A Dutch wall clock, with alarm, the 26 cm arched square painted dial with Roman numerals, in an oak case, inlaid an urn and with floral marquetry, 126 cm high Condition report Report by GHMovement looks complete, and shows signs of having been working relatively recently. Painted dial generally with lots of engrained dirt, dark marks and general signs of age. Appears to be unrestored. Case generally reasonable wood but with some of the floral inlay missing or loose. Pendulum present but does not seem to swing freely. No weights or key.
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Mid 19th century Hepplewhite design mahogany dressing table mirror, shield shaped glass on swept supports, serpentine box base inlaid with classical urn, three drawers, central drawer stamped "Edwards & Roberts", all standing on four ogee bracket feet, width 46cm (18"), depth 23cm (9"), height 51cm (20").
A pair of 17th century design oak framed open armchairs, each with cresting rail moulded in the form of two classical cherubs flanking central floral urn, oval caned central panel to splat, scrolling arms supported on barley sugar-twist columns, caned seat front rail of each chair matching cresting rail.
Edwardian satin wood dressing table, triple mirror with bevel support on posts with classical urn finials, base with drop-centre supporting four short and three long drawers all with original bail handles standing on four square section tapering legs, united by rectangular stretchers and platform shelf, articulated castors, width 137cm (54"), depth 65cm (25"), height 179cm (70").
Four George III silver cruet items, comprising: a pierced circular pedestal mustard pot by William Plummer, London 1783, with an urn finial to the domed cover, a loop handle, beaded rims and engraved with swags, 11.5cm (4 1/2in) high, with a fiddle pattern mustard spoon, London 1828, and a blue glass liner; a pair of navette pedestal salt cellars by John Younge & Sons, Sheffield date worn, with twin moulded high clip handles and gilt interiors, 8cm (3 1/4in) high, now loaded, and a pair of old English salt spoons by William Bateman I, London 1819; and a pedestal pepperette by George Ashforth & Co., Sheffield 1792, pierced and engraved in neo classical style, 10cm (4in) high, now loaded, 121g (3.9 oz) weighable John Younge & Sons used this mark between 1788 and 1801.
A late 19thC oak Carolean style chair, with heavily carved leaf back and fixed panel flanked by barley twist supports, by urn finials, above an over stuffed seat and arms in (later) blue material, with scroll front above barley twist supports on block front feet, terminating in back castors, 132cm high.
A Dutch walnut floral and bird marquetry display cabinet, circa 1780, the shaped moulded arched cornice centred by a carved portrait bust medallion within a ribbon tied wreath, with two smaller medallions below, fitted with shaped shelves enclosed by a pair of glazed doors with flanking canted sides, the bombé projecting base with three long drawers with mask and classical urn gilt metal handles and escutcheons linked by swags, canted angled sides, on carved claw and ball feet, 152cm wide, 231cm high. Illustrated.
A LATE 19TH CENTURY GILT METAL MANTEL CLOCK, urn shaped finial with painted porcelain centre above the circular dial and two female figures holding swags, the porcelain dial with pink bands, black Roman numerals marked J.W. Benton, Ludgate Hill, London and central rural landscape, bell strike and movement marked JWB 24033, the clock mounted on an orange and gilt painted wooden base, height approximately 28cm and on a further oval ebonised base, with key and pendulum, s.d.
A Vic courtsword, slender shallow oval section blade 31”, etched with scrolled blank panels for half length, studded border brass hilt with small plain shell guard, crossguard with copper inset to quillons, knucklebow, flattened urn shaped pommel, swollen rectangular section grip, in its leather scabbard with long brass chape and locket with ornamental stud, buff leather frog and silk shoulder strap (AF). GC
A Dutch silver miniature cabinet,The Van Straten Brothers, Hoorn, 1885-1891,the lower section with removable curved drawers and wirework handles, each corner opening to reveal secret compartments, with drop down desk, the upper section doors with horn mounts, opening to reveal three shaped shelves, surmounted with a ribbon-tied medaille and three urn finials, stamped on the reverse with Dutch standard for 835,17cm high, 12oz overallDutch silver miniatures were collected during the Dutch Golden Age. Each item was realistically modelled by specialist miniature makers, reflecting contemporary interior taste. At the height of the tulip crash, decorating a doll's house was an expensive hobby which could cost as much as purchasing a canal town house in Amsterdam. For an exceptional example of a doll’s house, see: Petronella Dunois's Dolls House, 1676, Rijksmuseum.
George III silver salt in the form of a shallow two-handled urn with bead border, on an oval pedestal foot with rectangular base, engraved monogram on outside and engraved inscription in bowl - 'with a brother's love' (London 1784), maker - B. M. All at approximately 3ozs, 14.8cm across handles
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68875 item(s)/page