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Click here to subscribeEen verguld bronzen Rococo-stijl schouwpendule, eind 19e eeuw. Bekroond met een deksel urn en in de vorm van rocailles, B: 18 cm, H: 56 cm. Geschatte opbrengst: € 80 - € 120. A gilt bronze Rococo-style chimney pendulum, late 19th century. Crowned with a lidded urn and shaped as rocailles, W: 18 cm, H: 56 cm. Estimate: € 80 - € 120.
Een ovalen Empire stijl koperen kraantjeskan, Hollands, ca. 1910. Het deksel bekroond met sfinx, de grepen met adelaarskoppen en rustend op een liggende leeuw. Geschatte opbrengst: € 30 - € 50. An oval Empire style copper coffee urn, Dutch, ca. 1910. The lid crowned with a sphinx, the handles with eagle-heads and resting on a reclining lion. Estimate: € 30 - € 50.
19th century French gilt metal clock garniture, the clock with painted dial with Roman numerals and riverside scene to centre, urn finial and two urn columns and with scrolling foliate design and floral swags, on scrolling base with painted panel, flanked by two matching gilt metal and porcelain urns on stepped square bases eight day drum movement, with pendulum and key, H47 x W38cm
A late 19c French four glass mantel clock in glazed brass case inlaid with blue ground champlevé enamel and surmounted by an urn. The case has freestanding columns to the corners and there is an enamel band around the dial rim and on the pendulum. the dial is gilt with Arabic numerals and an enamel centre. The movement is rack striking on a gong and has a compensated false mercury pendulum. The clock stands 38cms h.
A mid Victorian silver sugar caster of baluster form with fox head side mounts. Flared and engraved upper rim with pierced dome cover and urn finial supported on circular stepped embossed base with chased and cast leaf formed collar. Makers mark for Edward Ker Reid, London 1867. 16.5cms h. 7.75ozt.
Late 19c French Garniture de Cheminée comprising a clock and two urns. The clock has a rectangular round topped brass case surmounted by an urn and the porcelain dial and panel below it are decorated with butterflies and foliage and the case has bronzed highlights to some of the decoration. The movement has rack striking on a gong and is stamped A.B. for Achille Brocot. The urns have cream porcelain bodies similarly decorated with butterflies and foliage and the bases and tops are of brass with bronze decoration. Clock stands 35.5cms h.
A small quantity of Ceramics, comprising a small Davenport Urn, in a red, blue and gilt floral design, stood upon gilt feet on a circular base, with stamped makers' mark to the base, with a small Davenport basket/dish, with cane effect handle, also in blue, pink and gilt floral design, a Davenport cream jug in similar design, all stamped to the base, together with Davenport ovular Trinket Box, depicting a Hunter and a woman, enclosed in a gilt swag border, stamped to base, with an English porcelain Clock Holder with intricate raised flower decoration,, with a Belleek woven-effect heart-shaped Dish, impressed with 'Belleek Co. Fermanagh Ireland' to the base, a small Coalport pot, with finial to the top, and floral decoration to lid and body, stamped 'Coalport' to base and lid and an Egg Cup, with Supex sticker on base, eight pieces in total (a lot)
Pair of George III silver open oval salt cellars raised on three ball and claw feet, pierced urn and scroll decoration, engraved swag decoration, crested cartouche, bead border, maker Hester Bateman, London 1782, replacement blue glass liner, length approx 8.5cm (shoulders of feet splitting from bases/repaired, one with urn emblem removed and another repair) (2)
Pair of George III silver pierced open oval salt cellars raised on four ball and claw feet, pierced urn and scroll design, initialled cartouche, engraved garland decoration, blue glass liners, maker Hester Bateman, London 1789, length approx 8.5cm (both salt cellars with crack, blue glass liners chipped) (2)
A George III mahogany crossbanded dressing mirror, circa 1800, in the manner of Thomas Sheraton, Satinwood decorated throughout, brass urn finials on tapering supports holding a rectangular looking glass, above a bow front base fitted with three frieze drawers fittings of brass lion mask handles, ivory escutcheons, raised on carved bracket feet. 62cm H x 57cm W x 31cm D
A Charles I Carolean revival oak chair, 19th Century, globe urn finials united by a scrolling rail centred by a carved crown, above cane work flanked by turned columns, on a square embroidery padded seat, raised on reversed scrolling united by turned stretchers. 113cm H x 43cm W x 42cm DCondition Report:Good overall condition
An early 18th Century Dutch walnut and marquetry decorated chair, circa 1710, the vase shaped splat decorated with a bird perched atop an urn issuing floral branches, above the shaped drop in padded seat over a curved shape apron, raised on tapering cabriole legs terminating in hoof feet, united by serpentine stretchers. 108cm H x 53cm W x 42cm DCondition Report:In good overall condition with signs of cracks to the apron, general wear to the padded seat.
Good 19th Century French ebony and boullework dressing or vanity case, the hinged cartouche-form cover inlaid with an urn issuing flowers within scroll work, enclosing a fitted interior with twin scent bottle apertures and pin cushion, labelled beneath 'Ancienne Maison Rousseau De La Rue, Papetier, Rue du F'bg. St. Honoré No. 60 Paris, body externally having matching foliate scroll decoration and gilt mounts, 31cm x 22cm x 12.5cm high Condition: Two very minor cracks to back edge of lid panel, and also three small cracks to the front edge of panel. Interior lacks scene bottles and tray to front compartment, general wear to edges of lined interior. Small loss to brass inlay at centre of rear panel of body, otherwise would benefit from a clean and polish. **General condition consistent with age
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