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Click here to subscribeA mahogany display cabinet, the top with a fret work gallery and turned urn finials above a central astragal door, flanked by a pair of further bevelled astragal panels enclosing plate glass shelves with lined interior, and under tier below enclosed by fret work gallery, raised on turned tapering legs, 37 1/2: x 57" high.
Victorian mahogany Cabinet, the cornice with carved centre and with six urn finials, above three glazed doors enclosing adjustable shelves, the base fitted one central carved door, the panel decorated with acanthus scrolls and a fluted urns, flanked by plain panelled doors, on a plinth base, 183cms, (6').
A French mid 19th century ormolu mantel clock in Louis XVI style, the eight day striking movement, having a mauve porcelain circular dial with jewelling, above a putti decorated porcelain panel, the case surmounted by a covered urn, the sides with masks, the plinth on turned feet. 13in. (33cm).
A 30-hour longcase clock movement and dial, circa 1740, the four-pillar movement with anchor escapement and outside countwheel strike, the 10 inch square brass dial with arched calendar aperture to the matted centre within applied Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Ashton, Ashburn' to lower edge, the angles with small urn pattern spandrels. Samuel Ashton is recorded in Baillie, G.H. 'Watchmakers and Clockmakers of the World' as working in Ashbourne circa 1753.
An 18th century green lacquer eight-day longcase clock, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and foliate engraved calendar aperture to the matted centre within silvered Roman numeral chapter ring and cast bird and urn pattern spandrel applied corners, the arch with silvered signature plaque 'Tho's Memory, Thorn, Plymouth Dock' flanked by dolphin cast mounts, in a flat-top case with moulded cornice and integral pilasters to hood over rectangular top trunk door decorated in polychrome and gilt with Oriental figures and pagodas on a mid green ground and with brass lenticle, the plinth similarly decorated with equestrian figures, case with restorations, 213cm high.
A George III brass-mounted figured mahogany eight-day bracket clock, circa 1785, the five-pillar twin fusee rack and bell striking movement with verge escapement and backplate engraved with floral urn over festoon swags, the 7 inch brass break-arch dial applied with cream painted concave Roman numeral painted centre incorporating circular calendar aperture and bearing signature 'L. Nicolasen, London', with foliate cast spandrel mounted corners, the arch conforming with Strike/Silent dial between foliate mounts, the bell-top case with hinged carrying handle and pierced festoon mounts over cherub head centred pierced brass break-arch side frets and brass lined front door, on plinth base with conforming apron mount and brass bracket feet, some old repairs to case, 47cm high excluding handle. See Barder, Richard C R 'The Georgian Bracket Clock, 1714-1830' p.109 for a clock with an identical dial format.
A rare oak cased eight-day longcase clock with pull quarter repeat, circa 1740, the four finned pillar movement with internal countwheel strike and Knibb type pull quarter repeat work on the hour bell and small bell nested beneath, the 12 inch square brass dial with subsidiary seconds dial within Roman numeral chapter ring with Arabic five minute markers and signed 'Joseph Smith, Chester' to lower edge, the corners with bird and urn pattern cast spandrels, the flat-top case with moulded cornice and integral door pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 205cm high.
A gilt brass and polychrome enamel miniature boudoir timepiece, 20th century, the Swiss lever watch movement with foliate decorated Arabic numeral dial, in a foliate engraved arch pedimented case with urn finials, and mask decorated with two cherubs within a classical garden to front, on moulded base with ball feet, slight damage, 7.5cm high.
An oak cased thirty-hour longcase clock, circa 1750, the posted movement with outside countwheel bell strike and 10 inch square brass dial engraved with boat between cottage and tree adorned headlands beneath signature 'Benn't Edwards, Bungay' to centre within an applied Roman numeral chapter ring and bird and urn pattern spandrel decorated corners, the flat-top case of slender proportions with ogee dentil cornice and integral door pilasters to hood over long trunk door and plain plinth base with later skirt, 200cm high.
A pair of blackamoor torcheres in the 19th century Venetian style, each modelled as a young boy in gilt scroll decorated jacket and striped pantaloons supporting a floral brimmed urn issuing nine-light electrolier with gilt scroll branches on his head and standing on a baroque style serpentine shaped gilt highlighted base with leafy scroll adorned angles, probably Italian mid 20th century, fitted for electricity, each 213cm high.
Thos Ellis, Plymouth. A 19th century French alabaster and gilt metal mounted mantel clock, surmounted by an urn finial, flanked by putti holding trumpets, with applied musical trophy decoration, the 9cm. dial with gilt Arabic numerals, signed 'Thos Ellis, Plymouth', the circular twin drum movement striking to a bell, raised on a giltwood base, contained under a glass dome, 48cm. high.
A late Victorian/Edwardian 'fiddle-back' mahogany and marquetry breakfront display cabinet with satinwood crossbanding and bevelled glass panels throughout, the brass galleried top above a frieze drawer inlaid with an urn, griffins and scrolling foliage, flanked by drapery, the lower panels similarly-inlaid and on splayed legs, 167cm. high x 132cm. wide.
An early 18th century provincial oak double-domed cabinet on later bureau base with urn finials to the moulded cornice, two fielded-panel doors enclosing a cupboard, pigeon holes and short drawers, the base with sloping flap, frieze drawer and on chamfered square legs, 201cm. high x 96cm. wide.
A 19th Century French Serves style large gilt clock garniture, the eight day strike clock with painted panels and enamelled floral decorated dial flanked by twin acanthus capped pillars and two applied cherubs below pagoda top terminating in painted flaming urn finial flanked by two further cherubs, with a pair of conforming urns each painted with a solitary figure in a landscape setting to a pink ground. Each individual piece set to ebonised turned base and under a glass dome. S/D.
A late Victorian burr walnut credenza. The cabinet having shallow breakfront terminating in bow glazed display cased sides and pillared supports above a stepped skirt and shallow fluted bun foot, the central door decorated with a pierced and carved foliate panel within low relief foliate borders and Classical urn decoration, the whole further highlighted with boxwood stringing and rosewood trim, 52.5" wide, 20" deep, 40.2" high.
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