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A late 19th/early 20th century blue-glazed two-handled urn on conforming pedestal; the urn with two Bacchus-style masks, impressed and printed marks of Villeroy & Boch to one side of urn (breakages and restorations) (approx. 168cm) The urn, itself which is separate from the stern, has been sprayed a slightly different colour to the spreading circular foot at the bottom leading the Auctioneer to believe that restoration has taken place there even though upon first glance it is very good. Sadly the pedestal has sustained damage and restoration, the circular support at the top has come away from the main fluted column in the middle of the waisted part of the fluting and is prevalent and there are other minor chips and pieces of glaze away from it. It must also be noted that the top of the pedestal upon which the vase sits has been sprayed and leads the Auctioneer to believe that once again it has been restored.
A gilt and silvered metal timepiece and barometer surmounted with an urn finial above rectangular body above silvered circular dial for both the timepiece and the aneroid barometer, height 25.5cm.Additional InformationThere is no key so we are unable to test. Balance does move. No obvious damage, just surface dirt. Tarnish, discolouration, general surface wear. Some rubbing to the gilt details and scuffs and marks to the dials.
A silver plated candlestick on taxidermy hoof base with a pink glass oil lamp conversion, height 59cm.Additional InformationSome fritting to lower shade, small chip and further fritting to the lower rim of the chimney and also small chips to the upper rim. Over polished to silver plate with base showing through throughout as well as tarnish. The base is loose so the entire thing stands at an angle. Very dirty and dusty. The shade supports also misshapen. The reservoir, bracket and shade detach from the base but the urn shaped socket and collar are attached to the slot.
A 19th century cream painted cast iron urn with water fountain fixture, the cover with pine cone finial, on socle base to square section stand, approx 120 x 70cm.Additional InformationHeavily discoloured, worn and weathered. There is an exit to the centre of the bowl with a partial pipe running to the exterior
A 19th century white painted terracotta garden urn on square section base with applied reeds, height 125cm (af).Additional InformationOne of the handles has been lost, heavy wear, tear, weathering, discolouration and flaking to paint etc throughout with further chips, there is a split to the base of the bowl of the urn, several large splits to the base, in need of considerable attention.
CHARLES BALDWYN FOR ROYAL WORCESTER; a pair of twin handled pedestal urn shaped vases painted with swans in flight against blue ground with gilt highlights, unsigned, green factory marks and date code for 1912 to base, height 15.5cm (one restored) (2).Additional InformationVase one with restoration to top rim, wear to gilt and general surface wear to parts, bottom rim with scratches and wear to gilding. Vase two, wear to gilding, general surface wear, scratches to foot rim on gilt.
CHARLES BALDWYN FOR ROYAL WORCESTER; a twin handled pedestal urn vase hand painted with swans in flight against blue ground with gilt highlights, signed to rim, puce factory marks and date code for 1915 to base, height 21cm (restored).Additional InformationGeneral surface wear and scratches/wear to gilding, restoration to lower body and pedestal joint, scratching to gilt.
J.H.PLANT FOR ROYAL DOULTON; a twin handled hand painted pedestal lidded urn vase depicting a view of Dunster Castle, height 24cm, and a Royal Worcester bush ivory vase with floral decoration, height 24cm, puce factory marks (part af)Additional InformationWorcester vase with minor wear and rubbing to gilding to parts, very minimal wear and chip to point on top rim, Doulton vase, handle has been broken and reattached, second handle restored, cover finial has been broken and re-glued, large crack to neck.
A mid-16th century brass alms dish, Nuremberg, circa 1550The centre decorated with a gadrooned and lidded urn between scrolls, within a border of punched leaves, a band of Gothic script, a further band of smaller punched leaves and a gadrooned booge, two styles of punches to the rim, with rolled edge, 40.5cm diameterFootnotes:Literature:See K. Tiedemann, Nuremberg Alms Dishes (2015), pp. 72-5 and Fig. 59a for a very similar dish. Tiedemann notes that the urn resembles design engravings published by Hans Sebald Beham or Barthel Beham, circa 1528 (Fig. 59b).
A mid-16th century carved oak panel, circa 1550Centred by an impressive gadrooned urn, on a knopped stem and spreading foot, and with a pair of 'C'-scroll handles to its cover, flanked by a pair of seated musicians, that on the proper right playing a single reed bagpipe, that on the proper left a horn or trumpet, triangular section of proper upper left corner replaced, 77.5cm wide x 2.5cm deep x 31cm high, (30 1/2in wide x 0 1/2in deep x 12in high)
George III silver verge pair cased pocket watch, Birmingham 1793, the fusee movement signed Danby, London, no. 1726, with pierced engraved balance cock with urn, steel three arm balance, silvered regulating disc and cylindrical pillars, the dial with Arabic numerals and minute markers, within plain matching cases, case maker 'HH', 52mm - Condition Report: - Movement - currently functioning. Dial - hairlines, marks and chips at the three/four position. Glass - surface scratch marks. Hands - light marks. Case - some tarnishing and indentations to the inner case, surface marks and some tarnishing to the outer case. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
An Empire Palais-Royal ormolu and mother-of-pearl mounted twin light candelabrum, early 19th century, the foliate cast urn sockets on camel headed arms issuing from either side of a height adjustable sleeve, the shaft with cockerel finial, supporting a slotted cylinder with a rising pleated fan shade housed within, the circular and anthemia engraved shell base with engine milled sides; the snuffer probably associated, 26.5cm high, 13.5cm wide
A substantial English or French cast brass fender, third quarter 19th century, the moulded plinth mounted with lobed urn finials to the corners and further flambeau urn finial to the centre, the openwork frieze cast with rinceaux, 29cm high, 167cm wide, 41cm deep Provenance: Property from a Private Collection
A large and impressive gilt bronze chandelier in Louis XVI taste, 20th century, the openwork cresting with foliage and putti, above a slender foliate baluster suspending an ovoid body cast with medallions and lambrequin and mounted with urn finials and satyr masks; each scrolled branch cast with two maidens holding aloft a seven branch foliate and fluted light fitment, 193cm high, 125cm wide Provenance: Property from a Private Collection
A pair of monumental ten light porphyry and gilt bronze mounted candelabra in Louis XV taste, 20th century, each with scrolling foliate and rocaille arms arranged above a twist lobed urn form body cast with foliate, writhen and imbricated laurel mounts, on waisted socles and beaded square plinths, 154cm high, 75cm wide Provenance: Property from a Private Collection
A Louis Philippe tole and marble mounted stove, circa 1830, the shaped fossil marble top above a pierced frieze with a rectangular slot, above four engine milled columnar supports, centred by a coal reservoir modelled as a neoclassical urn, raised on ribbed bun feet, 93cm high, 59cm wide Provenance: Property from a Private Collection
An Edwardian cut and moulded glass and silver plated metal mounted eight light gasolier by F & C Osler, circa 1900 and later refitted, the baluster stem flanked by uprights with urn finials, mounted with diagonal fan and scroll spandrels descending to tubular arms, stamped F. &. C. OSLER to the circular boss, approximately 98cm high, 110cm wide Provenance: Property from a Private Collection Please note: the diagonal spandrels were discovered after the present photograph was taken, please refer to the images of the chandelier on our website for the complete arrangement.An nearly identical design with bronze fittings (as opposed to silver plate) and different shades is illustrated in the F. & C. Osler trade catalogue from their Calcutta showroom, published circa 1900 (design number 2823), where it is described as a 'richly cut crystal glass and gold bronze chandelier for kerosine'.The popularity of this type of gasolier across the Osler company is evident, as several others appear in the 1880 catalogue of the London showroom, pp. 144, 145. The wall applique No. 18894 illustrated in the same volume shares an identical combination of elements to the present chandelier, and may have been designed en suite.The Osler name is synonymous with exceptional quality, and represents a rich tradition of English 19th century glass manufacture. The firm, originally a supplier of ornaments for chandeliers, was started by Thomas Osler in Birmingham in 1807. However, it was not until Thomas' sons Follett and Clarkson took over the firm in the 1830s that the company grew to achieve worldwide renown, and Osler's 'brilliant cut glass' became popular with royalty and aristocracy across the British Empire, with additional showrooms established in London and Calcutta, India. The brothers renamed the operation 'F & C Osler & Co.' in 1852.
A pair of impressive French gilt and patinated bronze and marble mounted table lamps in Neo Grec taste, circa 1880 and later refitted, each with twin writhen snake handles above an urn body relief cast with dancing, togate maidens, above waisted socles, with fluted rouge griotte plinths and further octagonal beaded bases, 70cm high, 21cm wide
Ï’An Edwardian satinwood, tulipwood, and rosewood banded wardrobe, in George III style, circa 1905, retailed by Maple & Co., of breakfront outline, the cornice with urn finials above a pair of oval panel doors concealing an arrangement of fitted trays above two short and two long drawers, flanked by a pair of full length paneled doors enclosing hanging cupboards and short drawers, with plinth base and raised on spool feet, 248cm high, 243cm wide, 66cm deep Provenance: Property from a Private Collection Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A fine Empire gilt bronze mounted glass encrier modelled as a brûle parfum, early 19th century, of urn form, the pierced circular cover with floral finial, the interior with twin recessed white porcelain ink wells and a recessed gilt bronze pounce pot, the spiral and leaf cut glass body on a fluted stem and square base, 17cm high, together with an Empire gilt bronze and glass mounted brûle parfum, early 19th century, the pierced circular cover with pineapple finial, above an engine milled baluster stem and circular hobnail cut glass base, 16cm high (2)
Various assorted items of small porcelain, including: A Derby porcelain model of a tiger, circa 1820, un-marked, 7cm in length; two Meissen scent bottles and stoppers, late 19th century, a woman with a dog, traces of blue crossed swords mark, 7.5cm high and another of a Commedia dell'arte figure by an urn; and other items of small British and Continental porcelain Provenance: Private Collection, Wantage
An unusual Edwardian cut and moulded glass pendant light fitment in the manner of Sanctuary lamps, first quarter 20th century, with an urn shade cut with arched and hobnail motif, above a dished and scalloped boss flanked by writhen scrolls and suspending and ball terminal, suspended from silver coloured metal chains issuing from a domed canopy, 107cm high overall including gilt metal hanging loop, 51cm diameter Provenance: Property from a Private Collection
A pair of George V silver urn vases, relief foliate borders, by Joseph Gloster Ltd, hallmarks Birmingham 1921, height 19cm, weighted bases Both in good original condition with no major damage or restoration, lightly surface scratched all over, both bases have a few minor dents and creases, hallmarks very rubbed.
An Edwardian inlaid mahogany lady's secretaire, the top with urn inlaid fall enclosing pigeonholes, over a drawer and flanked by bevelled glass cabinets, above a foliate scroll inlaid secretaire drawer with fitted interior, on square tapering outsplayed legs joined by an undershelf, 80 cm wide, 54 cm deep, 130 cm high
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68904 item(s)/page