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Lot 124
A collection of small silver, a late Victorian miniature silver pepper pot, of baluster form with an urn shaped finial on a pedestal base, Birmingham 1899, a silver bud vase with a flared twisted rim, Sheffield 1899, two napkin rings and a glass match strike with silver collar, weighable silver 2¼oz.
Lot 5
Pair of early 20th Century Austrian Vienna porcelain urn shaped two handled vases, both standing on square bases, on a cobalt blue ground with gilt decoration and painted figural and horse scenes. Together with another porcelain white ground floral flared tapering vase. (3)(B.P. 21% + VAT) Is some wear to all of the gilding in various places, one of the Vienna vases does not have a lid. Both vases are a bit loose on the bases.
Lot 2546
A yellow metal mourning ring in the form of an urn, set with an 8.5 x 6.4mm oval garnet cabochon, with engraved foliate shoulders, engraved inside the head with a crest depicting a lion rampant above a shield engraved with griffins and with a partial name 'Jane 1738 Died Oct 12th 1783', size S½, gross weight 4.6g, not marked but tested as 9ctCondition report: Garnet is loose.Signs of porosity inside shank.Some evidence of re-sizing.
Lot 296
A REGENCY NEEDLEWORK MEMORIAL SAMPLER BY ELIZABETH HARRISON worked with polychrome silks and beads on a linen ground, commemorating the death of Queen Charlotte, with a sarcophagus, inscribed 'Mrs Charlotte Died November 6 1817 Aged 22', with an urn issuing leaves, with a pair of weeping willow trees, birds and squirrels, inscribed 'On The Death of Her Royal Highness The Princess Charlotte of Wales', signed and dated 'Elizabeth Harrison's Work 1837', in a glazed burr oak frame 35.5 x 31.5cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.177 for a discussion of this sampler.
Lot 141
A GEORGE II WALNUT MONTH GOING LONGCASE CLOCK BY CLAUDE VIET LONDON, C.1725 the brass month going movement with four turned and finned pillars and with an anchor escapement striking on a bell, the twelve inch arched dial with a silvered chapter ring with Roman and Arabic numerals and with a matted centre with a subsidiary seconds dial and date aperture, the winding holes with moulded edges, with pierced and scroll blued steel hands, with gilt mask spandrels, the arch with cornucopia spandrels and with a signature panel 'Claude Viet London', the burr veneered case with a moulded and fret carved hood with urn finials and with a pair of columns, the arched quarter veneered trunk door above a panelled plinth base 253.5cm high Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note Claude Viet was a Huguenot clockmaker originally from Orléans who moved to London. In 1698 Viet was free from the Watchmaker's Company. He was active between the end of the 17th to the early part of the 18th century and was watchmaker to Queen Anne. He died in 1734.
Lot 288
A GEORGE III QUAKER NEEDLEWORK SAMPLER FRAGMENT EARLY 19TH CENTURY worked with polychrome silks on a fine linen ground, the motifs in two directions around a horizontal axis, one half with part medallions, an urn with vines and leaves, a wreath enclosing a tree motif and a medallion with the initials 'HP', the other half with a part medallion border, with urns, vines, leaves, flowers and a bird, in a glazed ebonised and gilt frame 12.3 x 14.2cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.32 for a discussion of this sampler.
Lot 316
A REGENCY NEEDLEWORK SAMPLER EARLY 19TH CENTURY worked with polychrome silks with cross stitch on a canvas ground, with two verses from Ann Taylor's poem 'My Mother', the word mother replaced with 'Dear Ann', above birds and stylised flowers with a central urn, below two figures and their dogs flanking a building, with a pink ribbon edge, in a glazed ebonised and gilt frame 16.1 x 22.6cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 580
A DUTCH WALNUT AND MARQUETRY CHEST LATE 18TH / EARLY 19TH CENTURY of bombe form, inlaid with scrolling leaves, flowers and birds, the top with an urn, a pair of figures and a ribbon border, above four long graduated drawers, on lion's paw feet, the sides with conforming decoration 80cm high, 103cm wide, 57cm deep Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 573
AN ELIZABETH I OAK TESTER BED C.1580 AND LATER the panelled headboard inlaid with holly and bog oak with a chevron band above urn and flower panels, with lobed and leaf edges flanked by male terms and leaf corbels, with relief carved front cup and cover supports, with bands of guilloche, lunette and scrolling leaf decoration, with panelled rectangular supports, with branded owner's initials 'RS', supporting a panelled tester with carved decoration, with leaves and guilloche bands, with a later lunette cornice 205.8cm high, 158.3cm wide, 228cm deep Provenance William H. Stokes Antiques, Cirencester, 5th February 1986. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 732
AN ARMENIAN NEEDLEWORK SAMPLER IN BRISTOL ORPHANAGE STYLE BY SOURPIK KEDRASIAN worked with alphabets, numbers, a monstrance, an urn of flowers, with inscriptions some in French, in a later glazed ebonised frame 43.9 x 56.7cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.83 for a discussion of this sampler.
Lot 421
A DUTCH BRASS WARMING PAN LATE 17TH / EARLY 18TH CENTURY with a bobbin turned fruitwood handle, the lid pierced with an urn of flowers and leaves together with another brass warming pan with a steel handle (2) 109.7cm long (max) Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 110
A RARE GEORGE I NEEDLEWORK ST CLEMENT DANES CHARITY SCHOOL BAND SAMPLER BY SUSANNAH WATSON worked with polychrome silks on a linen ground, with various stitches and techniques, including: cross, double running, satin and Algerian eye, with an alphabet and numerals, with 'boxer' type figures and flowers, a verse above crowns, an anchor flanked by a pair of swans, the base with a man and woman flanking an urn of flowers, inscribed, signed and dated 'Susannah Watson of the Charity School of St. Clements Danes aged Thirteen Years Begun This Sampler August The Third Anno Dom 1722', in a later glazed bird's eye maple frame 42.8 x 23cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note A similar sampler from the Dr. Glaisher Bequest can be found in the Fitzwilliam Museum, Cambridge.
Lot 283
λ A NEEDLEWORK SAMPLER ANONYMOUS, LATE 18TH / EARLY 19TH CENTURY worked with gold, green and blue silk on a fine linen ground, in cross stitch, with candelabra, an urn, a basket of fruit, dogs and trees with birds and a psalm, in a glazed rosewood frame 26.4 x 18cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 304
AN EARLY VICTORIAN NEEDLEWORK SAMPLER BY ELIZABETH SARAH WHEELER worked with various stitches, including: satin and cross stitch with polychrome silk floss, with a pair of pillared tablets of the Ten Commandments flanking a central gilt urn of flowers, the corners with Berlin woolwork motifs, including a temple, a house in a parkland setting and a small boy riding a mastiff, signed and dated 'Elizabeth Sara Wheeler Aged 12 Years 1848', in a glazed bird's eye maple frame 47 x 49cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.7 for a discussion of this sampler.
Lot 223
A WILLIAM IV NEEDLEWORK SAMPLER BY HARRIET HADLEY worked with polychrome silks on a canvas ground, with cross, satin and split stitches, in a honeysuckle and leaves border with large dog roses in the corners, the centre with a child's prayer 'Give to me thy early Grace', flanked by an urn of flowers with a bird and a maiden holding a rose, above the picture of a couple in a tender embrace, surrounded by trees and a profusion of blossom, above the signature and date 'Harriet Hadley's work done 1837', the top centred with a floral spray with leaves and twisting vines, in a later glazed ebony and gilt frame 31.5 x 32.5cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.8 for a discussion of this sampler.
Lot 188
A GEORGE II BLUE JAPANNED LONGCASE CLOCK BY CONYERS DUNLOP LONDON, C.1740 the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the twelve inch arched dial with a silvered chapter ring with Roman and Arabic numerals and with a matted centre with a subsidiary seconds dial and date aperture, with gilt urn spandrels, the arch with dolphin spandrels and a circular signature panel 'Conyers Dunlop London', the case decorated in gilt on a blue ground with chinoiserie, with figures, buildings and trees, the pagoda hood with a Chinese stye fret panel and giltwood cone finials 246cm high Provenance Witney Antiques. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note Conyers Dunlop was apprenticed in 1725, becoming a member of the Clockmakers Company in 1733. He became Master of the Company in 1758 and died in 1779.
Lot 620
A DELFT POTTERY VASE MID-18TH CENTURY of baluster form painted with a lady in a landscape bedside an urn on a plinth, with flowers and leaves, a Delft vase painted with a man fishing and signed with initials 'B P' together with four items of blue and white pearlware, comprising: a Davenport wash bowl, a Stone China plate and two footed stands / dishes one with a river scene with boats and a bridge (6) 30.8cm (max) Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 241
A PAIR OF WILLIAM IV SILVER TWO-HANDLED WINE COOLERS BY THE BARNARDS LONDON, 1836 of lobed campana urn form, foliate scroll borders and side handles, the fronts with an armorial for the Rathbone Family, with detachable liners, on raised lobed circular bases (2) height 28cm, approx. weight 154 troy oz. Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 30
A PAIR OF ITALIAN GILTWOOD ALTAR CANDLESTICKS 18TH CENTURY with classical urn stems carved with stiff leaves, the triform base with laurel swags, on bun feet, the back un-gilded, later converted to electricity (2) 77.5cm high Provenance William H. Stokes, Cirencester, 5th February 1986. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 229
A VICTORIAN BEADWORK PICTURE MID-19TH CENTURY worked with colourful beads on a linen ground, with a flower border of roses and forget-me-nots, decorated with two birds above a crown, flanking a colourful urn of flowers and a parrot on a branch flanked by trees, the centre with the inscription 'Sarah Wakenell born September the 29th 1845 -', in an ebonised and gilt frame, together with a small needlework picture, worked with polychrome silks on a gauze ground, with cross and satin stitch, with a zigzag border, decorated with flowers, butterflies and birds around a tree motif, the centre with a verse, in a glazed wood frame (2) 14.5 x 14cm and 15.7 x 11.4cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.180 and p.205 for a discussion on these samplers.
Lot 198
A GERMAN NEEDLEWORK SPOT SAMPLER DATED '1792' worked with coloured silks on a fine linen ground, with the Imperial double-headed eagle, symbols of Christ's Passion, an urn of flowers, a monkey offering an apple to a parrot in a tree, swans and with medial basting lines, with date and initials in an ornate cartouche 'APD 1792', unfinished, in a later glazed ebonised frame 20 x 37cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.244 for a discussion of this sampler.
Lot 718
A REGENCY MAHOGANY CHEVAL MIRROR IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the rectangular plate in a ring turned baluster and column frame with ebonised decoration, with urn finials and on brass caps and castors 181.7cm high, 84.3cm wide, 64cm deep Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 10
REPRODUCTION OAK GRANDMOTHER CLOCK, twin weight pendulum driven chime strike movement behind a gilt brass and silvered dial set with Roman numerals, the case with broken swan neck pediment and urn finial above a single glazed door and long glazed trunk door on a stepped base, pendulum and weights included, 183cms overall H, 36cms W
Lot 31
A George III silver urn-shaped mustard pot, by Robert Hennell (I), London 1790, with reeded border, the high-domed, hinged cover applied with a ball finial, decorated throughout with fine wrigglework bands, the front engraved with a crest, a gilt interior (no liner), together with a late 18th century glass and part-marked silver preserve pot of vase shape, London 1796, 13.5 & 16.5cm high, weighable silver 4.1oztProvenance: The Peter and Pat Crofts CollectionCondition report: First pot - No obvious major faults. Crest a little worn.Second pot - restoration to hinge, part-marked on rim and thse marks are rubbed.
Lot 44
Silver plated items, including a campana shaped urn with an inscription dated 1898, 18cm high, a pair of candlesticks with integral sconces, 23.5cm high, two oval entrée dishes and covers, 27 & 30cm long, an entrée dish & cover with no handle, four mussel shell-shaped dishes, 15cm long, eleven lobster picks, etc (qty)Provenance: The Peter and Pat Croft CollectionCondition report: Inscription to urn rubbed, otherwise largely good.
Lot 423
A GEORGIAN INFANTRY OFFICER'S SPADROON, 81cm clean blade etched with a small panel to either side containing a crowned QLV cypher, Greenwick Loval Volunteers?, regulation copper gilt hilt with D-shaped knuckle guard, urn pommel, reeded ivory grip, contained in its copper mounted leather scabbard, complete with knot.
Lot 836
George III Derbyshire fluorspar Blue John urn, of squat baluster form on spread socle and square black marble base, total height 23cmProvenance: Christie's London 24 February 2009. Lot 101. The Lady Elizabeth Shakerley Collection.Condition report: Please note that the mineral is fluorspar, not feldspar as originally stated. Loss to knop, chips to rim of uppermost projection. chips and crack to top of stem and large break to foot, both with some associated losses, presumably some repair and possible infilling, shall chips elsewhere including various to widest rim, small chips to base
Lot 837
George III Derbyshire fluorspar Blue John niche urn, of slender form, raised on plinth base, total height 31cmProvenance: Christie's, London, 24th February 2009, Lot 107. The Lady Elizabeth Shakerley Collection.Condition report: Please note that the mineral is fluorspar, not feldspar as originally stated. Numerous small chips. Repair near the top. Repair at the bottom of the urn with some areas filled in above. Probably a small old repair to the base with some filled in cracks, there is damage at the thinnest part of the stem with slightly loose elements
Lot 131
A PAIR OF REGENCY EBONISED, RED LINED AND GILT WINDOW SEATS, the outward scrolled ends with carved gilt ends above rectangular panels painted with griffins facing towards an urn, with double button arch supports, later swab cushions on bergere seat, on four sabre legs, height to top of side 77cm x maximum length 86.5cm x depth 34cm, height to seat excluding cushion 37cm (2) (condition: general wear to the gilding, in good usable/restored condition, frames and seats are sturdy)
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68624 item(s)/page