGCASE CLOCK EARLY 20TH CENTURY the swan neck pediment above an arched brass dial with a silvered Arabic numeral chapter and subsidiary Chime/Silent dial, above an arched trunk door with urn inlay, on a plinth base with a fan medallion inlay and raised on bracket feet; the eight day movement with a gong strike and playing on five chimes 55cm wide, 227cm high, 38cm
DUTCH OAK AND FRUITWOOD PARQUETRY CHEST-ON-STAND EARLY 18TH CENTURY the domed top with geometric parquetry centred by a star motif, opening to a void interior, on an oak base with frieze drawer raised on ebonised baluster legs joined by curved X stretchers with an urn finial and ending on bun feet 69cm wide, 83cm high, 50cm deep
FRENCH PORCELAIN AND GILT BRONZE MANTEL CLOCK 19TH CENTURY in the Louis XVI style, the porcelain Roman numeral dial painted with flower garlands, in a cylinder case with a porcelain urn finial and a bowfront base mounted with pairs of nesting lovebirds, raised on toupie feet, signed on the dial and movement 'BRYSON & SONS/ Edinburgh', the eight day movement striking a bell and numbered 32667 15-3 34cm long, 33cm high, 11cm deep
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68624 item(s)/page