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Click here to subscribeA Porcelain Figural Scent Bottle, as a putto seated amongst bullrushes tipping a yellow urn of water to a mound base edged with leaves and inscribed "Fleuv d'Amour" in red script, decorated in soft enamel colours overall, the underside of the base painted with a four-leaved red rose, {7cm high} (badly chipped on neck, stopper lacking, numerous chips)
A late Victorian mahogany, rosewood banding and inlaid press cupboard, incomplete, decorated throughout with urn and fruit bowl trophies and swags, the central section with two panelled doors enclosing fixed trays to a four drawer chest, flanked by tall cupboards, (lacking cornice and base), (186x248cm)
A 19th Century Meissen porcelain two-handled urn shaped vase with bold gilt decorated leaf capped scroll handles with fruiting vine and anthemion terminals, the blue glazed body with oval vignette depicting "Prinz Johann's Garton Palais", with floral spray to reverse, within gilt borders, on a blue ground, the whole decorated with bold leaf scroll ornament, plain gilt rim and footrim, 11.5ins diameter x 12.25ins high (crossed swords mark in underglaze blue to base - crack to body around fixing to base, two slight firing cracks around left handle, and gilt rubbed on rim and footrim)
A pair of Continental porcelain two-handled urn shaped vases and pot-pourri covers in the "Sevres" manner, decorated with floral sprays, royal blue and gilt panels with gilt moulded and leaf capped handles, the pierced domed covers with flambeau finials, on square base similarly decorated, with gilt brass square plinth, 17.5ins high
A set of three 19th Century ovoid salts with cut rims, the bodies with diamond slice cuttings and star cut lozenge pattern footrims, 3. 5ins x 2.25ins x 3.5ins high, and one other ditto urn shaped vase with cut petal shaped rim, the body with hobnail, slice and strawberry cuttings, on square stepped base, 6ins high
A pair of late Victorian pillar candlesticks in the Neo-Classical manner, the urn pattern sconces with ribbon and acanthus leaf swags, the square tapered columns with rams head, ribbon and bellflower ornament, the octagonal bases embossed with urns and leaf capping, with bead mounts, 10ins high, by C.B., London 1896 (bases loaded - slight creasing and damage)
A late Georgian brass fronted and cast iron grate in the Neo-Classical manner, the whole of serpentine outline with pierced frieze and cast oval leaf paterae, on bold turned and leaf capped front supports with urn pattern finials, the back now fitted with a cast iron fireback, 30ins wide x 40ins high
A 19th Century French mantel clock by Japy Freres, the 3.75ins alabaster dial with gilt Roman numerals to the eight day two train movement striking on a bell, contained in alabaster and gilt metal mounted case surmounted by bold urn shaped ornament, two columns to sides with ball finials, on bun feet, 18ins high, on gilt plinth and under oval glass dome with ebonised plinth (dome cracked)
A late 17th Century walnut and marquetry longcase clock by Daniel Lawrence of London, the 11ins square brass dial with silvered chapter ring, seconds dial and date aperture, with turned winding holes and gilt cherub's head pattern spandrels to the eight day five pillar movement with outside locking plate, striking on a bell, contained in case with moulded overhanging cornice and finely fretted frieze, with spiral turned columns to hood, the door framing with floral marquetry banding on ebonised ground, the trunk door similarly inlaid with a classical urn supported by two caryatids, and bird and bold leaf scroll ornament, inset with circular brass framed lenticle and walnut cross-grained mouldings, the plinth of similar form, 76ins high (clock circa 1695, plinth rebuilt, with later marquetry panel)
A late Victorian mahogany framed open arm drawing room armchair, the shaped crest rail with carved leaf borders, oval panel to back inlaid with ivorine and boxwood with urn, mask and leaf scroll ornament, out-scrolled arms, the seat upholstered in old gold dralon, on slender cabriole front legs (with repairs to back)
A Victorian dark oak Davenport, the whole carved with lions masks, leaf scroll ornament, classical urn and swags, the upper part with shaped back above lidded compartment, the leather lined slope enclosing pigeon holes, fitted four drawers to the side with carved fruit and leaf capped front brackets, on plinth base, 27ins wide x 44ins high
Six Gothic Revival silver plated candlesticks, comprising a Regency pair of Sheffield Plate twist cluster column examples, with foliate capitals and urn motif embossed gadroon bordered spreading bases; a later electroplate example en suite and a matched set of three (2+1) similar cluster column candlesticks with husk festoon decorated bases, each approx 31.5cm high.
Superb John Pearson brown patinated copper charger, dated 1894, the centre decorated with a 2 handled urn issuing stylised flowers, leaves and tendrils, the broad rim decorated with interlinked circles, all against a spot hammered ground, inscribed mark to verso 'J. Pearson, 1894, 2058', 41.2cm diameter
AN 18TH CENTURY DUTCH MAHOGANY AND FLORAL MARQUETRY BOMBE BUREAU the interior fitted central cupboard, and twin pilaster compartments and an arrangement of stepped drawers with well, enclosed by a fall front, four long graduating drawers below, rococo gilt metal handles and urn figure and foliate swag decoration, the canted corners termingating in carved cabriole short legs and shaped frieze, 44 1/4" wide and 44 1/2" high.
L*** Pedrone, Carlisle, (fl.c.1834). A WILLIAM IV INLAID MAHOGANY WHEEL OR "BANJO" BAROMETER having a "broken" architectural pediment with urn finial, the trunk inlaid with a sunflower medallion above a thermometer with silvered scales, flanked by shell paterae, above an inscribed silvered dial and a further sunflower medallion, 98cm, (38.5in) high
A FINE EDWARDIAN INLAID-MAHOGANY LONG-CASE CLOCK in the Sheraton Revival style, the hood with swan-necked pediment and brass ball-and-spire finial, Corinthian columns with gilt-brass capitals and base-mounts, fretted panels to the sides, the front inlaid in boxwood and harewood with a central urn within foliate scrollwork, the trunk having an oval glazed panel to the front with similar scrollwork spandrels, and rectangular glazing to the sides, the base also similarly inlaid, on shallow bracket feet, the 8-day three-train movement striking and chiming on nine tubular gongs, having a brass and silvered arched dial with Arabic hour numerals to the chapter ring, subsidiary seconds dial to centre, "Strike/Silent" and "Whittington/Westminster" selection dials to the arch, and having cherub-and-scroll spandrels and similar scrollwork ornament to the centre, the whole 249cm, (98in) high, (complete with three brass-covered weights, pendulum with brass bob and crank key
A GEORGE III MAHOGANY-CASED LONG-CASE CLOCK, the hood having a scroll-fretted swan-neck pediment with central turned urn finial and plain columns, the finely-figured arched trunk door crossbanded in fruitwood, between fluted quadrant columns, the base, with canted corners having a crossbanded panel, on shallow bracket feet, the 30-hour movement, with hourly striking on one bell, having an arched dial painted with an exotic bird to the arch and floral spandrels, the centre having Roman hour and Arabic minute numerals, secondary seconds dial and scroll-pierced hands, signed "Eml Burton/KENDAL", 218.5cm, (86in) high
AN EDWARDIAN INLAID ROSEWOOD WALL MIRROR having a swan-neck pediment flanking an inlaid boxwood and harewood bat's wing medallion, above a swag-inlaid frieze, the bevelled shield-form mirror plate within foliate-inlaid spandrels, the shaped sides inlaid with bat's wing lunettes and foliage, above a shaped shelf and foliage-inlaid apron, the frieze centred by an urn, above ball terminals, 61cm wide x 89cm high, (24in x 35in)
TWO IDENTICAL AND UNDAMAGED LATE 18TH-CENTURY BOHEMIAN HAND-PAINTED "MILCHGLAS" (OPAQUE WHITE GLASS) MUGS each of barrel form with traces of rim gilt above a scene of children capturing a bird, one child in a tree, handing the bird to a second child, a young girl kneeling below with birdcage, beside an urn on pedestal, in a parkland setting, with applied handles, 10cm, (4in) high
A RARE LATE 18TH/EARLY 19TH-CENTURY WEDGWOOD TRI-COLOUR JASPERWARE URN-ON-STAND, green and mauve on white, the campana-form urn with vine swags and two oval cameos, the handles with ram's head terminals, on a knopped spreading foot, square mauve platform and drum-form base with further vine swags, sun-flowers and pendants with emblems of the Liberal Arts (musical instrument, masks, etc), impressed WEDGWOOD (individual letters) beneath, 17cm, (6.7in) high (foot of urn repaired, haircrack to base)
A LATE GEORGIAN BLUE TRANSFER-PRINTED POTTERY "BRIDGE" PATTERN ASHET, decorated in dark blue with figures before a neoclassical urn on pedestal, bridge with figures in a punt, and a domed building, a hilltop castle beyond, the floral border with foliate scroll and berries within a chain surround, the unmarked underside combed, 38cm, (15in) (fine haircracks)
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