Josiah Kember, Shaw, an oak longcase clock the eight-day duration movement striking the hours on bell with the twelve-inch square brass dial having a raised chapter ring engraved with black Roman numerals and makers name Jos. Kember, Shaw, the matted centre with engraved decoration subsidiary seconds dial and date aperture, with cast-brass urn spandrels to the four corners, the flat-top oak case with three-quarter turned pillars to the hood, height 198cm.Josiah, or Joseph, Kember is recorded as working at Shaw, Berkshire from before 1743 until circa 1777.
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A mahogany wheel barometer having an eight-inch round silvered dial with usual barometer markings, blued-steel hand and brass pointer, with a thermometer to the trunk, hygrometer and level dials, the mahogany case having boxwood edging and a swan-neck pediment with cast-brass urn finial, height 98cm.
A 19th Century Dutch mahogany and floral marquetry bow-fronted side table, bordered with lines, the top decorated with birds and a butterfly amidst scrolling foliage surrounding a central urn of radiating flowers and leaves, fitted with a single long drawer in the shaped apron, on cabriole legs, terminating in pad feet, 71cm (2ft 4ins) wide.
Wedgwood - A collection of 20th century Wedgwood jasperware to include two clover trefoil pin dishes, a 1885 Valentines Day plate, a Ulysses plate, St Patrick plate, 'The Infant Academy' Joshua Reynolds tray, a twin handle urn, a scallop and starfish plate. All pieces having white relief decoration on pastel grounds of pink, lilac, white and taupe. Measures 18cm length.
A group of four early to mid century retro Italian majolica stoneware ceramics to include a hand painted lidded vase / urn decorated in multi coloured bands, 2 x hand painted vases - one ribbed with a putti / cherub decoration and the other having a scroll work decoration with 'Semi di Lino' text to body and a twin handled & footed majolica planter / plant pot / jardinière. Largest measures 36cm (height).
A gilt spelter and porcelain mantel clock and stand,late 19th century, French, with Sèvres style panels and urn, the two-train French drum movement within a scrolled case with cherub handles and supported by scroll feet, 20cm wide13cm deep43cm high,on a shaped oval stand (2)Provenance: The collection from the estate of the late Roy CarterCondition ReportMovement not tested. With pendulum, key and stand. Some losses to gilding, especially to sides and rear.
A gilt bronze table clock,late 19th century, French, with a Sevres style porcelain urn, dial and panels, cast with trophies, foliate swags and stiff scrolls, enclosing a French drum movement striking on a bell,25cm wide12cm deep38cm high,on a carved giltwood stand (2)Provenance: The collection from the estate of the late Roy CarterCondition ReportTwo pendulums. Movement not tested. Rear cover missing. Hands are a little bent. Otherwise in good cosmetic condition with light traces of wear.
An oak stick barometer,19th century, the domed top with ivory register and thermometer, over an urn-shaped reservoir cover,95cm highProvenance: The collection from the estate of the late Roy CarterIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: TFX3SB98.Condition ReportRegister is rubbed and moving indicator loose. Minor wear to case.
A mahogany eight-day longcase clock,the arched brass dial signed Thomas Wilkins, Leicester, with silvered Roman and Arabic chapter ring, date aperture, and subsidiary seconds dial, housed within a pagoda shaped hood with two flaming urn finials and open and stop-fluted columns, the case with a long flame figured door, on a moulded plinth base,case 53cm wide237cm highProvenance: The collection from the estate of the late Roy CarterCondition ReportMovement, pendulum, weights and case associated. Would recommend attention from a professional clock restorer.
A GROUP OF CERAMICS, to include a pair of Doulton Lambeth vases, each with wavy rim, and applied sprigs of ivy on a gilt textured ground, impressed, incised and painted marks to bases, height 18cm (both have hairlines and restoration, missing parts of a couple of ivy leaves), together with an urn shaped vase painted with a rural scene on a cobalt blue ground, painted mark W or M to base, a German moustache mug decorated in relief with 'Remember me', two Royal Worcester 'Old Worcester Still Life' collectors plates, and two Portmeirion Eden Fruits plates (8) (Condition Report: generally ok, specific obvious damage as stated, would benefit from a clean)
A GROUP OF 19TH CENTURY PORCELAIN, NORTITAKE PORCELAIN AND WEDGWOOD JASPERWARE, comprising a Spode 'Mementos' chocolate dish, a Mason's 'mandarin' pattern ginger jar, a blue and white prunus ginger jar, a Japanese Noritake twin handled urn and lidded pot, four pieces of green Jasperware, two Noritake dishes with cream and gold gilt borders on a white ground, a 19th century hand painted cup and saucer decorated with flowers and gold gilt vines, a small Royal Doulton jug decorated with pansies, Royal Doulton D3087 pattern plate, a Belleek vase, a European style porcelain floral pot with applied roses and carnations and little cherub inside (reglued handle) (34) (Condition Report: some light nibbles and scratches on older pieces)
A late 19th century French cast and gilt brass three-piece clock garniture, comprising; clock of domed architectural form surmounted with a twin-handled classical urn, with cream enamel dial, stylised numerals, twin winding holes for an eight-day movement (with pendulum), raised on acanthus capped scroll supports, h.41.5cm, together with a pair of matching en-suite garnitures, of square knopped form, with female mask, pierced and further floral decoration, h.22cmDial with fine hairline between 6-7 and another beneath 11-1 o’clock.Strikes hours and half hours.Spring does not slip when wound.
A late 19th century French gilt bronze mantel clock, the case surmounted with a classical style urn, floral swag, opposing flags, further musical and military related items, the small white convex dial with single winding hole (with key), raised on an architectural base to toupie feet, h.21cmTicks and adjust OK.Some damage to dial.
A FINE ROMAN TWO LAYERED CAMEO SET IN A GEORGIAN RING. VOTIVE SCENE. 1st century A.D.Stone 16x21 mm; int. Size 16,5x22 mm; 4,57 gr.A male character is standing, three-quarters facing right. With his right hand he holds a rod (or scepter), with his left hand he holds the bridle of his horse which is behind him, facing right in profile. The man is wearing a traveling cloak with his legs uncovered. On the left, a tree; to the right, a half-column with a cinerary urn above it. The scene probably requires more research for its full identification. Paoletti, in his glass impression collection, identified the subject (but without landscape and urn on the column) as one of the Dioscuri. The scene seems inspired by bas-reliefs. The male figure is characterized by physiognomic features that can probably be referred to the Augustan age. The horse is inspired by classical Greek models. The man seems to arrive in a bucolic place to contemplate or visit the incinerated remains of a family member or a comrade in arms.Very fine style and beautiful execution. Wear marks. Little missing on the edge and frame. For a very similar scene and style, see: L.P.Biroli Stefanelli, La Collezione Paoletti, vol. I, p. 41 n. 150 ("Polluce uno delli Dioscuri" from a sardonyx intaglio). Provenance: U.K. private collection acquired on the art market.
A GRAND TOUR ERA GLASS IMPRESSION. EROTIC SCENE. 19th century.13x16x4 mmInteresting erotic allegory composed of an erect phallus with animal tail and legs advancing to the right; in front of him a snail (symbol of slowness and sexual endurance), above him a bee or fly (symbol of speed); behind, a column with an urn above it and inscriptions to be identified. Groundline. Wear marks. Impression cast in glass after an ancient intaglio.Provenance: From a private collection, France, acquired on the art market in the early 2000s
A late Victorian presentation brass oil lamp From a few friends of Mrs Ross on the Occasion of her Leaving Dunfermline, 1896, with fluted well and Greek key mounted column surmount, on set of four fluted columns with flaming urn centrepiece, on moulded base and pad feet, with opaque blush glass shade, converted to electricity (57cm x base: 18cm)
A Sheffield plated Adam style tea caddy with domed cover, with upswept corners and urn style finial, with tapered panelled sides, raised on bun feet (excluding finial: 10cm x 13cm x 11cm) and a white metal tapered bud vase with scalloped border and scrolling leaf and flower decoration (12cm) (87.7g) (2)
Late XIX Century/Early XX Century Rosewood Inlaid Cabinet, top with a swan neck pediment, cupboard doors, with glass panels, turned supports, base with a single drawer with inlaid swagg decoration over cupboard doors, with urn decoration, open corner shelves, turned legs with under shelf, 112cm wide x 207cm high.
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