There are 68875 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA NORTH EUROPEAN INLAID FRUITWOOD SERPENTINE FRONT COMMODE, the top with scrolls and putto, centred by a flower filled urn and with musical instruments, horns and birds of paradise, having two deep drawers inlaid profusely with similar side panels, ormolu scroll mounts and acanthus sabots 128cm wide x 60cm deep x 86cm high
A 19th Century un-named twin-handled ironstone pot-pourri with pierced cover and urn finial decorated in the Imari palette flanked by relief decorated flower head handles, with gilt rim, on a circular foot, 30 cm high, together with a similar un-named twin handled baluster shaped vase in the Imari palette with wavy gilt rims, 38 cm high, and a similar Masons Ironstone mug decorated in the Imari palette with green serpent handle within gilt decorated rims, 8 cm high (3) CONDITION REPORTS All with wear and scuffs, including wear to gilding and firing faults including blue smudge marks and firing cracks. Vase handles broken and reglued. Some overpainting / restoration. Pot Pourri with restoration and repainting to rim and lid, and finial appears to be a later replacement and overpainted. Lid is not a good fit so is probably associated, although this may be due to the inner lid being missing. Firing cracks to base.
A pair of mid 19th Century French verdigris marble and gilt metal mounted urn shaped vases in the neo-Classical manner with ram's head and scrolling monopedic supports on shaped bases, 51 cm high (now converted to electricity) CONDITION REPORTS Both with extensive damage and losses to marble. One totally broken into numerous pieces. The other with damage mostly to the top sections. Both with large areas of marble missing (please see photos for examples)
A circa 1800 Bilston enamel patch box of rectangular waisted form, the main body pink ground, the lid decorated with an urn inscribed "Always the same", 3.7 cm wide, a circa 1800 Bilston enamel patch box of waisted oval form, the main body pink ground, the lid decorated with a mausoleum inscribed "In remembrance of friendship", 4.3 cm wide and a 19th Century Bilston type enamel snuff box of waisted oval form decorated with panels of flowers on a white ground, the lid decorated with floral spray on a pink ground, 4.4 cm wide CONDITION REPORTS All with wear, scuffs, some cracks and crazing to enamelling, various losses, chips, etc. Square box very crudely restored.
A 19th Century French kingwood and marquetry inlaid étagère, the upper tier with pierced three quarter brass gallery and urn and foliate decorated finials, quartered and cross-banded with all-over scrolling and foliate decoration on turned supports uniting the two further tiers on splayed turned legs to hoof feet, 43 cm wide x 79 cm high
A French porcelain and ormolu clock garniture, late 19th century, the clock with urn surmount, painted ceramic dial bearing Roman numerals, eight day movement half hour striking on a bell, domed case with scroll and wreath handles, raised on a rectangular base and lions paw feet,, 34cm, with two matching urns of baluster form, with ram's head handles, reserve painted with rural scenes against a burgundy ground, 28cm high.
A parcel lot of glass to include two pairs of baluster vases of blue body with applied floral decoration and frilled rims, ribbed shouldered vase, orange necked vase, three white cased items with multicoloured glass overlay, one a handled urn, and two jugs, a faceted jar with ruby enamelled vine decoration, a tray and box with enamelled daisy design, press moulded dish with gilt highlights, two pieces of glass with overlayed arabesque metal decoration, one a jar, the other a cranberry scent bottle and a ewer with frilled rim, some A/F (16)
Victorian black slate mantel clock, of architectural form, surmounted with a figure above a dome and balusters, flanked by lower half domes and columns, raised on a plinth base, together with a pair of urn garnitures, the movement stamped A D Mougin, 1302, 4, 11, striking on a gong, the clock 53cm high
A VERY LARGE DOULTON LAMBETH URN, BY FLORENCE LEWIS, typical form with tall flared cover with scrolling, lion capped rim and twin handles, on a square base, painted in tones of brown and green and decorated with flowers, the foot and cover with tube lined decoration, 54" (137.2cm) high, impressed marks
LATE 19th CENTURY GERMAN FIGURAL PORCELAIN FOUR LIGHT CANDELABRUM, MODELLED AS A LADY WITH A PARROT ON HER RIGHT SHOULDER, standing in front of floral encrusted tree stump, issuing three conforming branches with urn shaped sconces and petal shaped drip pans, raised on a gilt scrolled base, 21" (53.3cm) high, underglazed blue mark
GEORGIAN INLAY MAHOGANY TEA CADDY, with shield and star decoration to the lid, the fitted interior with pot holder, lion mask swing handles to either end, urn and star decoration to the front, on brass ball feet, 12" (30.5cm) wide 7" (17.8cm) high (incomplete) and a MAHOGANY FRAMED ARMCHAIR, with curved top rail over central pierced back splat of vase shape, on solid reeded front supports (lacking upholstery) (2)
A George III mahogany longcase clock, arched brass dial, signed "Heny. Sanderson, London", with subsidiary second dial, strike silent dial to the lunette, cast rococo spandrels, eight-day two-chain movement, striking on a bell, pagoda hood with a fretwork panel and brass urn finials, arched top to the long door, bracket feet, height 242cms.
A Victorian burr walnut and gilt metal mounted mantel clock, casket hood with four cast urn finials, infilled reeded canted corners with pendants and inverted acanthus corbels, arched brass dial, with silvered chapter ring and subsidiary slow/fast dial, cast foliate spandrels, German movement, striking on a gong, 41cms,
A walnut bracket clock, c.1900, the arch brass dial with slow/fast regulator silvered chapter ring, three train movement chiming on five gongs, with gilt metal caryatids, urn and flame finials, pierced cast sound grilles, inscribed above the dial `Presented to Wor: Bro: Henry Aldridge PGJD 1PM by the Officers of the Bute Lodge No.960 Feb 5th 1901`
Three Decorative 17th Century Oak Panels. One carved with a guilloche knot of serpent headed straps enriched with punch work, 9 ins x 12½ ins (23 cms x 32 cms). One panel having dragons and foliate decoration,11½ ins x 8½ ins (29 cms x 21 cms). The third depicting an urn cascading flowers and fruit with birds either side, 5 ins x 15 ins (12.5 cms x 38 cms).
A 17th Century Oak Relief Carved Panel and Two Frieze Rails. The panel depicting a winged angel, 10½ ins x 9½ ins (27 cms x 24 cms). One rail centred by a relief carved cherub strumming a lute, flanked by winged lions and foliate scrolls, 4½ ins x 20½ ins (11.5 cms x 52 cms). The other rail carved with birds and cherubs amongst scrolling acanthus flanking an urn of flowers, 6 ins x 32 ins (15 cms x 81 cms).
‘The 59th Battle for the Ashes’. Stewart Beckett 1997. Large original colour watercolour painting of the Ashes urn with England Lion and Australian Kangaroo, to sides are images of England and Australian Captains, Michael Atherton and Mark Taylor in cricket attire. The painting signed in pencil by Beckett and dated 1997. Attractively mounted, framed and glazed. Overall 39”x29”. VG
Australian tour of England 1930. ‘The Ashes’. Official menu for the home coming Dinner given by the Victorian Cricket Association to celebrate regaining ‘The Ashes’. The Dinner held on the 15th November 1930 at The Members Pavilion of the Melbourne Cricket Ground and was attended by the returning players and officials. Excellent front cover cartoon illustration by artist Samuel Wells showing a kangaroo, with its head depicted by the heads of the returning cricketers, holding the Ashes urn and carrying a cricket bat, wearing pads and cricket boots standing in Australia with the defeated English lion behind and the Union Jack at half mast. Ribbon tie. Titles, menu and toasts to inside pages. Menu by E. Whitehead of Melbourne. Rare. VG
Loading...
