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Sevres soft paste pot pourri vase and cover, flattened urn form with double handles and pierced cover surmounted with a pine cone finial, decorated with a pictorial vignette featuring a horseman taking rest outside an inn, opposing a lakeland landscape, all bordered with gilt against a bleu de roi ground, all raised on a canted square base, blue interlaced L mark (cover restored), height 19.5cm
French walnut and marquetry chest of drawers, the top centred with an oval inlay with an urn of flowers in a variety of woods, and bordered with chequered crossbanding, fitted with four drawers, all bordered with chequered parquetry, turned wooden handles centred with a mother of pearl eye, the side panels further inlaid with floral urns, raised on bracket feet, width 100cm, depth 59cm, height 102.5cm
Sheraton Revival mahogany and inlaid bureau, on later stand, crossbanded with rosewood and inlaid with a classical urn and foliate scrolls, and opening to a stepped interior with mariner's penwork fronted drawers and pigeonholes, fitted with three inlaid drawers with the addition of 18th Century cast bronze handles and escutcheon, raised on a pierced mahogany stand, height 99.5cm, width 54cm, depth 33cm
SMALL SILVER - a quantity with an Art Deco plated stand to include a three piece condiment set, Chester 1938, a 10cms H helmet shape cream jug, Birmingham 1910, a Walker and Hall urn shape vase, Sheffield 1913 along with two pairs of sugar tongs, a salt spoon, sugar sifter spoon and napkin ring, various assay marks and dates, 13.2 troy ozs weighable
A 9ct. gold curb link charm bracelet, with 9ct. gold heart padlock clasp, suspending 9ct. gold and gold mounted charms including: hinged , vintage automobile, gold mounted urn, , police helmet, one pound note capsule, oval locket, small ring, coffee pot, lantern, cream jug and ballerina. (gross weight 52.8g).
A finely decorated Chinese porcelain pen box, probably made for the Middle Eastern market, bearing a six character Qianlong seal mark to base but probably later to be sold with a late 19th century bluster blue and white vase with a dog of Fo cover lid decorated with two boys on either side of an urn shape vase, bearing four character mark to vase (2) Hight of vase including cover approx. 22cm, diameter of box: 23cm, height of box: 9cm.
A group of three early 19th century porcelain encrusted polychrome chamber candlesticks, possibly Coalport Coalbrookdale or Worcester, one with crabstock handle, pink flower candle holder and base formed of leaves and petals with small applied flowers, gilt and pink highlights, unmarked, 12 by 10 by 6cm, another with blue and yellow flower candle holder, base of waved shaped outline with encrusted flowers and leaves, gilt painted ground of spreading tree branches, scrolling gilt foot, 13 by 12 by 7cm, the third larger with urn shaped candle holder, foliate scroll handle, applied flowers and leaves in full relief to a shaped outline base, painted pattern 1557 to base, 15 by 14 by 6.5cm high. (3)
A 19th century Milanese ivory inlaid ebonised pier glassThe finial mounted broken arched pediment above the central mirror plate flanked by urn and floral spray inlaid uprights above the similarly inlaid frieze. 222 cm high; 119 cm wide. CONDITION REPORTS: Some scuffing and scratching, some old woodworm damage, some splits and small losses to frame, some repairs to frame, some minor ivory loss, some splits and staining to ivory, general wear.
An ornate 19th century brass fire curbEach end surmounted with a flaming urn with floral swags and a lions mask over pleated swags, each flanking the central section with urn form uprights. 173 cm wide. CONDITION REPORTS: Some tarnishing, dirty, some minor misshaping, central section loose to ends, some fixing elements possibly lacking, general wear.
Joseph Ferdinand Regnier for Sevres, an exhibition pate sur pate tri colour celadon ground vase, circa 1867, Second Empire, twin handled pedestal double ogee form, the flaring neck flanked by gilt enriched relief moulded horned lions masks, mouths open, the main opposing panels painted and hand tooled with allegorical putti in clouds, representing the seasons, Winter and Summer, one holding a spinning thread, the other with wheat sheaf, within quatrelobed and beaded cartouches, interlinked by roundels of flaming urn and spoils of harvest, the ground with foliate fronds, above a tooled gilt and foliate lappet band, ribboned knop and arcaded floral foot and top rim, signed and dated in underglaze blue, Napoleon III gilders mark 67 and body mark 1862, 41cm high Note: for an almost identical pair of vases of the same design, without the tooled gilding seen on this example, see Christie's sale 1716, 24th October 2006, lot 160
John Mortimer and John Samuel Hunt, London 1839, a Victorian silver mustard pot, twin handled pedestal urn form, embossed in relief with geometric coral and Celtic foliate banding, bisected scroll handles, glass liner, 12cm high, 13.28ozt Note: Paul Storr's firm of Storr and Mortimer became Mortimer and Hunt after Storr's retirement in December in 1838, before becoming Hunt and Roskell in 1843
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68875 item(s)/page