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A George III yellow metal mounted mourning brooch of navette form, the rotating central panel depicting to one side an urn below a weeping willow and inscribed "Richard Harris OB..........January 1784 AE 52" and verso with a classically robed maiden, her head upon her left hand, a spaniel at her feet, 5 cm x 3.1 cm
Roman, 5 x Silver Coins comprising: Roman Republic 2 x Denarii: (1) C. Servilius C.f., obv. head of Flora wearing wreath of flowers, legend FLORA.PR(IMVS), rev. two soldiers, each carrying shield, facing each other with raised swords, C.F in field, struck off-centre, circa 57 BC, GVF & (2) Q.Pompeius Rufus, obv. curule chair between arrow & laurel branch, Q.POMPEI Q F RVFVS above, rev. curule chair between lituus & wreath, SVLLA.COS above, Q. POMPEI RVF on tablet below, toned with underlying lustre, circa 54 BC, GVF & Roman Imperial, 2 x Denarii: (1) issue of Titus in honour of Divus Vespasian, rev. shield resting against column surmounted by urn, laurel branches either side, S.C. (worn) on shield, scarce AFine & (2 ) issue of Marcus Aurelius & Lucius Verus in honour of Divus Antoninus Pius, rev. CONSECRATIO around pyramidal crematorium VF to GVF & a Siliqua of Valens (AD 364-378) rev. VRBS. ROMA, Roma seated left holding Victory & sceptre, in ex. TRPS, striking crack from 12 to 6 o`clock o/wise GVF
A George V silver and mother-of-pearl mounted folding pocket fruit knife, engraved with an urn filled with fruit and flowers, Sheffield 1926, together with ten other silver and mother-of-pearl folding pocket knives (two cracked), two plated and mother-of-pearl fruit knives, a mother-of-pearl letter opener with steel folding blade and an octagonal beech display case with glazed hinge lid.
A fine 20th century copy of an early 18th century burr walnut barometer, the dial signed Tompion, London. Surmounted by a gilt-brass thistle urn for reservoir protection, on an elaborate plinth to a short trunk applied with a turned Doric pilaster, supported on a pair of brass-mounted freestanding Doric columns and bow-fronted base section, the two-piece silvered dial signed in a cursive script and set with weather predictions and twin recording hands operated via a pair of rack and pinion knobs set below the glazed aperture, a circular calendar dial set to the lower section of the base with twin silvered scales for month and date, 104cm high.
A pair of Victorian silver four-light candelabra, by Hawksworth, Eyre & Co. Ltd., Birmingham 1881, the tapering square columns with urn capitals above, decorated with foliage, ribbons and reeds and rams’ masks, resting on leaf-capped square bases with stiff leaf borders, the reeded scroll branches with urn capitals and circular drip pans, all with bead borders, one sconce missing, 46cm high to top of central extinguishers, 31.5cm wide candlesticks load, branches weigh 77oz
A French Sevres style porcelain inset ormolu mantel clock, retailed by Arthur Jack, Paris and Cheltenham, late 19th century, the eight-day bell striking movement inscribed ARTHUR JACK PARIS & CHELTENHAM to backplate, the circular blue ground porcelain Roman numeral cartouche dial with centre painted with a putto above repeat signature within bead cast bezel, the elaborate case with detail highlighted with three varying tones of gilding with floral swag draped twin handled porcelain urn surmount above conforming festoon decoration to the scroll cast crest flanked by finials, the dial flanked by floral painted porcelain columns with curved landscape painted apron panel between, the sides cast with strapwork panels centred with a finial, on bowed invered breakfront base with leaf chased decoration to top moulding and porcelain panel inset drop centre, on cast toupe feet; with original giltwood plinth and on ebonised wood base with glass dome cover, the clock 38cm (15ins) high; 47cm (18.5ins) high overall. Please note: The dome of this clock is damaged
A French Sevres style porcelain inset ormolu mantel clock, mid 19th century, the eight-day bell striking movement stamped J.B.D. within an oval cartouche to backplate, the porcelain dial with floral garland to centre within blue ground cartouche Roman numeral chapter ring, the case with pineapple finial and music trophy panel decorated porcelain body to the urn surmount over female mask side handles and splayed pedestal support inset with a further polychrome painted panel and with acanthus cast side scrolls, on shaped plinth base with conforming inset panel and toupe feet, 33cm (13ins) high.
Nineteenth century mantel clock with French eight day spring-driven movement, outside countwheel, striking on a bell with decorative brass dial with individual enamelled numerals, in a bronzed case with pierced decoration and classically inspired mounts, surmounted by an urn, 36cm overall height
Victorian silver teapot of half-fluted form with angular fruitwood handle, on an oval base, hinged domed cover with fluted decoration and ebony urn finial (London 1844), maker - Walter & John Barnard, together with similar pattern late Victorian helmet cream jug of half-fluted form (London 1901), maker - William Hutton & Sons Ltd. All at approximately 23ozs, teapot 16cm overall height (2)
Two Mourning Rings, the first with a curved oblong panel enamelled in black to depict an urn under a weeping willow, engraved to the reverse `Sarah Edwards Ob 21 May 1813 At 69`, to forked shoulders, finger size P, and the second a locket panel centres a floral carving within a black enamelled mesh design, engraved to the reverse `John Edwards Ob 16 March 1819 Ae 73`, to enamelled shoulders, finger size Q
A Regency style mahogany dining table, the boxwood strung reeded rounded rectangular top raised on urn baluster columns, downswept legs terminating in brass lion paw feet, united by stretchers, including an additional leaf, by `Strongbow Furniture`, 152cm long x 26cm high x 90cm deep x 188cm extended
A GEORGE III HOT WATER JUG vase shaped, the domed lid with urn finial and with beaded rims, crested, 33cm h, by Charles Wright, London 1776, 30ozs 10dwts The crest is that of Newborough. In fine condition, no evidence of erasure or wear, of reasonably good gauge, the marks practically as struck
A VICTORIAN OAK LONGCASE CLOCK the brass break arched dial with matted centre, CHIME/SILENT ring to the arch and cherub spandrels, the substantial triple fusee movement striking on a coiled wire gong and chiming on a carillon, in dark stained case with swan neck pediment, fluted pillars and carved trunk with grotesques and scrolling foliage, fan fluting and a flower filled urn, 244cm h Minor shrinkage crack in trunk, just above the arch of the door but really in excellent original condition, a little dusty, long in the present local private ownership
An early-Victorian miniature silver chamberstick Robinson, Edkins & Aston, Birmingham 1841, probably from a desk stand, the dished circular base with `Bath` rim, the conforming detachable sconce on a turned cylindrical urn nozzle, the foliate flying scroll handle holding the original conical snuffer, height 1 7/8in. (4.75cm.), weight 2.2oz. .
A unusual late-Victorian silver combination chamberstick and inkwell maker HP, London 1899, the dished circular base with floral scroll rim and foliate flying scroll handle, mounted to the centre with a reeded circular inkwell, the swivelling cover mounted with an urn shaped chamberstick nozzle, 3½in. (9cm.) high, weight 8oz., lacks snuffer. .
A fine George IV bowfronted mahogany stick barometer by Dolland of London with caddy top cornice over a curved glass, the silvered register plate with maker`s name and adjustable vernier with turned ivory knob, the trunk with silvered mercury thermometer, the base with an ebonised urn cistern cover, 38¾in. (98.5cm.) high. .
An Edwardian Adam style brass and cast iron fire grate the arched cast iron back centred by a swagged urn, over a serpentine bar front with brass urn finials and a beaded and pierced brass base with punched floral and foliate decoration, on squat tapered front supports headed by urn finials, 31¾in. (80.5cm.) wide, 29½in. (75cm.) high.
A George III silver swollen oval hotwater pot by Robert I & David II Hennell, London 1799, with an urn finial to the domed cover, a wooden loop handle, threaded rims, engraved with Vitruvian scroll bands, two wreath reserves, one with a later monogram `MV` and `A ma chere Marie de sa vieille amie C. du J. 29 Avril 1897`, 21cm (8 1/4in) high, 573g (18.4 oz) gross
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68904 item(s)/page