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Click here to subscribeGeorge III pierced silver bottle coaster with urn and foliate swag decoration, London 1779, set of four silver nesting beakers with gilt interiors in leather case, Birmingham 1979, 7oz 227gm and a pair of drum salts with blue glass liners, London 1913, 3.5oz 110gmCondition Report: No inscription on beakers or caseMarks rubbed on coaster and salts with surface wear consistent with age and use
A collection of mixed ceramics to include; Mason's Ironstone, Minton plate, Royal Worcester plate, Imari style plates in china and ironstone, Imari style two handled urn like vases, a blue ground and figural designed handled urn vase with top, a pair of planter/vases, floral designed plates/dishes and others.
A small collection of vases to include: an early 1930s Carlton Ware urn in a vibrant orange Japanese design, together with an early 1900s Japanese urn-type vase in a peacock and foliage design on an oatmeal background. Also a 1920s German Stellmacher pottery vase in ornate foliage and gold military design on a deep blue background (repaired). (3)
A small collection of metal ware to include; an EPBM Sheffield plated coffee/tea set consisting of tea and coffee pot, sugar bowl and milk jug, along with an EPNS cased 20th century cutlery service with spoons, knives and forks, together with a stylised copper samovar with brass spout, urn like detachable top decorated with flower like finial, marked 'Oldhams' to inside of lid.
A collection of six various Chinese urn or low tables, each with a pierced frieze, to include three with three tiers, and a hexagonal bamboo table, (7). This lot is located at Oundle, Near Peterborough, PE8, viewing and collection by appointment only by calling our Lincoln office 01522 524984.
Six various Chinese elm and other urn or low tables, to include a circular example, a three tier example and three each with bamboo slats, various sizes. This lot is located at Oundle, Near Peterborough, PE8, viewing and collection by appointment only by calling our Lincoln office 01522 524984.
A late 19thC Chinese red lacquer and gilded urn stand, with rectangular top above a pierced frieze, on plain supports, 54cm high, 38cm wide, 38cm deep. This lot is located at Oundle, Near Peterborough, PE8, viewing and collection by appointment only by calling our Lincoln office 01522 524984.
A pair of late 19thC Chinese hardwood low or urn table, each with a shaped stretcher and legs, 51cm high, 41cm wide, 30cm deep, and three other similar examples. (5) This lot is located at Oundle, Near Peterborough, PE8, viewing and collection by appointment only by calling our Lincoln office 01522 524984.
Four various Chinese hardwood and other two and three tier urn tables, to include a plain hardwood example of plain design, with a shaped undertier, an elm table with carved and pierced frieze and lattice base, various sizes. This lot is located at Oundle, Near Peterborough, PE8, viewing and collection by appointment only by calling our Lincoln office 01522 524984.
Elegante Marmor-Pendule mit PuttoA.D. Mougin. Werknr. 4329. Gewölbt verglaste Werkabdeckung, gemarktes Werk mit Halbstundenschlag auf Glocke, revisionsbedürftig. Gewölbt verglastes, weißes Emailzifferblatt mit farbigen Blumenfestons, arabischen Zahlen, Minutenkranz und Louis XV-Zeigern, bezeichnet "Peyron-Castille, Dijon". Schwarzer Marmor mit grüner Äderung, Bronze, Messing neu gefasst. Ca. 46,5 x 24,5 x 20 cm. 10,5 kg. Pendule im historisierenden Stil mit bekrönendem Putto, der an einer Säule mit Urne und Fackel steht Verwendung alter und neuer Teile, minimale Alters- und Gebrauchsspuren. Mit Pendel, ohne Schlüssel. Elegant marble pendule with puttoA.D. Mougin. Movement no. 4329. Vaulted glazed movement cover, marked movement with half-hour strike on bell, in need of revision. Domed glazed white enamel dial with colored floral festoons, Arabic numerals, minute ring and Louis XV hands, marked "Peyron-Castille, Dijon". Black marble with green veining, bronze, brass re-set. Approx. 46.5 x 24.5 x 20 cm. 10.5 kg. Pendule in historicizing style with crowning putto standing by a column with urn and torch Use of old and new parts, minimal signs of age and use. With pendulum, without key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
LONG, Edwin Longsden - Kopie nach "Die Götter und ihre Macher"Öl/Leinwand. Unsigniert. Anfang 20. Jh. 100 x 70 cm. Gerahmt119 x 89 cm. Gute Teilkopie nach dem Original aus dem Jahr 1878 mit der sitzenden Bildhauerin beim Modellieren einer Katzenurne Eine restaurierte Stelle mit Hinterklebung. LONG, Edwin Longsden - Copy after "The Gods and their Makers"Oil / canvas. Unsigned. Early 20th c. 100 x 70 cm. Framed119 x 89 cm. Good partial copy after the original from 1878 with the seated sculptress modeling a cat urn A restored place with backing. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A pair of George III silver sauce tureens and covers, C.H, London 1807, each of urn form with bright cut engraved border and crest, two elongated handles, urn finial to cover and raised on oval base, 16.5cm high, weight approx 36.5oz (2)Condition:Hallmarks clear, a few small dings, very small dent to the edge of one cover, general wear but no significant visible damage, refer to images
Three trays of china to include: Mason's Ironstone 'Brown Velvet' dresser jugs and plates, 'Mandalay' miniature urn, 'Penang' ginger jar (no lid), boxed Christmas plates, similar vase with heavy metal base, various 19th Century and other plates; Imari six lobed shallow dish, Royal Semi-porcelain 'Victoria' pattern Booths shallow dish, Royal Staffordshire pottery oriental design plate, S.F & C 'Indian' design plate and a Wood & Son 'Verona' design plate. (B.P. 21% + VAT)
A large George III silver plated tea urn, twin handled, vacant cartouche, raised on four ball feet H.53cm Buyer note: This item has been issued a government exemption certificate.Ivory submissions reference 1ELJTWHN We recommend that buyers check with their own government regarding any importation requirements prior to placing a bid.
A SWEDISH SILVER TEA URNOf oval form, the detachable cover having a flame finial below a foliate band, with lion mask and ring handles and with a spirit burner and tap, raised on four claw supports, the shaped square base with spherical feet, height 50cm, bears mark of ANDREAS SILFVERBERG, YSTAD, 1819, gross weight 2865 gmsCondition Report; There is no ivory in the piece. There is no functioning tap facility, the swingover section to the spout is rigid, the urn is wobbly on its base, bottom rim of spirit burner is a bit dented, dents to rim of lid, slight denting to the bottom of the four ball feet
A WORCESTER FLUTED TEACUP AND SAUCER (2)Circa 1780 Painted with a classical urn beneath fruit sprays and insects inside a cobalt blue border enriched with gilt scrolls, blue open crescent mark,saucer 13.75cm diameterSome minor wear to the gilding and enamels. Saucer with with several shallow chips around the footrim
A massive pair of Royal Worcester vases and covers by Harry Davis, dated 1921In traditional French style, the ovoid bodies applied with scroll handles with leaf moulded details, the necks and feet with fluted panels, the deep blue ground very richly decorated in raised-paste gilding, the scrollwork ornament including a network of caillouté enclosing urn-shaped patterae on the reverse, the full front panels painted by Harry Davis with extensive landscapes in the manner of Claude, both signed 'H Davis', 68.5cm high, printed puce marks with date codes for 1921, shape number 2454 (4)Footnotes:While an apprentice at the Royal Worcester factory, a young Harry Davis was fascinated by a book in the works library on the paintings of Claude. Davis imagined the true colouring and developed his own palate, giving Claude's landscapes his own unique atmosphere with an outstanding sense of perspective. Because of the high production cost, there were few orders for the largest size version of shape 2454. Davis would have been thrilled by the chance to create a matching pair, with two huge Claude landscapes that complement each other, framed with such splendid raised gilding. For a publicity photograph taken around 1920, Harry Davis posed next to a similar vase, proudly holding his paintbrush even though the vase had already been fired and gilded. This magnificent pair belonged to a private collection of Royal Worcester porcelain offered by Christie's on 8 November 1993. Henry Sandon had advised the collectors and in his forward to the 1993 auction catalogue, he described these vases as 'the most superb painting you can imagine by the greatest ceramic artist of this century'.For further information on this lot please visit Bonhams.com
A rare pair of Derby figures emblematic of Earth and Fire, circa 1770-75From a set of The Four Elements, both standing before colourful bocage, Earth modelled as a gardener, a posy of flowers raised in his left hand, holding a spade in his right and with a watering can at his feet, Fire standing beside a flaming urn with a small cannon at his feet, both wearing brightly coloured costumes including floral tunics, the scrolled bases applied with flowers and picked out in turquoise and gold, 22.7cm and 23.1cm high, patch marks (2)Footnotes:A complete set of these rare figures is illustrated by Peter Bradshaw, Derby Porcelain Figures (1990), p.139, fig.121, no.F17. The figure of Fire is adapted from a figure emblematic of War.For further information on this lot please visit Bonhams.com
Dick Saunders horse racing interest; Silver trophy cup,Jay, Richard Attenborough Co., Ltd., Chester 1924, pedestal urn shaped form with cover, twin handles, engraved "Hertfordshire Hunt Members Race 1955, won by Mr N N Capon's Saint Colluncille, ridden by Mr R Saunders", 26cm, 15oz.Dick Saunders later went on to be the oldest winner of the Grand National riding Grittar at Aintree in 1982.
A mahogany and line inlaid mule chest, late 18th/early 19th Century, with a gallery back, the hinged top lid above storage area, with two dummy drawers, above six short drawers, flanked by urn inlaid Neoclassical and fluted pilasters, on bracket feet, 117cm high x 176cm wide x 57cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
A walnut side cupboard, 19th Century with earlier elements, the two panelled doors inlaid with urn designs, flanked by mirrored pilasters, on plinth base, 102cm high x 136.5cm wide x 40cm deep. Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.
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