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284. A German silver 'singing bird' automaton music box, the rectangular top with oval hinged cover decorated with doves at an urn, opening to reveal a cast automated singing bird and gilt metal grille, within a border of birds perched on berried branches, the sides cast with putti in landscapes, mechanism in need of overhaul, '800' standard mark, 10.5cm wide
A Pair of Edwardian Candlesticks, on square tapering bases with urn and foliated detail and gadrooned edges, the moulded square columns with ram's head and swag detail, urn shaped sconces with mask detail, gadrooned edges to the drip pans, by Thomas Bradbury & Son, London 1907, 24cm high, loaded
An oak longcase clock, the square brass 32cm dial with floral and urn spandrels, Roman and Arabic chapter ring, matted centre with subsidiary seconds and calendar aperture, inscribed 'Joseph Atkinson', eight day movement, striking on a bell, the plain case with stepped domed hood, freestanding pillars, ovolo moulded trunk door, on bracket feet, 210cm high
A floral marquetry longcase clock, the square brass 26cm dial with infant mask spandrels, Roman chapter ring and matted centre with subsidiary seconds dial and leaf chased calendar aperture, inscribed George Booth, Manchester, eight day movement, striking on a bell, the square hood with cavetto cornice and blind fretwork frieze above three-quarter column pilasters, the rectangular trunk door with lenticle, the front inlaid with Dutch floral marquetry panels of birds, flowers and urn within borders of formal leafy scrollwork, the sides walnut veneered in boxwood strung rectangular panels, 194cm high (case composite, case and works not originally together)
Handsome pair of reproduction continental mahogany bookcase cabinets, each with ornate carved gilt pediment with urn finial, birds, mythical fishes and foliate scrolls, central panel of Classical figures above stepped, carved pierced cornice with central glazed panel above pair of single panel glazed doors enclosing shelves; the projecting lower section with pair of gilt glazed doors, canted corners and gilt fish mounts on plinth base, 171cm.
A Minton floral-encrusted vase and cover, circa 1825-35, of gourd shape, the front painted with a view of a garden showing an exotic bird and an urn on a pedestal, the reverse with a floral bouquet, each within a scroll-moulded border heavily encrusted with flowers around branch handles, 28cm, 11in, minor restoration and damage; together with a 'Coalbrookdale' inkstand, with eagle's head handle, fitted with two inkstands, covers and liners and a vase, 30cm, 11.75in. long, some restoration, (10)
A mid-19th century French marble clock set, the clock having profuse gilt decoration to include stopped-flute columns, a sheaf of arrows and a figure standing by a neo-Classical urn, the clock face with Arabic numerals and floral swags with ribbon decoration over the face, the movement stamped "Vincenti", the sidepieces of the set, in the form of twin-branch candelabrum.
A 19th Century French clock garniture, comprising; A clock, the brass case with powder blue bordered porcelain panels painted landscapes, the arch dial with painted Roman numerals above two figures, an urn surmount over, fitted an eight-day striking movement, 39cm (15.25") high; A pair of vases painted figures in jewelled reserves and with shaped handles, raised on square pedestal bases with bobbin type feet, 26cm (10.25") high
TWO 19TH-CENTURY BLUE TRANSFER-PRINTED POTTERY ASHETS or meat plates, the first of "Wild Rose" pattern, with a view of Nuneham Courtney, Nr Oxford, 31.8cm, (12.5in) wide, the second of "Etruscan & Greek Vases" pattern, with a view of Coughton Court near Alcester, urn-form title mark to back, combed underside, 26cm, (10.2in) wide (2)
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