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Six Gothic Revival silver plated candlesticks, comprising a Regency pair of Sheffield Plate twist cluster column examples, with foliate capitals and urn motif embossed gadroon bordered spreading bases; a later electroplate example en suite and a matched set of three (2+1) similar cluster column candlesticks with husk festoon decorated bases, each approx 31.5cm high.
Superb John Pearson brown patinated copper charger, dated 1894, the centre decorated with a 2 handled urn issuing stylised flowers, leaves and tendrils, the broad rim decorated with interlinked circles, all against a spot hammered ground, inscribed mark to verso 'J. Pearson, 1894, 2058', 41.2cm diameter
AN 18TH CENTURY DUTCH MAHOGANY AND FLORAL MARQUETRY BOMBE BUREAU the interior fitted central cupboard, and twin pilaster compartments and an arrangement of stepped drawers with well, enclosed by a fall front, four long graduating drawers below, rococo gilt metal handles and urn figure and foliate swag decoration, the canted corners termingating in carved cabriole short legs and shaped frieze, 44 1/4" wide and 44 1/2" high.
L*** Pedrone, Carlisle, (fl.c.1834). A WILLIAM IV INLAID MAHOGANY WHEEL OR "BANJO" BAROMETER having a "broken" architectural pediment with urn finial, the trunk inlaid with a sunflower medallion above a thermometer with silvered scales, flanked by shell paterae, above an inscribed silvered dial and a further sunflower medallion, 98cm, (38.5in) high
A FINE EDWARDIAN INLAID-MAHOGANY LONG-CASE CLOCK in the Sheraton Revival style, the hood with swan-necked pediment and brass ball-and-spire finial, Corinthian columns with gilt-brass capitals and base-mounts, fretted panels to the sides, the front inlaid in boxwood and harewood with a central urn within foliate scrollwork, the trunk having an oval glazed panel to the front with similar scrollwork spandrels, and rectangular glazing to the sides, the base also similarly inlaid, on shallow bracket feet, the 8-day three-train movement striking and chiming on nine tubular gongs, having a brass and silvered arched dial with Arabic hour numerals to the chapter ring, subsidiary seconds dial to centre, "Strike/Silent" and "Whittington/Westminster" selection dials to the arch, and having cherub-and-scroll spandrels and similar scrollwork ornament to the centre, the whole 249cm, (98in) high, (complete with three brass-covered weights, pendulum with brass bob and crank key
A GEORGE III MAHOGANY-CASED LONG-CASE CLOCK, the hood having a scroll-fretted swan-neck pediment with central turned urn finial and plain columns, the finely-figured arched trunk door crossbanded in fruitwood, between fluted quadrant columns, the base, with canted corners having a crossbanded panel, on shallow bracket feet, the 30-hour movement, with hourly striking on one bell, having an arched dial painted with an exotic bird to the arch and floral spandrels, the centre having Roman hour and Arabic minute numerals, secondary seconds dial and scroll-pierced hands, signed "Eml Burton/KENDAL", 218.5cm, (86in) high
AN EDWARDIAN INLAID ROSEWOOD WALL MIRROR having a swan-neck pediment flanking an inlaid boxwood and harewood bat's wing medallion, above a swag-inlaid frieze, the bevelled shield-form mirror plate within foliate-inlaid spandrels, the shaped sides inlaid with bat's wing lunettes and foliage, above a shaped shelf and foliage-inlaid apron, the frieze centred by an urn, above ball terminals, 61cm wide x 89cm high, (24in x 35in)
TWO IDENTICAL AND UNDAMAGED LATE 18TH-CENTURY BOHEMIAN HAND-PAINTED "MILCHGLAS" (OPAQUE WHITE GLASS) MUGS each of barrel form with traces of rim gilt above a scene of children capturing a bird, one child in a tree, handing the bird to a second child, a young girl kneeling below with birdcage, beside an urn on pedestal, in a parkland setting, with applied handles, 10cm, (4in) high
A RARE LATE 18TH/EARLY 19TH-CENTURY WEDGWOOD TRI-COLOUR JASPERWARE URN-ON-STAND, green and mauve on white, the campana-form urn with vine swags and two oval cameos, the handles with ram's head terminals, on a knopped spreading foot, square mauve platform and drum-form base with further vine swags, sun-flowers and pendants with emblems of the Liberal Arts (musical instrument, masks, etc), impressed WEDGWOOD (individual letters) beneath, 17cm, (6.7in) high (foot of urn repaired, haircrack to base)
A LATE GEORGIAN BLUE TRANSFER-PRINTED POTTERY "BRIDGE" PATTERN ASHET, decorated in dark blue with figures before a neoclassical urn on pedestal, bridge with figures in a punt, and a domed building, a hilltop castle beyond, the floral border with foliate scroll and berries within a chain surround, the unmarked underside combed, 38cm, (15in) (fine haircracks)
John Milton, London, a George III gilt metal and tortoiseshell pair cased pocket watch, circa 1795, no.7393, the verge movement with a balance cock pierced and engraved with foliage and an urn, a steel balance and silvered regulation dial, white enamelled dial with black Roman numerals (hour hand broken and missing), the outer case decorated with ferns and a neo-classical urn behind a tortoiseshell veneer (cracks and a small section missing from the bezel)
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68904 item(s)/page