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Lot 215
A Gilt Metal Mounted Onyx Striking Mantel Clock, signed Raingo Freres A Paris, circa 1890, urn finial, scroll and floral mounts, 4-1/2-inch enamel dial signed, twin barrel movement with outside countwheel striking on a bell, 35cm high 01.04.19. Gilt metal mounts are discoloured in parts, base with small chips to the edges in parts, dial appears to have been restored at 12 and below 6, movement is clean, in going order, with pendulum.
Lot 220
{} A Green Marble Striking Portico Mantel Clock with Garniture, early 20th century, case surmounted with a lion, 3-1/2-inch enamel dial with Arabic numerals, twin barrel movement with outside countwheel striking on a bell, 37cm high, with green marble gilt metal mounted urn shaped garniture, 29.5cm high
Lot 241
An Ormolu Mantel Timepiece, circa 1900, urn shaped finial, side rams head masks and swag decoration, enamel dial with Arabic numerals, single barrel movement with a platform cylinder escapement, 23cm high 05.04.19. Ormolu surfaces are discoloured, dial is loose, dial with small chips to the edges and signs of glue around the edges, movement needs cleaning.
Lot 1623
A George III Silver Sauce Tureen and Cover, Henry Greenway, London 1779, oval on pedestal foot with bead borders and twin reeded handles, the cover with urn finial, engraved with a crest of a rose, shield shaped armorial and motto scroll Sustine et Abstine for Garden, 22cm wide over handles, 18.3ozt
Lot 136
GALLE EMILE: (1846-1904) French Artist, famous for his works in glass and recognised as one of the leading figures in the French Art Nouveau movement. A.L., unsigned, on two sides of his personal printed oblong 12mo visiting card, n.p. (Nancy), n.d., evidently to a client, in French. Galle states that he will fulfill his promise [of completing a funeral urn for a mutual friend] for the following day, and confirms the inscription on the vase, ‘Personne n’a un plus grand amour que de donner sa vie pour les amis. Saint Jean XV’. (from the Gospel of John, Chapter XV, Verse 13). A light stain to the verso only slightly affects a few words of text and with one very small hole, otherwise VG
Lot 303
Joseph Medley of Boston. A George II chinoiserie and lacquer longcase clock, with caddy top and moulded pillared hood, having urn and flame gilt finial, full length trunk door decorated with birds, peonies, oriental buildings, seated figures, the base embellished with a hunting scene, on a plinth with bracket feet, the 30cm square arch dial having applied cast gilt brass amorini mask spandrels and dolphin enclosures to the arch, with a convex silvered maker's tablet for Jos.Medley, Bofton, Fecit, Roman hour with fleur de lis dividers and Arabic minute numerals to the silvered chapter ring, the matted centre chased with birds and having a silvered seconds ring and date aperture, 8-day five pillar movement striking a bell, 258cm H.Joseph Medley is recorded as working from 1727 p.65 in Lincolnshire Clock, Watch and Barometer Makers by Wilbourn & Ellis, with further references in Appendix III, Wills & Inventories.
Lot 1068
A George III silver chamber candlestick, with a plain urn shaped candle holder and sconce supported on a plain pan with scroll shaped handle and thumb piece, with silver plated conical snuffer, London 1800, makers Ann & William Bateman, (possibly with Peter Bateman but indistinct mark), soldered repair to base, 8.8oz, 10cm H.
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