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Lot 116
A Royal Worcester Porcelain Potpourri Urn and Cover, by Paul English, with pierced domed cover having pointed knop, further inner cover, with gilt ozier mould bands to the cover and base, painted with peaches, apples and grapes, signed, printed black mark28cm high, boxed and with certificateGood condition. No damage or repair.
Lot 127
A Wedgwood Jasperware Pedestal Urn and Cover, early 20th century, pale blue ground, with saytr mask handles, acanthus and anthemia borders and sprigged with a parade of maidens joining hands, impressed mark and inscribed "Made for Charles Bellows"39cm high (2)Knop restored, large chip to socle. Some engrained dirt
Lot 163
~ A Chinese Porcelain Octagonal Plate, Qianlong, painted in famille rose enamels with two peacocks in a garden landscape with peonies and under formal borders with scattered sprigs 23cm wide Two Similar Plates, painted with cranes and with pairs of geese interspersed in the border 22cm wide A Near Pair of Circular Plates, painted with a garden landscape 23cm diameter A Further Plate, painted with an urn overflowing with flowers 22cm diameter (6)Provenance: Terry Family of York (Terry's Chocolates) One of the near pair cracked, last plate listed with a star crack.No restoration throughout, some expected fritting and minor chips.
Lot 17
A Pair of Cut Glass Table Lustres, in Regency style, the urn-shaped sconces on circular drip pans hung with various drops, on panelled columns and geometric cut domed circular bases 37cm high A Similar Taller Example 45cm high (3)Provenance: Dutton Manor, Lancashire The three pedestals are matching an of the same size. Components above appear to be married. Lustre drops with chips and some replacements. Pair - sconces chipped around top and lower rims. All components loose. Heavy chipping around the bases. Single - large section og the top rim re stuck, heavy chipping around the base.
Lot 18
A Baccarat Glass Twin-Light Candelabrum, modern, with obelisk finial flanked by two branches, the circular fluted drip pans hung with prismatic drops, on an urn-shaped stem and domed circular foot, with tulip-shaped storm shades etched with scrolling foliage58cm highA Similar Candlestick, with storm shade (2)Candelabrum - good condition throughout.Stick - base free from chips and cracks, shade socket detached but retained. Shade in good condition.
Lot 340
A 17th Century Iron Implement, possibly a spit, the spindle with circular disk on two uprights and stepped rectangular oak plinth51cm longA Shove-Halfpenny Board, stamped 29405 WHITACKERS HALIFAX 3643.5cm highA Small Hanging ShelfA Silvered Twin-Handled Urn-Shape Finial (4)Spit - wooden plinth minor splits, notable corner wear and some very light wood worm damageBoard - wear and edge chipsShelf - backboard crackedFinial - damaged and with losses
Lot 406
A French Gilt Metal Bouillotte Lamp, restoration, circa 1830, with wreath finial, adjustable toleware shade over three leaf-sheathed scroll branches and urn sockets, on a cylindrical column and dished circular base, adapted for electricity53cm highTwo core cable fitted with small three-pin plug.
Lot 445
~ A Pair of Giltwood and Gesso Three-Light Wall Sconces, with foliate-sheathed scroll branches issuing from a fluted urn backplate 42cm high A Set of Four Giltwood and Gesso Twin-Light Wall Sconces, with ribbon-tied fruit and flowers 43cm high (6)Provenance: Terry Family of York (Terry's Chocolates)
Lot 188
A collection of silver comprising two sugar casters, a mustard pot and and a mustard spoon. Comprising a Victorian blue glass lined mustard, marked for Henry Holland, London, 1863, approximate silver weight 118.5 grams/3.80 OzT; a mustard spoon hallmarked for William Eaton, London 1833, approximate weight 12.1 grams/0.38 OzT; a Elizabeth II pierced work caster with columnar form with gadrooned base, hallmarked for Barker Ellis, Birmingham 1989, approximate weight 176 grams/5.65 OzT; and an Elizabeth II flat top sugar caster, with flower design in a footed urn form, hallmarked for H Clifford Davis Ltd, Birmingham 1969, approximate weight 128.7 grams/4.13 OzT.
Lot 223
Late 19th century French alabaster and gilt-bronze mounted mantle clock Late 19th century French alabaster and gilt-bronze mounted mantle clock, 8-day movement signed S.H. Paris, striking on a single bell, white enamel dial with Arabic numerals behind convex glass, housed in an urn-shaped case surmounted by a boy holding a moth to a flame raised on toupie feet34cm high
Lot 145
A group of three Shelley Queen Anne trios, to include two trios in the Garden Urn pattern, one trio in the Blue Iris pattern, together with a Queen Anne teacup and saucer in the Butcher's Rose pattern, each with painted and printed marks to underside (11) Dark blue-rimmed trio - The largest plate has a collection of dust and some markings with a small glaze bubble on the base. The smaller plate has some marks on the rim and top surface, removing decoration in some areas. Very shallow fracture marks in two areas. The teacup with some fracture marks with rubbing to the decoration. Purple-rimmed cup and saucer - both have minor markings with rubbing to the paint. A shallow hairline fracture across the centre of the saucer. The green-rimmed set - One teacup has a discoloured hairline crack in the base and roughness to one corner of the rim. The other teacup has a small disocloured nick on the rim - see images. The two smaller plates have discoloured markings to the surface. The larger plates have discoloured markings and some scratches to the surface.
Lot 358
A FRENCH LOUIS XVI STYLE ORMOLU AND WHITE MARBLE MANTEL CLOCK GARNITURERETAILED BY MAPLE AND COMPANY, PARIS, LATE 19th CENTURYThe circular eight-day two train bell striking movement with anchor escapement regulated by sunburst-mask cast pendulum and incorporating Brocot-type pendulum regulation to suspension, the backplate stamped with trademark MAPLE & Co. LTD, PARIS over S. Marti et Cie, MEDAILLE D'ARGENT, 1889 and stamped number 535, 5 2 to lower margin, the circular white enamel Roman numeral dial with Arabic five minutes beyond the minute track and fine scroll-pierced gilt hands set behind a hinged engine-milled convex-glazed bezel, the case with foliate bud finial to the gadroon-capped oval urn surmount draped with rose swags over arched top with egg-and-dart cornice, the front with basket of fruit and lambrequin centered scroll cast mount applied to bevel-glazed panel beneath the dial within a lappet leaf cast surround, the sides with conforming acanthus mounts applied to further glass panels and free-standing gilt stop-fluted marble pilasters capped with foliate-knop decorated finials above, on breakfronted cavetto moulded base applied with ribbon-tied vine leaf mounts flanked by rosettes within recessed panels to front over disc feet; the candelabra each with five branches naturalistically cast a rose blooms issuing from a central urn raised on a gilt stop-fluted white marble column upright, on stepped cavetto mounded skirt base inset with gilt foliate mounts to each side over disc feet, (3).The clock 48cm (19ins) high, 33cm (13ins) wide, 15cm (6ins) deep; the candelabra each 48cm (19ins) high, 26.5cm (10.5ins) wide. Provenance:Long term single private-family ownership, probably since new.
Lot 409
A GEORGE II/III MAHOGANY EIGHT-DAY LONGCASE CLOCKTHE DIAL WITH A SIGNATURE FOR RICHARD PECKOVER, LONDON, MID TO LATE 18th CENTURYThe four finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass dial with subsidiary seconds dial and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with diamond lozenge half hour markers and Arabic five minutes to outer track, with scroll-pierced steel hands and twin-bird-and-urn cast spandrels to angles beneath added arch applied with a domed engraved silvered boss engraved Richard Peckover, London flanked by dolphin cast mounts, in a solid heavy mahogany case with concave-sided 'pagoda' superstructure fronted with a shaped foliate pierced fret over moulded break-arch cornice and hinged glazed dial aperture applied with three-quarter columns to angles, the sides with rectangular glazed windows and conforming quarter columns set against bargeboards at the rear, the trunk with break-arch door applied with complex edge mouldings over a plain plinth base with ogee top mouldings.229cm (90.25ins) high, 48cm (19ins) wide, 24cm (9.5ins) deep. Richard Peckover is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working first in 'Change Alley' in 1735 and then Royal Exchange in 1751 until around 1754. He is believed to have taken-on Quare and Horseman's business in 1733. Condition Report: Movement is complete and in working condition with no visible alteration to the mechanism, it is however a little dirty/neglected hence a clean and overhaul is advised. The dial has an 'added arch' suggesting that it originally was a square dial clock and later converted to arch dial. Bearing this in mind we cannot offer any assurances that it is by Peckover. The dial is a little dirty/tarnished but undamaged. The case has veneer patch repairs to the around the fretwork aperture to the superstructure - the curved top moulding has also been replaced with a simple curved strip (rather than the original cavetto profile). The base is lacking a skirt otherwise case is in sound condition with faults limited to relatively minor bumps and scuffs.Clock has two weights, winder, pendulum and a case key.Condition Report Disclaimer
Lot 669
A STONE COMPOSITION URN ON PLINTH 20TH CENTURY 120cm high overall, the urn 50cm high, 54cm diameter, the base 49cm wide, 49cm deep Provenance: Widden Hill House, Gloucestershire Condition Report: Top with three vertical cracks running from top rim, some surface wear and loss to details, weathering and moss- damp. Some scuffing and wear from transport- notably to top of base, some edge wear and corner chips to base Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 856
An Edwardian circa 1900 mahogany inlaid musical pier / side cabinet. The cabinet having carved gallery back over single cupboard door with inlaid urn and laurel decoration flanked by bevelled mirror glass panels over window glass. Opening to reveal a shelved interior. Measures approx 94 x 53 x 34 cm
Lot 616
Cabinet plates including a heavily gilded ‘Orchard Gold’ plate by Aynsley 27cm diameter, a Maritime England & York Minster plate both limited edition and by Spode together with a Belleek porcelain clock 24.5cm high and an early 20th century decorative vase 45cm high. Condition - all pieces appear free from damage/repair, general wear to twin handled urn including wear to decoration.
Lot 329
Five trays of china to include: three trays of Royal Albert 'Old Country Roses' comprising; teapot, teacups and saucers, small plates, serving plates, coffee pot, miniature urn, bell, vase, milk jugs and sugar bowls, coffee cups and saucers etc, a tray of Portmeirion 'Botanic Garden' design items; watering can, small pot, pin tray, conserve jar with wooden spoon and a water jug and a tray of Royal Albert 'Brigadoon' design teaware. (5)(B.P. 21% + VAT)
Lot 827
An Art Deco walnut standard lamp, circa 1930, the urn and hexagonal tapering column extending to a spreading plinth base upon bun feet, 153cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 209
A SET OF SEVEN STAFFORDSHIRE PEARLWARE FIGURES OF ANDROMACHE MOURNING THE ASHES OF HECTOR CIRCA 1820 24cm hightogether with a similar figure of Neptune with trident, 23.5 cm high by 8cm wide; and a Staffordshire pottery Eagle, circa 1830, 19cm high and 12cm wide. Condition Report: One with restoration to base; Neptune, restored trident and edge of cape; un-coloured Andromache chips to base; urn cracked; one Andromache cracked in half and glued; One Andromache head has been off and glued; one with flaking enamels; one has been cracked in half through the base section and glued. Please supporting images for the damage available from the department upon request.Condition Report Disclaimer
Lot 7
FRENCH SCHOOL (18TH CENTURY) A STILL LIFE OF FLOWERS Oil on canvas 56 x 20cm (22 x 7¾ in.) Provenance: The Boydell Galleries Condition Report: The canvas has been relined. There is fine surface cracking and some small losses and abrasions to the corners. Under UV light there is evidence of a small repaired tear near the base of the urn. There are other small areas of retouching and a thick layer of dirt and discoloured varnish. Condition Report Disclaimer
Lot 17
A small collection of porcelain miniature vases / urns etc. to include: a pair of Italian style lidded pot-pourri vases with lion head handles, a Leonardo Collection twin handle porcelain vase / urn in green enamel, gilt and flower decoration with opening lid, a pair of unnamed porcelain lidded twin handled vases on plinths in shades of blue with flower decorations, also comes with a Japanese Noritake scent bottle and a further lidded vase. Largest measures approximately 17cm tall.
Lot 316
A late 19th century French ormolu filigree eight day carriage clock. The clock having enamelled fretwork with Arabic numeral and enamelled 'Weymouth' script to the centre with intricate ormolu pierced fretwork of urn and foliate design. Bevelled glass panels to each side over filigree. Measures 15cm tall
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68904 item(s)/page