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Lot 420
A Collection of Various Mid 20th century Ceramics to comprise Midwinter Umbrella Stand, Carltonware Dish and Teapot, Royal Winton Kettle Handled Green Glazed Teacup, Royal Grafton Teacup and Saucer, Dartmouth Black Glazed Urn, Pair of Old Court Ware Staffordshire Spaniels, Luster Mailing Ware Etc (Condition Issues)
Lot 10
Sevres porcelain risqué figure of an 18th century lady in striped dress, stepping over a pond with mirrored surface (which reflects up her skirts), 12 cm high to/w three small Staffordshire flat-back pieces, 'Princess' equestrian group, Scottish couple on boat and dreaming girl leaning on an urn (4)
Lot 75
An early 20th century embossed silver mounted cut glass grenade form scent bottle, London 1912, together with a silver lidded cut glass dressing table jar, a set of our silver salts, a silver mustard pot with spoon, a pair of silver urn form peppers with blue glass liners, other silver & plate, total weighable silver 249g
Lot 71
A Villanovan impasto ware urn, 8th Century B.C., the bulbous body decorated on each side with a central conical protrusion, surrounded by raised concentric ring motifs, surmounted by a slightly tapering columnar neck, with a flat circular rim incised with concentric circles, a strap handle joins at the bottom of the neck and the shoulder and a horizontal loop handle opposite, possibly not belonging, the vessel stands on a flared pedestal foot, also possibly not belonging, 40.8cm high.Provenance: Philip Goldman (1922-2012); acquired in London in the 1950-60sFoot possibly not belonging
Lot 1102
A GEORGE III SILVER MUSTARD POT by Rebecca Emes & Edward Barnard I, London 1814, circular, with gadrooned leaf and shell-cast everted square rim, the hinged cover with fluted dome, urn finial and shell-form thumbpiece, the reeded angular handle with foliate thumbpiece, the body fluted to the lower half, the cover engraved with a crest, with blue glass liner. 8cm high overall, 4.2 troy ounces (excl. liner)
Lot 209
A French Gilt Metal and Pink Porcelain Mounted Striking Mantel Clock with Garniture, circa 1890, urn shaped finial, ringed lions side masks, base with porcelain panel depicting a lady and gentleman in costume, porcelain dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, 30.5cm high, with matching three-light gilt metal porcelain mounted garniture, 26cm highClock case with damage to the top porcelain finial, some rubbing to the porcelain mounts, dial is slightly rubbed in parts and minor chips around the winding holes, some damages and old repairs to the garnitures.
Lot 117
A late 19th century French porcelain ormolu mounted vase, the dark blue ground set with enamel 'jewels' and opposing vignettes, one decorated with three cherubs, the reverse with an urn in Classical landscape, previously ascribed as being by Sèvres, height 29cm.Provenance: The contents of a Cheshire Country House.Additional InformationSome rubbing to the gilding, light general surface wear. Cracks to one of the white oval enamelled jewels, but all appear to be present. Some tarnishing to the ormolu mounts.
Lot 182
HAROLD CLAYTON (1896-1979); oil on canvas, still life study of flowers in an urn upon a marble ledge, signed, 55 x 65cm, framed. (D)Provenance: The contents of a Cheshire Country House.Additional InformationPresented in very good condition. The picture has clearly been cleaned. Under UV light, there is a small area of overpaint lower right of the plinth. Please refer to photographs. Also a tiny area to the left of the plinth. But otherwise condition is good.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 185
HAROLD CLAYTON (1896-1979); oil on canvas, still life study of floral sprays in an urn upon a marble ledge, signed, 50 x 40cm, framed. (D)Provenance: The contents of a Cheshire Country House.Additional InformationPresented in very good condition. The work has clearly been recently cleaned. Under UV light, there are no signs of any re-paint or touch-up.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 186
HAROLD CLAYTON (1896-1979); oil on canvas, still life study of floral sprays in an urn upon a marble ledge, signed, 45 x 52cm, framed. (D)Provenance: The contents of a Cheshire Country House.Additional InformationPresented in very good condition. The work has clearly been recently cleaned. Under UV light, there are a couple of tiny areas of re-paint around the ledge lowere right. Please refer to additional photographs.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 211
A pair of Edwardian painted satinwood bedroom chairs, each with turned top rail above two horizontal splats, one painted with an urn, the second with a Classical oval in the style of Angelica Kauffman, with Bergère caned seat and raised on turned legs to peg feet, height 85.5cm (2).Provenance: The contents of a Cheshire Country House.Additional InformationOne is slightly sun bleached and is faded in colour, also a little bit of loss to the paint to the top rail of this example. The bergère caning on both is sound, they are both of sound construction. No repairs or major damage, just light surface wear.
Lot 20
JAVIER LEÓN PÉREZ (Seville, 1977)."Crumpled universe 06", 2019. Seville, "Estratum" series.Japanese paper, yellow ink and cadmium yellow pigment on canvas.Unique piece.Signed, dated, titled and located on the back.Protected by a methacrylate urn.Measurements: 39 x 29 x 6 cm, 40 x 30 x 8 cm (urn).Trained at the School of Arts and Crafts in Seville and at the University of Fine Arts in the same city, the artist Javier León develops an almost meditative creative process by means of which he studies and works the landscape genre in an abstract way, elaborating spaces external to reality. The work processes followed by the artist contain a certain component of randomness where the stages of construction and growth seek a naturalness that, despite responding to a logic that emanates from the work itself, find a correlation with systems and organisations that occur in nature or in the cosmos. Both his pictorial work and his three-dimensional work made with Japanese paper and his bronze sculptures are closely related, as they are closely related to each other.His work has been exhibited in many national and international contemporary art galleries, including the Spanish AJG Gallery (Seville), the Dutch Judy Straten Gallerie (Hors) and the Portuguese Trema Arte Contemporânea (Lisbon). He has also participated in various fairs such as Arte Lisboa Art Fair (Lisbon), Swab Arte Contemporáneo (Barcelona), CASA//ARTE (Madrid), Liste Coln (Cologne), PAM (Amsterdam), Kinitting And Stitching Show Art Fair (London). In the section of Contemporary Art Biennials, Javier León's work, made on Japanese paper, has been exhibited and recognised at the Biennial Paper of Contemporary Art held at the Rijswijk Museum (Holland), and awarded at the Biennial of Contemporary Art of Lalin (Pontevedra, Spain). Some of his works are part of collections such as the Valentín de Madariaga Foundation (Seville), International University of Andalusia, DEARTE Collection (Soria, Spain), CAIXA Foundation Collection, ABANCA Art Collection and collections of different public institutions in Spain.
Lot 1352
French ormolu and marble pillar two train mantel clock, the 4.25" white enamel dial signed Caillouel Hger...á Paris, within an ormolu drumhead casing, the movement with silk suspension and outside countwheel striking on a bell supported upon black and white marble pillars to the rectangular beaded and ormolu mounted base, surmounted by two ornate ormolu lyre pillars and a floral urn finial, 20" high (pendulum and key)
Lot 1516
Good French brass and marble four glass two train mantel clock, the Japy Freres movement with outside countwheel striking on a bell, the 4.25" painted white dial within an ornate bevel glazed stepped case with stepped case with applied gilded foliate mounts, upon a marble base and surmounted by a classical fluted two handled urn, 15" (pendulum & key)
Lot 2346
French brass two train ornate mantel clock, the Mougin movement stamped Bernard Lyon á Paris, no. 470, with outside countwheel and striking on a bell, the 3.25" cream chapter ring enclosing a raised engraved silver centre, within a baroque style case pierced with C-scrolls and foliage, surmounted by a classical urn, 18.5" high (pendulum and key)
Lot 1344
Fine English ebonised and ormolu mounted triple fusee verge bracket clock, the 6.75" silvered chapter ring enclosing a finely engraved foliate centre with calendar aperture, under two subsidiary chime/not chime and Lass of the Hill/A Song/An Air/A Minuet tune selector dials either side of a shaped plate possibly inscribed F.R & S, London, the verge movement with fine foliate engraved back plate and pull repeat playing on a nest of ten bells and striking on another within a stepped case with wavy glazed door, flanked by canted sides applied with foliate torso ormolu mounts, upon foliate scrolling cast feet and surmounted by a caddy top with five urn finials, 24.5" high (pendulum and keys)
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68904 item(s)/page