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A Torquay pottery Aller Vale puzzle jug, a Watcombe Porcelain Classical urn, and two further pieces

A vintage Jackson chrome plated tea urn - sold with two china commode liners and turned wood lid

Late 19th Century Lignum Vitae Urn, English, circa 1860 - 1870. the vase shaped urn turned from solid Lignum Vitae with a tapering body and bulbous foot, 23cm high

A Large Dutch Style Still Life Of Flowers and Urn In A Gilt FrameArtist unknownOil on canvas(H)152 x (W)139 x (D)5 cm (including frame)*Please note this Lot is subject to 44% on the hammer price*

A Large Dutch Style Still Life Of Flowers and Large Urn In A Gilt FrameArtist unknownOil on canvas with 'Prepared by C. Roberson & Co. Ltd' Stamped verso.(H)152 x (W)139 x (D)5 cm (including frame)*Please note this Lot is subject to 44% on the hammer price*

* Court Sword. A George VI Diplomatic Court Sword, the 81cm straight steel blade etched with G.VI.R. cypher and foliate scrolls, with brass hilt, shell guard and urn pommel, the knucklebow bound with remains of bullion sword knot, 95.5cm long overall, the blade pitted and rusted, in its leather scabbard with brass mountsQty: (1)

* Sword. A 1796 Infantry Officers' Sword, the straight steel blade approximately 81.5cm long by J. Runkel, Solingen, with brass shell guard, wirebound grip curved knucklebow and urn pommel, 100cm long overall, currently stuck in scabbard and signs of rust to the blade, in its black leather scabbard with brass mountsQty: (1)

Title: Two large silver mounted Namur black glazed pottery coffee pots, 18th C.Description: H 38,3 - 30 cmÊ Ê The handles of the Neoclassical urn marked.

A late 18th century French marble and ormolu mantel clockLe Blond Fils, Rue du Coq St. Hre a ParisSurmounted by an ormolu eagle preparing to take flight and four urn finials flanking the 4.5 inch signed white enamel Arabic dial with quarter marks and gilt spade hands set within a cast bezel, supported between foliate clad columns on a mounted base with toupie feet, the spring driven circular movement with silk suspension and outside countwheel strike on a bell. Striking and intermittent ticking. Sold with silk suspension pendulum and an associated winding key. 53cms (20.5 ins) high (3)For further information on this lot please visit Bonhams.com

A Large and impressive Second Half of the 19th Century French Brass Mantel Clock with two Associated CandelabraDeniere, Ft. De Bronzes, A Paris.The Baroque inspired arched case surmounted by a trumpeting herald on a waisted top with acanthus leaf corners, supported by caryatids, the dial centred by a depiction of three women spinning, on a raised plinth base on four lions paw feet, the 6 inch brass dial with applied white enamel Roman numeral plaques and signed enamel centre. The signed circular movement with Brocot escapement, striking the hours and half hours on a bell. The two associated candelabra surmounted with a large urn finial, with five branches on a Baroque style waisted stem, centred by a mask with swagged garlands, on a canted square base on four lions paw feet. Ticking and striking. Sold with a pendulum and a brass winding key.Candelabra dimensions, height: 76cms Width: 36cms Depth: 21cms 76cms (29 1/2ins) high (5)For further information on this lot please visit Bonhams.com

A late 18th century French ormolu mantel clock with calendar now with a 19th century replacement movementThe movement stamped Marti.The Neoclassical case surmounted with a large swagged urn finial and four smaller bud finials over caryatid side mounts and silk side frets, with a winged putto sound fret to the front on raised toupie feet the 3.75 inch white enamel Roman and Arabic dial with gilt fancy hands with an inner Arabic calendar band, the circular movement with Brocot type escapement with outside countwheel, striking the hours and half hours on a bell. Ticking and striking. 31cms (12ins) high (2)For further information on this lot please visit Bonhams.com

A fine and rare second half of the 19th century French ormolu month-going, perpetual calendar centre-seconds table regulator with barometer, twin thermometers and moonphase indication and special visible escapement to a gridiron pendulumLe Roy & Fils, Palais Royal, Gal(er)ie. Montpensier 13 & 15, Paris The substantial arched case surmounted by a shallow urn finial over bevelled glass panels and side pilasters, on a moulded base and squat bun feet, the arched glazed front set with six enamel dials; the time read against a Roman chapter ring with signed recessed centre displaying the special single-beat escapement, set over a pair of 2.5 inch dials giving the moons age and phase together with the day of the week, the other displaying the date and month, the lower third of the dial plate set with a metallic barometer giving seven weather predictions in French, flanked by an alcohol centigrade/reamur thermometer and a mercury Fahrenheit/reamur thermometer. The clock movement with large rectangular plates united by heavy pillars, the substantial zinc and steel gridiron pendulum with large bob suspended from an elaborate mount, rack striking the hours and the half-hours on a bell, the calendar dial with year setting dial to the rear. 57cms (22ins) high (1)Footnotes:This rare and unusual escapement is reserved for the finest French table regulators and often combined with additional complex features such as perpetual calendar, a sweep seconds hand and a temperature compensating pendulum. The pendulum on the current clock is a fine half-seconds beating brass and zinc gridiron type.The very fine ratchet shaped teeth of the escape wheel are for locking alone, eliminating the extensive engaging friction normally witnessed with the entry pallet of other anchor pattern escapements. There are two points of action on this escape wheel; locking on the long teeth and impulse by the horizontal pins on the lesser diameter of the rim of the wheel on the exit pallet. The impulse plane on the exit pallet, with the lesser force of disengaging friction, is a concave curve. This curve is mapped providing an increasing impulse in the wider arcs of the pendulum. With the action of the escape wheel on only every second beat, the sweep hand indicates full seconds. With the high precision required in the layout and manufacture, this escapement is capable of providing impressive accuracy over extended periods, whilst the unusual kinetic intermittent action is a fascinating visual diversion.Le Roy et Fils was founded in 1785 by Basile Charles le Roy (1765-1839) and was continued by his son, Charles-Louis Le Roy.The firm prospered after the French Revolution, and were appointed clockmaker to Napoleon I and later, the restored Bourbons.Le Roy opened their first shop in London in Regent Street in 1854 and later in New Bond Street in 1885. Le Roy et Fils became a Royal Warrant holder for Queen Victoria in 1864, the only foreign clockmaker with a British Royal Warrant.For further information on this lot please visit Bonhams.com

A late 18th century Satinwood 'balloon' clock with original wall bracketWm. Pybus, Royal Exchange, London The shaped caddy surmounted by a wooden urn finial over a waisted case with Sheraton style marquetry depicting an urn, on a moulded plinth base with acanthus leaf border on raised ball and claw feet, the signed 8 inch white enamel Roman and Arabic dial with egg and dart brass bezel and Rococo style hands, the two train fusee movement with anchor escapement, the signed and highly engraved backplate with a basket of flowers surrounded by flowers and sprays of foliage, striking the hours on a bell. Sold with a winding crank, case key and a hand setting key. 64cms (25ins) high. Height with bracket 92cms (36ins) high. (5)Footnotes:A similar satinwood shaped case with wooden inlay is illustrated in Barder, R. (1993) 'The Georgian Bracket clock 1714 – 1830' The Antique Collectors' Club, p.139.William Pybus was an active maker circa 1788-94.For further information on this lot please visit Bonhams.com

A fine late 17th century arabesque walnut marquetry inlaid longcase clock with interesting provenanceLangley Bradley, London The hood with original caddy and pair of carved urn finials over two blind frets and inlaid Doric columns framing the inlaid door, the long door with three shaped panels of Berain-esque marquetry featuring birds amid symmetrical strapwork and scrolls, set to the inside with a typed biography of Bradley on Ireton Wood Hall headed paper, on the matching base with double plinth, the 11 inch square brass dial with winged cherubs head spandrels framing the silvered Roman and Arabic chapter ring with meeting-arrowhead half-quarter marks and fancy half-hour markers, the finely matted centre with ringed winding squares, decorated chamfered date aperture and a subsidiary seconds dial, with original blued steel hands, the movement with five knopped and finned pillars, anchor escapement and outside countwheel strike on a bell. With pendulum and the pair of brass weights. 2.39m (7ft 10ins) high.Footnotes:Langley Bradley was apprenticed to Joseph Wise in 1687 and was admitted to The Worshipful Company of Clockmakers in 1695, rising to become Master in 1726. Sir Christopher Wren was a key supporter of his and may have been involved in Bradley being awarded the contract for the new clocks at St Pauls, Hampton Court and another in the Admiralty Building. King William III presented a Bradley watch to Wren on completion of St Pauls Cathedral. This lot may well have been supplied to Ireton Wood Hall from new. It was purchased more recently when the house, parts of which date back to the 17th century, was sold along with its 540 acres, in 2019.Literature: Cescinsky and Webster 'English Domestic Clocks', 1913, plate 147.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A mid 17th century brass lantern clockPeter Closon near Holborn Bridge fecitThe strapped bell over urn finials, foliate frets, turned columns and ringed ball feet, the top plate with hoop over a pair of spikes set into the column bases, the 6.25 inch Roman chapter ring with star half-hour markers, (the 'V' numerals particularly wide) and single fettled steel hand, the signature flanked by a pair of symmetrical flower stalks emerging from above VI, the weight driven movement with two independent wheel trains, the restored verge escapement with balance wheel control and countwheel strike on the bell. Sold with two weights and two small counter weights. 41cms (16ins) high (5)Footnotes:Peter Closon is one of the best known of the First Period makers. He was involved in the very beginnings of the Clockmaker's Company in 1631 and rose to become an Assistant and the Warden in 1637/8. From 1638 he took many apprentices through the Company, several of which later made lantern clocks including John Wise, Robert Cosby, Richard Ames, William Speakman and Humphrey Clarke. He was married on 25 June 1629 at St Mary Mounthaw, London, to Margaret Buckner. He is believed to have died before 1662-63.For further information on this lot please visit Bonhams.com

A mid 17th century brass lantern clock with alarmJohn Ebsworth, at ye Cross Keys, Lothbury, Londini fecitSurmounted by a strapped bell and five urn finials between three pierced dolphin frets, over tapering columns on ball feet, the 6.25 inch wide brass Roman chapter ring with inner quarter hour track and wheatear half-hour marks, framing the florally engraved centre featuring flowers emanating from VI towards the pictogram signature, with single hand and Arabic alarm setting disc, with rope drive to a reconverted balance wheel escapement, with countwheel strike on the bell and rear-mounted alarm train. Sold with three brass weights. 39cms (15 ins) high (4)Footnotes:John Ebsworth worked at the Cross Keys in Lothbury and also, at one time, 'in new Cheape Side' (see Loomes: 'Watchmakers and Clockmakers of the World', NAG Press, 1988, page 238). He was apprenticed to Richard Aymes in 1657 and made free of the Clockmakers Company in 1665. He died in 1699. It is probable that he succeeded Thomas Knifton at the Cross Keys upon Knifton's death circa 1667.For further information on this lot please visit Bonhams.com

An early 18th century weight driven wall clock with alarmDaniel Quare, LondonThe frame with five urn finials and a strapped bell over (plain pierced) side frets, tapering columns and a ball feet, with hoop to the top plate and spurs to the rear feet, the 10 inch square brass dial with winged cherubs head spandrels framing the silvered Roman chapter ring with fancy half hour markers, signed D.Quare, London between V and VII, the finely matted centre with silvered Arabic alarm setting disc and blued steel single hand, the three train movement with knife edge verge escapement to a short bob pendulum, the strike dictated by a countwheel and the alarm set inside the iron backplate and sounding via a double headed hammer. 39cms (15.5ins) high. For further information on this lot please visit Bonhams.com

A unique and important dated 17th century lantern clock of large size, engraved with the arms of The Brewers CompanyWilliam Bowyer, London, dated 1632. The bell cast with the initials 'KS'The case:15.5 inches high to the top of the reduced finial, and surmounted by a substantial strapped bell (the bell cast internally with the letters KS), over three pierced frets (cast to accommodate the bases of the finials and measuring 91 x 144mm), each centred by a shield and framed by foliate scrolls, the front central shield engraved with the coat of arms of the Brewers Company above the signature WILLIAM BOWYER OF LONDon FECIT (sic), the square top plate with original holes for the balance control and with a hoop to the rear, with four boldly cast squat urn finials on tapering Doric columns over bulbous turned feet. (doors and rear plate lacking, rear left hand finial smaller) The dial:the silvered chapter ring 1 and 1/16th of an inch in width, with double line border enclosing the Roman numerals and inner quarter hour track with star half-hour markers raised on single lines, the corners with foliate scrolls, the centre fully engraved and divided into diagonal quarters by pairs of sword-shaped leaves, the upper quarter with the date 1632 below a human face surrounded by petals, the lower quarter with another male face with leaves as hair, framed by largely symmetrical patterns of leaves, with single filed iron handThe movement:the weight driven movement (two modern weights accompany the clock) with later verge escapement, the crown wheel set on a shaped brass top potance, the pallet arbor cocked front and back and with forked crutch (displaying some decorative filing) , but missing the pendulum, the strike train dictated via a pierced brass countwheel with three crossings, the heavy iron hammer with substantial stop and altered spring 39cms (15.5ins) high. Footnotes:William Bowyer is one of the great early British clockmakers and we have been fortunate enough to present several important examples in recent years, including: The so called 'Masterpiece' clock dated 1623, lot 72, 19th June 2007 £144,000. His earliest known clock, dated 1617, lot 60, 11th June 2018, £43,750. The clock he sold to John Earle of Rothes circa 1626, lot 68, 11th December 2019, £43,800. Literature: This clock is discussed and illustrated in an article by John Hooper 'William Bowyer Great Clock Maker', published in Antiquarian Horology, Summer 1998, p.122-133. 'His standard of workmanship, design and execution was exemplary throughout his working life.....His clock frames were splendidly turned and assembled and the dials beautifully engraved, especially on his early clocks....The movements of his clocks are of an equal standard of workmanship and the finishing of his wheels and pinions generally of an excellence rarely approached by other makers of his era. The tempering of his steelwork is invariably good and the wear on his pinions minimal considering the great age of his clocks and the survivors are, as a rule, still in good working order if suitably looked after.' There are no records as yet of the bell founder 'K.S', although another Bowyer clock is recorded in White with a bell cast with the initials 'G.S'The Worshipful Company of BrewersThe Worshipful Company of Brewers is one of the oldest of London's livery companies with references as far back as the 13th century. The first Royal Charter was granted by Henry VI in 1438 and the first Coat of Arms in 1468, these were the arms of Saint Thomas Becket, the Company's patron Saint. The Arms were changed to the present sheaves of barley and barrels, after the reformation, by Royal grant in 1544.Initial inspection of the Court Minutes and Accounts book has not yet revealed a reference to this wonderful clock - like today, this would have been an object of enormous rarity and value in the early 17th century, and it is quite possible that it was presented to the Company by a member as a gift - just as Bowyer himself had presented a clock to the Clockmakers Company. The Masters of the Brewers Company at around this time were Samuel Cranmer (1575-1640) from Cripplegate in 1631 and Francis Zachary, of Stepney in 1632.Andrew King writes:WILLIAM BOWYERGREAT CHAMBER CLOCK MAKERWith the more regular appearance of domestic clocks in the inventories from the earlier years of the sixteenth century, almost exclusively the work of Continental makers, the clock making trade in England may have been established in that century if it had not been for the successive plagues that took their toll of so many craftsmen. These human disasters led to a revived clock making trade which became established in the beginning of the seventeenth century learning their trade from previous sources as well as turret clock work, locksmithing and the art of the blacksmith. Within that first decade of the seventeenth century the tradition of the English lantern clock emerged. Of all the notable clockmakers from what has now become known as The first Period of lantern clock making, 1580-1640, William Bowyer remains one of the leading lights with his voluminous output of fine crafted clocks. Bowyer, probably born in the 1590s, in Berkshire and avoiding the contagion of plague married and possibly with his second wife Prudence produced six children with only three surviving infancy. Bowyer became a member of the Pewterer 's Livery Company, becoming a Freeman of the City of London in 1630, this, sometime before the Worshipful Company of Clockmakers received their Royal Charter in 1631. Establishing himself in Leadenhall Street Bowyer took at least six apprentices during his early years and another four some years later from 1638 through the Clockmakers Company. This providing only the smallest indication of the considerable workforce that must have existed in the Leadenhall Street manufactory not too far away from Lothbury the busiest area of lantern clockmaking with not only the Hall of the Founders Company but also the necessary foundries themselves for the adjacent trade.With the formation of the Clockmakers Company William Bowyer appeared to be a somewhat reluctant and not fully committed member in their ranks. His name first appeared in 1632 when he was sent with a small committee 'to treat to the Blacksmiths about their business' but the following year he was in trouble for failing to attend the Court despite warnings. Nine years later in 1642 Bowyer presented the Company with a great chamber clock, the purpose to absolve himself of all Company responsibilities, 'Mr Bowyer to be exempt from place, office and service'. With possibly a somewhat unpredictable and recalcitrant character he nevertheless, became Assistant in 1651 and was elected a Warden in 1653, the year in which it is believed he may have died.William Bowyer's lantern clocks are always notably varied and impressive with unique art and innovation in both styling and mechanical versatility.The dials of Bowyer's clocks are a unique cornucopia of flowers, fruit, swirling leaves and comical masks much of this witness from the world of silversmithing, needlework and the publications of craft and design. This unique artwork suggesting that perhaps Bowyer employed a full time engraver. It would certainly appear that with the output of this manufactory any engraver would have been very busy. The adjacent frets a reflective artwork perhaps with a central urn of flowers and leaves flowing to form the outer region of the fret and sometimes incorporating an owl or even a boar's head. These frets were considered to be such an important feature that Bowyer is cast them to accommodate the bases of the finials, a unique feature. An unusual feature of some of Bowyer's chapter rings and surely another unique feature to him, are the quart... For further information on this lot please visit Bonhams.com

A fine and rare late 17th century ebony quarter repeating table clock with alarmJoseph Knibb, LondonThe shallow caddy top with tied bud handle over foliate mounts to the front and sides, framed by four squat urn finials, the front door with pierced sound fret and two applied escutcheon mounts (the left hand pinned to allow access to the keyhole), with a pair or rectangular glazed side panels, on a plinth base, the 6.25inch square dial signed along the lower edge Joseph Knibb, London, with two slots flanking the XII 'N-S' and 'R-N' (Not strike- Strike and Ring - Not ring), the winged cherubs head spandrels framing the silvered chapter ring with outer minute track (marked in Arabic 5s), Roman hours with fleur-de-lyse half-hour markers and an inner quarter hour track, the centre finely matted and carrying the silvered Arabic alarm-setting dial, with finely fettled blued steel hands (the hour restored, but retaining the original hexagonal centre), the twin gut fusee movement united by six baluster shaped pillars, all latched to the frontplate, the going train terminating in a knife edge verge escapement, the strike train with rack system acting on a single bell above (the alarm sounding on the same bell), probably with a quarter repeat originally taken from the strike train (part of train and bell lacking, but with original pivotted hammer intact), the backplate with single line border framing a symmetrical design of four pairs of flowers (tulips, anenomes and irises), the lowermost pair of irises on cut stalks below the curved copperplate signature Joseph Knibb Londini fecit. 34cms (13ins) highFootnotes:Literature: Illustrated and described in R.A.Lee; The Knibb Family Clockmakers, The Manor House Press, 1964, Plate 81 and page 181 'Joseph Knibb, London. Table clock with ebony veneered case with repousse gilt metal mounts on the caddy top. The lifting handle, finials and escutcheons are of a design which now becomes standard. The eight day striking movement is fitted with alarm mechanism with setting dial under the hands. Stopwork for striking and alarm above chapter ring. Circa 1680-82. In the possession of Mrs Oakes.'For a similar repeat system operated from the strike train, see Dawson, Drover & Parkes, Early English Clocks, Antiques Collectors Club, 1982, pp392. Illustrated is an example by Edward Burgis, but others are known by Richard Colston, William Herbert and Fromanteel, see plates 557 to 563.See Sunny Dzik, Engraving on English Table Clocks, 'Art on a Canvas of Brass, 1660-1800' 2019, figure 8.6 for a related cut-stalk backplate with curving signature on a Joseph Knibb table clock. Other Knibb cut stalk patterns can be seen in plates 8.7 and 8.8, and in the digital library.For further information on this lot please visit Bonhams.com

A 19th century French Boulle bracket clock with an associated wall bracketBaltazar ParisThe architectural case surmounted by a caddy top with flaming urn finials over an arcaded fret and Corinthian columns on raised pediments and toupie feet. The 9 inch velvet covered dial centred by the 7.5 inch brass Roman and Arabic chapter ring held aloft by Chronos astride the rectangular signature plaque, with fine silvered and fettled hands, the twin train movement striking the hours and half hours on a blued-steel coiled gong. Ticking and striking. Sold with a later mahogany wall bracket, brass pendulum and winding key. 61cms (24ins) high (88cms high with bracket) (4)For further information on this lot please visit Bonhams.com

A GOOD INDIAN MUGHAL POTTERY TILE, with two figures amongst an urn, the top with calligraphy / script, 29.5cm square.

A CHINESE CARVED JADE FLORAL URN & COVER, carved with a display of flora and birds, upon a carved wooden stand, 19cm high x 11cm wide.

A George III 1796 Pattern Infantry Officer's Sword, the 82.5cm single edge fullered steel blade faintly engraved with the Royal cypher, coat of arms and martial trophies, the back edge engraved J J Runkel, Sohlingen, the gilt brass hilt with hinged double shell guard, one side crudely engraved Col.Golden, with silver wire bound grip, foliate sheathed urn pommel and stirrup knuckle bow, with steel scabbard, 100cm CONDITION REPORT: . Dark grey patching and pitting to blade and scabbard which has a small dent. The quillon is missing and there is a small solder repair to the wire binding of the grip.The urn pommel is missing a piece at the top. There is wear to the gilding of the hilt

A collection of mainly 19thC ceramics, to include a Coalport two handled urn, painted with a lake scene on a blue ground (AF), various 19thC English porcelain tea bowls, a Gaudy Welsh sucrier etc.

A late 19thC French gilt metal and porcelain clock garniture, the clock decorated with an urn above a porcelain dial, painting with flowers and with Roman numerals, flanked by two lion mask and wreath handles, the square base inset with a rectangular panel of flowers, flanked by two associated urns, each painted with figures on a puce ground picked out in gilt, the clock 36cm high, the urns 28cm high.

A small two handled silver urn shaped trophy and cover, decorated with flowers, leaves, etc., the lid decorated with a lady finial, engraved to one side Replica of the 80 Guinea National Confectionary Cup, Won by J.E. Oldham Sept 1902, Sheffield 1902, made by Elkington and Co, 7oz, 16cm high.

An Edwardian mahogany and boxwood strung square section urn stand, with checker banded border, on a tapering column and stepped plinth, 109cm high, 27cm wide.

Reconstituted garden urn, the egg and dart frieze above a gadrooned body, raised on a beaded stem, above a circular base and square plinth, 70cm diameter, 66cm high

18th Century South Staffordshire enamel snuff box, the white lid with a depiction of a couple in a landscape with urn above a white base with depictions of a shepherd and shepherdess, 7cm wide

An Arts & Crafts copper twin handled urn vase with embossed central rope twist motif inset between stylised relief panels, unmarked, height 18cm.Additional InformationGeneral wear, dent to one side, scuffs, polish residue.

A pair of Victorian style cast iron Campana form garden urns, overall height 112cm, height of urn only 61cm, diameter of urns 44cm.Additional InformationThey have been drilled to allow water to come out of them, there is clearly some age to them, however they are not Victorian originals. They are free from damage, with just typical rubbing and some rust and scuffs to the interior.

ROYAL DUX; an Art Nouveau pedestal figural bowl in the form of a maiden beside a water urn with open conch shell, embossed pink triangle mark to base, height 25cm.Additional InformationRestoration to the neck and shoulders of the maiden, general wear, rubbing to gilding.

AYNSLEY; a group of 'Pembroke' and ' Orchard Gold' tableware including vases, lidded urn, dishes, tortoise etc (three items slightly af).Additional InformationThe Pembroke lidded cylindrical jar with chip to the rim of the lid, the Pembroke lidded urn with a small chip to the lid rim lower section interior, the lid rim interior of the Tortoise has a small chip otherwise some rubbing to detail, some surface scratches and general wear.

A mixed lot of assorted ceramics to include Spode 'Italian' pattern biscuit barrel and cover with wicker handle, Arthur Wood urn vase, Japanese blue and white ceramics, etc.Additional InformationThe cover on the Italian biscuit barrel has been broken off and glued, also a chip to the underside of the cover. The blue and white jug with extensive crack and chip to the rim. The blue and white mug with chip to the inside of the rim. The Japanese blue and white vase is heavily af, the teapot with chip to the spout.

COMITTI; a reproduction inlaid oak cased stick barometer, with brass urn finial and silvered dial, height 96cm. 

FRANZ XAVIER BERGMANN (Austrian, 1861-1936); a good and large cold painted bronze cockerel with foundry mark bearing letter 'B' within urn and further stamped 'Geschütz 7018' to underside, height 31cm.Additional InformationThere are loose pieces to interior, a flaw to one of the smaller tail feathers to the rear of the model in the casting, so the tip is separate from the rest of the feather, missing the glass insets which would have originally have been in place for the eyes, some minor dents and knocks, light rubbing and general wear.

Five items of copper comprising two teapots, warming pan, sauce pan and a Barron & Wilson of 436 The Strand London twin handled tea urn with stamped manufacturer's marks (5).Additional InformationKnocks, dents, wear commensurate with age and use throughout.

COALPORT; a pair of limited edition twin handled urn vases to commemorate the silver jubilee and coronation of Elizabeth II, height 23.5cm, together with assorted glassware and an Aller Vale miniature basket (jug af).Additional InformationThe coronation vase has a large crack running through body, numerous items of the glass with chipping and knocks, the aller vale with tiny chips to the rim; small cranberry glass jug with chip to rim.

A mixed group of ceramics including an art pottery ewer, height 34cm, an Adams blue jasperware jug and vase/urn, a Burleigh Ware jug featuring rabbits, a Spode gilt and transfer floral decorated trio, cake stands including a Hammersley 'Dresden Sprays' pattern example, a Shelley floral decorated sandwich plate, Crown Ducal floral decorated pair of vases and twin handled bowl, T. G. & Co Ltd Cornish kitchen ware lidded jar, an Aynsley transfer fruit decorated dish with D Jones signature, a Chinese shaped bowl (af), a Royal Albert gilt decorated part tea set comprising six side plates and saucers, etc.Additional InformationMixed condition, no obvious damage, but due to the extensive group nature of this lot it is impossible to individualise and no returns will be accepted upon this basis. Chinese bowl cracked. Rubbing to gilt detail where applicable, including Royal Albert part set.

A group of electroplated items including egg cups and spoons on stand, clear glass cruet set on stand, toast rack, sardine dish on stand, cream jug, pierced dish with swing handle and predominantly Fiddle pattern loose flatware, also further mixed metalware including copper kettle, tea urn, fire tools, model dog, etc.Additional InformationSome nibbles to glass, further usual scratches, rubbing to plating, knocks in places, etc.

 W SUGG; a bronze twin handled pedestal urn table lamp with cast decoration depicting classical figures, the two handles formed as fawns, height 80cm (converted). Additional Informationgeneral wear throughout, light scratches. 

A 19th century tin glazed charger crudely decorated with an urn, unmarked, diameter 34cm and a Delft charger decorated with two figures within a landscape, painted AR conjoined mark to the reverse, diameter 35.5cm (2).Additional InformationThe Dutch example has fritting and glaze chips around the edge, it is very dirty, with some rubbing to the central well, but rings true and otherwise ok. The second charger has some chips around the rim, also some fritting and imperfections in the glaze, a firing flaw to the glaze to the reverse, but again rings true and basically in good condition.

COALPORT; a large twin handled porcelain vase 'To commemorate the bicentenary of the birth of John Constable' (af), together with further Coalport ceramics (4).Additional InformationThe large urn is poor condition with a large piece missing from the rim, the cover is smashed, numerous cracks, another item has a foot rim broken off but it is still present, only two of the items are in good condition.

Two Continental porcelain figures, each decorated with crinoline type dresses and applied floral decoration, painted blue factory marks to base, height of largest example 26cm, together with a similar example and two twin handled lidded urn vases, etc (6). Additional InformationFIGURINES ONLYLarger figure: head broken off and glued back, large losses to dress, middle size figure with small finger missing and large losses to dress, small figure with losses to dress. 

A group of electroplated items including rectangular and oval serving dishes, part cruet set and further stands, pierced dishes, various spoons, teapot, a Middle Eastern Hamraz tea urn (missing components),  etc.Additional InformationHeavy general wear throughout. The tea urn lacking several components, will need some attention.

An early 19th century Coalport pedestal urn, with hand painted flowerhead detail, 15cm high, and a collection of decorative 19th century platesCondition report: Wear, repair and damage to some plates, cover missing to urn

A pair of stoneware jardineres on stands, modelled as tree stumps, in two parts, one repaired, 55cm wide, 75cm highCondition report: One repaired - through the bowl of the urn. Chips to the edges.

A Victorian brass tea urn; a brass chestnut roaster; and an embossed brass bed warming pan with steel handle.

A gilt framed rectangular mirror with urn finial and scrolling swags, label to verso re purchase in 1920 from Foster brothers, Park Square, Boston, 88cm high, together with a similar style mirror and a mirror with a glass panel above depicting a countryside scene and a lady with a pitchfork (3)

A very large Grecian 'style' terracotta urn/jug of baluster form, with two pairs of pierced finger holes for lifting/ pouring, 100cm high

A 20th century oval Adam style bevelled wall mirror, brass frame surmounted with urn finial and swags, 78cm wide

Sammlung prähistorischer Objekte. Darunter ein kleiner Glockenbecher (ca. 2600 - 2200 v.Chr.) aus hellem Ton mit geometrischer Ritzverzierung (FO Lonnewitz bei Riesa) (H 7,3cm), kleinere Randausbrüche, eine größere Scherbe wiedereingesetzt. Außerdem ein Kumpf mit Griffnuppe (Lausitzer Kultur) (H 9cm Dm 12cm) aus braunem Ton (wieder zusammengesetzt, aber weitgehend komplett). Außerdem ein großer Henkeltopf, Hallstattzeit, wohl auch Sachsen (H 13cm Dm 21,5cm), wieder zusammengestzt mit kleinen Ergänzungen. Außerdem eine kleine Deckelurne (H 9cm Dm 12cm), ein Steinbeil (L 18cm) und eine Webgewicht(?), L 13cm, aus Terrakotta. 6 Stück! Mit Teilen der Kopien der Korrespondenz aus den 1970er Jahren! Teile der Sammlung sind mit Papieren aus den frühen 1970er Jahren dokumentiert. Danach scheinen einzelne Gefäße 1970 im Germanischen Nationalmuseum in Nürnberg restauriert worden zu sein. Collection of prehistoric pottery, mainly from Saxonia, including a decorative little neolithic beaker from the bell beaker culture, a lausitz beaker, a Hallstatt Period vessel, a stone axe, a tiny urn and a loom weight(?). 6 pieces!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: Ex Sammlung J.B., Bayern, seit vor 1970.

COMPOSITION LOW GARDEN URN, DIAM APPROX 48CM

LARGE METAL GARDEN URN OF ORNATE DESIGN, WITH GOATS HEAD HANDLES, HEIGHT APPROX 1.2M

COMPOSITION MOULDED GARDEN URN, HEIGHT APPROX 42CM

Thomas Pole (1753 - 1829) Elizabeth Cadbury. Painted silhouette within sepia landscape with memorial urn and personal mementos, to be engraved as an obituary print, framers' label inscribed in pencil Wife of Richard Tappen Cadbury 1768 - 1851, (née Head) verso, 25 x 18cm in burr walnut frame, 30 x 23cm overall. [no.86 Silhouette, The Art of Shadow by Emma Rutherford].

A pair of mid-19th century English porcelain floral-encrusted urn-shaped vases with ram's head handles, cross swords mark beneath, 18cm high, (covers lacking) and an English pottery transfer-printed and gilt-metal-mounted lamp, 23cm, (2).

A shallow cast iron campana-shaped garden urn, 49cm diameter, 73cm high.

George III tortoiseshell box of oval form, the hinged cover with silver pique work, wirework border and a harebell garland around the central urn with gilt metal hinge and thumbpiece, 9cm long

Pair Royal Worcester Freeman fruit painted two handle urn vases and covers, having mask handles, signed, printed mark, 20cm.