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George III figured mahogany bureau, fitted interior behind fall front with feathered beading to border, boxwood fan paterae to corners, central panel decorated with Grecian urn in pearwood, boxwood strung to edge, over four graduated drawers with matching beading, oval brass plate handles, pierced brass escutcheons, on shaped apron with bracket feetDimensions: Height: 110cm Length/Width: 103cm Depth/Diameter: 49cm
Early 20th century Hepplewhite style serving table, raised fleur-de-lis feather back with fluted detail and flower head mounts, the shaped top with carved foliate edge over single central drawer with applied urn motif, turned and reeded acanthus supports with recessed castorsDimensions: Height: 120cm Length/Width: 129cm Depth/Diameter: 65cm
A George III Pewter Mounted Pine and Gesso Fire Surround, Designed by Robert Adam, the stepped cornice over an entablature with urn and scrolls flanked by paterae, swags and urns over uprights with stiff leaves, anthemion, urns and harebells137cm high 142cm wide By Repute Provenance from Sir William Fraser sale 2012.
AN EDWARDIAN SILVER BACHELOR'S TEAPOT, by John Bodman Carrington, London 1904, the heavy globular body with tapering straight-sided spout and C-scroll handle pinned to sockets, the circular cover with urn-form finial. 12cm high, 15.3 troy ouncesCONDITION REPORTGood clear marks to both lid and teapot body. Good condition commensurate with age.
A FINE VICTORIAN SILVER-MOUNTED CLARET JUG, by Henry Wilkinson & Co, Sheffield 1870, with acid etched decoration to the glass body of two Classical soldiers on a chariot, the hinged silver lid with urn-form finial and floral engraving, presentation engraving to Dr. Desmond McManus from Ruth Ridge-Jones to the collar. 27cm high
Kashan Prayer Rug Central Iran, circa 1930 The deep indigo field with an urn issuing flowers above a floral medallion and lamp framed by upper spandrels and madder borders of flowers and vines flanked by carnation guard stripes, 212cm by 132cm. One end with fringes fraying. One end with minor losses into outer plain blue guard stripe. One selvedge complete, one with slight wear to one section of binding cords (approx 12cm) and some curling/folding. Pile is close-clipped and in good/fair condition for its age.
Flemish Border Tapestry Fragment, 17th century Woven in silk and wool depicting fruit and flowering vines enclosed by narrow borders, 130cm by 38cm; and A 17th/18th Century Tapestry Border Fragment, comprised of two panels and joined, each with an urn issuing flowers beneath a pictorial roundel flanked by narrow borders, 239cm by 79cm (2)
A French Ormolu Striking Mantel Clock with Garniture, circa 1880, surmounted by an urn swag finial, case elaborately decorated with swags, scrolls and acanthus leaf borders, 4-inch enamel dial with Roman and Arabic numerals, dial centre inscribed Callier Horloger de la Marine, twin barrel movement striking on a bell, movement backplate with maker's stamp mark Japy Freres and numbered 3182, 42cm high, with a pair of three light ormolu candelabra garniture, 34cm high 11.08.21 Clock case and garniture surfaces are slightly discoloured and with small staining marks in parts, back door glass with scratches, dial with small scratches and the signature and place name is rubbed, dial with small scratches, striking correctly, movement is working, later bell, with pendulum.
A French Green Marble Portico Striking Mantel Clock with Garniture, circa 1900, surmounted by an urn finial, Portico column case, enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Japy Freres and numbered 8318, 42cm high, with a pair of three light matching candelabra (now converted to electric), 30cm high 12.08.21 Minor chips to the marble in parts, garniture with minor chips to the bases, garniture now converted to electric, dial with small scratches, winding holes with small chips, movement is clean and in going order, with pendulum.
A Mahogany Stick Barometer, signed R.Harper, Liverpool, circa 1840, swan neck pediment, concealed mercury tube with a single vernier scale silvered dial signed, thermometer box, urn cistern cover, 101cm high 10.06.21 Both sides of the wooden vernier dial surround is loose, bottom left hand corner of the vernier dial surround with a piece of veneer missing, mercury is visible in the main tube, and thermometer tube, vernier dial is discoloured in parts, case with small scratches and minor dents in parts.
A Victorian Figured Walnut and Marquetry Inlaid Pier Cabinet, circa 1870, the moulded top above an inlaid frieze and cupboard door inlaid with flowers issuing from an urn within a gilt metal stiff leaf border, all between caryatid mounts, enclosing a velvet lined interior with three shelves, on a platform base, 79cm by 31cm by 112cm
A 19th Century Dutch Walnut and Marquetry Inlaid Bombé Shaped Bureau, richly inlaid with flowers, acanthus scrolls and an urn, the fall front enclosing an attractive fitted interior with sliding well, drawers and pigeon holes, three graduated drawers below, on bracket feet, 125cm by 68cm by 106cm
An Edwardian Mahogany and Bone Inlaid Parlour Sofa, early 20th century, recovered in cream and green striped fabric, with padded and curved back supports centred by a pierced and marquetry inlaid back support with overstuffed seat, on cabriole legs inlaid with husks, 160cm by 55cm by 80cm; and A Late Victorian Mahogany Nursing Chair, upholstered in green striped fabric, the padded headrest above a pierced splat decorated with an urn above a serpentine shaped seat rail and turned legs, 43cm by 43cm by 80cm (2)
ATTRACTIVE 19TH CENTURY ORMOLU MANTEL CLOCK BY VINCENTI ET CIE the case with flaming urn cresting, white enamel dial below with Roman and Arabic numerals, two train eight day movement signed Vincenti & Cie., flanked by two outset scrolls, the base moulded with rosettes and Vitruvian scroll borders, on square tapering fluted feet, 53cm high Provenance: The William Mowat-Thomson Collection
MID-19TH CENTURY PARIS PORCELAIN VASE, of urn form with twin handles, the front panel hand-painted with a Classical scene depicting a Bacchanalian youth sat upon a barrel, the reverse with a floral still life, on a green ground with gilt borders, on a circular socle on a square foot, 32cm high Provenance: The William Mowat-Thomson Collection
PAIR OF LATE 19TH CENTURY BRASS MOUNTED CONTINENTAL PORCELAIN TABLE LAMPS, each of urn form with twin brass handles, the body hand-painted with a scene depicting a mother and child within a gilded foliate border, pink ground, on a square base with concave corners, with fabric shades, wired for electricity, 80cm high overall Provenance: The William Mowat-Thomson Collection
MID-19TH CENTURY ROYAL CROWN DERBY PORCELAIN VASE, of urn form with twin scroll handles, decorated in gilt with Classical scenes on a cobalt blue ground, raised on a circular socle on a square foot, printed 'Crown Derby' mark to base, 30cm high Provenance: The William Mowat-Thomson Collection
PAIR OF EARLY 19TH CENTURY ENGLISH PORCELAIN VASES, likely Coalport, each of urn form with twin handles, the central cartouche hand-painted with a floral spray, cobalt blue ground, 14.3cm high, along with a similar pair of early 19th century cornocopia vases and a campana vase (5) Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY BOHEMIAN CRANBERRY GLASS VASE, of slender urn form, with central opaque glass roundel hand-painted with a floral spray, the body gilded throughout with scrolls and foliage, 26cm high, along with a Bohemian cranberry glass trumpet vase (2) Provenance: The William Mowat-Thomson Collection
EARLY 19TH CENTURY ENGLISH PORCELAIN VASE possibly Davenport or Worcester Chamberlian, of urn form with twin scroll handles, the central panel hand-painted with figures in a mountainous landscape, on a marbled pink ground, on a circular socle and simulated slate square foot, 19cm Provenance: The William Mowat-Thomson Collection
EARLY 19TH CENTURY SPODE PORCELAIN VASE, of urn form with twin upright handles, the central panel hand-painted with flowers within a gilt border, the cobalt blue ground body gilded throughout with scrolls, shells and foliage, on a square base, painted 'Spode' mark to base, 28cm high Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY ORMOLU MOUNTED CONTINENTAL PORCELAIN VASE AND COVER, of urn form with twin ram's head and laurel wreath handles, the cover with fruit and foliate finial, the obverse reserve hand-painted with a figural scene, the reverse with a floral spray, gilt and enamel borders, blue ground, on a square base on scrolling acanthus feet, 29cm high Provenance: The William Mowat-Thomson Collection
LATE VICTORIAN COURTSWORD, by Henry Poole & Co. of Saville Row, the tapered steel blade etched with scrolls and weaponry, the brass hilt with beaded turn down guard and knucklebow, urn shaped pommel, with gilt knot and bullion tassle, original sheath, 99cm long Provenance: The William Mowat-Thomson Collection
PAIR OF EARLY 19TH CENTURY WEDGWOOD JASPERWARE PEDESTAL VASES AND COVERS, of urn form with twin handles, the domed cover with putti finial, the body sprigged with central roundel depicting a Pegasus surrounded by three classical maidens to one side, and a horse driven chariot to the other, surrounded by a band of applied foliate swags, and above a pair of wings, on a square form base, impressed 'Wedgwood' mark, 34.5cm high Provenance: The William Mowat-Thomson Collection
FRENCH EMPIRE ORMOLU MANTEL CLOCK, the circular dial contained within a 'Roman' plinth with outset urn, the timepiece with two train eight day movement, the chapter ring with Roman numerals, with classical figure mount holding a fruiting cornucopia, the rectangular base with applied enthymion leaf frieze, on scroll cast bracket feet, 52cm high Provenance: The William Mowat-Thomson Collection
PAIR OF LATE 19TH CENTURY HÖCHST PORCELAIN VASES AND COVERS, of urn form, the pierced cover with bud finial, decorated with floral sprays within gilt boders, with pierced neck above a body hand-painted with panels depicting landscapes, on four scroll feet, printed crown mark to base, 37cm high Provenance: The William Mowat-Thomson Collection
PAIR OF LATE VICTORIAN MAJOLICA VASES AND COVERS, of urn form, each cover with bud finial, the body moulded in relief with a band of scrolling foliage interspersed with crests of crossed swords, all below a gadrooned shoulder and band of acanthus leaves interspersed with Green Man masks, on a moulded circular foot, impressed '165' to base, 37.5cm high Provenance: The William Mowat-Thomson Collection
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68904 item(s)/page