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A Walnut Chiming Table Clock, circa 1890, case with urn finials, applied gilt metal mounts, side pierced frets and pull repeat cord, rectangular base raised upon claw feet, 8-inch brass dial with Roman and Arabic silvered chapter ring, three subsidiary dials for slow/fast, chime/silent and chime on eight bells/Westminster, triple fusee movement with anchor escapement, quarter chiming four hammers striking four gongs or eight hammers striking eight bells and a further hammer striking a gong for the hours, movement backplate stamped Peerless, 71cm high
A Rosewood Bowfront Stick Barometer, signed T.Underhill, Old Mill Gate, Manchester, circa 1840, the nicely figured bowfront case with a concealed mercury tube, twin vernier ivory dial signed, thermometer box, ebonised urn shaped cistern cover with ivory finial, together with a wooden backboard, 99cm high T Underhill is recorded Manchester 1830-1850. See Banfield (Edwin) Barometer Makers and Retailers, page 221.
A Sheraton Revival Mahogany, Satinwood Banded, Ebony Strung and Floral Marquetry Sideboard, early 20th century, each dome top pedestal fitted with a small drawer, the cupboard doors richly inlaid with oval patera, ribbon tied motifs, husks and trophies, the central section with three drawers above two cupboard drawers with oval gilt urn decorated drop handles, raised on square tapering legs with spade feet, 240cm by 67cm by 124cm
A VICTORIAN ETRUSCAN REVIVAL COFFEE POT of vase shape engraved with a procession bordered by anthemia and the beaded rims, having domed lid with urn finial, 29cm h, PODR lozenge mark for 2 january 1868, by W & G Sissons, Sheffield 1870, 25ozs 10dwts++Handle detached at the lower ivory grommet; shallow dent on one side, some old polish residue, no repairs
AN ENGLISH BRASS AND CAST-IRON SERPENTINE FIRE GRATE, ATTRIBUTED TO THOMAS ELSLEY in neo-classical style with vase shaped finials, pierced and engraved within beaded borders, the break-arched back with a swagged urn, 75cm h; 36 x 83, late 19th/early 20th c; a similar brass fire-front and one and a pair of Victorian burnished steel fire-irons (5)++The fire back fractured near the upper left corner, the lot in otherwise very good condition
A VICTORIAN IVORY-MOUNTED WALNUT AND MARQUETRY CLOCKCASE BY J B HESLOP OF NOTTINGHAM with arched pediment and outset pillars, applied with three oval shell cameos, the door to the front and sides decorated with an urn and fan spandrels or flowers and grasses with gilt brass beading, on carved paw feet, the associated Victorian brass skeleton timepiece with fusee, 60cm h, c1900++In good original condition with the odd very minor loss, no restoration
A VICTORIAN MAHOGANY AND MARQUETRY MUSIC CABINET BY J B HESLOP OF NOTTINGHAM of pillar shape, the galleried top with upstand and lion monopodiae, fitted with two drawers above a door with embossed brass handles and decorated with swags and a neo classical urn, on brass castors, 128cm h; 43 x 58cm, c1900++In fine original condition
Gray.Elegy..,1/80,ill.G.Morgan,GCP number 4 of 80 specially-bound copies, from an edition limited to 750, wood-engraved full-page illustrations by Gwenda Morgan, small ink inscription to head of front free endpaper, original green morocco, by Sangorski & Sutcliffe, with urn blocked in gilt on upper cover and harp on lower, t.e.g., others uncut, spine slightly faded, cloth slip-case (faded), 8vo, Golden Cockerel Press, 1946. ***Featuring charming scenes of country life.
A 19th century French ormolu and porcelain mantle clock, with urn and cover finial and with stepped hood, with finial to each corner and above the porcelain dial with Roman numerals and two-train movement by Leroy & Fils a Paris, flanked by simple columns and with stepped base raised on four feet. Width 7 ins.
A late George III mahogany bookcase top, with dentil cornice above a boxwood strung urn cover and swag inlaid frieze, with pair of glazed doors beneath with wooden astragals enclosing shelves, the matched base being bow fronted with oval fan medallion, with moulded edge and fitted with three frieze drawers with brass drop handles with urn and cover embossed oval backplates and raised on legs of angled section. Width 49 ins.
An Art Nouveau inlaid mahogany display case, with swept moulded cornice above a boxwood strung frieze, with shaped apron beneath with centre urn and with recessed cupboard with pair of panelled doors, with open shelf beneath, the base with two short drawers above a pair of arched panelled doors inlaid with Art Nouveau stylised motifs, urns and scrolls, with low shaped shelf and raised on short feet. Width 37.5 ins.
A reproduction mahogany veneered cocktail cabinet, in two sections, the top half with a foliate carved moulded cornice above a pair of panelled doors enclosing a series of drawers and glazed shelves, flanked by a panelled cupboard door enclosing shaped shelves, the base fitted with a series of drawers above a scroll foliate and urn and cover carved frieze and raised on tapered legs of square section terminating in spade feet.
A French white marble and ormolu clock garniture circa 1900, the 8.5cm dial marked `Beauvivier` and painted with swags, the drum head supported on four tapering columns with swag to front, the rectangular base on toupie feet, the countwheel striking movement marked `Just`, (urn finial currently detached), 45cm high, together with a pair of matching urns (3)
Good late 18th century north Italian walnut marquetry commode, the quarter veneered satinwood crossbanded, strung and ebony inlaid top with a central circular panel marquetry urn over a frieze drawer with floral swags over two deep long drawers centred by a circular panel of a classical couple, flanked by foliate panel styles, the sides echoing the front, on square tapering legs, 46.5" wide (af)
A 19th Century satinwood demi-lune side table with overall painted decoration, crossbanded borders and box stringing, the top decorated with an urn shaped reserve enclosing a group of three cherubs within a foliate garland border, the frieze fitted with a single drawer flanked by painted rosettes, raised on square tapering legs united by an undertier painted with masks, horns and a book, width approx 64cm (some faults).
A pair of 19th Century George III style satinwood demi-lune side tables with mahogany crossbanded borders and painted floral decoration, each top veneered with an overall fan patera painted with rose garlands, radiating from a painted classical urn reserve, raised on similarly decorated square tapering legs, widths approx 110.5cm (alterations and restoration).
A late Victorian mahogany and gilt brass mounted quarter chiming table clock with eight day triple chain fusee movement striking on a gong and chiming on eight bells, the arched dial with matt centre framed by a silvered chapter ring, beneath subsidiary chime/silent, regulation and chime on eight bells/Westminster dials, all cornered with pierced gilt amorini and scroll spandrels, the case with flame and urn finials above a pair of foliate handles and pierced mask and sunburst fret panels, on a moulded rectangular base with stiff leaf border and scroll and paw feet, height approx 66cm, together with pendulum and key.
A Meissen porcelain timepiece, 19th Century, of rococo scroll shape encrusted with flowers and applied with four figures allegorical of the Seasons, the enamel face above a vignette of a courting couple, the scroll top surmounted by a floral arrangement in an urn, the movement inscribed `Howell James & Co. To The Queen`, crossed swords in underglaze blue to base with incised numerals `399` and impressed numerals `76`, red painted numerals `22`, height approx 43.5cm.
An early 20th Century French mantel clock, with enamelled arabic dial, gilt metal urn design to centre, the movement stamped `FOT DTÉ`, flanking an anchor in a shield, `91246`, contained in a cobalt blue circular ceramic case with gilt metal scrolling mount and finial, raised on four scrolling legs and sun motif, 17in. high.
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68876 item(s)/page