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![Antique brass and copper urn, detailed with ram head and ring sculpt handles.[46cm high]](https://cdn.globalauctionplatform.com/627fafc7-d237-4ab6-bdee-aed300c2ca1e/a647c726-510b-4988-9ed6-aed5011dac3d/468x382.jpg)
![Antique Chinese two handle cloisonné and bronze/ brass two handle urn vase. [31cm high]](https://cdn.globalauctionplatform.com/627fafc7-d237-4ab6-bdee-aed300c2ca1e/5c50392d-faea-4df7-ac77-aed50163dc69/468x382.jpg)
![A Royal Worcester man carrying an urn figure. [20cm high]](https://cdn.globalauctionplatform.com/627fafc7-d237-4ab6-bdee-aed300c2ca1e/9c0b7f66-d17e-463b-8ae8-aed50174e448/468x382.jpg)
Lot 1505
An old porcelain pot pourri in the shape of an urn with mask handles in the form of Shakespeare character 'Bottom' (man/goat) with hand painted under glaze decoration of floral swags, Greek key and yellow, green and black arched border to the base, pierced top, lid absent, some chips to the base and wear to the one mask handle and on the borders, 7" tall.
Lot 151
Circa 1820 a late George III inlaid and crossbanded mahogany bureau with three various Grecian urn decoration the drop down fall with key opening to reveal a fitted interior with central stationery cupboard door having key over a single drawer and two door cupboard with key on bracket feet (all locks working/3 keys) 95cm x 86cm x 46cm
Lot 284
A Georgian Mourning Ring, (converted to a brooch / lacking pin) the elongated oval panel encasing funerary urn with bead highlights and decoration (damaged / loose / moving within the setting), inscribed verso "E Harrie(?) obt dec 1793 aet 15 M"; together with a Victorian anchor brooch with applied ropetwist detail; and a late XIX/early XX Century swivel locket brooch (lacking pin / damaged) enclosing period photographs. (3)
Lot 777
HISPANO-MOORESQUE REVIVAL JARDINIERE ON STAND BY DELPHIN MASSIER,late 19th century, the twin handled urn on socle base, raised on four column stand, with Mooresque arches to apron, on shaped quadripartite base, the urn stamped 259 and the stand 258, 127.5cm high overallJardiniere has areas of both dark blue and black glaze; cracked to lower section; small chip to one of the column bases; one larger and one smaller chip to base; some further small chips and glaze nibbles around base; chip to one of the apron mouldings; the columns with hairlines; some further firing cracks, smaller hairlines and crazed throughout with general firing imperfections; see additional images
Lot 791
ROYAL WORCESTER LIDDED URN,moulded with scrolling foliage and with twin mask-detailed handles, hand painted with fruits by David Fuller and signed, on waisted stem to pedestal base, printed marks, no. 1572, 27.5cm highPainting good - gilding slightly rubbed in places - minor scratches - the moulded band to the base of the neck is matt and dis-coloured - the knop finial has been broken off and stuck back (not professionally).
Lot 793
ROYAL WORCESTER LIDDED URN,of ovoid form with twin mask-detailed handles, hand painted with fruits by David Fuller, on waisted stem to pedestal base, printed marks and no. 2363, 22cm highPainting good - gilding matt in areas - also the gilding is rubbed and scratched in ateas - knop finial has been off and stuck back again (not professionally).
Lot 815
19TH CENTURY GILTWOOD AND GESSO GIRANDOLE MIRROR,with bevelled plate, 88cm longLoss to moulding and damage where candlesticks are attached to lower section as well as the scrolled stems and applied detail with majority lost; splits and damage to sconces, right sconce lacking beading and likely an old replacement or restoration;chip to moulding upper left corner; chip to stem and base of urn surmount, wreathes very delicate; further splits, losses and rubbing throughout; 41.5cm wide, 15cm deep; additional images available
Lot 179
French bracket clock Late 19th-century French four glass bracket clock, 8-day movement striking on a single gong, mercury-filled pendulum, enamelled dial with Arabic numerals, decorated with garlands of flowers and enemelled, champleve bezel case with classical urn pediment, bow-front, two doors to case giving access to front and rear, rest of case with champleve decoration, green onyx canopy and pediment all standing on brass pad feet.width 21cm (8"), depth 17cm (7"), height 43cm (17")Canopy left hand side small chip showing signs of older repair, back door of case with multiple chips to glass (see photographs), feather slightly twisted.
Lot 1141
A late 19th century French gilt spelter and porcelain mantel clock garniture, the clock with eight day movement striking on a bell, the painted porcelain dial with Roman hour numerals on a blue band ground, framing bird and flowers, the case with urn surmount above laurel wreath handles and an inset porcelain panel, on twin hoof feet, height 44cm, with pendulum, together with a pair of matching ornaments, height 27.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1180
An impressive late Victorian gilt brass mounted and inlaid rosewood bracket clock with eight day twin fusee movement striking hours and half hours on a gong, the backplate signed 'Lund & Blockley successors to Viner New Bond St London' and numbered '246', the silvered breakarch dial with all-over finely engraved foliate scrolls, slow/fast indicator to arch, Roman hour numerals and outer Arabic minute numerals and inscribed 'Lund & Blockley', the foliate inlaid case with flower urn finial surmount above four urn and flame finials to corners, united by a balustrade, the sides with vine bordered pierced trellis fret panels and flanked by four ebonized barley twist columns, raised on foliate capped twin paw feet, height 60cm, with pendulum and winding key. Note: John Alexander Lund & Herbert Blockley were highly regarded clockmakers working at 42 Pall Mall, London, from 1872 to 1876 (successors to Viner) and also had a branch in Bombay, India. They were retailers and manufacturers of house and turret clocks, including for Queen Victoria between 1875 and 1905.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1137
A late 19th century French lacquered brass mantel clock with eight day movement striking on a gong, the silvered chapter ring with black Roman hour numerals, the case with urn surmount and turned finials above four turned columns, on a stepped plinth base, shaped apron and turned feet, height 41cm, with pendulum and winding key.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1144
A late 19th century French gilt spelter and Sèvres style porcelain mantel clock with eight day movement striking on a bell, the porcelain circular dial with black Roman hour numerals on a pink and gilt band, the centre painted with bird and flowers, indistinctly inscribed, the case with urn surmount above cast shell mask and foliate scrolls, inset with similarly decorated porcelain panels to front and side panels, the case back stamped 'P.H Mourey 73', height 44cm, with pendulum.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1143
A late 19th century French ormolu and alabaster mantel clock with eight day movement striking on a bell, the circular enamel dial with black Roman hour numerals and outer Arabic minute numerals, the rectangular case with urn surmount above four arrow and quiver corner columns, on a cut cornered plinth base, height 46cm, with pendulum.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1252
An early 20th Century Coalport bone china garniture comprising two tall lidded double handled vases and a smaller urn with goat mask handles, each decorated with a central panel depicting an historic ruin on a cobalt blue ground with Rococo gilt scrolling and highlighting - lid finials broken and re-glued and some gilt rubbing
Lot 159
Embroidery. A large wall hanging, Banja Luka, Balkans, early 19th century, wall hanging with all-over polychromatic appliqué embroidery composed of small pieces of woollen cloth, with stitched outlines and details in coloured silk and metal threads, depicting a mihrab featuring a large urn of flowers flanked by 2 smaller similar, the upper part of the niche inlaid with purple silk velvet (a little threadbare in places), lateral cartouches with floral motifs and Ottoman architecture, and a wide border with floral bowls and vases between narrow floral borders, some overall wear consisting of frayed edges, and small holes and losses (some areas consolidated with stitching), backed with canvas (stained and with some wear), 180 x 110.5 cm (71 x 43.5 ins)QTY: (1)
Lot 160
Embroidery. An apron panel, British, circa 1730-40, a large portion of early embroidery on cream silk, elaborately hand-worked with various floral and foliate motifs, volutes, and entwining tendrils, incorporating a central urn flanked by baskets, and 2 pocket slits, stitched in silk threads in shades of red, pink, blue, and green, using satin stitch, and long and short stitch, partially unpicked, with original brown ink outlines visible, hems also unstitched, a number of short splits in silk, 50 x 100.5 cm (19.75 x 39.5 ins)QTY: (1)NOTE:Provenance: The Farquhar Collection, Redlynch House, Salisbury, Wiltshire (see also lot 151).
Lot 201
Andreani (Andrea, 1558/59-1629). The Triumph of Caesar: Plate IV (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dark brown, grey, and three shades of ochre, a good, clear impression, printing with gaufrage verso, trimmed to the borderline, generally in good condition, a small plugged hole at the left sheet corner and to the right of the central urn, a small loss at the lower sheet edge, touched in with pen and ink, a short tear at the right sheet edge, a central vertical fold mainly visible verso, a further diagonal fold, sheet size 37 x 37cm (14 1/2x 14 1/2 ins), framed (65 x 62 cm), together with The Triumph of Caesar: Plate IX (after Andrea Mantegna), 1599, chiaroscuro woodcut on laid paper, printed in dark brown, grey and three shades of ochre, a good impression, printing with gaufrage recto and verso, with margins on three sides, generally in good condition, backed, one or two short tears at the sheet edges and a small loss at the right sheet edge, a central horizontal fold, sheet size 39 x 38 cm (15 3/8 x 15 ins), framed (65 x 62 cm)QTY: (2)NOTE:Literature: Bartsch XII.101.11[4]; See The Chiaroscuro Woodcut in Renaissance Italy, edited by Naoko Takaharake, 108.Andreani published this suite of prints to reproduce the nine canvases of the Triumphs of Caesar by Andrea Mantegna, made for the Gonzaga ducal palace in Mantua between 1484 and 1492, now residing in Hampton Court. The set, his last large-scale publication, took four years to complete and was the first to depict a painted cycle in its entirety. According to the dedication page, Andreani worked after drawings prepared by the Mantuan painter Bernardo Malpizzi. Each of the nine scenes were printed with four blocks; the key block for outlines and separately carved blocks to apply the different shades of colour.
Lot 245
French School. A lady dressed as Flora seated before a fountain in an ornamental garden, with a female attendant strewing flowers into her lap, with two putti sitting before an urn garlanded with snakes, mid-18th century, sanguine crayon on laid paper, 17.4 x 23.2 cm (6 7/8 x 9 1/8 ins), in a wooden frame (31.5 x 36.5 cm)QTY: (1)
Lot 270
Turner (Charles, 1773-1857). The Family of Sir Robert Wigram Bart, 1826, uncoloured engraving, showing Sir Robert Wigram with his second wife Lady Wigram and his twenty-three children all standing or sitting in a row, a portrait of Sir Robert Wigram deceased first wife hanging above the fireplace in the background, on the right a large urn raised on a platform sitting behind the family members, 50.5 x 92cm (19 7/8 x 36 2/8ins), key on verso, framed and glazed (65.4 x 102.5cm), with a key for the portrait made for Thomas Venable Scudamore, Uncle to Barbara Scudamore Mitchell, wife of Anthony James Watson, listing the names of all the family members, together with A Silhouette Portrait of a lady, unknown artist, painted and highlighted in gilt, head & shoulders of a woman, profile to the right, showing a woman in Romantic style dress with puff sleeves and low shoulders, hair worn up with an ornate high hair comb, tight curls running down the side of her face, cut out and laid onto paper, sheet size 12.1 x 9.8cm (4 3/4 x 3 3/4ins), hand written note on verso 'For my dearest little Fanny given her on the 25th June by her most affectionate friend Louisa Clarke', (17 x 14.4cm), framed and glazed, plus two painted silhouette portraits one of a gentleman and the other of a lady, toned, along with a reverse silhouette of a gentleman looking to the leftQTY: (6)
Lot 87
Mantel Clock. A late 19th century French mantel clock, the elaborate classical ormolu case with urn finial, and wreath border supporting a convex white enamel dial with black roman numerals and arabic minutes, pierced gilt metal hands, single winding hole (damage to the enamel and the glass door heavily pitted), drum shape brass movement, on a white marble base with turned brass supports, 30cm highQTY: (1)
Lot 302
A pair of early Victorian gilt-bronze mounted Jasperware and cut-glass candlesticks, c.1840, in the George III style, each with scalloped leaf tip urn form socket with pendant drop prisms and a scalloped bobèche hung with further drops, on Wedgwood style base decorated with a neoclassical frieze, 32cm (2)Please refer to department for condition report
Lot 310
A Regency ormolu and patinated bronze white marble inkstand, retailed by Thomas Weeks's museum, Titchborne St, London, early 19th century, with a reclining dog chained to an urn on a tree stump, with a further urn and an inkwell on a rectangular base with chamfered angles, 13cm high, 16cm wide, 9cm deep Provenance: purchased from Jeremy Ltd, 17th August 1988, £2000.Note: Thomas Weeks established his renowned museum of 'mechanical curiosities' at Nos. 3 & 4 Tichbourne Street in about 1797. The attractions included various animated animals and insects, ingenious clocks, musical instruments, elaborate temples, toys and other such peculiarities that appealed to the London public in the late 18th and early 19th century.Please refer to department for condition report
Lot 36
A George III silver chafing dish and cover, complete with stand and burner, all London, 1798, William Allen III, the circular dish with reeded twin handles and urn-shaped finial, the burner, dish and lid with lion crest, approx. weight (exc. burner) 54ozPlease refer to department for condition reportMonogram to each piece, silver splitting around finial to underside of lid.
Lot 374
A pair of gilt and patinated bronze urn and palm table lamps, of Regency style, second half 20th century, on stepped bases, with tole shades, 76cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report
Lot 379
A set of four French gilt-bronze twin-light wall appliques, late 19th century, the backplates cast as flaming torches with wreaths, the projecting oval candle holders supporting urn nozzles, 30.5cm high (4)Provenance: The estate of the late designer, Anthony Powell.Please refer to department for condition report
Lot 385
An oak striking table clock, by Joseph Smith of Barthomley, early to mid 18th century, the oak case with brass swing handle and urn finials to top, over arched glazed door on plinth base with bun feet, with glazed panels to sides and reverse, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, the chapter ring signed Joseph Smith Barthomley, the matted gilt centre engraved with a sun, date aperture at six, with mask and scrolling foliate spandrels, the arch with later plaque inscribed Tempus Fugit, the eight day twin fusee movement with repeating mechanism, striking three bells, the backplate elaborately engraved with flowerheads and scrolling foliate decoration, with pendulum, 51cm high including handle, 26cm wide, 15.4cm deepNote: Joseph Smith of Barthomley, Chester is listed on page 721 of Brian Loomes’ Clockmakers of the World: 21st Century Edition. He married in 1718 and worked in Barthomley until 1725 when he moved to Gloverstone, Chester, where he continued to work till post 1769.Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 396
A Victorian Gothic style mahogany and boxwood line inlaid twin fusee mantel clock, late 19th century, the Gothic style case with shaped cresting and twin brass urn finials, on plinth base with bracket feet, having twin ring handles and glass panels to sides, the painted shaped dial with Arabic numerals and Strike/Silent subsidiary dial, signed Johnson, London to dial centre, the eight day twin fusee movement chiming on a gong on the hour, with pendulum, 49cm high, 29cm wide, 19cm deepPlease note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 404
A French ormolu and porcelain mounted clock garniture, late 19th century, the central clock with porcelain and ormolu mounted urn finial above scrolling floral mounts, on caryatid scrolling feet, the porcelain dial painted with two lovers in a garden setting, the painted chapter ring with Arabic numerals and birds and flowers, with porcelain side panels, the twin train eight day movement stamped BARILLETS MOBILES - E. GODEAU - BREVETE S.G.D.G., striking on a bell, 39cm high, 18.5cm wide, 12cm deep; flanked by five light ormolu and porcelain candelabra, 39.4cm high (3) Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 417
A large French gilt-bronze cartel clock, late 19th century, the case surmounted by a twin-handled urn flanked by acorn finials, with scrolling foliate decoration and pierced foliate frieze to sides, the convex enamel dial with blue Roman and black Arabic numerals, the eight day twin train movement striking on a bell, 91cm high, 43cm widePlease note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 418
An Austrian gilt-wood and ebonised wall timepiece, circa 1900, the case surmounted with a ribbon-tied bow above a fluted twin-handled urn, the white enamel dial with Arabic numerals, having cylinder movement, 70cm highPlease note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
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68875 item(s)/page