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Lot 548
Late 19th Century French alabaster mantel clock, Japy & Cie, 3.25-inch Roman dial, two-train movement outside countwheel-striking on a bell, numbered 770, case with urn surmount over lion masks, chains and trapezoidal base on toupie feet, 33cm highCondition report: Good condition. Pendulum and winder.Clocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 609
Edwards & Roberts - Edwardian mahogany Chippendale Revival display cabinet on stand, with swan-neck pediment and lattice pierced quadrants over swag frieze, the lower stage with two short drawers (one stamped) flanking an urn, on bat's wing quadrants and square section supports with bellflower pendants over fluting, terminating in spade feet with undershelf, 67cm x 38cm x 187cm highCondition report: Top petals of one rosette to swan neck terminal depleted. Undershelf could be a later addition? Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 627
Early 20th Century Continental walnut and mahogany bureau bookcase, the upper section with urn finial and swan-neck pediment over glazed doors enclosing shelves, the lower stage with sloping fall enclosing drawers and pigeonholes over inverted breakfront drawers on splayed bracket feet, 103cm x 53cm x 230cm highCondition report: Minor crack to one glass panel, otherwise generally good and of pleasing colour.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 502
French Three-Piece Garniture Clock Set, comprising centre clock raised on alabaster base with four metal feet, two columns supporting the clock, with white porcelain face with floral decoration. Above the clock is an urn with decorative ormolu handles. Clock measures 17" x 8". Complete with pendulum and key. The two matching garnitures raised on alabaster bases, measure 11" tall.
Lot 152
A Rare Soviet Porcelain Vase '30th Anniversary of October'after a design by Sergey Chekhonin (1878-1936), Lomonosov Porcelain Factory, Leningrad, c. 1947shaped as an urn, cylindrical neck with a gilt rim, one side painted with a red star and slogan in Russian '30 let' in gold and black against sunburst purple background set within an oval, the other inscribed in Russian 'SSSR' in brown and gold lettering decorated with green leaves and a golden ears of wheat, with painted blue under glaze factory mark height: 15.4cm (6 1/16in.)Footnotes:ProvenancePrivate collection, UKFor a similarly designed vase in the collection of the Perm State Art Gallery (inv.no. К-1281 ПГХГ КП-4645), see the collection catalogue online at https://permartmuseum.ru/exhibit/13563For further information on this lot please visit Bonhams.com
Lot 150
A pair of George V silver neo-classical design three light candelabra Sheffield, 1924 by Hawksworth, Eyre & Co.of oval fluted design with reeded borders, on tapering knopped stems issuing twin scroll branches with urn shaped nozzles fitted with detachable drip pans, on weighted bases (2)height 40.5 cm., width 40 cm.Condition: Good condition commensurate with age. Some light wear and surface scratches
Lot 17
A 19th century Flemish embossed brass cushion wall mirror in 17th century stylethe crest embossed with a flower filled urn and scrolls above a central rectangular bevelled glass plate with a mirror slip surroundheight 61.5 cm., width 35 cm.Condition: Overall fair condition. Bottom mirror split with a small crack to bottom right hand corner
Lot 25
A pair of 19th century French Louis XVI style ormolu three light wall appliqueseach having a tapering backplate surmounted by a twin handled garland draped flaming urn and issuing three acanthus leaf branches, later fitted for electricity (2)height 50cm., width 23cmCondition: Central arm is bent on one lightButcher's Hall, The Worshipful Company of Butchers
Lot 177
A group of early nineteenth century blue and white transfer-printed cups and saucers, c,1825. To include: Minton Thatched Cottages, Pillar with Urn, Rural Lovers, a rural cup and a rural saucer and a Piping Shepherd tea bowl. Saucers: 9 13 cm wide. (6)Condition: Some minor damage. Provenance: Ex-Kentish Collection.
Lot 178
A group of early nineteenth century blue and white transfer-printed wares, c,1820-40. To include: a Rural Lovers small mug, a Pillar with Urn small mug, a Bovey Tracey The Gem, a Chinese Raft small beaker, and a Fisherman & Waterwheel small mug. 6 - 7 cm tall. (5)Condition: Some minor damage to each. Provenance: Ex-Kentish Collection.
Lot 755
A stone composition garden urn on plinth, 20th century, in the style of examples by Austin and Seeley, cast with swags and lion masks, raised on a plinth with recessed panelling, approximately 132cm high overallCondition Report: The vase is 69cm high, the plinth base 63cm high, the plinth top is 48cm squareThe two are probably associated, both elements 20th century as cataloguedThe two front corners of the base of the vase are broken and loose and will require some repair and restorationThere is surface wear and signs of age and storage outside, as well as marks, knocks, scratches, abrasions, and weathering to all elementsCondition Report Disclaimer
Lot 16
A SMALL LOZENGE SHAPED TURN-OVER BOWL, with flat-cut banding, on a square moulded foot, 19cm; together with an urn shaped preserve jar, flat-cut, on a moulded 'lemon squeezer foot', 14.5cm;another similar, all Irish c.1800. (3)Condition Report: 1Tapering preserve jar on 'lemon squeezer foot'Presumably lacking cover There is a passage of shallow damage to inside of rim 1.5cm2.larger preserve jar Presumably lacking cover Slight chip to inside of rim and abrasion size of thumb print to corner of square foot 3.Oval turnover bowlExcellent condition with any minor chipping The lemon squeezer square foot has been detached and loosely riveted back to the body
Lot 48
A GEORGE III IRISH SILVER DISH RING, Dublin c.1775, mark of Ambrose Boxwell, of circular waisted form, with lattice-work body bedecked with continuous drapery swags and oval panels of an urn, engraved thistle and a portrait medallion, (c.12 troy ozs). 20.2cm diameterCondition Report: house clearancesmall solder repairs to foot rim, discreet, professionalscratch weight 12.50engraved with thistle crest see images
Lot 19
A collection of Georgian mourning jewellery to include a late 18th Century mourning brooch, the oval glazed panel with enamelled urn detail applied to a latticed hair ground, engraved to reverse 'Leo Brooks ob 4th June 1789 AE 66'; together with an early 19th Century black enamel mourning ring with two small glazed braided hair panels, shank reading 'J.As Campbell Esq of Dunmore OB 10 May 1809 AE66'; and another ring set with faceted onyx cabochons and a glazed braided hair panel, engraved to reverse 'Jerimiah Poppey ob 11th Sept 1813 AET 61.'(Ring sizes: P & O/P)
Lot 335
An impressive cased George III silver-gilt twin handled cup and cover Benjamin Smith II & James Smith III, London 1810, the cup of traditional Neo-Classical urn form with a cast foliate border, two high relief Classical Bacchus masks to either side in a swag border of applied vines, with leaf-clasped fluted handles and applied acanthus leaves to the lower half of body, the stem with an everted gadrooned border to a circular foot with a flat chased foliate border; the pull off cover with a gadrooned border and a small central pull off lid with a leaf clasped emerging bud finial, presented in original fitted red leather case(Height: 34cm, weight: 104.8oz)Provenance: The cup was presented to William Jeffrey Lockett (1768-1839) a lawyer who received the cup and cover in lieu of payment for an apparent indiscretion of the Duke of Devonshire, and thence by descentFootnote: Note: By 1800 the vast wealth amassed from the Industrial Revolution had created a wealthy emerging middle class, this prosperity is clearly illustrated with the silver commissioned during this period. Requests for huge dinnerware services to presentation holloware were not unusual and highlight how this success was enjoyed. This prosperity was not only centred around London but was shared with emergent cities such as Glasgow, Sheffield and Birmingham and allowed silversmiths such as Benjamin Smith and his brother James to really make a mark for themselves as skilled silversmiths and chasers. Of the two brothers, Benjamin was the more prolific, born in Birmingham in 1764, he began his carrier with Matthew Boulton, before moving to London and later embarking on a partnership with his friend and silversmith Digby Scott in 1802. Their workshop in Greenwich supplied Rundell & Bridge, where they would have worked alongside eminent silversmith Paul Storr; many believe their work comparable in quality to his. His collaboration with Scott was a particularly fruitful one, it was at this time they were commissioned to create ‘The Duke of York Baskets’ for Prince Frederick, Duke of York and Albany (1763-1827), the second son of George III, previously exhibited in the Powerhouse Museum in Australia; and also the Jamaica Service, created in 1803 for William IV (1765-1837), then Duke of Clarence, still in the Royal collection today. This was no doubt facilitated by their connection with the Crown jewellers Rundell & Bridge, who were the retailers responsible for supplying all banqueting plate and jewellery of the Royal family. It would seem that Benjamin preferred to work in partnership with other silversmiths, rather than independently, however these collaborations were always short lived, though why is unclear. By 1809 he had left Scott and joined forces with his brother James; and though this only lasted until 1812, it was during this time that this this impressive cup and cover were commissioned. They may well have continued to produce for Rundell & Bridge, but regardless their craftsmanship remained impeccable, and their pieces typify the style of the period. In the wake of George III’s failing health and as he was deemed unfit to rule, the Prince of Wales succeeded as Prince Regent in 1811 until his father’s death in 1820. This period offered new beginnings with more influences from the continent and the French Empire style filtering through. The swags of applied fruiting vines, foliate motifs and Bacchus masks are a clear nod to the emerging Regency style, while the symmetry and sumptuous opulence of the piece have their origins in the French influence. For a similar example, see Christies 10th June 2010 auction, Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes, lot 352 for The Doncaster Races Cup, 1805, also by Digby Scott & Benjamin Smith. This cup and cover with the presentation leather case is a rare example of not only an eminent silversmithing family but that of a new and exciting period where wealth was to be shown in the home with great commissions of silver and even grander examples of silver-gilt ware.
Lot 228
A Bloor Derby three-piece garniture set of campana urns painted with baskets of flowers on a blue and gilt ground, 21/18 cm high to/w a single urn, a cylindrical vase, pair of cornucopia vases and a pottery bullet-shaped teapot in the blue-scale Worcester manner, all with floral decoration (8 a/f)Largest urn, cylindrical vase and one cornucopia vase undamaged - all other pieces with losses, cracks, repairs etc
Lot 634
A good 19th century French champleve enamel and gilt metal, four pane clock garniture, the two train eight day Marti & Co. movement striking the hours and half hours on a coiled gong, with twin mercury tube pendulum, the case mounted with figurally decorated Paris porcelain enamelled plaques and conforming dial with gilt hands, raised on six turned feet, the matching pair of candlesticks with porcelain urn bodies, the clock 38.5 cm h No damage or repairs to porcelain or enamels. Clock appears to run at present
Lot 822
An early 19th Century Dutch marquetry demi lune card table, the hinged shaped top inlaid with central urn issuing flowers and vines, contained within foliate scrolls and parrots, enclosing a baize lined playing surface, above a single frieze drawer and raised on square tapering legs, 74.5 x 81.5 x 40cms.
Lot 828
An 18th Century Dutch marquetry card table, the rectangular hinged top with lobed corners, inlaid with central urn issuing foliate vines, enclosing a baize lined interior, with inlaid playing cards to the corners, with frieze drawer to one side and raised on slender cabriole legs and pad feet, 74 x 77 x 38cms.
Lot 5393
Advertising, Tobacciana and Sporting Interest - W.A. & A.C. Churchman (Churchman's), a Churchman's No.2 rectangular pictorial advertising poster, illustrated with Silver Urn and Colt foal by Son-In-Law (Silver Urn won the 1,000 Guineas in 1922), "Churchman's No2 The Cigarette With a Pedigree", framed, 65cm x 50cm (measurements including frame)
Lot 147
A Val St. Lambert clear cut glass and ruby overlaid urn shaped vase, circa 1930, of bell-shaped form, cut with a band of flutes above a facetted foot, 26cm highCondition Report: Sizeable foot rim chip to one of the facets, potential purchasers should ask the department for clarifying images, and another smallerCondition Report Disclaimer
Lot 1454
A George IV oak hanging corner cupboard, c1830, the rudimentary cornice with split ebonised pendants above a deep frieze, the panelled door inlaid with a stylised urn within deep mahogany crossbanded borders, the base fitted one short cockbeaded drawer and two faux drawers, 124cm h x 95cm w Cornice with veneer losses, cracks to door, other extensive wear, abrasions, scratches, damp stains
Lot 1483
A pair of Queen Anne walnut high back caned chairs, c1700, with pierced arched cresting rails above caned splats flanked by turned tapered pillars beneath urn and spire finials, caned seats above conforming turned block legs joined by a front stretcher carved scrolls beneath moulded pierced arch, 129cm h Later black painted, old restorations, extensive worm, some re-caning, other extensive faults
Lot 1528
An Edwardian inlaid mahogany salon chair, c1905, the concave shield shaped back with pierced serpentine shaped top rail above fan patera upholstered panel, pierced and inlaid and penwork decorated neo-classic urn and pendant, upholstered seat, swept arms carved with acanthus leafage at the terminals, on slender baluster turned legs, 94cm h; together with a Hepplewhite style mahogany elbow chair, the moulded upholstered back centred on a gold painted leafy centre, upholstered arms and circular stuffed over seat on folded frame with conforming foliate carved blocks, on fluted and stop fluted turned tapered legs, height of back 90cm (2) Edwardian chair with cracks to frames, stringing loss, vertical crack to splat, old polish repairs, other abrasions, wear, scratches, generally consistent with age. Hepplewhite style chair with separation of joints, extensive damage to back frame with old glued repairs and losses
Lot 1593
An Edwardian fiddle back mahogany, satinwood, harewood and penwork card table in the manner of Edwards & Roberts, c1900, the serpentine fold over top with fan patera, an urn to the frieze flanked by husk pendants, 77cm h; 46 x 91.5cm Good unrestored condition with some accretion of old dust and dirt, minor marks and scratches
Lot 619
A pair of English gold capped blue glass scent bottles and shagreen case, the gilding possibly by James Giles, c1770, decorated with an urn to one side and bird or folly to the other, plain gold caps, stoppers, 21mm h Provenance: At Thrumpton Hall, Nottingham by 1950; thence by descent to the present vendor In superb preservation, the stopper in one bottle original, the other bottle stopper also original but stuck in the neck of the bottle and lacking top of the stopper
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68904 item(s)/page