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Click here to subscribeAn Aesthetic Movement rosewood and marquetry Davenport desk, hinged rectangular superstructure above a slope top with inset tooled writing surface enclosing a small drawer and pigeonholes, four drawers to side, blind to verso, inlaid with an urn and ribbon-tied trailing bell husks, turned supports, casters, 89cm high, 56.5cm wide, 54cm deep, c.1900
A Neo-Classical style silver claret jug, urn shaped with beaded rim and mid rib, plain body with lower gadroon section, with fruitwood scroll handle and urn shaped finial, acanthus terminals to handle, hallmarked by William Hutton & Son., London, 1887, approx 19.58 ozt gross (7609.1 grams) (minor dent to body
A GEORGE III SILVER PUDDING TROWEL OR FISH SLICE EDWARD ALDRIDGE II, LONDON 1770 The triangular blade pierced and engraved with an urn issuing fruiting vine, flowers and tulips, the feather edge handle with a scroll pierced terminal, engraved with a crest 28.5cm (11in) long 114g (3.65 oz) Condition Report: Cracked by handle join, solder repaired Slice pushed in near the handle Marks partially obscured Crest to reverse of the slice Light scratchers and wear commensurate with age and use Condition Report Disclaimer
A GEORGE III SILVER STRAIGHT SIDED OVAL ARGYLE CHARLES ALDRIDGE & HENRY GREEN, LONDON 1779 With an urn finial to the conical pull-off cover, a wooden loop handle, beaded rims, the interior with a pull-off cover to the conical hot water reservoir, engraved with a crest 20cm (8in) long 370g (11.9 oz) gross Condition Report: Rubbing to the crest and marks, no other faults Condition Report Disclaimer
A FRENCH ORMOLU MANTEL CLOCK LATE 19TH CENTURY the brass eight day drum movement striking on a bell, the backplate stamped with a pastille for 'Japy Freres', numbered '2018', the circular enamel dial with Roman and Arabic numerals, the Louis XVI style case with an urn finial and decorated with fruit and leaf scrolls 40.3cm high
A PAIR OF BRASS ANDIRONS LATE 18TH / EARLY 19TH CENTURY each with a flaming urn finial, above a triangular shape body, with pierced and engraved decoration, with a pair of lions supporting a crown, on lion's paw front feet (2) 36.3cm high, 22.8cm wide, 29.5cm deep Provenance The Sir Michael Codron Collection of Lions.
A FRENCH ONYX AND ORMOLU MANTEL CLOCK LATE 19TH / EARLY 20TH CENTURY the brass eight day drum movement striking on a bell, with a mercury pendulum, the backplate stamped '2590' and with a pastille, inscribed 'Medaille d'argent marti et cie 1889', the circular dial with Arabic numerals and painted with floral swags, the four glass case flanked by columns surmounted by an urn and flaming finials 44.7cm high, 31cm wide Provenance By direction of the executors of the late Sylvia Quance. From the collection of Gordon W Quance LLM (1931-2017).
A FRENCH ORMOLU AND PORCELAIN MANTEL CLOCK LATE 19TH CENTURY the brass eight day drum movement striking on a bell, the back plate stamped with a pastille for 'Japy Freres' and 'Horlogerie Paris' numbered '4421', the circular dial with Roman numerals, the Louis XVI style case with an urn finial, the front panel painted with a mother and child playing with a bird 35.8cm high, 22cm wide
A PAIR OF DUTCH PAINTED MIRROR STILL LIFE PICTURES IN THE MANNER OF JEAN-BAPTISTE MONNOYER, 18TH CENTURY in Chinese reverse glass style, depicting flowers in a basket and an urn, in ebonised wood frames (2) 11 x 15cm Provenance The Australian writer Barbara Janet Baynton, Lady Headley (1857-1929) and by descent.
A reproduction bronze effect composite figural three-branch electric ceiling light, late 20th century, modelled as three putti united by a central urn, each supporting a pendant lamp head, with suspension chains and rose, 54cm wide, 100cm drop.Condition report: Not tested. Negligible signs of use.
A Victorian ebonised and amboyna crossbanded inverted breakfront credenza, circa 1860 boxwood strung gilt metal mounted decoration, slight over-sailing moulded edge top, three panel doors, one glazed inlay flanked by two pillars and two doors with boxwood decoration of a campaign urn, raised on a plinth. 108cm H x 127cm W x 45cm D
A delft plate dated 1725, blue painted with a central lozenge with four stylised flower heads, initialled 'TN' and dated '1725' to the border within a foliate design, artists mark verso and also numbered, 22.5cm diameter (extensively at fault) with a further delft plate decorated with an urn of flowers in a garden, 22cm diameter (at fault) (2)
A selection of tortoiseshell and tortoiseshell coloured boxes, 19th century and later, comprising a portrait print mounted example depicting two ladies, 11.5cm diameter, an etui with hinged cover and vacant shield shaped cartouche (lacking contents), 8.2cm high, a spectacle case with marcasite monogrammed 'M', an oval trinket dish inset with silver coloured classical urn, 10.5cm wide, an octagonal pill box, 7cm wide, and a tortoiseshell mounted snuff box, 8cm wide, (all at fault) (6)CR; Circular box: crazing throughout. Possible signs of of over-painting. Scratching and some loss to the portrait. Portrait does not sit secure in the frame and moves around. Some denting and bending to the metal frame. Cracks to the cover, possible signs of repair. Crack to the inside rim of the base. General scratching, wear and tear to inside and outside.Etui: Heavy scratching and wear to the exterior. Several cracks and areas of loss to the exterior. Tearing to the fabric lining in the cover, and extensive glue repair. Moderate scratching and wear to the case interior, but no splitting.Spectacle case: Heavy scratching and wear to interior and exterior. Many stones from monogram are missing. One of the hinges is broken, showing loss to the case surround and signs of attempted repair. The catch is not in working order. The cover does not sit flush with the case and is slightly lopsided.All other pieces show moderate to heavy scratching and wear. The octagonal case has heavy losses to the cover, as well as chips and nibbles to the edges, and shows signs of glue repair in several places. The oval dish has a chip missing to the rim, and a large crack in the rim. There are some areas of loss on the inlaid border and central motif, as well as denting, scratching and wear. There is a later added mount to the reverse. The snuff box is in relatively good order, no signs of obvious damage or repair, however the cover does not sit flush to the box.
Continental School (18th Century),A portrait miniature depicting two young children and their dog with classical urn in background,Gouache on ivory,Label verso reading 'Fred. The Gt. and sister by court painter',8.5cm x 6.5cm, Framed and glazed (at fault),Together with a further ten hand-painted and printed portrait miniatures, largest 12.5cm x 9.5cm, smallest 3cm x 2.5cm, and two miniature landscapes, ink on paper, each 10cm x 7cm (14) (at fault) CONDITION REPORT:The painted surface of the miniature depicting the two children is worn down to the ivory over approximately three quarters of its surface, leaving the bottom left hand corner still visible. The visible section also shows surface wear and fine surface scratching. The panel appears to have been placed in an associated frame.The other pieces in the lot show various degrees of wear and fading. One shows a full length loss to the right hand side. Some appear to have been placed in associated frames. Trevanion Auctioneers & Valuers do not ship items containing ivory outside the UK. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
An 18th century Dutch marquetry walnut chair, the vase shaped back inlaid with urn and foliate detail above a bow front upholstered seat, upon front cabriole legs and pad feet, 105cm high, a George II walnut chair with a vase shaped splat back and drop in seat on front cabriole legs and pad feet, 101cm high, a George II padded high back side chair, in classical foliate fabric, raised upon front cabriole legs and pointed pad feet, 114cm high, along with a George II type walnut elbow chair with associated openwork splat back, 108cm high (all with faults and repairs)(4)
A 19th century rosewood two tier what not, raised upon slender ring turned baluster supports, 72cm H x 39cm Sq, along with an Edwardian mahogany cylindrical pant/urn stand, the twin reeded collars united by slender ring turned spindles enclosing the brass coated liner, raised upon three supports of tapering square section terminating in brass capped feet, 96cm H x 33cm D (at fault) (2)
A 1796 pattern infantry sword, the 82.5cm fullered steel blade with etched decoration and bayonet tip, the gilt brass hilt with folding guard, knuckle bow with bud finial, cast wire effect grip and urn pommel, 98.5cm long overall, lacking scabbard, with a similar example lacking knuckle bow and finial, a c1790 Naval officer's sword with 74.5cm straight fullered steel blade, the brass stirrup hilt with single bar knuckle bow and horn grip mounted with a brass fouled anchor shield, 88.5cm long overall, and c1790 Naval type sword with 81cm straight fullered etched steel blade with bayonet tip, the steel stirrup hilt with single bar knuckle bow and ribbed and wired ivory grip, 92.5cm long overall, lacking scabbard (4) (at fault) CONDITION REPORT:The 1796 pattern infantry sword shows wear and tarnishing to the blade, wear to the gilt brass finish of the hilt and a build up of polish residue in various crevices. The 1796 pattern infantry sword lacking knuckle bow and finial is in a similar condition with painted losses. Its scabbard shows a detached brass mounted tip with crude attempted repair and further damage to the leather below the top mount. All the scabbard mounts show wear, dents and tarnish.The naval officer's sword with horn grip shows nicks, tarnishing and wear to the blade, with any etched or engraved decoration to the blade worn away. The hilt shows an open but apparently secure joint where the knuckle bar meets the hilt. The pommel shows a possible later capstan rivet. All brass areas show wear and tarnishing. The horn grip shows a build up of polish. The scabbard shows a crude repair to the tip.The naval officer's sword with ivory grip shows wear, tarnishing and pitting to the blade and steel hilt, and wear, staining and cracking to the ivory grip. The grip wiring is also detached in places.
A sword hilt with horn grip, 19th century, the silver coloured guard cast with a standing lion to one side and a sleeping lion to the other, the quillons modelled as lion paws, the silver coloured lion's mask pommel with raised capstan rivet, set to an associated 65cm single edged curved fullered steel blade with bayonet tip, 82.5cm long overall, lacking scabbard, with a 1796 pattern infantry sword, the gilt brass hilt with folding guard, knuckle bow (lacking finial), fluted ivory grip and urn pommel, set to an associated 83cm single edged double fullered straight steel blade, indistinctly stamped, possibly for Andrew [Andrea] Ferrara, 99.5cm long overall, lacking scabbard, with a 1796 pattern infantry sword (lacking folding guard), and two further swords, all lacking scabbards (5) (at fault)
Two Chelsea-Derby style figures, comprising: Neptune before a dolphin, holding an urn of water, gold anchor mark and a God with a flaming urn and dove on flower encrusted base, 22 cm high max. Condition Report: Multiple small chips, possible small areas of restoration and re painting. Colours bright however some rubbing to the colour and gilt. Some cracks to the figure to the right. would benefit from a clean
AN EARLY 20TH CENTURY ONYX AND GILT METAL CLOCK GARNITURE, the clock with winged sphinx surmount above a rectangular architectural case, enamel dial with floral swags, Arabic numerals, eight day movement, bell strike, the glazed case lacking rear panel, stepped base on four knopped and beaded feet, height 58cm, lacks pendulum and key, the pair of urn shaped garnitures with gilt metal mounts and scrolled handles, the stepped bases on three beaded and knopped feet, height 39cm (3) (Condition report:- the onyx on all three pieces has areas of damage especially to the corners, areas of wear to the gilding, clock movement overwound)
A COLLECTION OF FIFTEEN PIECES OF AYNSLEY ORCHARD GOLD GIFTWARE, ETC, comprising a twin handled urn and cover (second), a shallow pedestal bowl, diameter 26cm, three 27cm plates, (one a second), sandwich tray (second), pin dish, pair of small twin handled vases, oval vase, bud vase (second), small ginger jar and cover (second and two chips to underside of cover), a hexagonal ginger jar and cover with finial, a hexagonal vase (second), a hexagonal ginger jar and cover (a second) (15) (Condition report: as per description)
THREE TWENTIETH CENTURY DERUTA ITALIAN MAIOLICA VASES, with gilded and coloured faux mosaic style exterior decoration, cobalt blue glaze inside, comprising an urn shaped twin handled vase depicting a Roman Emperor (possibly Tiberius?), with foliate and geometric motifs, height 25.5cm, incised marks to base Deruta, Italy V10X/25 and (Tiberius) added in biro, together with a pair of smaller vases depicting peacocks amongst vines, height 19.5cm, gilded Maioliche Deruta and incised V209/20 marks to bases (Condition report: generally good, one of the smaller vases has extensive cracks around rim, some tiny areas of glaze loss on all pieces) (3)
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