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Click here to subscribeA LATE 19th CENTURY FRENCH MANTEL CLOCK with large ormolu mounted urn finial above a black slate and rouge marble case with champleve decoration enclosing a 4” slate and rouge marble dial with gilt Roman numerals and champleve centre fronting an eight day spring driven movement striking the hours/half hours on a bell 39cm high - bell lacking.
AN EARLY 19th CENTURY FRENCH SIENNA MARBLE AND ORMOLU MOUNTED MANTEL CLOCK with rectangular case surmounted by urn finial and applied gilt acanthus leaf mouldings enclosing a gilt brass dial with embossed flower head centre and Roman chapter ring fronting an eight day spring driven movement with outside count wheel and silk suspension striking the hours/half hours on a bell 37cm high 19.5cm wide
A FRENCH EMPIRE ORMOLU URN-SHAPED MANTEL CLOCK surmounted by two swan heads, the case with acanthus leaf and dragonfly decoration enclosing an 8cm enamel dial with roman numerals signed, Loizillon à Rouen, fronting an eight-day spring driven movement with silk suspension and outside count wheel striking the hours/half hours on a bell 33.5cm high.
A LATE 19th CENTURY BURR WALNUT LENZKIRCH QUARTER CHIMING BRACKET CLOCK the case with carved bell top and brass urn finials above four reeded canted corners enclosing an arched brass dial with silvered Roman chapter ring, matted centre and subsidiary regulation dial above surrounded by ormolu spandrels fronting an eight day spring driven quarter striking movement on two gongs 39.5cm high
Baccarat, a moulded, cut and etched glass twenty-four light chandelier, late 20th century, in early 19th century taste, with two tiers of twelve twist moulded branches issuing from a metal circlet, each with flared and etched shade above an electrical fitment within an urn socket, above drip pans hung with faceted glass pendants, the hobnail and twist moulded stem with urn section beneath a flared ceiling fitment, with further twist moulded stems rising beneath, each with pendant bellflower; the hobnail cut dished underside with Baccarat factory stamp, with further faceted pendants around a bellflower terminal, approximately 112cm high, 110cm wide
FRANK CRAWFORD PENFOLD Five o'clock tea in the studio, Buffalo New York Oil on canvas Signed 81.5 x 102cmExhibited in March 1902 at the Buffalo Society of Artists.Six notable members of Buffalo society take tea in the Artist's studio.From left to right: The artist Burr H. Nichols conversing with Mrs. Penfold, the artist's wife. Mrs. George Howard Bush presiding over the tea urn, Miss Emily Gray, Mrs. Edwin Fleming and Mr. George Hibbard the writer, on the extreme left. Provenance, from the estate of Major Charles St. John Colthurst (1904-1985) whose mother, Emma Susan Uebelher, was from Buffalo New York, thence by family decent to the present vendor. Being sold with the painting is a pair of lorgnettes. Family legend has it that these are the same pair being held by Mr Hibbard in the picture.(See cover illustration - detail) Condition report: Upper third of canvas in good condition. Lower two-thirds suffers from a degree of flaking and minor paint loss, particularly to the bottom edge where there has been some overpainting to mask paint loss.From the back can be seen one patch covering an area of repair approximately one and a half inches square.To conclude: The painting needs some restoration. In it's favour, there is virtually no overpainting or restoration to 95% of the image.
A French porcelain Sevres-style blue-ground gilt-metal mounted two-handled clock garniture, third quarter 19th century, painted recto with Watteauesque panels and verso with landscape panels, the central urn and cover fitted with an eight-day two-train clock movement, 65cm high, the flanking urns and covers 62cm high
A cased set of four Victorian silver candlesticks, by Martin Hall & Co, each of neo-Classical design with urn sconces, raised with garlands, above applied tapering stems on rounded feet set with acanthus garlands, and figural masks, London 1890, 142oz (weighted), in an oak presentation case, with metal plaque To Captain Riddell, From Mr & Mrs Kendall.
A pair of early 19thC Old Sheffield plate metamorphic two branch candelabra, each centred with a leafy scroll finial with a calyx of flowers raised on urns flanked by scroll and floral dish holders, on urn tapering acanthus leaf and flowerhead stems, on shaped bases, marked below, 63cm high, with the ability to make a single four branch candelabra. (2)
A 19thC Louis XIV style French Boulle and ormolu mantel clock, stamped Howell & James, Paris, the shaped case surmounted by an urn finial, housing a 10cm dia. dial raised with enamel Roman numerals above a pierced fretwork and shell and scroll arrangement, revealing an eight day key wind pendulum swung movement, raised on leafy scroll acanthus supports, 36cm high.
Five trays of mainly blue and white Jasper ware items to include: collectors plates, many in original boxes; urn shaped Campana vases; mantel clock; candlesticks; jugs; pedestal bowl; miniature wall unit with miniature items including thimbles; teapots etc. (5)(B.P. 24% incl. VAT) CONDITION REPORT: Generally good condition. Small pot with cracked lid. Some plates have abrasion marks/wear from plate hangers.
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