FRENCH GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK, by Japy Freres, late 19th century, the 10cm porcelain dial on a brass, eight day movement half hourly striking to a bell and stamped Japy Freres and serial number 3105, the case also stamped 3105 and surmounted by an urn and mounted with Sevres style floral and jewelled plaques, with pendulum, height 42cm; together with a pair of conforming three light lily flower candelabra (3)
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A folio of 17th & 18th century Old Master and other engravings, French School (fourth-quarter 17th century), after Jean Lepautre (1618-1682), Baroque Auricular Ewer with Apples, the sides with Classical figures, [Paris, n.d., c. 1675], copperplate etching, 24cm x 17cm, connoisseur's mount; another, Urn Ornamented with Figures, Swags and a Medallion, Supported by Cherubs, [Paris: Jean II Le Blond (c. 1635-1709), n.d., c. 1675], copperplate etching, 28cm x 20cm, mounted en suite; James Gillray (1756-1815), by and after, caricature, Patriots amusing themselves;_or_ Swedes practising at a Post, [London]: Hannah Humphrey, April 19th 1792, monochrome etching, numbered 74 within the platemark, 26cm x 34.5cm; Edward Bell (late 18th century), by, [...] Portrait of Captain George Westcott, who fell on Board [...] the Majestic [...] in the ever memorable Victory of the Nile [...] 1798; [...] Inscribed to [...] Admiral Lord Nelson [...] London: Published by George Riley, May 12, 1790, mezzotint engraving, 27.2cm x 22.6cm, trimmed and mounted; Continental School (early 19th century), a regiment of Russian Cossacks in a Town Square, two-page aquatint, 51cm x 67cm, Provenance: Koenigl. Palais Bibliothek, stamped, Deutsche Heeresbücheret Berlin, stamped; Rinaldo in the Garden of Armida, fan design, printed in polychrome on silk, early 20th century, 25cm x 38.5cm; 19th century French portrait etchings, after Maurice Quentin de La Tour (1704-1788), (2); Portraits of the British and Their Allies, [London]: Published by R. Bowyer, June 1, 1816, copperplate engraving, 46cm x 32cm; Holbein; named-view and topographical engravings, various; (collection)
A French Empire alabaster mantel clock, 9cm circular gilt metal dial inscribed Gerard A Paris, the enamel chapter ring inscribed with Roman numerals, 8-day movement striking on a bell, the architectural case crested by an urn and applied with a gorgon mask, bun feet, 42cm high, 19th century
A Continental classical figural group of three ladies holding an urn, circa 19th Century. Little wear to gilding, scratches to base, chip to bottom pedestal together with an olive green ground stoneware jug, with applied classical figures impressed oriental to base; an early Davenport jug (Imari palette); and a lustre ware jug with painted floral decoration (circa 1820 Staffordshire) (4)
A 20th century porcelain figure group of a young couple seated beside a lamb, length 23cm, and a transfer decorated urn on stand (2).Additional InformationSome small losses of foliage on the figure group. The urn is very loose on it's socle base, rubbing to decoration throughout, general wear.
A large pair of late 19th century Continental porcelain figures depicting a gardener and his companion, height approx 34cm (af).Additional InformationShe has been restored to the hat, neck, left elbow, left hand and right hand and the flowers within the urn. He has been restored to the watering can, hat, left hand, flower in his right hand. There are firing cracks to both.
WEDGWOOD; a blue jasper dip campana twin handled urn, a large Ridgeway jasper dip jug and two further Wedgwood jasper dip vases (one af).Additional InformationThe smaller of the vases has a chip to the rim and is missing its lid. The urn has some staining to the interior, slightly loose to its base, some losses to the paint of the Ridgeway example around the neck and foot, a couple of tiny rim chips to the foot. Light surface wear throughout,
WEDGWOOD; a black basalt bust 'Scott', height 25cm, a black basalt jug, twin handled urn, small pot and cover and a ribbed hot water pot (5).Additional InformationBust with impressed Wedgwood and Scott marks to reverse. Bust: surface scratch marks and build up of surface dirt and dust is also marked to the underside of socle base. Twin handled urn: does not have a cover, socle base is loose, basic condition is good. Hot water pot: tiny losses to the petals of the finial, light surface scratches and some heavier surface scratches around the lower section of the body. Jug: light surface scratches. Small pot and cover: good condition. Postage is a large box.
A 19th century Wedgwood pedestal urn vase and cover, decorated in relief with dancing Grecians, and raised on square plinth base, height 28cm (af).Additional InformationCover is missing finial and has been broken in half, handle has been broken off and broken in two but reglued but is still present, large chip to the edge of the urn, light surface scratches.
A late 19th century Continental porcelain mantel clock, the circular white enamel dial inscribed 'Leroy, A Paris', within a floral wreath adorned pediment beside Cupid, height 29.5cm (af).Additional InformationThere is restoration to the clock being the birds, the urn mounts, some of the swags, the dial itself is damaged, Cupid's toe, torch and wings. There is a pendulum for the clock and there is some rubbing to the gilding.
W.M.F; an Art Nouveau twin handled brass lamp, height 40cm, a reproduction Art Deco style candle holder and seven assorted lamps (9).Additional InformationDue to the number of items in the lot we cannot provide condition reports on every lamp. WMF example: this has been altered and sadly is not in a great condition. Beneath the fitment is a collar which has been later applied, presumably missing the original stem. There is an old repair beneath this where the urn meets the body of he lamp. Slightly misshapen handles, surface scratches and general surface wear.
A set of eight late 19th/early 20th century mahogany dining chairs, in the 18th century mannerEach with pierced and carved splat centred with an urn and trailing garlands, above a stuff over seat raised on square legs with spade feet, 59cm wide, 50cm deep, 102cm high (23in wide, 19 1/2in deep, 40in high). For further information on this lot please visit Bonhams.com
Lepine du Roy: An 18th century enamel and moss agate urn timpieceDate: circa 1795Movement: gilt full plate fusee verge, pierced and engrave balance cock silver regulationDial: circular white enamel Roman numerals, outer minute divisionsCase: enamelled white metal and agateSigned: movementSize: 54cm wide, 33cm deep, 11cm highFor further information on this lot please visit Bonhams.com
A George III silver baluster chocolate pot by William Skeen, London 1794, with an urn finial to the cap, a shallow domed cover, a leather covered scroll handle, engraved with a vacant reserve and a reserve engraved with a crest, on a collet foot, 24cm (9 1/2in) high, 637g (20.5 oz) gross; and a plain square vesta case, Birmingham 1912 (2)
A late 18th century French steel barrelled percussion blunderbuss, converted from flintlock, 33” overall, swamped twist barrel 18½”, diameter at the muzzle 1¾”; un-marked slightly rounded lock; plain walnut fullstock with shell carved apron around the barrel tang; engraved steel mounts including trigger guard with scrolled hand grip and urn shaped finials; with old steel ramrod. GWO & C Plate 12
A 12 bore flintlock coaching carbine, c 1730, 38½” overall, 3 stage barrel 24” with muzzle ring; rounded banana shaped lock with swan neck cock and unbridled frizzen, the plate with very faint traces of ‘H. Delany’; walnut halfstock with brass mounts including fore end cap, trigger guard with urn finial, long buttplate tang and pierced foliate sideplate. GWO & C (barrel worn, lock lightly pitted overall, ramrod replaced). Plate 16
A 1796 pattern infantry officer’s sword, straight SE fullered blade, 32”, marked ‘J.J. Runkel Solingen’ on backstrap, etched with foliate flourishes on one side with crowned pre-1801 R Arms with supporters and motto, and on the other with crowned GR cypher, gilt brass hilt, the double shell guard with reinforced edges, facetted knucklebow and urn pommel, with foliate quillon, panels to guard at forte, top of knucklebow and top of pommel, simulated wire bound grip. Basically GC, the hilt retaining approx 80% original gilt (pommel loose). Plate 5
A diplomat’s sword, straight blade 31”, by Keates & Co Edinburgh, etched with trophies in stylized foliate panels, studded brass hilt with shellguard, crossguard, knucklebow, flattened urn pommel and panelled, square section grip, in its black PL scabbard with, brass locket and chape. GC, the blade good.
A French 28 bore silver mounted flintlock travelling pistol, c 1770, 10” overall, 3 stage barrel 5” with octagonal breech and brass fore sight; plain slightly rounded bright steel lock with swan neck cock; walnut fullstock carved with foliage around the trigger guard and behind the barrel tang, fully silver mounted including long spurred butt cap with trophy of arms finial, trigger guard finial in the form of a classical urn, domed oval escutcheon, and solid scrolled sideplate. GWO & C (some wear to the buttcap, the silver tarnished to dark grey). Plate 20 .
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68904 item(s)/page