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A GERMAN PORCELAIN URN painted with cartouches of courting couples with gilded moulded swag detail, 25cm high, a square form chocolate cup, cover and stand painted with hunting scenes and with AR mark to base, a Samson porcelain inkwell and a faience pottery desk stand (4) Condition Report: A GERMAN PORCELAIN URN - missing an end to one of the gilt swags, tiny chip to one plinth rim. a square form chocolate cup and cover - chips to one of the column tops and a couple of small chips to corners on lid, some rubbing to gilt, Stand has been broken and re stuck. a Samson porcelain inkwell - some wear to gilt. a faience pottery desk stand - missing one inkwell liner, other is cracked. Large chunk missing from the drawer front.
A FRENCH GILT METAL CLOCK GARNITURE WITH SÈVRES STYLE PORCELAIN PANELS the dial with Roman numerals, and retailers mark for J.W. Benson Ltd, the movement by A D. Mougin of Paris, 44cm high, with a pair of non matching urn garnitures (3) Condition Report: No key. It does wind but does not tick.
A PAIR OF FRENCH GILT BRONZE TWIN LIGHT WALL APPLIQUES AFTER JEAN-CHARLES DELAFOSSE, 19TH CENTURYDraped urn finial above bold ram head mounts, floral draped shaped armseach approximately 45cm high, 32cm wide, 15cm deepProvenance: Private Collection, LondonCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThese have been externally wired and drilled for electricity, there are remnants of old wiring Please note these are sold as decorative works of art only and not as working electrical lamps - these would need to be rewired and tested by a professional electrician prior to installation in a domestic setting.Some dirt and discolouration to the metal, some pitting and wear, fitted with plastic faux candles Please refer to additional images for visual reference to condition Condition Report Disclaimer
A GEORGE III GILTWOOD WALL MIRRORIN THE MANNER OF WILLIAM & JOHN LINNELL, CIRCA 1770180cm high, 90cm wideProvenance: Private Collection, Mayfair, London. Purchased from Sotheby's, Bond Street, London, 2009. For mirrors of the period incorporating similar urn surmounts see Graham Child, World Mirrors 1650-1900, Sotheby's Publications, 1990, page 140 and 141. Design drawings for related mirrors by John Linnell exist in the collection of the Victoria & Albert Museum, London. This includes in particular '5 designs for frames' (see detail image) Accession number: E.3482 -1911.
A COMPOSTION STONE CENTREPIECEATTRIBUTED TO AUSTIN & SEELEY, MID/LATE 19TH CENTURYDistinctive rusticated base, ram head decoration to encircling borderapproximately 143cm high overall, the base 51cm wideCondition Report: Overall the urn has chips, knocks, scratches, cracks and abrasions consistent with age and use. There are some losses and repairs including to the corners of the urn base and the finial. There are some cracks including to the base of the pedestal. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
A TERRACOTTA CENTREPIECE ON PEDESTALBY JAMES PULHAM BROXBOURNE, 19TH CENTURYOf twin handled swept Campana form, with lobed body, stepped pedestal with entrelac style banding, impressed incomplete stamp to socle "*P, TE***, B****" presumably for James Pulham Broxbourne Terracotta122cm high overall, 76cm wide, the base 46cm wideCondition Report: Centrepiece with the expected weathering and lichen consistent with age and outdoor use. Areas of dark surface deposits. Various old chips and some losses. Some soil to the interior of the urn where it has previously been used as a planter. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Death of the Earl of Chatham, 1778, a gilt-copper medal by J. Kirk, draped bust right, rev. mourning Britannia leaning against funerary urn, 37mm (BHM 213; E 776). Very fine but gilding worn in places, scarce £60-£80 --- William Pitt, 1st Earl of Chatham (1708-78), joined forces with the Duke of Newcastle to form a ministry which governed from 1757-61. He was a frequent visitor to Claremont
A MAHOGANY LONGCASE signed J Holland, Bury, the eight day movement with anchor escapement striking on a bell, 12" arched dial painted with floral sprays, Roman and Arabic numerals, calendar dial and moonphase in the arch, the case with scrolled and dentil moulded pediment with carved rosettes and brass finials on fluted Corinthian columns, dentil moulded impost, arched Gothic door flanked by fluted quarter columns, canted panel base and ogee bracket feet, 101" to top of finial (Est. plus 21% premium inc. VAT)Probably a marriage of case and movement, movement needs a clean, dial a little grubby but painting and numerals good, chip at 5 seconds mark, very handsome case with flame veneers, generally very good bar small loss to moulding at base of trunk door and to base of applied urn finial over the door, with weight and pendulum but no feather
A FRENCH RED BOULLE AND GILT METAL TABLE CLOCK, late 19th century, the twin barrel movement with anchor escapement striking on a gong, back plate stamped 1961, sunburst pendulum, 6 1/4" embossed gilt dial inset with white enamel and black Roman numerals, the waisted rococo case with urn surmount and bracket feet, 19" high (Est. plus 21% premium inc. VAT)Case and movement in very good condition bar small area of metal inlay lifting to front of arched surmount
A GEORGIAN OAK BUREAU, c.1800, the fall front with ebony and box stringing enclosing fitted interior with drawers and pigeon holes flanking a central door with urn patera, four long flush drawers below with oval brass drop handles, reeded base with waved apron and bracket feet, 38" x 20" x 41 3/4" (Est. plus 21% premium inc. VAT)Some ink stains to top and hairline shrinkage split, interior good with all handles intact, oval handles replaced to drawers, otherwise good, sides and top good colour, some fading to fascia, minor shrinkage to sides
A GEORGIAN REVIVAL MAHOGANY CABINET, c.1900, the dentil moulded cornice with arched pierced fret surmount carved with foliate scrolls and with urn finials, blind fret frieze, two astragal glazed doors, enclosing adjustable shelving, on stand with cabriole legs and claw and ball feet, 46 1/2" x 15 1/2" x 84 1/2" (Illustrated) (Est. plus 21% premium inc. VAT)Generally very good, no obvious losses
An Edwardian metal floorstanding oil lamp, converted to electricity, with central column supported on three scroll feet, height approx 170cm, together with a brass bed warming pan on turned wooden handle and a metal fire screen with applied decoration of an urn with garlands of flowers, height 58cm (3).
Various items of collectible pottery to include a Clarice Cliff for Newport Pottery 'Celtic Harvest' marmalade pot and cover, a retro 1970s Carltonware wildfowl-shaped dish, a Royal Doulton D5533 'The Falconer' character jug, a pair of Japanese blue ground urn stem vases painted with river scenes, a six-sided vase decorated in the Persian style, three other Toby jugs, an Adams Calyx ware bowl, a Doulton Willow pattern flow blue tumbler, etc (11).
ROYAL DOULTON; an early 20th century urn shaped vase with cover, cobalt blue ground with floral decoration, satyr handles to either side, to a slender and circular support, gilt heightened throughout, height 28cm, and a Carleton Ware hand-painted rouge royale baluster vase with snake handles to either side, decorated in the chinoiserie style with raised bead decoration of weeping willows and exotic birds, height 13cm (2). CONDITION REPORT Age related wear, no signs of major restoration, the cover has had the knop on the top restored and poorly re-painted,
Repeater pocket watch, enamel dial with Arabic numerals and minute track diamond set hands, with rose cut diamonds set around the face and a rose cut diamond set pusher, movement signed Jr Gautier A Caen No 259, blue enamel with star detail to the reverse and a central motif depicting a dove, dog, urn and floral basket, with domed glass, case in silver and 18 ct gold with wirework and engraved detailing, in a fitted boxCondition Report: Gross weight 67.3 gramsblue enamel is damaged on the reverse with areas missingone rose cut diamond missing near wirework frameHinge is workingEwbank's do not guarantee the working order or accuracy of any lots sold.
A Continental rose gold sapphire, diamond and pearl ring, c.1915,with an urn shaped pierced head. A cushion cut sapphire, milligrain set at one end with a spray of seed pearls above. A Swiss cut diamond, rub set in a white collet, rub set to the centre, with a pearl, untested, peg set below, with radiating blade edge bars between, to an engraved laurel frame, with a ridged zig zag gallery, to a plain shank. Tested as approximately 14ct gold and 18ct gold. Head 23.50 x 10.50mm, 4.15g.Finger size JProvenance: The Peter and Pat Crofts CollectionCondition report: Half shank replaced.Some loss of nacre to the seed pearls.Minor marks to the table or crown facet edge wear under 10x magnification to the sapphire.Has been sized - noticeable inserted section.
A Georgian gold memorial brooch/pendant,of navette form, with woven hair overlaid with a gold urn and swags. A memorial plaque to read 'Gage D'amitie' beneath a concave, bevelled edge glass cover to a plain closed back. Brooch fitting, 'C' catch and eyelet. Tested as approximately 9ct gold. 35 x 23mm, 9.45gCondition report: Some wear to the named plaque.Tarnish.Light surface marks commensurate with its age.Some wear to the edge of the glazing.
A set of four Neo-Classical silver candlesticks, Robert Makepeace & Richard Carter, London 1777, the tops of urn form and embossed with floral swags, each with detachable sconces engraved with family crest, with fluted, tapering stems, upon stepped, square bases, each 31.5cm high. (4, loaded)
A Royal Worcester porcelain “Kate Greenaway” sugar caster figure of a girl in yellow bonnet & long pink dress, 6¾” high, date code for 1883; a ditto ivory & gilt figure of a boy standing beside an urn, 6¾”; & a ditto candlestick figure of a boy standing beside a tree trunk (lacking candle sconce), 6” high.
A pair of embossed plated white metal wall sconces, of shaped rectangular form surrounded by a foliate urn and rope twist border and the other embossed central lion rampant and the other with mythical beast. CONDITION REPORT: Generally good, some bending to the scrolled sconces and to the drip pans and requires re-wiring.
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68875 item(s)/page