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Lot 33
A PINE CORNER ALCOVE IN NEO-CLASSICAL STYLE with a broken triangular pediment centred by an urn above two carved anthemion spandrels and an arched niche carved with leafy foliage and bell flowers above four shelves flanked by fluted pilasters, two panelled cupboard doors below enclosing a shelf, plinth base, approximately 44"" wide Made by T Crowther & Son, 282 North End Road, Fulham in 1951
Lot 613
A Regency period inkstand by Thomas Weeks the gilt bronze dog chained to a tree stump surmounted by an urn, with gilt bronze inkwell on a polished white hardstone base, the tree stump inscribed Weeks’s Museum, Tichborne St, 14cm. wide. . * Thomas Weeks had a museum/shop, at 3/4 Tichborne Street which opened in 1803 and closed on his death in 1833
Lot 642
japy Freres, Paris, a pink marble and gilt-metal clock garniture the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the enamel dial with black Arabic numerals, decorative swags between and decorative brass hands, the marble case with four pillars and surmounted by an urn, with various gilt-metal mounts, standing on a shaped base, height 41cm. With matching two-piece side candelabra. * Originally set up in circa 1771 in Beaucourt by Georges Frederic Japy for the purpose of making ebauches (blanks) for watch movements, by 1809 they were also producing clock movement blanks. By 1810, Pierre’s sons Frederic-Guillaume, Louis-Frederic and Jean-Pierre had joined the firm and soon after the death of Frederic in 1812, his sons renamed the firm Japy Freres et Cie.
Lot 647
lepaute a Paris, a French Siena marble clock garniture the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate signed in script with the roulant blanc makers’ name, ‘Pons’, the gilded dial with engine-turned decoration to the centre, black Roman numerals, blued steel moon hands and signed ‘Lepaute a Paris’, the rectangular case of Siena marble, with bronze acanthus leaf mouldings to the base, a bronze bezel and surmounted with a bronze urn, with a pair of matching side pieces, height 45 cm (clock), 28cm (side pieces). * The Lepaute family of well-known clockmakers are recorded as working from the mid-1700’s with Jean-Andre and Jean-Babtiste Lepaute working together before taking on the latter’s nephews, Pierre-Henry and Pierre-Basile before his retirement in 1789. Pierre-Basile’s son joined the business at a later date. * Honore Pons (Pons-de-Paul) was born in circa 1780 and is believed to have been apprenticed to the Lepaute workshop. He moved to St Nicolas-d’Aliermont in circa 1806 where he helped revise the French clock movement industry with the introduction of more mass-production and advanced tooling.
Lot 667
boot jun, Sutton Ashfield, an oak longcase clock with automata the thirty-hour duration movement having shaped plates and striking the hours on a bell with an outside countwheel, the twelve-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals, and floral half-hour markings with cast brass urn spandrels to the four corners, the matted dial centre with engraved decoration, date aperture and an inset cartouche engraved with the maker’s name ‘Boot jun, Sutton Ashfield’, the arch having engraved decoration depicting Noah’s Ark with a silvered dove moving across with the beat of the movement, the oak case having a deep inset panel to the base and a further shaped panel to the trunk door, the break-arch hood with three-quarter pillars having gilt-wood capitals and a break-front moulding to the hood top, height 208cm. * John Boot junior is recorded as working in Sutton-in-Ashfield from before 1775 and was the son of the clockmaker John Boot Snr. He worked in the late 18th century in partnership with his brother William.
Lot 792
A late 19th Century satinwood and decorated needlework chair painted with ebonised lines and with floral sprays and trailing floral foliage, the back with curved top rail with triple lidded compartments, having a pierced central lyre shaped splat with fan, foliate and husk decoration and a panel of cherubs flanking an urn, having a bowed upholstered seat, on turned and simulated fluted legs, headed with painted leaves.
Lot 795
A Sheraton revival inlaid mahogany and marquetry bonheur du jour inlaid with an urn, fan medallion, swags, scrolls and foliage, the raised back with a shelf and two small drawers, the hinged baize lined flap above a long frieze drawer and on tapering square legs with brass castors, 79cm (2ft 7in) wide.
Lot 1071
A George II silver coffee pot, by Thomas Whipham and William Williams, London date letter worn, and also with traces of another maker`s mark, tapering circular form, scroll handle, domed hinged cover with an urn finial, on a spread circular foot, engraved with an armorial within foliate scroll mantling, height 24cm, approx. weight 23oz.
Lot 199
A pair of George III Adam style boat-shaped open salts with gilt bowls, on stemmed feet, Exeter 1805 (maker unknown - marks rubbed), to/w a George III pierced silver urn-shaped mustard with hinged lid and scroll handle (lacking glass liner), Nathaniel Smith & Co., Sheffield 1793, 7.6 oz (3) Condition Report Salts engraved 'S' script, both salts have small dents to foot, both marks on salts are rubbed, otherwise OK. Hinge to mustard pot a little loose
Lot 516
A Continental enamelled pendant on a pin, possibly Austro-Hungarian, featuring swan and cygnet with outstretched wings in white enamel on blue enamel urn shape nest with ruby set border some stones chipped and enamel showing chips, to/w Victorian gilt metal fancy linked bracelet with box snap set turquoise
Lot 10
PROPERTY FROM A BOCA RATON ESTATE: 10. SET OF FOUR GEORGE III STYLE SILVER PLATED CANDLESTICKSCirca 1900. Each on a square-shaped stepped base, supporting a conforming tapered standard with urn form nozzle. Height 11 inches.***Please note this lot is being offered at no reserve.*** Starting Price: $25
Lot 269
PROPERTY FROM A BOCA RATON ESTATE: 269. LOUIS PHILLIPE WRITING TABLE Late 19th Century. The shaped oval top with rounded corners above the frieze fitted with a long signle drawer, raised on fluted tapered legs, joined by a curved x-form stretcher centered by an urn. Height 30 Width 50 Depth 27 inches. Starting Price: $100
Lot 129
A good George III silver twin-handled tea urn with cover, of ovoid outline, chased with shield cartouche before beaded frieze, silver tap with bone handle raised on circular pedestal and square beaded plinth on four bun feet, maker Charles Kandler, London, 1781, 35 cm h, approx 32 troy oz gross
Lot 934
A George III mahogany and satinwood marquetry inlaid oval occasional table, circa 1775, the oval top with centre mahogany oval panel before rosewood crossbanding and flanking crossbanded rim inset with ribbon tied marquetry and scrolling acanthus ornament, the frieze similarly inlaid with Neo-Classical urn detail, crossbanded end bowed drawer with ivory escutcheon raised on square tapered ebony strung supports on spade feet, 67cm w , 72cm h
Lot 299
A COLLECTION OF MISC PORCELAIN INCLUDING TWO LUSTREWARE JUGS ONE DEPICTING BALLET DANCERS TOGETHER WITH A THREE HANDLED W H GOSS DEPICTING VARIOUS CRESTS, GEORGE V SILVER JUBILEE COMMEMORATIVE MUG, FOUR ANTIQUE COFFEE CANS INCLUDING ONE CROWN DERBY AND ONE MINIATURE PORCELAIN GRECIAN STYLE URN.
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68904 item(s)/page