There are 68875 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeAn 18th Century Italian antique china polychrome decorated Maiolica charger plate. The charger having hand painted scenes with a central nude classical figure within a decorative arch way with winged creatures, birds and scroll decoration throughout. Paneled finished borders with urn and floral decoration and yellow finished rim. Marked I.T to underside. Measures 40cm diameter.
A pair of George III glass mustard jars with silver covers by Charles Chesterman II, London 1805, with urn shaped finials to the domed covers, the bodies with silver collars, 14cm (5 1/2in) high, 73g (2.35 oz) weighable Condition Report: Maker's mark partially obscured One cover fits tightly, the other slightly loose One finial every so slightly bent Minor chips to the facetted edges Light scratches and wear commensurate with age and use Condition Report Disclaimer
A 9ct gold charm bracelet with five assorted charms to include a Grandfather clock, chamber stick, lamp, teapot all 9ct gold and an 18ct gold urn, bracelet length approx 16cm, bolt clasp, total gross weight approx 23gms Condition report: Good- all links present and intact, age related wear and tear, clasp working
A pair of Victorian silver pepper pots, Georgian style urn shaped with chased festoons, the detachable covers with urn shaped finials, by Mappin & Webb, Sheffield, 1882, stamped to base with pattern no: 5689 in fitted case with retailer's stamp to cover (CR: marks rubbed) together with a pair of Edwardian plain baluster shaped pepper pots, by James Dixon & Sons, Sheffield, 1909 and a Georgian style mustard pot, by Daniel & Arter, Birmingham, 1949 (5) 7.72 ozt (240 grams)
A south Staffordshire urn shaped enamel scent bottle and bonbonniere, circa 1760, painted with panels of two landscapes and two flower sprays, gilt scrolls, on a white ground, chained gilt metal flower spray stopper, 10cm (4in) high Provenance: Private Collection, Wantage.Condition Report: Hinge is goodCover fits wellStopper fits tightlyPlay to the mount on the baseSome hairline cracks, enamel generally goodLight scratches and wear commensurate with age and useCondition Report Disclaimer
Y An early Victorian gold and sepia wash brooch, circa 1840, the central glazed compartment with a circular panel painted with sepia and applied hair depicting an urn on an alter with initials JRN below a weeping willow, the circular gold brooch mount with applied foliage, with a serpentine link tassel suspended beneath, unmarked, 9cm long overall, 24.8g grossCondition Report: Overall light wear commensurate with use. The central glazed compartment needs to be properly put back into the mount as it protrudes away from the setting edge. No signs of damage or repair to the gold work. The central glazed section has some dirt around the outside of the panel which may be able to be cleaned off, but due to the outer setting not being in place we are reluctant to attempt, there is a chip to the lower part of the panel. The hairwork and sepia below the glazing is in good condition.Condition Report Disclaimer
A cased seven piece cruet set by Haseler Brothers, Chester 1901 and 1902, the mustard with an urn shaped finial and a scroll handle, gadrooned borders and pierced body, 9cm (3 1/2in) long, 348g (11.2 oz), with seven blue glass liners Condition Report: One of the cruet spoons is a replacement in a different patternCondition Report Disclaimer
An 18th century French silver double salt cellar, Paris 1783-89, with a central urn handle, an embossed and pierced base with putti and floral swags, oval blue glass liners, on toupe feet, 15cm (6in) long; and a pedestal sugar basket by Mappin & Webb, London 1913, with a swing handle, wirework basket, on a moulded base, with a blue glass liner, 10.5cm (4 1/4in) high, 306g (9.85 oz) weighable (2)Condition Report: Salt cellar - Stands well, marks partially obscured, one foot appears to have been reattached, one foot bent, split and solder repair to top border, urn finial slightly bent, one liner chippedBasket - Marks are well struck, stands well, liner goodBoth with light scratches and wear commensurate with age and use Condition Report Disclaimer
of urn form, bright-cut engraved floral border, engraved swag detail enclosing floral motifs, armorial and initials engraved to front, gilt interior to bowl, the swing handle with threaded detail, raised on a square foot(13.5cm high, 9.4oz)Heraldry: The crest is that of the family of Lang. Note: Sadly, there appears to be a dearth of genealogical information to be found upon the family of Lang whose crest and motto is engraved upon this sugar basket. Certainly, a search of printed authorities confirms that the family bore this crest and motto. They may well have borne without authority which is surprising given that Scotland has had an active heraldic court at the time of its manufacture – the Court of the Lord Lyon which been operating since the late 17th century.
A Victorian lacquered exotic wood rectangular sewing box, inlaid in mother-of-pearl, abalone shell and gold-coloured wire with an urn of flowers within scrolled borders, the elaborate gilt-tooled green leather and velvet-lined compartmented interior with lift-out tray, containing mother-of-pearl bobbins and sewing tools. labelled "Dalton, Maker, 201, Soho Bazaar, London". 30.5cm wide. Some damage
George III silver pepperette of urn form with pierced slip on cover and square pedestal base (London 1802) William Allen III. Together with another matching caster (Apparently unmarked), All at approximately 6ozs. 9.5cm overall height. (2)Condition report: General overall condition quite good, both pepperettes have some surface scratching and wear and both top rims of the bases are slightly distorted. One rim has a nick.One pepperette is fully marked on the top rim of the base but not on the cover. Engraved monogram is very worn and pierced cover is dented.The other is of similar shape but shorter, with slightly smaller base. Cover is larger diameter with different border decoration that is also worn. There is no engraving or visible hallmarks.
A DUTCH MAHOGANY STANDING CORNER CUPBOARD LATE 18TH CENTURY Neo-Classical decorated with egg and dart dentils and guilloche mouldings, the broken pediment centred with a draped urn above laurel branches, with a pair of panelled doors enclosing three shelves, a pull-out slide and further cupboard doors enclosing a shelf, inscribed in pencil 'Le Breton' 247.5cm high, 110cm wide, 57cm deep
AN ORMOLU AND PORCELAIN MOUNTED MANTEL CLOCK MID-18TH CENTURY AND LATER the eight day watch movement with a pierced and engraved cock and signed 'J. Jolly a Paris', the circular enamel dial with Roman and Arabic numerals, signed 'Jean Le Noir a Paris', the case decorated with mid-18th century Meissen porcelain figures, with a fruit seller modelled by J. F. Eberlein, a putto with a basket of flowers, a campana shape urn, the whole surmounted by a pug dog seated on a cushion and with ormolu branches of porcelain flowers 31.8cm high, 24cm wide PROVENANCE Alfred de Rothschild (1842-1918) Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House LITERATURE Charles Davis, A Description of the Works of Art forming the collection of Alfred de Rothschild, 1884 p.231, no.256.
A BLACK JAPANNED AND PARCEL GILT CHEVAL MIRROR LATE 19TH / EARLY 20TH CENTURY the bevelled shield shaped plate within a frame decorated with chinoiserie figures, leaves, flowers, scrolls and butterflies, with urn finials, on brass castors 169.8cm high, 77cm wide, 46.3cm deep PROVENANCE The late Greta Morrison, widow of Bryan Morrison.
FOUR TABLE LAMPS EARLY 20TH CENTURY AND LATER comprising: a Kashmiri lacquered papier-mache example, an Empire style ebonised and brass lamp, a French tole peinte urn shape lamp and a burr-wood example, all with shades (8) 68cm high (max) PROVENANCE The late Greta Morrison, widow of Bryan Morrison.
Loading...
