Wedgwood 'Hathaway Rose' - An assortment of over fifty pieces of ceramics, to include two oval plates, length 24cm, three soup bowls, a diamond shaped box and cover, three pedestal trumpet vases, a pomander, a ginger jar, a cylindrical pot and cover, three small bottle shaped vases, height 13cm, two candlesticks, two trumpet vases, height 10cm, three shallow dishes, diameter 10cm, three oval dishes, length 12.7cm, two serviette rings, a large scallop shaped dish, width 15cm, a hexagonal box and cover, a campana shape urn vase, height 12.5cm, a smaller campana shaped twin handled vase, a flared rim bottle vase, a milk jug, a thimble and a ramekin dish, a table bell, a sucrier, two egg shaped lidded boxes, largest length 11cm, three rectangular dished plates, a circular bowl and cover, an lozenge shaped pin dish, a coffee can and saucer, a pen tray and four associated Royal Worcester and Wedgwood items.
We found 68624 price guide item(s) matching your search
There are 68624 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
68624 item(s)/page
A Pair Of Bloor Derby Pedestal Ewers, ground in cobalt blue with applied flower garlands, and having satyr mask handle terminals, togthe with two similar scent bottles, a Derby pot purri urn and cover, and a spode Imari coffee can and saucerBloor Derby Ewers - one with handle broken off and reglued. both with losses to the applied work, scent bottles - one with a crack to the neck, and the neck reglued to the body, both with giltwear, Pot Pourri urn - crazed, some light staining and giltwear, cup and saucer - saucer with two large pieces reglued to the rim, cup with a hair crack to the base, light giltwear to both
A COMPOSITION STONE WICKER URN ON STAND IN THE HADDONSTONE ROYAL PEDESTAL MANNER, MODERN Unmarked approximately 150.5cm high overall, the base 45.5cm widePlease note: This lot will be available to view at Donnington Priory, Newbury and collection is from there only following purchase. Condition Report: Please note: This lot will be available to view at Donnington Priory, Newbury and collection is from there only following purchase.Weathering- three evident hairlines to main urn, lichen build up round cherub stem, edge of bowl rubbed- pedestal with larger hairline crack Please see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A BLUE JOHN PEDESTAL URN MID/EARLY 19TH CENTURY The turned tapering urn on black slate, white marble and blue john base34.5cm high, the base 10cm wideProvenance: Property of a Lady of titleCondition Report: Finial associated- formerly utilised as a lamp- now reverted. Old drill hole to one plinth edge, hole visible to underside. Finial restored and probably replaced and under strong light and UV repairs showing to base of body, stem and sections of moulding to base. Small knocks and losses to exposed edges and corners of basePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A LATE VICTORIAN MAHOGANY SIDE TABLE RETAILED BY HENRY SAMUEL, 484 OXFORD STREET, LONDON late 19th Century, of Adam style, with gadrooned, fluted and urn motifs, fitted two frieze drawers on square tapered legs, 96cm high x 107cm wide x 49cm deepNote: Henry Samuel, the Oxford Street based dealer in works of art (fl.1881 - 1913) regularly name-stamped his stock and seems to have specialised in copies of high quality copies of 18th century furniture, as well as in period furniture. See C. Gilbert, Pictorial Dictionary of Marked London Furniture, 1700 - 1840, Leeds, 1996
A MID 19TH CENTURY PUCE TRANSFER PRINTED PLATE decorated with country couple and flock, 19.5cm diameter; a similar ditto decorated young lady and urn of flowers, 19.5cm diameter; four other 19th Century plates; together with a 19th century lustre ware cup and saucer; and a collection of similar teacups and saucers (a lot)Property of a European collector
A GEORGE III MAHOGANY AND BRASS MOUNTED SIDEBOARD IN THE MANNER OF GILLOWS the brass gallery with urn finials, over a tambour top section opening to a vacant interior, with short drawers beneath and a single cupboard beneath, as well as a further tambour recess, on reeded and tapering legs, 151cm high x 200cm wide x 69cm deep
An Edwardian Neoclassical Revival gilt composition wall mirror of cartouche form with an urn surmount and bellflower pendants, height 105cm, width 85cm (some faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of 19th century French patinated cast bronze figural chenets, each modelled with a seated putto warming its hands on a flaming urn, height 36cm, width 34cm, together with a pair of similar chenet mounts of urn form, height 34cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A GEORGE III MAHOGANY AND FRETWORK URN STANDCIRCA 178067cm high, 29.5cm wide, 29.5cm deepProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: There are some marks, scratches, knocks, chips and abrasions consistent with age and use.There are losses, restorations and observations including: some colour variation due to wear, restoration, staining, sun fading; some cracks and ring marks to the top; the fretwork gallery and brackets with various repair, renewal, staining and restoration; the slide pulls out as there is a block missing; some veneer cracks; the feet and legs with some restorationPlease refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
A PAIR OF REGENCY MAHOGANY KNIFE BOXES CIRCA 1820 Of facetted tapering octagonal form, pull up lid above matrix lined interior 54.5cm high, 29cm wideProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Marks, knocks, scratches, abrasions consistent with age and useCleaned and polished appearanceThe ebonised knops appear to be refreshed, the same can be said of the paw feetTo urn stems have later splayed fins that should hold this open, to one urn these appear to be replacements and they are not holding at time of report. Both have waxed corded string around the square section stemThe lined interiors appear to be originalPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Y A PAIR OF EDWARDIAN SYCAMORE, OAK, MAHOGANY, AND SATINWOOD URN MOUNTED PEDESTALS CIRCA 1905The urns fitted as knife boxes, one pedestal opening to a fitted drawer, the other opening to a shelfeach 68cm high, 45cm wide, 45cm deep Provenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: The country of origin is probably England.There are some marks, scratches, knocks and abrasions consistent with age and use.There are losses, restorations and observations including: some rubbing to the staining on the turned finials and elsewhere; the rising mechanisms operate neatly; there is a crack to the base of one vase; the backboards of the pedestals are stained pine; there are two keys, one of which opens one pedestal, the door enclosing a shelf and a deep drawer.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
A Napoleon III gilt bronze mounted amaranth, birds' eye maple, amboyna, rosewood, sycamore and fruitwood marquetry table a ouvrageretailed in the late 19th century by Edwards and RobertsCira 1870, the hinged top inlaid with a central flower-filled and floral swagged Neoclassical urn, scrolled acanthus and berried foliage, a flowerhead medallion, drapery swags and interlaced geometric tablet borders, the top with a mirror-inset underside, enclosing two lidded demi-lune compartments flanking a central well, above a stylised Greek key inlaid frieze incorporating one drawer, the drawer enclosing a partially concealed divided drawer, on four ring turned and fluted tapering legs, with a shaped X-stretcher centred by a rosette mounted oval, terminating in toupie feet, one paper label to the underside is printed: 'EDWARDS & ROBERTS, SECOND HAND FURNISHING WAREHOUSES, IN MODERN & ANTIQUE FURNITURE, 20 & 21 WARDOUR ST. AND 7 & 13 CHAPEL ST., OXFORD ST., LONDON, and the other printed paper label: 'H.S. ASHBEE', 69cm wide x 40cm deep x 78cm high, (27in wide x 15 1/2in deep x 30 1/2in high)Footnotes:ProvenanceThe offered lot apparently originally belonged to Mrs H.S. Ashbee, since there is a late Victorian paper label to the underside of the table which is printed with her name on it. It is documented that Mrs H.S. Ashbee, who was the mother of the renowned Arts and Crafts cabinet maker Charles Robert Ashbee (1863-1942), lived at 37 Cheyne Walk, London, where the family collection was evidently located at that time, www.artfund.orgIt is also unquestionably the case that the firm of Edwards and Roberts (fl. 1845-1899), at one point during the final quarter of the 19th century, sold the present table in their dual capacity as furniture dealers and cabinet makers.Further suggested reading on the Edwards and Roberts business available at bifmo.history.ac.ukThis lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A pair of Continental green glazed pottery stove tilesprobably Flemish, 19th century, in the late 16th / 17th century styleeach of rectangular form moulded with allegorical figures depicting America and Asia from the Continents standing within arched niches, the rectangular architectural frames surmounted by mask heads flanked by twin satyrs and draped urn figures, the sides with flower vases and female caryatids above mask head blocks, some damages, each 64cm x 38cm approximately, later mounted within wooden frames. (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An impressive late 19th century French gilt bronze and white marble figural mantel clockin the Louis XVI style, the movement with indistinct pastille mark, probably for Japy Freres the elaborate rectangular case with swept top surmounted by a floral wreath and quiver of arrows trophy flanked by floriate urn finials, the twin draped putto and shaped oval cartouche cresting united by floriate and fruiting ribbon tied pendant garlands, the front with foliate scroll inset mounts, the canted corners with floriate pendant garlands above female maskheads, on foliate toupie feet, the 4.5' floral enamelled dial with Arabic numerals and outer five mintue track, the brass twin movement striking on two bells with pendulum, winder and adjusting key, 55cm high, 47cm wide, 32cm deep This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A 19th century French gilt brass mounted 'Boulle' tortoiseshell inlaid mantle clockthe movement signed Vincenti et Ciethe swept arched case with intricate brass inlay and foliate mounts surmounted by an urn above a fully glazed front door and sides on scrolling feet, the cast brass dial with separate Arabic and Roman enamel cartouche insets to the chapter ring, the winding holes on a matted and foliate case ground with blued steel hands, the twin spring barrel movement with Brocot escapement and suspension, with elaborate sunburst pendulum, case key, winding key and suspension key, 57cms highFootnotes:Born in Corsica in 1786, Jean Vincenti's family moved to Montbeliard in1791. By 1823 he had established a factory making rough movements for clocks and watches. It seems that the bulk of the ebauche/rough movement machinery used in the factory was self-made. The factory went bankrupt in 1828, but by October 1829 Albert Roux had possibly enerted into partnership with Vincenti, or possibly bought his factory outright, however the name, Vincenti & Cie, was kept. Around 1830, in addition to the rough movements (of which 3,000 were being produced a year), mechanical devices were being made as well, including metronomes, oil lamps, music boxes, etc. In 1834, Roux took over an old sawmill and weaving factory and, as the building dated to 1773, updated it and based Vincenti & Cie there. Before this move it was known in the area as L'usine de la Petite Raisse (The Factory of Petite Raisse); by the time Vincenti & Cie ceased trading, it was known as L'Usine Roux (Roux's Factory). Vincenti died in 1834, the same year Vincenti & Cie won a silver medal at the Exposition. They would go on to win medals at the Expositions of 1839,1844,1849,1855, and 1867.In 1850, workers lodgings were built on the site and six years later, a house for Roux and his family was constructed within the factory's footprint. Albert died in 1858 and was succeeded by his son Amédée. His son would expand the output of the factory to encompass chiming clocks, travel alarm clocks, Morse code receivers, and several other devices. 1864 saw the addition of a foundry to the factory; in this same year, it is recorded that 5,500 rough clock movements were made per month. Amédée died in 1876, when his son was 9. It seems likely (based on similar situations with other horologists) that Amédée's wife, Emma de Freystedt, would have taken over the running of the factory, until Albert had been educated. Albert was listed as an horological manufacturer, as were his father and grandfather, therefore it seems likely he would have taken over the running of the factory eventually. 1890 saw another expansion into phonograph movements and mechanisms for various meters, extinguishers, etc. Initially their customers had been in Paris, and later the Jura region. By 1890, however, their client base had expanded to neighbouring Belgium and Switzerland, as well as slightly further afield in the UK and even the USA. To meet demand, they were making 80,000 clock movement per year, though this figure does include the clockwork motors and meters mentioned above. Around this same time, the foundry was being used to make brass and bronze wire, an operation that was expanded in 1895. That same year, a salesroom was established in Paris, 110 rue Vielle-du-Temple.The last expansion of the factory took place in 1902, when a new steam engine and steam engine room were installed, to modernise the factory's water wheels and 1840's steam engine. By 1926, 57 people remained working in the factory, and the doors were finally closed in 1929. At its peak, in 1863, the Vincenti & Cie factory had employed 400 workers, and been the largest rough movement manufacturer of clocks in France, with the exception of Japy freres.Raphaël, F., Région Franche-Comté, Inventaire du patrimoine (2012) Usine d'horlogerie et de mécanique de précision Roux et Cie. Available at: https://patrimoine.bourgognefranchecomte.fr/dossiers-inventaire/usine-dhorlogerie-et-de-mecanique-de-precision-roux-et-cie-ia25001019This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A late 19th century French gilt bronze clock garniturein the Louis XV style, the elaborate cartouche case cast with panelled acanthus foliate scrolls and flowers and quiver of arrows and torch trophy, the top surmounted by a putto holding a sun dial, the integral platform base with foliate pierced apron and scrolling feet, the 5' enamel Roman dial with outer five minute Arabic track, the brass twin train movement with Brocot type escapement and outside countwheel striking on a bell, with pendulum and winder, the matching five light candelabra with the acanthus cast urn nozzles and dished drip pans on floral and foliate bulbous baluster foliate panel cast supports and corresponding footed bases, the clock, 43cm high, the candelabra, 45cm high (3)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An Italian late 19th century carved giltwood mirrorin the late 18th century Neoclassical styleThe rectangular plate within an entwining stiff-leaf moulded surround, the frame with foliate and floral carved embellishments, on two lion paw feet, surmounted by an acanthus-filled floral and foliate swagged Neoclassical urn, approximately: 182cm high x 93cm wide.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A George III and later gilt and black japanned longcase clockthe dial signed Thomas Utting, Yarmouththe rectangular arched hood with caddy top and onion spire finials above a pair of plain columns, the trunk with moulded door on panelled plinth base, the door and lower panel with flowering tree, figural and pavilion landscape landscape decoration, the whole with floral scroll decoration, the brass dial with applied dolphin and floral urn spandrels, the 11' silvered Roman chapter ring with outer Arabic five minute track, the matted centre with matching silvered Arabic subsidiary seconds below XII, the arch with Strike/Silent subsidiary, the brass twin train movement with anchor escapement striking on a bell, with pendulum, winder and a pair of lead weights, 245.5cm high overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good George III carved white and Sienna marble chimneypiececirca 1790the moulded inverted breakfront shelf above a running figural frieze depicting putti playing a game of Blind Man's Buff flanked to either side by a small statue of a classical male youth raised on a draped pedestal and a classical female bust raised on a tripartite stand, between a pair of fluted panels, the headers decorated with figures of putti playing battledore and shuttlecock, the jambs as pendant figural pilaster panels, each with a skipping putto on bell husk festoon hung swept platform bracket above a ribbon tied florette roundel and leafy palette urn shaped vase raised on fluted circular pedestal, mounted on block feet, the inner Siena marble slip with moulded edges, 143cm high, 183cm wide, 18cm deep, the internal aperture, 93.5cm high, 108cm wide approximatelyThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of late 19th/early 20th century French gilt bronze and biscuit porcelain four light figural candelabrathe three acanthus scrolling arms with foliate urn nozzles, each centred by a corresponding nozzle with leafy collar, raised on knopped acanthus central stems, the figural porcelain supports formed as twin classical maidens flanking drapery, raised on fluted half column pedestals with moulded fruiting vine borders, the circular plinths mounted on toupie feet, 63cm high (2)For further information on this lot please visit Bonhams.com
A late 17th century brass winged Lantern Clockthe dial signed Thomas Bradford, Londini fecitthe strapped bell over urn finials, heraldic frets, turned columns and ball feet, the 6.5' brass Roman chapter ring with double wheat-ear half-hour markers and single hand, signed Thos. Bradford Londini fecit above a floral spray to the centre, the weight driven movement with knife-edge verge escapement and central short bob pendulum situated between the two trains, with countwheel strike on the bell, together with a later wooden wall bracket the clock, 39cms high, the bracket, 17.5cms high (2Footnotes:Literature: Loomes, B. (2008) Lantern Clocks and their Makers. Mayfield: Mayfield Books, figure 9.54 with the caption 'Lantern clock with original centre pendulum (no wings) signed 'Tho Bradford Londini fecit'...'For further information on this lot please visit Bonhams.com
A pair of late 19th century French gilt bronze figural four light garniture candelabrain the Louis XVI style, the figures in the manner of Claude Michel (French, 1738-1814) known as Clodionthe two pairs of asymmetric fruiting acanthus scrolling arms with urn nozzles and beaded drip pans, supported by infant satyrs, on elaborate circular pedestal bases, with floral cast garlands, laurel wreath borders and scrolling side pieces, 51cm high overall (2)Footnotes:This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th century French gilt metal and Sevres style porcelain inset mantel clockin the Louis XVI style, signed Phillipe H. Moureyof elaborate panelled form, the panels with 'rose Pompadour' floral and scenic painted decoration, the top with urn finials, the matching porcelain dial with Roman numerals, on toupie feet, the reverse stamped,'11 PH MOUREY 74', 42cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of 19th century Paris style Fench porcelain garniture urns and coversof pedestal urn from with elaborate figural flambeau handles and detachable tapering and flared upper rim sections with gilt foliate decoration, the bodies enamelled with cartouches depicting lively tavern scenes, raised on circular swept socle bases, one handle missing a flambeau finial and with a small chip 37.5cm high overall (4)For further information on this lot please visit Bonhams.com
Circle of Anne Vallayer-Coster (Paris 1744-1818)Roses, tulips and other flowers in an urnoil on canvas 127.8 x 102.3cm (50 5/16 x 40 1/4in).Footnotes:ProvenancePrivate collection, UK. Acquired at Christie's, London, 1984.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A set of four George III hallmarked silver table candlesticks, each with urn-shaped top and corresponding sconces engraved with letter 'H', on a plain tapered stem to circular conical weighted bases, also engraved with letter 'H', John Green, Roberts, Mosley & Co, height of each 31.5cm (4). CONDITION REPORT: Condition is acceptable, there do not appear to be any twists or obvious major damage to the stems or bases. There are no obvious repairs, but expect some scratches and minor indentations. Viewing recommended.
An impressive Victorian hallmarked silver four-piece tea set in the Gothic style, comprising coffee pot, height 34cm, teapot, height 26cm, sugar bowl, height 16.5cm and milk jug, height 15cm, height each piece of tall hexagonal shape, with urn finials, bell-shaped lids, straight and angular handles, Rococo-style spouts adorned with acanthus leaves, each panel decorated with floral scrolls and columns, the front panel with engraved crest of upright arm holding a cross, the lower panels with possible folklore scenes, to include a boy with bow and arrow, a mythical bird, a fox in woodland, on a hexagonal base, the sugar bowl and milk jug with gilt interiors, London 1844, with sponsor's mark 'J.A' over 'J.A', also marked 'J. Mayer Goldsmith, 68 Lord Street, Liverpool', combined approx 86.5ozt (4).Footnote: The teapot and coffee pot both have two ivory spacers to each handle. The ivory has been declared, with reference numbers 2A17YC5N for the coffee pot and JQ1NRL82 for the teapot. CONDITION REPORT: This has been looked after by the generations of the vendor's family. There are no obvious repairs or damage. The handle on the teapot is a little loose. There may be some slight indents, dimples and surface scratches, but the decoration hides most of these.
A pair of George V hallmarked silver jewellery boxes with chased urn, swag and leaf decoration, to three fleur-de-lys and paw supports, Birmingham 1915, maker's mark rubbed (2). CONDITION REPORT: We are unable to provide a weight for these items as they are lined with velvet, etc. Velvet lining missing from lids. Leather bases have age-related wear. Silver cases themselves are in good condition, some small age-related dents, no thinning of silver. Clear engraved pattern. No signs of major repair or restoration.
Loading...-
68624 item(s)/page