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Good mahogany regulator longcase clock, the 12" square silvered dial with outer seconds chapter ring enclosing subsidiary minute and hour chapter rings, also inscribed Sept 1925 to the centre, the movement with deadbeat escapement and maintaining power, the case with long glazed door surmounted by a broken triangular pediment and brass urn finial, 78" high (pendulum, weight and keys)
A LATE 19TH CENTURY FRENCH ORMOLU AND PORCELAIN PANELED MANTEL CLOCK having an urn finial above an ornate case with acanthus leaf decoration inset with blue porcelain panels painted with winged cherubs and matching 3.5" dial having Roman numerals fronting an eight-day spring driven movement striking the hours/half hours on a bell 31cm high
AN EARLY FRENCH BRONZE AND ORMOLU URN SHAPED MANTEL CLOCK the patinated case flanked by two gilt rams heads and surmounted by a gilt acorn finial enclosing a 4.5" enamel Roman dial fronting an eight-day spring driven movement with silk suspension striking the hours/half hours on a bell 39cm high
A LATE 19TH CENTURY FRENCH ORMOLU AND PORCELAIN PANELLED MANTEL CLOCK the case with urn finial above a gilt brass case with acanthus leaf moulding inset with porcelain panels depicting classical scenes with matching 4" porcelain Roman dial fronting a spring driven eight-day movement striking the hours/half hours on a bell 45cm high
A LATE 19TH CENTURY FRENCH ORMOLU AND PIETRA DURA MANTEL CLOCK with urn finial above a waisted case having floral decoration and marble panels, the front with pietra dura panel depicting a butterfly below a 4" marble dial with Roman numerals fronting an eight-day spring driven movement striking the hours/half hours on a bell 35cm high
JAMES UPJOHN, 18 RED LION ST. CLERKENWELL, LONDON. A REGENCY FIGURED MAHOGANY AND SATINWOOD INLAID BRACKET CLOCK the pagoda top with gilt brass pineapple finial above a balloon shaped case crossbanded in satinwood with inlaid urn panel and locking cast brass bezel enclosing a 6" convex painted dial with Roman numerals and Strike/Silent lever fronting a circular plated eight-day double fusee movement striking the hours on a bell 61cm high
A LATE 19TH CENTURY TORTOISESHELL BOULLE BRACKET CLOCK in the 17th century style, the case inlaid with engraved pewter and brass having a caddy top surmounted by eight gilt brass torch and urn finials supported on four Corinthian capped columns flanking a brass moulded edged arched glazed door enclosing an 8" silvered engraved chapter ring on black velvet ground above an applied gilt plaque depicting two sphinx, the eight-day spring driven movement with anchor escapement striking the hours/half hours on a gong 53cm high
A group of porcelain comprising Herend two division dish painted with birds and insects, width 15cm, Dresden foliate painted gilt heightened coffee can and saucer, Alka-Kunst 'Cobalt' twin handled urn with foliate decoration, and a Samson-style female figure holding turnips, also small brass mantel clock and a fan. Additional InformationThe Herend dish has a tiny chip to the rim, the Dresden saucer has a deep scratch to underside, rubbing to decoration on the urn, the figure has painted loss to the skirt, firing crack to left wrist and general light wear and dirt throughout.
WEDGWOOD; a black basalt jasperware teapot with Classical style decoration in relief, the lid with figural finial (lid af), a similarly decorated unmarked coffee pot (af), and a cream jug, also a black stained pottery urn, small lidded pot and a spare lid.Additional InformationThe Wedgwood teapot lid has a chip to the rim and the finial has been broken and crudely reglued, usual scuffs and scrapes to body throughout, the coffee pot lid has been cracked, the pot itself with small chips to rim, further scuffs and abrasions throughout to all items, black staining worn and rubbed in places where applicable, general wear throughout.
A group of predominantly Victorian glass to include a pair of green decanters with handles, a pair of cranberry 'Jack in the Pulpit' vases, a pair of enamelled urn shaped vases, a similar Continental globular example with traces of marks to base, and a set of six wine glasses, also a Venetian glass scent bottle, height 27cm including stopper.Additional InformationOne ewer with chip to rim, other with small area of surface damage, all with extensive rubbing to gilt, further rubbing to enamels, general surface wear and manufacturing imperfections, please see additional images.
PEARCE & SONS LTD; a George V hallmarked silver five piece coffee set comprising a footed urn shaped coffee pot with ivory finial and insulators, height 18.5cm, illegible but different mark, a coffee pot, a twin handled sugar bowl, a cream jug and a circular tray, diameter 35.5cm, London 1922, in fitted oak case with maker's plaque, approx 71.4ozt (5).
NATHAN & HAYES; a George V hallmarked silver urn shaped sugar caster on spreading circular foot and square base, Chester 1914, height 17cm, approx 3.6ozt.Additional InformationGenerally in tact apart from some minor surface wear and a dint to lower part, some minor areas of scratches, residues of cleaning product to the domed pierced lid, with scratched trade marks to underneath of base, numbered 531.
Coalport Superb Quality Hand Painted and Gilded Tall Twin Handle Urn Shaped Lidded Vase of Very Pleasing Form. c.1891 - 1895. Painted with a Lake Scene View with Mountain Backdrop to Central Panel, Surround and Extensive Applied Gilded Decoration to Body of Vase, In The Form of Butterflies and Leaves On a Cobalt Blue Ground, The Gilded Handles with Draped Laurel Wreathes. 1st Quality & Mint Condition.
Coalport - 19th Century Fine Quality Hand Painted Twin Handle Urn Shaped Vase of Very Pleasing Form. c.1895 - 1900, Painted Images of Mountain Range and Woodlands to Central Panel, Surrounded by Extensive Gilded Decoration on Cobalt Blue Ground, Highlights and Embellish with Painted Gold Decoration to Handles, Borders. Coalport Printed Stamp to Base. Height 8.5 Inches - 21.25 cm. 1st Quality & Mint Condition.
Coalport Fine Quality Hand Painted Lidded Twin Handle Urn Shaped Vase of Wonderful Quality and Shape, with Painted Central Panels to Front and Back of Vase, Depicting Scenic Views with Mountain and Lakes, Building. Each Surrounded by Gold Gilt Ornate Decoration Further Embellished with Gilt to Handles and Base Borders. c.1890. The Vase Stands 9.25 Inches - 23.25 cm Tall.
Royal Crown Derby Hand Painted Pair of Old Imari - 22ct Solid Gold Band Twin Handle Urn Shaped Vases. Pattern No 1128 & Date 2004. Superb Quality - Please See Photo. Each 16.5 Inches - 41.75 cm High. Condition Report - 1st Vase - 1st Quality and Mint Condition. 2nd Vase - Hairline Crack to Base, Please See Photo, Easy to Resolve, Caused by Over Tightening Screw to Base. Please See Photo, Retails over £3,600.
East Asia, Japan, Middle Jomon period, ca. 2000 to 1000 BCE. A large, deep, conical urn made using the coil method, the clay mixed by the woman who made it (women produced all ceramics in this culture) with adhesive materials like mica, lead, fibers, and crushed shells. She would then smooth the interior and exterior and create cord-like motifs around the exterior, many of which can still be seen here, and for which this enigmatic culture is named - "Jomon" means "cord pattern" in Japanese. An applied, rope-like strip of clay is just under the slightly rolled out rim. Jomon pottery is some of the oldest ever made, and much of it has a similar form as this example: "fukabachi," deep bowls or jars. The flattened base indicates that it is probably from the early Middle Jomon period. Size: 10.8" W x 19.55" H (27.4 cm x 49.7 cm).The fukabachi style emerged at the beginning of the Jomon period and persisted for centuries. These were used for cooking and storage; the cultivation of rice, which began around this time, created demand for ceramic domestic vessels. People lived in small communities, in square-shaped pithouses and had regular trade with the Korean peninsula and with each other, creating a fairly uniform ceramic tradition across a wide geographic area.This piece has been tested using thermoluminescence (TL) analysis and has been found to be ancient and of the period stated. A full report will accompany purchase. Provenance: private Hawaii, USA collection; ex-private Chicago, Illinois, USA collection Condition: Repaired from multiple pieces, with some areas of restoration. Overpainting along some of the repair lines. Repairs are generally unobtrusive. Two drill holes from TL testing: outside the rim, and along the exterior lower body. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #146140
A DUTCH SILVER MINIATURE TABLE APPARENTLY NO MAKER’S MARK ALKMAAR 1882 the shaped oval tilt top chased to the dished centre with a flower-filled urn and a border of further flowers the baluster stem on three cast openwork scroll supports 833 standard 13.5cm wide; together with a Dutch silver pill box Schoonhoven 1902 circular covered in figural scenes to top and bottom and scrolls to bombé sides 833 standard 5.5cm diameter; and a German silver pill box Simon Roth Hanau circa 1895 the circular box on four ball feet decorated with scrolls and figures below a cone-shaped pedestal topped by a cast cherub import marked for London 1895 5cm high 196gr (6oz) (3)
ËœA PAIR OF SILVER-GILT IVORY AND ROCK CRYSTAL FIGURAL CANDLESTICKS PROBABLY GERMAN LATE 19TH CENTURY the rectangular bases and panel feet cast with leafy scrolls below a band of rocaille set with gemstones and pastes each supporting an opposing ivory figure of a young countryman or woman with silver detailed clothes and hat standing beside a flower-filled gem and paste-set hamper on stump support set behind with an ivy-wreathed cylindrical candlestick with drip-pan below the urn-shaped sconce with detachable nozzle 26cm high
Pair of Bohemian hand-painted, overlay glass pedestal urn-shaped vases with flared necks, hobnail and foliate panels on pedestal bases. 30 cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: One has significant repair where a large piece of the neck has been stuck back. Other vase has at least one minor chip.
A good quality reproduction mahogany dining room side cabinetWith breakfront, fitted with central drawer with carved urn detail and four side drawers, raised on tapering square legs, together with a matching two drawer cutlery canteen (lacking contents), largest piece height 87cm, width 137cm, depth 54cm (2)
A Royal Copenhagen miniature frog on a rock no. 507; together with a Royal Crown Derby dormouse paperweight; a Dresden porcelain urn and cover; a Mulberry circular box and cover; a Poole Pottery sleeping fox; a Baccarat glass dove; an Edwardian enamelled glass box trinket box and cover; and an early 19th century English porcelain Imari twin handled sauce tureen (lacks cover). (9)
A 19th century French bronze lizard candlestick the urn shaped nozzle with fruiting vine decoration, on a reeded column with climbing lizard and foliate mount to three paw and counter feet, 12 1/8in. (30.8cm.) high, lizard detached; together with a pair of 18th century style brass three branch candelabra. (3)
A fine marquetry inlaid Sinfonia extending dining table and eight chairs by Carpanelli of Italy early 21st century, the rectangular table with D-shaped ends, extending on a pull out mechanism with a concealed centre-hinged additional leaf beneath the top, the top with central walnut panel within multiple cross and decorative marquetry bandings, within broad serpentine shaped outer borders of myrtle and palisander, over a conforming palisander frieze with lozenge marquetry banding, raised on tapered fluted legs with floral marquetry and cross banded decoration and urn shaped feet, 88«in. (225cm.) long, 118in. (300cm.) long extended, 43¬in. (110cm.) wide, together with a matching set of eight marquetry inlaid walnut splat back chairs, with striped silk seats and square tapered front legs, the rear legs of sabre form. (9)
An assortment of 18th and early 19th Century pottery and porcelain, to include a Worcester 'Scarlet Japan' teapot and plate, a pearlware Imari urn, a sauceboat decorated with fancy birds, a pearlware boot, a creamware asparagus server, a blue and white teacup and a Caughley 'pleasure boat' or 'fisherman' pattern wine taster, damages to some items
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68875 item(s)/page