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A black basalt pot and cover, of tapering cylindrical form, with central band of putto within cane and stiff leaf borders, the cover with widow finial, 13cm high along with a black basalt sugar bowl (lacking cover) 9cm high and a further jar with garland and urn decoration, 7cm high (at fault) (3)
A painted satinwood Pembroke table in the 18th century taste, the oval top with painted central oval panel within radiating stylised leaves and bell flowers between painted ribbon and garland swags to the drop-leaves all within a green painted urn and swag border over a short bowed frieze drawer on slender square tapering legs terminating in brass castors, 90.5cm wide, (open), 36.5cm wide (closed), 73cm high, 60cm deep
A pair of Continental patinated bronze candlesticks in the Pompeian taste, circa 1875, each with foliate cast Campana urn socket on a reeded stem with a coiled serpent, the foliate cast triform bases each on three lion pawed monopodia, 29.5cm high; and another patinated metal candlestick, late 19th century, in similar style, later adapted as a table lamp, 59cm high overall
A pair of Continental maiolica style pottery and brass mounted twin light wall appliques in late 17th century taste, first half 20th century, the urn sockets on scrolling foliate branches, rising from beneath maidens’ masks, the ceramic backplates each with a putto in a central cartouche surrounded by grotesques, with conforming metal mounts above, 52.5cm high, 28.5cm wide, 12cm protrudence
A set of three Continental gilt bronze twin light wall appliques in the Luois XVI style, early 20th century, the foliate cast sockets on fruiting and scrolling foliate cast arms rising from rams’ heads on the backplates, with urn finials and anthemia below, 36cm high including electrical fitments, 30cm wide, 22cm protrudence
A gilt brass and glass cylindrical hall lantern in the George III style, circa 1900, with four bowed glass panes, one hinged to open, the serpentine supports above rising from urn finials, 55cm high overall, (lacking three of four toupie feet); and another gilt metal and glass cylindrical hall lantern, late 20th century
Two George III steel and brass mounted fire irons, circa 1800, comprising shovel and tongs, with tapering fluted grips with laurel cast pommels, 82cm high; an associated poker; a pair of gilt metal chenets in the Louis XVI taste, late 19th century, with urn finials on plinths, 34cm high; and a pair of cast and wrought iron and brass mounted andirons, in 17th century style, late 19th /early 20th century, 71cm high, 50cm protrudence. Provenance : Property of the late The Hon. Mrs Julian Berry
A French belge noir marble and applied enamel panel decorated mantel clock, late 19th century, the shaped pediment with urn finials and applied red ground enamel plaque decorated in the Aesthetic taste with birds amongst flowering foliage above gilt arabic numeral dial with conforming enamel panel to apron, on plinth base with squab feet (damage to case) 40cm high.
A French gilt metal mounted tortoiseshell mantel clock. Retailed by Finnigans, Manchester, circa 1900, the eight-day gong striking movement with circular white enamel Arabic numeral dial signed FINNIGANS, MANCHESTER to centre, within cast brass bezel fitted with convex bevel glass, the 18th century style case with brass hinged carrying handle and urn finials to the bell top upstand above foliate cast gilt mouldings and winged cherub head mounts above concave topped wondows to sides, on moulded plinth base with cast feet, 31 cm high excluding handle.
A French Empire ormolu mantel clock with moonphase, Arnout a Paris, early 19th century, the eight-day bell striking movement with outside countwheel and silk suspension, the two piece silvered Roman numeral dial with visible deadbeat escapement above rolling moonphase and signature Arnout a Paris to centre and with Breguet hands, the case with griffin cast handles to urn surmount above ivy entwined torch to frieze and Composite cast pilasters to front angles, on plinth base decorated with a laurel entwined baton to apron and block feet (gilding heavily rubbed), 56.5cm high. . Provenance: Ropley House, Alresford, Hampshire
A French Louis XVI gilt brass and white marble small mantel clock, late 18th century, the eight-day movement with countwheel bell strike, silk suspension and circular white Roman numeral enamel dial signed Henry Voisin to centre and with Arabic five minutes to the outer track, the rectangular case with urn surmount above reeded half-round columns to sides and foliate spray fronted glazed aperture beneath dial, on shaped white marble base inset with foliate panels, on toupie feet, 30cm high.
A French gilt brass miniature cartel timepiece, circa 1770 and later, now with later electric movement, the circular white enamel Roman numeral dial in a shield shaped case with urn sumount issuing foliate swags above tied drapery around dial, the base with inverted foliate bud finial, 26cm high.
An Edwardian mahogany and marquetry half round Pier table, bordered with boxwood and ebonised lines, the top decorated with Neo-classical urn and scrolling foliage within a cross banded border, the frieze decorated with ribbon tied husk garlands, fitted with a central drawer on square tapered legs united by an under tier with central Neo-classical urn. 76cm (2ft 6ins)
George V three piece tea-set of squat baluster form consisting of a teapot with leaf decorated spout and ivory scroll handle, standing on a circular foot with hinged dome shaped cover with urn shaped finial and ivory spacers. Milk jug of similar form with scroll handle and decorated sparrow beak spout, and a twin handled sugar bowl. All engraved with letter K (Sheffield 1929). Maker Mappin & Webb. All at 56ozs. Teapot 19cm overall height together with a separate white metal strainer (4)
Late nineteenth century blue porcelain and ormolu mounted three piece clock garniture, the clock in the form of a stylised Classical temple with four porcelain columns supporting an ormolu case decorated with flame finials and cornucopia surmounted by a porcelain and ormolu urn. French movement with porcelain dial decorated with painted river scene. The ormolu mounted base with central painted landscape panel. The garniture is a pair of porcelain baluster shaped vases, with landscape scene and ormolu mounts, 45cm overall height
Late nineteenth century gilt brass and inlaid copper and white metal three piece clock garniture. The clock in the form of a Chinese temple profusely decorated with chinoiserie figures surmounted by four finials and topped with a Chinese-style urn. French movement with silvered dial striking on a gong. Standing on a separate blue velvet covered base. The garniture as a pair of stylised two handled vases with chinoiserie decoration standing on separate bases. The clock 44cm overall height
Nineteenth century gilt and silvered brass mounted mantel clock with blue porcelain panels painted with Classical scenes and cherubs. The case with rococo foliate decoration incorporating female Bacchanalian figures surmounted by a Classical urn. French movement striking on a bell, 31cm overall height
An Impressive Twenty-Four Light Parcel Gilt Bronzed Metal Chandelier, in Louis Philippe style, the lion mask and moulded stem supporting an inner and outer graduated and stepped arrangement of acanthus swept branches, to urn shape nozzles and candle fittings, with beaded cabochon terminal, 95cm approx
A French Brass and Porcelain Mounted Striking Mantel Clock Garniture, circa 1880, the arched case with Corinthian columns to the front and mounted with porcelain landscape scene panels to the sides, Roman numeral porcelain dial depicting figures in costume below within a woodland scene backdrop, twin barrel movement striking on a gong, movement backplate numbered `751 52`, 30.2cm high, together with urn shaped brass and porcelain garniture, 23cm high
A Gilt Brass and Champleve Enamel Striking Mantel Clock, circa 1890, the case surmounted by an urn finial and elaborately decorated with champleve enamel throughout, Corinthian columns and the base raised upon turned feet, 3-1/2-inch silvered dial with Roman numerals, twin barrel movement striking on a gong, movement backplate stamped `Vincenti`, 40cm high
A Fine Shereton Revival Chiming Longcase Clock, signed S.Smith & Son, 9 Strand, London, circa 1900, the finely made case with a gadrooned caddied hood and acanthus leaf carved borders, satinwood inlaid swags to the front, pierced side sound frets, marquetry floral inlaid trunk door with moulded borders, rectangular plinth with an inlaid centre panel depicting floral fruit bowl and flanked by turned urn finials, 14-1/2-inch silvered dial with Roman and Arabic chapter, dial centre with subsidiary seconds and engraved with swag and scrollwork, signed `S.Smith & Son, 9 Strand, London`, sun burst decorated corners, the massive triple weight driven movement with deadbeat escapement, eight hammers quarter striking onto eight tubular bells and a further hammer striking a further tubular bell for the hours, 270cm high
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68904 item(s)/page