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A 19thC French ormolu and Sevres porcelain clock garniture, the lyre shaped clock with a mystery type pendulum inset with cut glass, the enamel dial signed Kinable, Paris and decorated with floral swags on an oval base, flanked by a pair of four branch candelabra, each of urn form on a tapering base, the clock 50cm high.
A pair of French 0.95 silver three-light candelabra Late 19th / early 20th century, Paris, each with Minerva 1st standard mark and Mercury head limited warranty export mark, both apparently lacking maker`s mark, in the Louis XV style with a circular domed rocaille base issuing a central asymmetrical foliate scroll stem and two twisting arms rising to pierced rocaille drip pans, urn-form sockets and removable nozzles; 2 pcs, each 9.25`` H x 9.75`` W x 4`` D, 68 oz troy tw approximately, est: $1200/1800 Condition: Overall good condition. Each with scratches, wear and tarnishing commensurate with age and use. Scattered dark oxidation spots and remnants of lacquer to surfaces. Traces of polish residue to crevices. Each marked to nozzles, drip pans, arms, stem, and base; some marks rubbed or barely legible. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
An R. Lalique `Bouquet de Faunes` perfume bottle Circa 1925, molded mark ``Guerlain Paris`` to body, underside of body etched ``309 / 4``, the stopper also etched ``309``, the bottle designed by Rene Lalique, of grey-patinated frosted and clear glass, the disk-shaped stopper over an urn-form body with faun and maenad masks to the four corners of the squared shoulder, raised on a circular foot, 4`` H x 2.5`` W x 2.5`` D, est: $400/600 Provenance: Estate, San Pedro, CA; by descent in the family to the present owner. Condition: Overall good condition. General marks, scratches and wear commensurate with age and use. Perfume residue to interior. Traces of adhesive to top of stopper. Lacking box. Lacking seal and grommets to stopper. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
A 1796 PATTERN INFANTRY OFFICERS SWORD, the 31 3/4" (80cm), single edge straight blade with blued and gilt etched decoration of crown G. R. Military trophies, Royal Coat of Arms double shell guard with one folding, knucklebow and chiseled urn finial wood grip, 38 1/4" long and an ASSOCIATED METAL SCABBARD
Fine quality mid-nineteenth century Meissen porcelain figure group of a boy with flowers and two girls with bird cage, birds and baskets of flowers arranged on rocky outcrop, with column and urn and basket of flowers and tree stump - the base with underglazed blue crossed swords mark and incised marks, 22cm high CONDITION REPORT Very good condition. Boy's arm restored. Minor bocage damage. Minor gilding retouching
George V five piece condiment set of classical urn form, comprising mustard with fluted body, engraved guilloche and floral decoration, scroll handle, domed hinged cover with urn finial, on shaped domed pedestal foot, blue glass liner, pair matching peppers and pair matching salts (Chester 1911 and Birmingham 1915), Nathan & Hayes. All at 7.5ozs, mustard 10cm overall height
Early twentieth century Keswick School of Industrial Arts copper picture frame with embossed and engraved urn, wine and scrolled decoration, stamped - W. H. MAWSON KESWICK, 31.5cm high x 26cm wide CONDITION REPORT Reverse support panel loose. Very small splits in each corner of the inside frame border, possibly in manufacture. Otherwise in good order
Nineteenth century mantel clock with French eight day movement striking on a bell, white enamel dial with Roman numerals, in an ornate Empire-style gilt metal case with inset painted porcelain panels and surmounted by a finial in the form of a painted porcelain urn, with gilt metal cover and floral garland swing-handle, on a separate giltwood plinth, under a glass dome, clock 48.5cm overall height including handle
Georgian stick barometer with full length mercury table, rectangular silvered scale plate and separate thermometer, signed - M. Maggi Fecit, in a mahogany case with ebony stringing, circular reservoir cover with ivory and ebony insert, hinged glazed door and architectural pediment with brass urn finial, 39cm overall height
Late eighteenth century Northern longcase clock with eight day movement, white enamel dial with painted bird decoration and fruit and floral spandrels, signed - Collier Eccles, subsidiary second dial, calendar aperture and moon roller, pierced gilt metal hands, in a flame mahogany case with fluted columns and short door, architectural hood with turned columns, swan-neck pediment and central urn finial, 224cm overall height
Mixed silver, to include, pair of late Victorian candlesticks, Sheffield 1892, the urn tapering sconce on square pedestal and stepped base (loaded), mustard pot and matching salt, London 1929, pierced silver bon bon dish embossed with cherub, Birmingham 1907, cylindrical pepperette, London 1933, and a plated card case, (qty)
Late 19th Century French porcelain mounted gilt metal mantel clock, surmounted with urn finial, above arched pediment, blue porcelain panels bordered with floral garlands and beaded decoration, the shaped base raised on four paw feet, circular dial with black painted arabic numerals, surrounded by a minute track, dial 8.5cm diameter, twin train movement, with painted panel of a courting couple below, painted porcelain column either side, 42cm high, together with, matching pair of garnitures, each 33cm high
George III leather sewing box, the hinged lid having brass circular finial and tooled border, opening to reveal, compartmentalised interior with contents of three cotton reels, the body having brass urn and rams head loop carrying handle either side, the sliding drawer with similiar handle, opening to reveal red velvet lining and contents of diary and 9 carat gold mounted fob, raised on four brass paw feet, 25cm wide x 13cm high x 18cm deep
George III mahogany sewing box, the hinged lid having rosewood cross-banding and chequer strung inlay, opening to reveal, compartmentalised lift up interior, and contents of sewing reels, thimbles and treen box with sliding lid and contents of various thread, the body having lion mask loop carrying handle either side, the front with brass urn escutcheon, 28cm wide x 12cm high x 19cm deep
(Lot of 2) Roseville art pottery vases consisiting of a large two handled Jonquil vase on mottled brown ground, unmarked 9.5"h x 7.5"w, together with an urn form vase with low relief lily of the valley against a mottled pink to green background. Marked with impressed `Roseville`Starting Price: $75
Victorian quartersawn oak sideboard, New York circa 1890, the tiered superstructure with a figural carved crest flanked with swag and fish reserves, above the relief carved floral and urn frieze surrounding the bevelled looking glass, the lower case with conforming panelled detail surmounted with the figural carved pull, and rising on compressed feet, 93"h x 70"w x 26"dStarting Price: $1500
(lot of 3) Arts and Crafts Art Pottery group, circa 1920. Including a tall urn form with bas relief laurel leaf frieze at neck and curvilinear styllized handles in a celadon glaze, 9"h x 5"dia. Together with a molded vase with stylized daffodils and leaves in the round having a mottled matte green glaze, 7"h x 3"w, and a classicaly shaped vase with integrated handles in a matte hunter green glaze, marked "839" 7.5`h x 3.5" dia.Starting Price: $100
An Edwardian cast iron, steel and brass mounted firegrate, early 20th century, the arched backplate relief cast with guilloche banding, the breakfront two rail basket with serpentine sides and twin urn finials, the uprights at the front with further urn finials on plinths and elongated toupie feet, 70cm high, 88cm wide, 46cm deep
A pair of French gilt bronze twin light wall appliques in the Louis XV style, early 20th century, the urn sockets on drip pans with suspended bunches of grapes, on scrolling foliate cast arms issuing from torchere backplates, the finials each cast with two doves, 68cm high, 37cm wide, 15.5cm protrudence. Provenance: Welbeck Abbey, Nottinghamshire.
A gilt bronze eight light chandelier in the Regence taste, early 20th century, the lobed urn sockets and broad drip pans on square section scrolling foliate cast arms, rising from Bacchic masks, the fluted knopped and foliate cast stem with projecting maiden’s heads above ram’s heads, with ring finial and berry cast terminal, 72cm high, 72cm wide
A pair of gilt bronze and iron mounted chenets, late 19th centruy, each with leaf clasped berry finial above a boss adorned with four amorino heads, the knopped and waisted shafts descending to bracket feet, the iron billet bars each with bronze urn finial, 66cm high, 38cm wide, 87cm protrudence
A George III statuary white marble, marmo Siena and marmo verde antico chimneypiece, late 18th century, in the Adam taste, the breakfront mantel above a central tablet carved in relief with a guilloche rimmed twin handled urn, on a frieze of rouge marble discs within Greek key, above a Siena panel and conforming jambs, 158cm high, 186cm wide, the aperture 112cm high, 122cm wide
A George III statuary white marble and Convent Siena marble inlaid chimneypiece, late 18th century, the rectangular mantel above a central tablet carved with an urn in relief, with guilloche banding, foliate handles and trailed bellflowers, flanked to each side by Siena inset fluting and further relief carved urns in oval recesses, with Bacchic trophies at the ends, above jambs carved as pilasters with acanthus capitals above further trailed bellflowers, 134cm high, 174cm wide, 15cm deep, the aperture 107cm high, 117cm wide. Provenance: Discovered by LASSCO, disassembled in the cellars of a Georgian London townhouse.
A Victorian cast iron and brass mounted firegrate, late 19th century, by Thomas Elsley of London, the arch topped backplate relief cast with laurel sprigs flanking a vacant reserve, the three rail basket with twin urn finials, above an ash drawer, the apron extending to projecting standards with urn finials, 77cm high, 90cm wide, 46cm deep
A Victorian cast iron stick and umbrella stand, last quarter 19th century, by Coalbrookdale & Co., the rectangular top with twelve circular apertures and stylised urn finials at the corners, on openwork sides cast as foliage and strapwork, the base with lift-out drip tray, stamped ‘C.B. DALE’, 64cm high, 64cm wide
A pair of massive stone composition urn finials, early 20th century, each with fruit and flower cast top above a partially waisted cavetto moulding, the heavily fluted bodies with projecting stop-fluted undersides, on waisted socles and stylised laurel cast circular bases, 165cm high. Provenance: Lloyd’s Register of Shipping, Fenchurch St, London.
A faux terracotta stoneware garden urn modelled as the Warwick Vase, early 20th century, with beaded and egg-and-dart cast rim, the body with four profile heads in high relief to each side, with twin entwined vine handles, with waisted socle and circular base, 65cm high, 110cm wide. The Warwick Vase is an ancient Roman marble vase with Bacchic ornament that was discovered at Hadrian’s Villa, Tivoli about 1771 by Gavin Hamilton, a Scottish painter-antiquarian and art dealer in Rome. The vase was found in the silt of a marshy pond at the low point of the villa’s extensive grounds, where Hamilton had obtained excavation rights and proceeded to drain the area. Hamilton sold the fragments to Sir William Hamilton, British envoy at the court of Naples from whose well-known collection it passed to his nephew George Greville, 2nd Earl of Warwick, where it caused a sensation.
A Victorian cast iron garden urn and plinth, late 19th century, probably Handyside Foundry, the urn of Campana form, with beaded rim, folite cast body, twin handles, lobed underside and waisted socle, the square section plinth with panel sides, 119cm high overall, the urn 47cm diameterPlease note : there is no square section base with this lot. The urn is as illustrated in the catalogue and website
An English polished cast iron urn on plinth, modern, after a Victorian model, with flower encrusted rim above a body cast in relief with foliate filled arcading, the waisted socle with gadrooned and acanthus cast circular base, the square section plinth with moulded base, 72cm high, 39cm wide
A Swedish stone composition garden urn, late 20th century, with berried and foliate finial above a leaf cast top, the waisted neck with twin foliate cast handles descending to a lobed shoulder, the leaf swagged body above a waisted socle and square base, 153cm high; on a square section plinth, 206cm high overall
An English stone composition twin handled Campana urn on plinth, after the Milton Vase by Coalbrookdale, second half 20th century, the everted rim above a body cast with figural scene in relief depicting the Expulsion of Adam and Eve, with foliate cast underside and waisted socle with the serpent entwined, the square section plinth with wreaths cast to each side, the urn 121cm high, height overall 233cm
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68624 item(s)/page